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Title (in red and black): CANDIDE | OU L'OPTIMISME | PAR | VOLTAIRE | ILLUSTRATIONS | DE | BRUNELLESCHI | {vignette} | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination : [6] 1-163 [164][2], with 23 black tailpieces, plus 16 colour plates extraneous to collation, incl. frontispiece, printed by A. Dantan and stencil-coloured (au pochoir) by E. Charpentier after gouache and watercolour drawings by Umberto Brunelleschi; total 102 leaves. Limited edition of 2500 copies, this is № 39. Printed at Imprimerie Coulouma, Argenteuil (H. Barthélemy, director) on July 15, 1933. Binding: 26.5 x 20.5 cm, publisher’s pictorial wrappers, vignettes and lettering to front wrapper and spine, publisher’s device to back wrapper. Description of the stensil (au pochoir) technique.
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Title (historiated border, three-compartment): CAMEO CLASSICS | {rule} | CANDIDE | BY | Voltaire | WITH ILLUSTRATIONS | BY | Mahlon Blaine | {rule} | GROSSET AND DUNLAP | NEW YORK || Pagination: [1-6] 7-144, total 144 pages; frontispiece plus 4 plates within collation, head- and tailpieces – reproductions of Mahlon Blaine’s pen drawings. Binding: 21 x 14 cm, cream cloth with the cameo of Johann Gutenberg to front cover, gilt lettering to front cover and spine, in acetate dust jacket, in a pictorial slipcase. Arouet, François-Marie [Voltaire] (French, 1694 – 1778)– author. Woolf, Herman Irwell [Chambers, Dorset] (British, 1890 – 1958) – translator. Blaine, Mahlon [Hudson, G. Christopher] (American, 1894 – 1969) – illustrator. Grosset and Dunlap (NY) – publisher. J. J. Little & Ives Company (NY) – printer. Cameo Classics series was published by Grosset & Dunlap (New York) in 1935 – 1948 as a cheap reprint of illustrated classic editions, in this case – of Williams, Belasco and Meyers publication of Candide in 1930 (see LIB-2792.2021). The Cameo Classics books had a clear, acetate dust jacket and were boxed in a buckram alligator skin patterned slipcase with an illustrated cover. The price per volume started at 69 cents and was gradually lowered to 59 and 50 cents per volume by the late 1930s. Candide was translated into English quite a few times, starting from Tobias George Smollett (British-Scottish, 1721 – 1771) and up to today's translators. For some reason, the translator's name is almost never indicated. This translation, published by Williams, Belasco and Meyers in 1930 and reprinted by Grosset and Dunlap in c. 1935, was performed by Herman Irwell Woolf under the pseudonym of Dorset Chambers and first published in London by F.B. Neumayer in 1919. This edition was mentioned in the letter from Joseph Conrad to his son Borys in 1922, May 10.
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Title: A SENTIMENTAL | JOURNEY | THROUGH FRANCE AND ITALY | BY | LAURENCE STERNE | ILLUSTRATED BY | MAHLON BLAINE | {vignette} | Illustrated library | HALCYON HOUSE | GARDEN CITY, NEW YORK || Pagination: [1-6] – first leaf blank, h.t., t.p., 7-192, total 192 pages; frontispiece plus 4 plates within collation, and a headpiece, all photomechanical reproductions of Mahlon Blaine’s pen drawings. Binding: 20.5 x 14 cm, off-white pictorial paper boards decorated with black ivy-clad pink lattice, black lettering in a pink frame to spine, pink pictorial dust jacket with spine sunned to beige. Contributors: Sterne, Laurence (British-Irish, 1713 – 1768) – author of the text. Blaine, Mahlon (American, 1894 – 1969) – illustrator (pseudonym: G. Christopher Hudson). The Illustrated library series was started by Halcyon House, a reprint division of Doubleday Publishers, in 1950. This edition of Sterne with Blaine’s illustrations is a reprint of the same, published by Three Sirens Press of New York in 1930. Blaine's illustrations of this kind are pen drawings, not wood engravings.
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The Objectivist Newsletter, vol. 1 – 1962 (12 issues), vol. 2 – 1963 (12 issues), vol. 3 – 1964 (12 issues), vol. 4 – 1965 (12 issues) / 48 issues total (complete run). — New York: The Objectivist, Inc., 1962–1965. In green buckram publisher’s springback binder with stamped THE | OBJECTIVIST | NEWSLETTER to front board in the lower right corner, with remnants of gilt. Loose inserts: two order form pamphlets with a table of contents. Pagination: 8 pages table of contents, 56 + 50 + 52 + 62, total 228 pages (114 leaves). Size: Binder 29 x 24 cm, leaves 28 x 22 cm. Contributors: Rand, Ayn [O'Connor, Alice; Розенбаум, Алиса Зиновьевна] (Russian-American, 1905 – 1982) – editor, author. Branden [Blumenthal], Nathaniel (Canadian–American 1930 – 2014) – editor, author.
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Russian translation of: Alphonse Daudet. Trente ans de Paris à travers ma vie et mes livres; (Collection artistique Guillaume et Cie). — Paris: C. Marpon et E. Flammarion, 1888. Series: Книжки Недели, №2-4, 1888. Title: ТРИДЦАТЬ ЛѢТ ВЪ ПАРИЖѢ. | Альфонса Додэ. | Переводъ съ французскаго. | {in waving rules} Изъ "Книжекъ недѣли". | {waving rule} | С.-ПЕТЕРБУРГЪ. | Типографiя Н. А. Лебедева. Невскiй просп., д. № 8. | 1888. || Pagination:[2] [1] 2-108 [2] – back wrapper; total number of pages 112. Collation: 8vo; π7 1-28 7-88 98 78 (six 8vo gatherings) ω1; total number of leaves 56. Binding: 24 x 16.5 cm quarter brown morocco over marbled boards, blind lettering to spine; personal library stamp to a number of pages: “БИБЛИОТЕКА | АЛЕКСАНДРА ПЕТРОВИЧА | МАРТЫНЕНКО | №»; handwritten inscription to front flyleaf: «А. Мартыненко, г. Ленинград, 1943 г.» Contributors: Alphonse Daudet (French, 1840 – 1897) – author of the text. Лебедев, Николай Афанасьевич (Russian, 1813 – 1896) – printer. Гайдебуров, Павел Александрович (Russian, 1841 – 1893/4) – publisher.
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Vol. 1: Title: MÉMOIRES | DE | MONSIEUR CLAUDE | CHEF DE LA POLICE DE SURETÉ́ SOUS LE SECOND EMPIRE | {single rule} | PREMIER VOLUME | publisher’s device «JR» in oval} | PARIS | JULES ROUFF ET Cie, ÉDITEURS | 14, CLOITRE SAINT-HONORÉ, 14 | {single rule} || Pagination: [4] – h.t., t.p., [1-3] – engraved t.p. w/portrait, 3-800 [4], in-text and full-page woodcuts; last two leaves (table) has numbered pages 1000 and 1001; the total number of pages 808. Collation: 4to; π2 [1]4 2-1004 Ω2, woodcuts by Quesnel and Ferdinandus, within collation; the total number of leaves 404. Vol. 2: Title: Same but “DEUXIEME VOLUME” Pagination: [4] – h.t., t.p., [801-2] – frontis., 803-2010, [6] – assassinats, [4] – table, in-text and full-page woodcuts; last two leaves (table) has numbered pages 2018 and 2019; the total number of pages 1224. Collation: 4to; π2 101-2524 Ω2, woodcuts by Quesnel and Ferdinandus, within collation; the total number of leaves 612. Binding: Two volumes 28 x 20.5 cm each, uniformly bound in quarter polished brown calf over marbled boards, blind-stamped florets and gilt lettering to spine, marbled endpapers. Contributors: Claude, Antoine (French, 1807 – 1880) – declared author of the text. Labourieu, Théodore (French, 1822 – 1889) – assumed author of the text. Quesnel, Désiré Mathieu (French, 1843 – 1915) – woodcut printmaker. Ferdinandus, Alexandre [Avenet, François] (French, 1850 – 1888) – illustrator. D. Bardin et Cie – printer. Jules Rouff (French, 1846 – 1927) – publisher. Jules Rouff et Cie (Paris, 1873 – 1982) – publisher. Note: Common opinion is that the text was produced by Théodore Labourieu, not by, Antoine Claude. The first edition was published by the same publisher in 10 volumes in wrappers without illustrations, between 1880 and 1883, after the death of Antoine Claude. As stated in WorldCat: “not written or sanctioned by him.” This two-volume edition was published later, with multiple woodcuts.
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Publisher’s pictorial wrappers: CHRISTIE'S | NEW YORK | {three book covers} | Masterpieces of Modern Literature: | The Library of Roger Rechler | FRIDAY 11 OCTOBER 2002 || Red spine with white lettering from top to bottom, multiple illustrations in colour, 26.8 x 21 x 3 cm. Pagination: [1-4] 5-451 [452]. 375 lots, prices realized handwritten next to each lot and on 6 loose leaves inserted.
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Title page: Жанъ де Лабрюйеръ. | ХАРАКТЕРЫ | ИЛИ | НРАВЫ ЭТОГО ВѢКА. | (Les Caractères). | СЪ ПРЕДИСЛОВIЯМИ | Прево-Парадоля и Сентъ-Бёва. | ПЕРЕВОДЪ | П. Д. ПЕРВОВА. | {in waving rules} Изданiе журнала "Пантеонъ Литературы". | С.-ПЕТЕРБУРГ. | Типографiя Н. А. Лебедева. Невскiй просп., д. № 8. | 1889. || Pagination: [1-3] 4-371 [372] – handwritten contents, green ballpen; total 372 pages. Collation: 8vo; 1-238 ¼242, total 186 leaves. Binding: 24 x 16.5 cm, owner’s quarter cloth over marbled boards. Contributors: Jean de La Bruyère (French, 1645 – 1696) – author. Sainte-Beuve, Charles Augustin (French, 1804 – 1869) – author of the foreword. Prévost-Paradol, Lucien-Anatole (French, 1829 – 1870) – – author of the foreword. Первов, Павел Дмитриевич (Russian, 1860 – 1929) – translator. Лебедев, Николай Афанасьевич (Russian, 1813 – 1896) – printer.
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Title page: THE | SECRET AGENT | A SIMPLE TALE | BY | JOSEPH CONRAD | METHUEN & CO. | 36 ESSEX STREET W.C. | LONDON || Imprint on t.p. verso: First Published in 1907 Dedication: To H. G. Wells. Pagination: [2] – blank, [6] – h.t., t.p., dedication; 1-442, [2] colophon: THE RIVERSIDE PRESS LIMITED, EDINBURGH / blank; [1-2] 3-40 – Catalogue of books published by Methuen and company, September 1907; total 492 pages. Collation: 8vo; π4, A-Z8 2A-2D8, 2E6, + 20 leaves of advertisement: signed A2 on leaf 5 and A3 on leaf 9, other unsigned, 2E2 signed; total 246 leaves. Binding: Publisher’s burgundy cloth with gilt lettering and elements to spine, lower margin untrimmed, 19.5 x 13.5 cm. Edition: 1st edition, 1st printing ("be be" on the last line of page 117) of 2,500 copied printed. Contributors: Conrad, Joseph (Polish-British, 1857 – 1924) – author. Methuen & Co. (London) – publisher. The Riverside Press Limited (Edinburgh) – printer. Herbert George Wells (British, 1866 – 1946) – dedicatee.
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Publisher’s pictorial wrappers, to front wrapper in frame “П. БЕЗСАЛЬКО | АЛМАЗЫ | ВОСТОКА | С ПРЕДИСЛОВИЕМ | А. ЛУНАЧАРСКОГО | {vignette vase with flowers} | РИСУНКИ | С. ВИТБЕРГА || Ex-library book with stamps and stickers. Title page: П. БЕЗСАЛЬКО | АЛМАЗЫ | ВОСТОКА | {publisher’s device «КНИГОИЗДАТЕЛЬСТВО ПЕТРОГРАДСКОГО СОВДЕПА / КНИГА НАРОДУ» | Издание Петроградского Совета | Рабочих и Красн. Депутатов | 1919 || Pagination: [1-4] 5-85 [3], total 88 pages, 12 full-page black and white plates. Collation: 8vo; [1]-58 64, total 44 leaves, plates within collation. Contributors: Безсалько, Павел Карпович (Russian, 1887 – 1920) – author. Луначарский, Анатолий Васильевич (Russian, 1875 – 1933) – author if the foreword. Vidbergs, Sigismunds (Latvian-American, 1890 – 1970) – artist. Бельгова, Полина Борисовна (written "ПОЛИНА БОРИСОВНА ЬЕЛЬГОВА") – dedicatee, unidentified.
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Two volumes uniformly bound by Riviere & Son in full red marbled calf, triple fillet border stamped in gilt, elaborate gilt ornament and brown morocco labels with gilt lettering to spine, all edge gilt, gilt dentelles. Vol. 1: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | IN TWO VOLUMES. | {single rule} | VOLUME the FIRST. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xxxii, [i-iii] iv-vi, [2], [1] 2-90, [14], [1] 2-355 [356]; 500 pages total + ils. Collation: 4to; 250 leaves; A4 a-b4 c-d2, A4, a-l4 m2 n4 o2, B-Z4, Aa-Yy4 Z2, ils. Illustrations: 27 full-page copperplate engravings, incl. frontispiece (skillfully repaired), portrait of Cervantes by George Vertue After G. Kent and a fictional portrait of Don Quixote by George Vertue after John Vanderbank. Vol. 2: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | {single rule} | VOLUME the SECOND. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xii, [1] 2-388; 400 pages total + ils. Collation: 4to; 200 leaves; A4 a2 B-Z4 Aa-Zz4 Aaa-Ccc4 Ddd2, ils. Illustrations:41 full-page copperplate engravings, pl. 29 (as frontispieces) precedes pl. 28. Contributors: Author: Miguel de Cervantes Saavedra (Spanish, 1547 – 1616) Translator: Charles Jervas (British, 1675 – 1739) Author: Cervantes biography by Gregorio Mayans y Siscar (Spanish, 1699 – 1781) Translator: Cervantes biography by John Ozell (British, d. 1743) Illustrator: John Vanderbank, the younger (British, 1694 – 1739) Artist: (Cervantes portrait): G. Kent (British, fl. 1738 – 1742) Engravers: Gerard Vandergucht (British, 1696 – 1776); George Vertue (British, 1684 – 1756); Bernard Baron (French, 1696 – 1762); Claude Du Bosc (French, 1682 – 1746 or later) Publishers: J. and R. Tonson (London); Robert Dodsley (British, 1703 – 1764) Catalogue raisonné: Lewine p. 102 Reference: Metropolitan Museum (New York)
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Half-title: STANDARD NOVELS. | № XLIII. | {6 lines of citation} | THE BETROTHED | COMPLETE IN ONE VOLUME. | LONDON: RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN) : | BELL & BRADFUTE, EDINBURGH; | CUMMING, DUBLIN. | 1834 || Illustrated title page: THE BETROTHED, | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | {vignette by S. Smith after F. Pickering} | LONDON: | RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN.) | CUMMING, DUBLIN, – BELL & BRADFUTE, EDINBURGH, | GALIGNANI, PARIS. |1834. || Title page: THE | BETROTHED. | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | LONDON: RICHARD BENTLEY, 8 NEW BURLINGTON STREET | (SUCCESSOR TO HENRY COLBURN): | BELL & BRADFUTE, EDINBURGH; | AND CUMMING, DUBLIN. | 1834 || Frontispiece: vignette by S. Smith after F. Pickering. Pagination: [i-v] 6-xii, [1] 2-452 [2 blank] + 2 plates. Collation: [A]6 B-Z8 AA-FF8 GG2 + 2 leaves of plates; Note: A1, A2, A4, GG2 – unsigned; both frontispiece and illustrated title are extraneous to collation. Binding: 2/3 black calf over marbled boards, raised bands w/gilt elements, gilt lettering in compartments and gilt title on a crimson label to spine; contemporary, but not the original publisher's binding; size: 16.5 x 10.5 cm Bookplates: Yellow sticker to front pastedown “J. K. Higgins, Northampton” (unknown); Ex libris to the front flyleaf: “Hilda Moore” (probably Hilda Mary Moore (British, 1886 – 1929) – a British stage and film actress. Series: Bentley's Standard Novels, № 43, first series. Catalogue raisonné: Michael Sadleir (1951): p. 101. Original title: ALESSANDRO MANZONI : I PROMESSI SPOSI Contributors: Manzoni, Alessandro (Italian, 1785 – 1873) Pickering, Ferdinand (British, 1810 – 1889) – artist. Smith, Samuel S. (British, 1810 – 1879) – engraver. A. Spottiswoode (London); Spottiswoode, Andrew (British, 1787 – 1866) – printer. Bentley, Richard (British, 1794 – 1871) – publisher. For the Russian edition see [LIB-1333.2017]: Алессандро Манцони. Обрученные. Повесть из истории Милана XVII века / Перевод И. И. Шитца. (Итальянская литература). — М.-Л.: Academia, 1936.
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Title page: АЛЕССАНДРО МАНЦОНИ | ОБРУЧЕННЫЕ | ПОВЕСТЬ ИЗ ИСТОРИИ | МИЛАНА XVII ВЕКА | ПЕРЕВОД И КОММЕНТАРИИ | И. И. ШИТЦА | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | А. К ДЖИВЕЛЕГОВА | ACADEMIA | 1936 || Frontispiece: ИТАЛЬЯНСКАЯ ЛИТЕРАТУРА | ПОД ОБЩЕЙ РЕДАКЦИЕЙ А. К ДЖИВЕЛЕГОВА | АЛЕССАНДРО | МАНЦОНИ | 1785 — 1873 | ACADEMIA | МОСКВА ЛЕНИНГРАД || Title verso: ALESSANDRO MANZONI | I PROMESSI SPOSI | Иллюстрации — автолитография | Е. Д. Белухи | Титула и переплет | по его же рисунку || Pagination: [i-vii] viii-xxxviii [2] [2] 3-946 [8] + 15 leaves of illustrations. Collation: [I]8 II8 III4 1-598 ⅛605 + 5 leaves of plates + 10 leaves of plates (lithography by Е. Д. Белуха). Binding: 19.5 x 14.5 cm; Publisher’s blue cloth, lettering and design to cover and spine (by Е. Д. Белуха). Print run: 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): №832, p. 279. Contributors: Мандзони, Алессандро [Manzoni, Alessandro] (Italian, 1785 – 1873) – author of the original text. Шитц, Иван Иванович (Russian, 1874—1942) – translator from the Italian into Russian. Дживелегов, Алексей Карпович (Russian, 1875 – 1952) – editor. Белуха, Евгений Дмитриевич (Russian, 1889 – 1943) – artist. For the first English edition see: [LIB-1332.2017]: Alessandro Manzoni. The betrothed / (Standard novels). — London: R. Bentley, 1834.
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Dust jacket: Pictorial floral ornament, lettering in a central medallion: ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ | {ACADEMIA} || Title page in black and red in a pictorial frame: ЖИЗНЬ | БЕНВЕНУТО, | СЫНА МАЭСТРО | ДЖОВАННИ | ЧЕЛЛИНИ, | ФЛОРЕНТИНЦА, | НАПИСАННАЯ | ИМ САМИМ | ВО ФЛОРЕНЦИИ |{√}| ПЕРЕВОД, ПРИМЕЧА | НИЯ И ПОСЛЕСЛОВИЕ | М. ЛОЗИНСКОГО | ВСТУПИТЕЛЬНАЯ | СТАТЬЯ | А. К. ДЖИВЕЛЕГОВА | ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Frontispiece: ПАМЯТНИКИ | ХУДОЖЕСТВЕННОГО | И ОБЩЕСТВЕННОГО | БЫТА |{√}| ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ |{√}| ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Title verso: LA VITA DI BENVENUTO DI Mo GIOVANNI | CELLINI FIORENTINO | scritta per lui medesimo in Firenze | […] | Рисунки титулов, переплета и супер-обложки И. Ф. Реберга |[…]| 6 – 10 тысяча || Pagination: [1-5] 6-735 [736], 30 photomechanical plates (incl. portrait) Collation : [1]8 2-468 + 15 leaves of plates extraneous to collation, total 383 leaves. Binding: publisher’s burgundy cloth, gilt-stamped to front, blind-stamped to back board, gilt lettering to spine, pictorial DJ. Print run: 5,250 copies. Catalogue raisonné: Крылов-Кичатова (2004): №473, p. 220 (in 1932 section). Contributors: Benvenuto Cellini (Italian, 1500 – 1571) – author. Алексей Карпович Дживелегов (Russian, 1875 – 1952) – editor. Михаил Леонидович Лозинский (Russian, 1886 – 1955) – translator. Иван Фёдорович Рерберг (Russian, 1892 – 1957) – artist.
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Frontispiece: ИНОСТРАННЫЕ МЕМУАРЫ Под общей редакцией | И. Т. Смилги | ОММЕР ДЕ ГЕЛЛЬ | «Academia» | Москва—Ленинград || Title page: ОММЕР ДЕ ГЕЛЛЬ | ПИСЬМА и ЗАПИСКИ | Редакция, вступительная статья и примечания| М. М. Чистяковой | ACADEMIA | 1933 || Title verso: Супер-обложка и переплет | по рисункам Н. П. Дмитревского || Pagination: [1-6] 7-464 [8], ill. Collation: 8vo; [1]-298, 304 + 8 plates (photomechanical), one of them folded. Binding: 17.5 x 13.5 cm, original purple cloth, white lettering to spine, vignette to front board, pictorial DJ. Print run: 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 564, p.236. Вяземский, Павел Петрович (Russian, 1820 – 1888) – author. A famous literary forgery and mystification in the history of Russian literature. The fictitious author – Оммер де Гелль – was an existing human being: Adèle Hommaire de Hell, née Hériot (French, 1819 — 1883), a French writier. The fictitious matter of the book was not proven before 1935. The details can be found here.
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Half-title: АКАДЕМИЯ НАУК СССР | Литературные памятники | {serial device} || Title page: ФЕОФРАСТ | ХАРАКТЕРЫ | ПЕРЕВОД, СТАТЬЯ И ПРИМЕЧАНИЯ | Г. А. CТРАТАНОВСКОГО | ИЗДАТЕЛЬСТВО «НАУКА» | Ленинградское отделение | Ленинград | 1974 || Frontispiece: ΘΕΟΦΡΑΣΤΟΥ | ΧΑΡΑΚΤΗΡΕΣ Pagination: [1-5] 6- 123 [124]. Collation: 8vo; [1]-68, 76, 88 (total 62 leaves); signed ¼7, ½7. Binding: publisher’s serial green wrappers, lettering on a scroll. Contributors: Theophrastus [Θεόφραστος, Theόphrastos, Теофраст, Феофраст] (Greek, c. 371 – c. 287 BC) – author. Стратановский, Георгий Андреевич (Russian, 1901 – 1986) – translator.
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DJ: Graham Greene | Travels with my aunt || Title page: TRAVELS | WITH MY AUNT | A NOVEL | Graham Greene |{publisher’s device}| THE BODLEY HEAD | LONDON SYDNEY | TORONTO || Edition: 1st edition, 1st printing. Binding: 20.5 x 13.5 cm; publisher's green cloth, gilt lettering on spine, pictorial dust-jacket. Pagination: [1-8] 9 – 319 [320]. Collation: 16mo; [1]16, 2-1016 (total 160 leaves). Contributors: Graham Greene (British, 1904 – 1991) – author. Stephen Russ (British, 1919 – 1983) – DJ artist. The Bodley Head – publisher. William Clowes & Sons, Ltd. (Beccles) – printer.
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Erasmus. The praise of folly / Translated by White Kennett. — London: Stephen Austen, 1726. Title page in black and red: MORIÆ ENCOMIUM: | OR, THE | PRAISE | OF | FOLLY. |—| Written in Latin by | ERASMUS. |—| Translated into English by | WHITE KENNETT, | Lord Bishop of Peterborough; | With a PREFACE by his Lordship. |—| Adorn’d with | A great Number of COPPER PLATES | neatly engraven: To which is added, the Effigies of | ERASMUS, and Sir THOMAS MORE, from | theDesigns of the celebrated HANS HOLBEINE. |—| (in gothic letters) The Fourth Edition. |—| LONDON: | Printed for Stephen Austen, at the Angel in | St. Pauls’ Church-yard. 1726. || Pagination: modern endpapers and flyleaves, [2] – blank / frontis. (engraved portrait of Erasmus, [2] – t.p. in black and red with George Cruikshank’s signature in the bottom, dated 1876 / blank, [14] – to the reader, i-xiv – commendatory verses, [2] – John Wilford advert., folding portrait of Thomas More, i-v, [vi] - epistle, 1-168 – panegyrick, [4] – index.; 46 copper-engraved illustrations after Hans Holbein the Younger; pp. 17-20 detached. Collation: 12mo; π2 A6, a-b6, B-P6 Q2 (B3 unsigned), 13 in-text engravings + 26 plates + 7 folding plates; total 106 leaves and 33 plates, extraneous to collation. Edition: 4th, thus. Binding: 16.5 x 10.5 cm; rebacked with a modern spine, modern endpapers and flyleaves, contemporary boards sprinkled and tooled in a style of Cambridge panel. Provenance: Cruikshank, George (British, 1792 – 1878) [1876]; Stephen Whitehead (Oakland, CA) [2021]. Catalogue raisonné: J. Lewine (1898) p. 171 — 1st edition thus of 1709, in-8vo, with portrait and 46 plates after Holbein. Contributors: Desiderius Erasmus Roterodamus (Dutch, c. 1469 – 1536) – author of the original text in Latin.
White Kennett (British, 1660 – 1728) – translator from Latin into English.
Hans Holbein the Younger (German, 1497/8 – 1543) – artist.
Stephen Austen (fl. c. 1727 – 1746) – publisher. Linked items: Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757 by Flipart after Holbein.Эразм Роттердамский. Похвальное слово глупости. — М.-Л.: Academia, 1932.