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54 Products
Paul Morand. L’Europe Galante / Lithographes originales de Vertès (Le miroir des mœurs, №3). — Paris: Les arts et le livre, 1927.
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Robert Ganzo. Du dancing ou le danseur sentimental / avec un frontispice et un bandeau originaux de Marcel Vertès. — Paris: Lemarget, 1930.
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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Francis Carco. Rue Pigalle / Lithographies en couleurs de Vertès. — Paris: B. Grasset, 1927.
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Chansons de salles de garde. — Lucerne: Éditions des quatre cantons, 1938.
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C. J. Dorat. Les Baisers; Mois de Mai, poème / Compositions originales de Brunelleschi. — [Paris]: Eddis, 1947.
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Nicolas Restif de la Bretonne. Les faiblesses d’une jolie femme / Illustrations en couleurs de Raoul Serres. — Paris: Edmond Vairel, 1951.
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L’enfer de la Bibliothèque: Éros au secret / sous la direction de Marie-Françoise Quignard et Raymond-Josué Seckel. — Paris: Bibliothèque nationale de France, ©2007.
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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.
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Turning Point: Oribe and the Arts of Sixteenth-Century Japan / Edited by Miyeko Murase. — NY: The Metropolitan Museum of Art; New Haven (CT), London: Yale University Press, 2003.
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Georges Vicaire. Manuel de l’amateur de livres du XIXe siècle, 1801 – 1893 / Préface de Maurice Tourneux. — Teaneck, NJ: Somerset House, 1973.
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Torquato Tasso. Il Goffredo, overo Gierusalemme liberata, poema heroico / 2 volumes. — Amsterdam: Daniel Elsevier; Paris: Thomas Jolly, 1678.
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Torquato Tasso. Apologia in difesa della sua Gierusalemme liberata. — Mantua: Francesco Osanna, 1585/6.
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Torquato Tasso. Di Gerusalemme conquistata. — Paris: Abel L’Angelier, 1595.
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Torquato Tasso. L’Aminta favola boschereccia; Amore fugitivo. — Venice: Antonio Zatta, 1769.
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Torquato Tasso. Rime: Parte prima / Insieme con altri componimenti del medesimo. — Venice: [Aldus Manutius the Younger], 1581.
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Torquato Tasso. Aminta favola boscareccia / con le annotationi d’Egidio Menagio. — Paris: Augustin Courbe, 1655.
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Charles and Mary Lamb. Tales From Shakespeare / Introduction by Martin Armstrong. — London; Glasgow: Collins, 1958.
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