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Легенда о докторе Фаусте / Изд. подг. В. М. Жирмунский; (Литературные памятники) — М.: Наука, 1978.
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Neil Stewart. Blanqui. — London: Victor Gollancz, 1939.
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Songs naval and national of the late Charles Dibdin / illustrated by George Cruikshank. — London: John Murray, 1841.
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Эпос о Гильгамеше («О всё видавшем») / Пер. с аккадского И. М. Дьяконова; (Литературные памятники). — М.-Л.: Изд-во Академии наук СССР, 1961.
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Adelbert von Chamisso. Peter Schlemihl’s wundersame Geschichte / mitgetheilt von J. E. Hitzig. — Nürnberg: J. L. Schrag, [1839].
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Византийские историки о падении Константинополя в 1453 году / под ред. Я. Н. Любарского, Т. И. Соболь. (Византийская библиотека. Источники). — СПб.: Алетейя, 2006.
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Rudyard Kipling. The elephant’s child: Just so stories series / Pictured by F. Rojankovsky. — Garden City, NY: Garden City Publishing Company, 1942.
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Joseph Conrad. The secret agent : a simple tale. — London: Methuen & Co., [1907]
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Jules Brivois. Bibliographie des ouvrages illustrés du XIXe siècle principalement des livres à gravures sur bois. — Paris: L. Conquet, 1883.
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Pascal Pia. Les Livres de l’enfer: bibliographie critique des ouvrages érotiques dans leurs différentes éditions du XVIe siècle à nos jours / 2 volumes. — Paris: C. Coulet et A. Faure, 1978.
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Graham Greene. Monsignor Quixote: A novel. — London: The Bodley Head, 1982.
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Charles-Antoine Jombert. Catalogue de l’œuvre de Charles Nicolas Cochin fils. — Paris: Prault, 1770.
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Sebastian Izzard. Kunisada’s world. — New York: Japan Society, Ukiyo-e Society of America, ©1993.
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Israel Goldman. Japanese prints and paintings / Kawanabe Kyosai; Catalogue 23, 2017.
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B. W. Robinson. Kuniyoshi: the warrior-prints. — Oxford: Phaidon, 1982.
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S. Varshavsky, B. Rest. The ordeal of the Hermitage: The siege of Leningrad, 1941-1944 — Leningrad: Aurora Art Publishers, New York: Harry N. Abrams, Inc., 1985.
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Evgenij Kozlov. Das Leningrader Album / herausgegeben von Hannelore Fobo. — Tübingen: Konkursbuch Verlag Claudia Gehrke, 2003.
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Alexandre de Vérineau [i.e. Louis Perceau]. Douze sonnets lascifs pour accompagner la suite d’aquarelles intitulée Les délassements d’Éros [par Gerda Wegener]. — Érotopolis: A l’enseigne du faune [i.e. Paris: Maurice Duflou], 1925.
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