• NEW
    Paperback exhibition/sales catalogue, 270 x 210 mm, publisher’s flapped wrappers, pictorial on pink background, pp.: [1-6] 7-110 [2], pages 7 to 100 are plates – photomechanical reproductions from original photographs. Limited edition of 1000 copies, 1-980 numbered, of which this is № 532. Title-page: Rudolf Lehnert | (1878 - 1948) | Ernst Landrock | (1878 - 1966) | Tunis intime | Portraits et nus 1904 – 1910 | Préface d'Hervé Le Goff | Toutes les photographies sont d'époque (Vintages) | Elles font l'objet d'une exposition du 19 septembre au 1er décembre 2007 | et seront en venteà la galerie du mardi au samedi de 14h30 à 19h30 | All pictures are vintages and are for sale at the gallery open thuesday till saturday 2,30 pm - 7,30 pm | Nicole Canet | Galerie Au Bonheur du Jour | 11, rue Chabanais - 75002 Paris - Tél. +33 (0)1 42 96 58 64 | www.aubonheurdujour.net - aubonheurdujour@curiositel.com | Métro Bourse, Palais-Royal, Pyramides || Limitation: L'édition originale de cet ouvrage est limitée à 1000 exemplaires | numérotés de 1 à 980 dont 20 exemplaires hors commerce | numérotés de H.C. I à H.C. XX | (ms) 532 || Contributors: Le Goff, Hervé (French, b. 1947) Lehnert, Rudolf Franz (Austrian, 1878 – 1948) Landrock, Ernst Heinrich (German, 1878 – 1966) Canet, Nicole (French, b. 1945)
  • NEW
    Hardcover, 206 x 138 mm, quarter blue buckram over marbled paper boards, red and green calf labels with gilt lettering to spine; pp.:[2] [1-5] 6-34 (53, i.e. 35), [36], [2]; collated [1]6, 24, 34, 46 i.e. 20 leaves plus 13 leaves of plates. Bookseller ticket to front pastedown A. Aubry libraire, 18 rue Séguier, Paris. Title-page: NOTICE | DE | QUELQUES COPIES TROMPEUSES | D'ESTAMPES ANCIENNES | Extraite et traduite de l'Ouvrage intituled : | ANLEITUNG ZUR KUPFERSTICHKUNDE, PAR BARTSCH | AVEC DES ADDITIONS | PAR M. CH. LE BLANC | DE LA BIBLIOTHÈQUE NATIONALE DE PARIS. | — | ( Tiré à deux cents exemplaires. ) | PARIS | Chez l'AUTEUR, rue du Bac, 89; | Chez DEFLORENNE Neveu, quai de l'École, 16. | 1849. || Author: Charles Le Blanc (French, 1817 – 1865)
  • NEW
    Hardcover, 310 x 230 mm, red cloth, gilt lettering to spine, brown endpapers, pictorial dust jacket, pp.: [1-5] 6-256, 348 illustrations, incl. 195 plates in full colour. Title-page: Edited by Lesley Hoskins | THE | PAPERED WALL | HISTORY • PATTERN • TECHNIQUE | {vignette} | Harry N. Abrams, Inc., Publishers || Imprint: Copyright @ 1994 Thames and Hudson Ltd, London | Published in 1994 by Harry N. Abrams, Incorporated, New York | A Times Mirror Company || ISBN-10 ‏ : ‎ 0810937301 ISBN-13 ‏ : ‎ 978-0810937307 Contributor: Lesley Hoskins, editor, former Secretary of the UK's Wallpaper History Society, Specialist Curator at MoDA (The Museum of Domestic Design & Architecture, Middlesex University).
  • NEW
    Two-volume edition, uniform pictorial glossy oblong 215 x 263 mm hardcover, catalogue of the sales exhibition from May 25 to July 17, 1993, held at the former rooms of the Galerie Wimmer & Co. in Munich. Vol. 1: The Nude in Art: From Romanticism to the Present; pp.: [2] 3-109, 86 colour plates and 16 b/w illustrations. Artists represented: Otto Müller, Paul Paede, Max Liebermann, Rudolf Nissl, Hans Licht, Leopold Schmutzler, Julius Schlegel, Paul Peel, Karl Truppe, Otto Herbig, Mozart Rottmann, Karl Schlageter, Wilhelm Hempfing, Jean Gabriel Domergue, Franz von Stuck, Marcel Herrfeldt, Jörg Trübner (Sohn des Wilhelm), Julius Hüther, Ludwig Bock, Ernst Fuchs, etc. Title-page: “Der Akt in der Kunst” | Von der Romantik bis zur Gegenwart | Gemälde, Aquarelle, Pastelle, Zeichnungen, Bronzen, Graphiken | — | Verkaufsausstellung vom 25. Mai bis 17. Juli 1993 | ~ |  DAS GEMÄLDE CABINETT UNGER | in den ehemaligen Räumen der Galerie Wimmer & Co. seit 1825 | 8000 München 2, Brienner Straße 7, Telefon (089) 22 75 15 u. 29 84 04 | Montag - Freitag 10 - 18 Uhr, Samstag 10 - 14 Uhr, langer Samstag 10 - 16 Uhr || Vol. 2: Eroticism in Art: From Eroticism to Perversion; pp.: [2] 3-100, 93 colour plates and 29 b/w illustrations. Artists represented: Otto Rudolf Schatz (28 watercolours), Fried Pal, Alois Harbeck, Jean Gabriel Domergue, Max Brüning, Max Schwimmer, Alfons Walde, Karl Heidelbach, Josef Werner Leben, etc. Two aquatints by Emil Sartori (Ranzenhofer) marked as Emil Sartou, and two others of him as Erotischer Meister des 19. Jahrhunderts; two aquatints by Frans von Bayros marked as Unbekannter Meister des 19. Jahrhunderts. Title-page: Erotik in der Kunst | “Von der Erotik bis zur Perversion” | Gemälde, Aquarelle, Pastelle, | Zeichnungen, Bronzen, Graphiken | (ibid).
  • NEW
    Softcover, 290 x 205 mm, publisher’s flapped pictorial wrappers, pp.: [1-7] 8-205 [3], text in English, French, and German, profusely illustrated. First edition published in 2011. Title-page: Edited by Dian Hanson | LA | PETITE | MORT | § | PHOTOGRAPHS BY SANTILLO | TASCHEN || Hanson, Dian (American, b. 1951) – editor/text Santillo, William (American) – photographer
  • NEW
    Hardcover, 252 x 260 mm, grey buckram with gilt lettering to spine, in a black pictorial dust jacket with white lettering; pp. [6] 1-185 [1] profusely illustrated in b/w plus 16 leaves of colour plates extraneous to collation, .e. total 112 leaves. Title-page (pictorial): JEWELLERY OF THE ANCIENT WORLD | Jack Ogden | RIZZOLI / NEW YORK || Imprint: Published in the United States of America by Rizzoli International Publications Inc. 712, Fifth Avenue, New York, NY 10019 First published by Trefoil Books Ltd, 1982 ISBN 0 8478 0444 5 Contents Jewellery and the archaeologist
    • Gold and silver
    Gold; The sources of gold: Egypt and Nubia, Africa to the South of Nubia. Arabia, Russia, India and Central Asia, Eastern Europe, Western Europe; The composition of ancient gold items; Impurities; Changes in gold with time; Silver; The sources of silver: North Africa and Arabia, Western Asia, Eastern Europe, Western Europe; The composition of ancient silver.
    • Metals other than gold and silver
    Copper and copper alloys; Iron; Lead; Antimony; Tin; Platinum group metals.
    • Goldsmithing techniques
    Sheet metal; Raised sheet work; Cutting and pierced work decoration; Engraving; Wire; Ornamental wires; Chains; Soldering and granulation: Gold and silver, Base metals; Mechanical joining; Casting.
    • The gemstones
    Apatite; Azurite; Beryl: Emerald, Aquamarine; Breccia; Calcite; Chrysoberyl; Cordierite; Corundum: Sapphire, Ruby; Diamond; Dioptase; Feldspar; Fluorspar; Garnet; Gypsum; Hematite; Jade; Lapis lazuli; Lazulite; Malachite; Mica; Obsidian; Olivine; Opal; Porphyry; Pyrites; Quartz: Amethyst, Citrine, Rock crystal, Rose quartz, Smoky quartz, Bloodstone, Chalcedony, Chrysoprase, Cornelian and Sard, Jasper, Plasma, Banded Agates, Onyx; Serpentine, Steatite, Chlorite and related materials; Sodalite; Spinel; Topaz; Tourmaline; Turquoise; Zircon.
    • Organic gem materials
    Amber; Coral; Ivory and bone; Jet and lignite; Pearls; Shells; Tortoise shell; Threading materials for beads.
    • Glass, enamel and faience
    Glazed stone and faience; Glass: Glass beads, Glass inlays, Glass intaglios, Other glass jewellery; Enamel; The aging of glass; Egyptian blue; Etched Cornelian beads.
    • Ancient imitation and altered gemstones
    Man-made imitation gemstones; Altered or improved stones.
    • Stone working
    Chipping; Cutting; Abrasion.
    • Forgeries
    The materials; The techniques: Wire, Sheet metal work, Cutting, Solder joins; Style; Ageing fake jewellery; Glass; Distribution; Forgeries of engraved gems and seals.
    • The jeweller
    Supply and demand; The growth of the industry; The shop; The jeweller; The Guild.
    • Bibliography & references
    • Index to illustrations
  • NEW
    Softcover, pictorial wrappers, 235 x 165 mm, pp. [1-9] 10-176, 120 illustrations, incl. 109 in full colour, 3 maps, glossary, and timeline. An enveloped postcard to E. Varshavsky laid in. Text profusely marked with coloured highlighters. Title-page (pictorial): Art of Edo Japan | The Artist and the City 1615-1868 | Christine Guth | PERSPECTIVES | HARRY N. ABRAMS, INC. PUBLISHERS || Contents: NOTE TO THE READER Map: Japan during the Edo period INTRODUCTION: Mapping the Artistic Landscape
    1. The Artist and the City
    The Castle Town; Urban Culture; The Urban Artist
    1. Kyoto Artists
    Map: Kyoto; The Kano and Tosa Schools; Köetsu, Sotatsu, and Rinpa Design; Taiga, Buson, and the Literati Movement; The Maruyama-Shijo School; Individualists: Jakuchü, Shöhaku, and Rosetsu; The Yamatoe Revival
    1. Edo Artists
    Map: Edo; The Kano School and the Realm of the Official Artist; Developments in Woodblock Prints: 1660-1760; Developments in Polychrome Prints: 1765-1801; Further Developments in Woodblock Prints: 1801-68; Sakai Höitsu and Tani Buncho: Edo Ripa and Bunjinga
    1. Osaka and Nagasaki Artists
    Kimura Kenkadö and his Circle; Osaka Books and Prints; Nagasaki: Window on the World; Monk-Artists of the Öbaku Sect; Visiting Chinese Artists and their Pupils; Painters in the Western Manner
    1. Itinerant, Provincial, and Rural Artists; Itinerant Monk-Artists and Pilgrimage Art; Poet and Literati Painters; Provincial and Rural Artists
    GLOSSARY TIMELINE BIBLIOGRAPHY PICTURE CREDITS INDEX
  • NEW
    Hardcover, 305 x 258 mm, black cloth with gilt lettering to spine, black pictorial dust jacket with white lettering to front and spine, olive endpapers; pp. [1-5] 6-144, 150 colour illustrations. ISBN 185177 316. Title-page: JAPANESE TEXTILES | IN THE VICTORIA AND ALBERT MUSEUM | Anna Jackson | Photographs by Ian Thomas | V&A PUBLICATIONS || Contents Acknowledgements Introduction Map Japanese textiles List of plates The plates Bibliography
  • NEW
    Paperback, 2nd edition, 290 x 205 mm, publisher’s pictorial wrappers with large flaps, white lettering, pp.: [1-6] 7-208, 198 illustrations, with glossary and 2½ pp. index. 1st edition published in 2020. Title-page: Japanese | Dress in Detail | Josephine Rout | with Anna Jackson | {Thames |&Hudson / V&A} || Contents: Introduction
    1. Necklines and Shoulders
    2. Headwear
    3. Sleeves
    4. Waists
    5. Waist Accessories
    6. Hems
    7. Linings and Undergarments
    8. Footwear
    Further Reading Glossary Acknowledgements Index
  • NEW
    Hardcover, 240 x 192 mm, glossy pictorial boards, lettering to front and spine, pp.: [1-5] 6-171 [172], with 308 plates in colour and b/w. Catalogue of the exhibition held on March 26 – June 1, 1980, at Museum für Kunst und Gewerbe in Hamburg. Title-page: DOKUMENTE DER PHOTOGRAPHIE 1 | FRITZ KEMPE | NICOLA PERSCHEID | ARTHUR BENDA | MADAME D'ORA | Katalog bearbeitet | von Odette M. Appel-Heyne | MUSEUM FUR KUNST UND GEWERBE HAMBURG 1980 || Contributors: Kempe, Fritz (German, 1909 –1988) – author Appel-Heyne, Odette M. – editor Kallmus, Dora [Madame d’Ora] (Austrian-Jewish, 1881 – 1963) – photographer Perscheid, Nicola (German, 1864 – 1930) – photographer Benda, Arthur (German, 1885 – 1969) – photographer
  • NEW
    Hardcover, 290 x 240 mm, blue cloth with gilt lettering to spine, grey endpapers, in a black and white pictorial dust jacket with white lettering, pp.: [1-5] 6-231 [232], with 114 plates. Catalogue of an exhibition held at the Neue Galerie, NY, February 20—June 8, 2020. Title-page (white on black): MADAME D'ORA | Edited by Monika Faber | With preface by Ronald S. Lauder, foreword by Renée Price, | and contributions by Katrin Bomhoff Christian Brandstätter, Jean-Marc Dreyfus, | Monica Faber, Esther Ruelfs, Lisa Silverman, and Magdalena Vuković | PRESTEL | MUNICH • LONDON • NEW YORK | photoinstitut | BONARTES / MK&G / MUSEUM FÜR | KUNST UND GEWERBE | HAMBURG || Contributors: Kallmus, Dora [Madame d'Ora] (Austrian-Jewish, 1881 – 1963) – photographer Neue Galerie New York – museum of early twentieth-century German and Austrian art and design. Lauder, Ronald Steven (American-Jewish, b. 1944) – the owner of Neue Galerie.
  • Anonymous manuscript half bound in green sheepskin, gilt lettering to spine, 382 x 325 x 65 mm, 424 pp. with pp. 368-400 blank, thick graph paper, tissue samples pasted throughout. According to the seller: “Important treatise on weaving decorated with numerous drawings, sketches, diagrams and samples of laminated fabrics (satin, silk, damask, velvet, etc.). Elegant work, beautiful writing in italics, all pages in a framing net. It contains chapters on the history of silk, the silkworm (hatching, transformation, etc.), silk spinning, dyeing, warping, folding, heddles, different types of mesh, satin, satin drifts, damask for dresses, royal damask for furnishings, velvet, etc. etc.”
  • Hardcover album 387 x 300 mm, bound in orange half-calf over green paper with vertical black zig-zag and embossed gilt rings, by Isy Brachot of Brussels; includes a photographic portrait of D. H. Lawrence pasted to front green ffl verso, ms title-page, six pages of ms text with a woodcut portrait of the same to page 2, 27 plates (including eight double-page), one blank leaf followed by ten pages of ms text and back green ffl with text to recto, 49 leaves total, plates on thick wove paper, text on Canson & Montgolfier watermarked laid paper, all unpaginated; in a slipcase. The title page indicates: “Vertés, a fashionable and popular designer from 1940 to 1960 […] attempted to illustrate in 1959 the famous novel by D.H. Lawrence, Lady Chatterley's Lover, but not getting along with his publisher, he sold his sketches for two thousand dollars to count Charles de Kerchove de Denterghem (1819 – 1882). Further, the t.p. reads: Les esquisses, lit-on encore sur cette page, furent reliées par Isy Brachot de Bruxelles. Elles furent classées par lui sans ordre, comme elles venaient. En préface figurent un bref résumé du roman, un historique des difficultés qu'il connut, un compte rendu de sa victoire finale. En postface sont transcrits, en langue originale, les scènes illustrées par Vertès dans l'ordre où elles se trouvent écrites, ainsi qu'une appréciation de l'art de Vertès. Michel Vokaer’s Bibliographie de Marcel Vertès (1967) does not mention this collection of sketches; however, it says that the artist had produced two test etchings for Lady Chatterley’s Lover around 1936, which remained unpublished. The gouaches were drawn in the US, and the texts accompanying them are in English, so one could suppose that the prospective publisher—who remains unknown—was American. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) David Herbert Lawrence (British, 1885 – 1930)
  • Hardcover volume 295 x 240 mm, pictorial front cover and purple spine with gilt embossed lettering, back cover with orange lettering, craft endpapers, pp.: [1-6] 7-255 [1], profusely illustrated. Exhibition catalogue with 123 reproductions of Japanese woodblock prints. Title-page: The Riddles of | UKIYO-E | Women and Men in Japanese Prints 1765–1865 | Chris Uhlenbeck / Jim Dwinger / Josephine Smit | {publisher’s device LUDION} || Table of contents: Preface; Introduction; Beauties; Shunga; Legends; Kabuki; INDEX; LIST OF WORKS; BIBLIOGRAPHY; AUTHORS.
  • Hardcover volume, 355 x 240 mm, bound in black cloth with gilt lettering to front and spine with a photo portrait of Mary Millais (1860-1944), in a black cloth clam-shell box 370 x 253 x 40 mm, with a shamrock diaper black paper adorned with publisher’s coat of arms pasted to the front. Pp.: [1-12] 13-213 [3], with 41 glued-in photomechanically reproduced photographs, chiefly from the Gernsheim Collection at the University of Texas, two of them of Alice Liddell (pp. 123 and 127). Printed on hand-made blue laid paper. Edition is limited to 3,000 copies, of which this is copy № 1200. Title-page: Lewis Carroll | Photos and Letters | to His Child Friends | Edited by Guido Almansi | Notes by | Brassai and Helmut Gernsheim | Franco Maria Ricci | 1975 || Colophon: This volume was printed in Milan, Italy, in the month of November 1975, under the direction of Franco Maria Ricci. The hand-made paper is the work of the Pietro Miliani mills at Fabriano. This first edition consists of three thousand numbered copies. Copy n. [1200]. Facsimile. Seller’s description: Near Fine condition Hardcover Signed by Franco Maria Ricci on the colophon page, Numbered and Limited Edition #1200/3000 of copies. Includes Notes by Brassai and Helmut Gernsheim, with 41 tipped-in sepia-toned photographs, 213 pages. "The Signs of Man Volume 3". Black boards bound in Orient silk with gold engraved lettering on the spine and cover and a sepia-toned photograph affixed to the front cover, handmade Ingres pastel paper manufactured by Cartiere Milliani in Fabrianoo with decorated endpapers and deckled fore-edge. Housed in a black clamshell case with clover leaf pattern in Very Good + condition with the exception that there is no spine label and very light wear to the extremities. Oversize folio: 9" x 13 3/4" Contributors: Carroll, Lewis (British, 1832 – 1898) – Author/Photographer Ricci, Franco Maria (Italian, 1937 – 2020) – publisher Almansi, Guido (Italian, 1931 – 2001) – editor Brassai [Halász, Gyula] (Hungarian–French, 1899 – 1984) – notes Gernsheim, Helmut (Jewish-German, 1913 – 20 July 1995) – notes  
  • Hardcover, 23 x 17 x 4.7 cm, burgundy buckram, bevelled boards, blind geometrical design with a gilt medallion at the centre, gilt lettering and blind design elements to spine, text in frame, all edges red; pp.: [i-v] vi-xvi, [1] 2-494, [2 advert.], [1] 2-32 advert.], collation 4to: a-b4, B-3R4, a16. Title-page (red and black, in red frame): A HISTORY | OF | CARICATURE & GROTESQUE | {gothic letters} In Literature and Art. | By THOMAS WRIGHT, Esq., M.A., F.S.A., | Hon. M.R.S.L., &c.; | Corresponding Member of the Imperial Institute of France | (Académie des Inscriptions et Belles Lettres). |{double rules} | WITH | ILLUSTRATIONS FROM VARIOUS SOURCES, | DRAWN AND ENGRAVED BY | F. W. FAIRHOLT, Esq., F.S.A. | {double rules} | {gothic letters} London : | VIRTUE BROTHERS & CO., 1, AMEN CORNER, | PATERNOSTER ROW. | 1865. Contributors : Thomas Wright (British, 1792 – 1849) – author. Frederick William Fairholt (British, 1814 – 1866) – artist/engraver. Virtue Brothers & Co. (London) – publisher/printer.
  • Hardcover, 19 x 13.8 cm, crimson buckram with tan paper label with lettering to spine; printed on laid paper; pp.: ffl [i-vi] vii-x] 11-184, collation 8vo, 1-118 124, total 92 leaves. Title-page: AMERICAN ENGRAVERS | AND | THEIR WORKS | BY | W. S. BAKER | Collige et inscribe | PHILADELPHIA | GEBBIE & BARRIE PUBLISHERS | 1875 || Motto: Collige et inscribe [Collect and record, lat.] Contributors: William Spohn Baker (American, 1824 – 1897) – author. George Gebbie (American, 1832 – 1892) – publisher. George Barrie (American, 1843 – 1918) – publisher. George R. Bonfield (British-American, 1802 – 1898) – dedicatee.
  • Cardboard box 32 x 23.7 cm with lettering and vignette to front, lettering to spine, and Loomis facsimile and Titan publisher's barcode label to back.
    1. Title-page: Drawing | THE HEAD AND HANDS | BY | ANDREW LOOMIS | {vignette} ||
    Hardcover volume, 31.2 x 23.3 cm, olive buckram with olive lettering on the green label, green lettering to spine, pictorial dust jacket, text to flaps; pp.: [1-6] 7-154 [155 plate] [5 blanks], ils. (photomechanical reproductions). Imprint: Drawing The Head And Hands | ISBN: 9780857680976 | Published by | Titan Books | A division of Titan Publishing Group Ltd. | 144 Southwark St. | London | SE1 0UP | This edition: October 2011 | 15 16 17 18 19 20 | © 1943 Andrew Loomis, 2011 The Estate of Andrew Looms. All rights reserved. | […] | Printed and bound in China. ||
    1. Title-page: FIGURE DRAWING | FOR ALL IT'S WORTH | ANDREW LOOMIS ||
    Hardcover volume, 31.2 x 23.3 cm, blue buckram with orange square vignette, orange lettering to spine, pictorial dust jacket, text to flaps; pp.: [1-6] 7-204 [4 blanks], ils. (photomechanical reproductions). Imprint: Figure Drawing For All It's Worth | ISBN: 9780857680983 | Published by | Titan Books | A division of Titan Publishing Group Ltd. | 144 Southwark St. | London | SE1 0UP | This edition: May 2011 | 16|  © 1943 Andrew Loomis, 2011 The Estate of Andrew Loomis. All rights reserved. | […] | Printed and bound in China. || Andrew Loomis (American, 1892 – 1959)