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Publisher’s pictorial wrappers, to front wrapper in frame “П. БЕЗСАЛЬКО | АЛМАЗЫ | ВОСТОКА | С ПРЕДИСЛОВИЕМ | А. ЛУНАЧАРСКОГО | {vignette vase with flowers} | РИСУНКИ | С. ВИТБЕРГА || Ex-library book with stamps and stickers. Title page: П. БЕЗСАЛЬКО | АЛМАЗЫ | ВОСТОКА | {publisher’s device «КНИГОИЗДАТЕЛЬСТВО ПЕТРОГРАДСКОГО СОВДЕПА / КНИГА НАРОДУ» | Издание Петроградского Совета | Рабочих и Красн. Депутатов | 1919 || Pagination: [1-4] 5-85 [3], total 88 pages, 12 full-page black and white plates. Collation: 8vo; [1]-58 64, total 44 leaves, plates within collation. Contributors: Безсалько, Павел Карпович (Russian, 1887 – 1920) – author. Луначарский, Анатолий Васильевич (Russian, 1875 – 1933) – author if the foreword. Vidbergs, Sigismunds (Latvian-American, 1890 – 1970) – artist. Бельгова, Полина Борисовна (written "ПОЛИНА БОРИСОВНА ЬЕЛЬГОВА") – dedicatee, unidentified.
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Publisher’s original wrappers, with VIDBERGS to front (bordered) and to spine, size 25 x 18 cm. Title page: O. LIEPIŅŠ | SIGISMUNDS | VIDBERGS | MONOGRAFIJA | K. RASIŅA APGĀDS | RIGĀ 1942 || Imprint: ATTĒLI MĀKSLINIEKA IZRAUDZĪTI UN SAKĀRTOTI (pictures selected and arranged by the artist) Pagination: [1-6] (incl. 1st blank leaf), 7-149 [150] [2] blank; 44 pages of text with in-text illustrations, pp. 47-149 – plates on odd pages, titles on even pages, 51 full-page illustrations. Circulation: 4,000 copies. Contributors: Liepiņš, Olģerts (Latvian, 1906 – 1983) – author. Sigismunds Vidbergs (Latvian-American, 1890 – 1970) – artist. Kārlis Rasiņš (Latvian, 1886 – 1974) – publisher.
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Engraved title: HEATH'S | PICTURESQUE ANNUAL, | FOR 1836. | St. Petersburg and Moscow. | {vignette Nikolskoi church signed: A.G. Vickers — E. Radclyffe} | Tower of the Nikolskoi church St. Petersburg | From Drawings by | ALFRED GEORGE VICKERS, ESQ. | Printed by Arnold & Fisher | LONDON, PUBLISHED FOR THE PROPRIETOR, BY LONGMAN & Co. PATERNOSTER ROW: | RITTNER & Co. PARIS: & ASHER, BERLIN. || Title page: A JOURNEY | TO ST. PETERSBURG AND MOSCOW | THROUGH COURLAND AND LIVONIA. | BY | LEITCH RITCHIE, Esq. | AUTHOR OF “TURNER’S ANNUAL TOUR”, “SCHINDERHANNES,” &c. | WITH TWENTY-FIVE SPLENDID ENGRAVINGS, | BY THE FIRST ARTISTS, AFTER DRAWINGS, | BY A.G. VICKERS, Esq. | LONDON: | LONGMAN, REES, BROWN, GREEN, AND LONGMAN. | PARIS: RITTNER AND GOUPILL. BERLIN: A. ASHER. | 1836. || Imprint: LONDON: | PRINTED BY J. HADDON AND CO., DOCTORS’ COMMONS. Pagination: [i-iii] iv [4] [1] 2-256, total 264 pages + 25 plates. Collation: 12mo; π4, B-Y6 Z2; total 132 leaves + frontispiece, engraved title and 23 leaves of steel-engraved plates w/tissue guards, extraneous to collation. Binding: full red morocco, blind-stamped boards, gilt-lettered spine, all edges gilt, 12mo, 20 x 13 cm. Note: Schinderhannes – real name Johannes Bückler (German, c.1778 – 1803): Leitch Ritchie. Schinderhannes: the Robber of the Rhine. (Library of Romance). — London: Smith, Elder, and Co., 1833. Contributors:
Author: Leitch Ritchie (British, 1800 – 1865).
Illustrator: Alfred Gomersal Vickers (British, 1810 – 1837).
Publisher: Longman, Rees, Orme, Brown, Green and Longman (London).
Engravers: Turnbull, Thomas (British, fl. 1830s); Radclyffe, Edward (British, 1810 – 1863); Jorden, Henry (British, fl. 1829 – 1838); Fisher, Samuel (British, 1806 – 1851); Willmore, James Tibbits (British, 1800 – 1863); Higham, Thomas (British, 1795 – 1844); Appleton, J. W. (British, fl. 1834 – 1843); Wallis, Robert William (British, 1794 – 1878); Chevalier, William (British, 1804 – 1866); Kernot, James Harfield (British, 1802 – 1858); Lewis, James (British, 1782 – 1858); Carter, James (British, 1798 – 1855). Printer: John Haddon & Co. (London). Reference: Metropolitan Museum (NY); Royal Collection Trust (London). -
Two volumes, 12mo; 14 x 9 cm, uniformly bound in speckled calf with dentelle border in gilt, gilt-stamped spine with two crimson lettered labels, marbled endpapers. Inscription to h.t.: P. Leigh Smith | Moscow | 1921 || Vol. 1: Half-title: MIROIR | DE L'ANCIEN ET DU NOUVEAU | PARIS, | AVEC TREIZE VOYAGES | EN VÉLOCIFÈRES, |DANS SES ENVIRONS. | TOME I. || Title page: MIROIR | DE L'ANCIEN ET DU NOUVEAU | PARIS, | AVEC TREIZE VOYAGES | EN VÉLOCIFÈRES, |DANS SES ENVIRONS. Ouvrage indespensable aus Étrangers et même | aux Parisiens, et qui indique tout ce qu’il faut | connoître et éviter dans cette capitale. | Orné d’un Plan de Paris et de 18 Gravures | {to the right, in single rules} Tels temps, telles mœurs. | Par L. Prudhomme. | Tome I. | PARIS, | PRUDHOMME, fils, rue des Marais, F. B. St.-G. | DEBRAY, rue St. Honoré, barrière des Sergens. | AN XIII. — (1804.) || Pagination: [i-vii] viii-xxxvi, 1-260; total 296 pages + 15 copperplate engravings and 1 folding plan of Paris. Collation: πA-πC6, A-C6, 4-216 224; total 148 leaves + 15 plates + 1 folding. Note: 12mo; πA1 unsigned, A2 unsigned, A–C3 signed A-C5, respectively, 4* unsigned, 9* marked 8*, 18* marked 17*. Vol. 2: Similar half-title and title, TOME II instead of TOME I. Pagination: [4] 1-408; total 412 pages + 3 copperplate engravings. Collation: π2, 1-346; total 206 leaves + 3 plates.
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Two volumes uniformly bound by Riviere & Son in full red marbled calf, triple fillet border stamped in gilt, elaborate gilt ornament and brown morocco labels with gilt lettering to spine, all edge gilt, gilt dentelles. Vol. 1: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | IN TWO VOLUMES. | {single rule} | VOLUME the FIRST. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xxxii, [i-iii] iv-vi, [2], [1] 2-90, [14], [1] 2-355 [356]; 500 pages total + ils. Collation: 4to; 250 leaves; A4 a-b4 c-d2, A4, a-l4 m2 n4 o2, B-Z4, Aa-Yy4 Z2, ils. Illustrations: 27 full-page copperplate engravings, incl. frontispiece (skillfully repaired), portrait of Cervantes by George Vertue After G. Kent and a fictional portrait of Don Quixote by George Vertue after John Vanderbank. Vol. 2: Title page: THE | LIFE AND EXPLOITS | Of the ingenious gentleman | DON QUIXOTE | DE LA MANCHA. | Translated from the Original Spanish of | Miguel Cervantes de Saavedra. | By CHARLES JARVIS, Esq; | {single rule} | VOLUME the SECOND. | {double rule} | LONDON: | Printed for J. and R. Tonson in the Strand, and | R. Dodsley in Pall-Mall. | {single rule} | M DCC XLII || Pagination: [i-iii] iv-xii, [1] 2-388; 400 pages total + ils. Collation: 4to; 200 leaves; A4 a2 B-Z4 Aa-Zz4 Aaa-Ccc4 Ddd2, ils. Illustrations:41 full-page copperplate engravings, pl. 29 (as frontispieces) precedes pl. 28. Contributors: Author: Miguel de Cervantes Saavedra (Spanish, 1547 – 1616) Translator: Charles Jervas (British, 1675 – 1739) Author: Cervantes biography by Gregorio Mayans y Siscar (Spanish, 1699 – 1781) Translator: Cervantes biography by John Ozell (British, d. 1743) Illustrator: John Vanderbank, the younger (British, 1694 – 1739) Artist: (Cervantes portrait): G. Kent (British, fl. 1738 – 1742) Engravers: Gerard Vandergucht (British, 1696 – 1776); George Vertue (British, 1684 – 1756); Bernard Baron (French, 1696 – 1762); Claude Du Bosc (French, 1682 – 1746 or later) Publishers: J. and R. Tonson (London); Robert Dodsley (British, 1703 – 1764) Catalogue raisonné: Lewine p. 102 Reference: Metropolitan Museum (New York)
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Two volumes uniformly bound by J. Mackenzie, in brown straight-grain morocco, boards with 7 gilt fillet border, fleuron corners, spine with raised bands, gilt in compartments, gilt-lettered DIBDIN’S | LITERARY | REMINISCENCES | I (or) II | 1836. All margins gilt, cream endpapers, armorial bookplate of William Henry Rossington to the front pastedown. Vol. 1: Title page: REMINISCENCES | OF | A LITERARY LIFE; | BY THE REVEREND | THOS. FROGNALL DIBDIN, D.D. | {vignette} | {one line citation | Richard de Bury} | LONDON: | JOHN MAJOR, 71, GREAT RUSSELL-STREET, | BLOOMSBURY. | MDCCCXXXVI. || Pagination: [4] two blank leaves, [i-v] vi-xxxii [4] list of plates, corrections, [1] 2-556 [4] two blank leaves. Collation: 8vo; [a]8 b8 [c]2, B-Z8, AA-MM8 NN6, 5 plates (incl. frontis. portrait by James Posselwhite after George Richmond) extraneous to collation, and a few vignettes in text. Vol. 2: Title page: REMINISCENCES | OF | A LITERARY LIFE; | WITH ANECDOTES OF BOOKS, | AND OF | BOOK COLLECTORS: | BY THE REVEREND | THOS. FROGNALL DIBDIN, D.D. | PART THE SECOND. | LONDON: | JOHN MAJOR, 71, GREAT RUSSELL-STREET, | BLOOMSBURY. | MDCCCXXXVI. || Pagination: [4] two blank leaves, [2] title/blank, 557-982, [1-3] 4-44 index, [4] two blank leaves. Collation: 8vo; [NN]2 OO-ZZ8 3A-3Q8 3R3, B-C8 D4, 5 plates (incl. frontis. “The Library, Eshton Hall”) extraneous to collation, and a few vignettes in text. Catalogue raisonné: Windle, Pippin (1999): A62 / pp. 171-177. Contributors: Author: Thomas Frognall Dibdin (British, 1776 – 1847) Artists: George Richmond (British, 1809 – 1896); Mary Dawson Turner [neé Mary Palgrave] (British, 1774 – 1850); Frederick Mackenzie (British, 1788? – 1854); C. J. Stewart (British, fl. 1830s). Copper engravers: James Posselwhite (British, 1798-1884); Philip Audinet (British, 1766 – 1837); William Henry Worthington. (British, c. 1790 – after 1839); Samuel Rawle (British, 1771 – 1860); Samuel Freeman (British, 1773 – 1857); James Thomson (British, 1788–1850). Wood engravings by John Byfield (British, 1788-1841) and his sister Mary Byfield (British, 1795 – 1871). Printer: William Wilcockson, Rolls Buildings, Fetter Lane. Publisher: John Major (British, 1782 – 1849) Binder: John Mackenzie (British, 1788 – c.1850) – held the office of bookbinder to both King George IV and King William IV. Bookplate: Colonel William Henry Rossington (American, 1848 – 1908)
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Five volumes, uniformly bound in marbled three-colour stained polished calf, spine with raised bands, gilt in compartments, crimson label with gilt lettering “CONTES DE BOCCACE”, cream label with volume number, marbled endpapers and all edges; bookplate pasted to first blank flyleaf “BIBLIOTHÈQUE DE LAJUDIE” depicting a coat of arms over an anchor, anchors and tulips scattered in the upper section, globe in the lower section, in a frame. Size: 21 x 14 cm. Translated by Antoine Le Maçon (French, 1500? – 1559). Vol. 1: [4] two blank leaves, portrait by Louis Lempereur after Hubert Gravelot, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME I. | Londres | 1757. | H. Gravelot Inv. […] T.P. N 21 […] J. Aliamet Sculp. ||, engraved frontispiece to Vie de Jean Bocace by Lempereur after Gravelot; Pagination: [i] ii-viii (Vie de Jean Bocace with head- and tail-pieces); [1] 2-320 [2] one blank leaf. Collation: 8vo; a4 A-V8, 164 leaves + 6 blanks + 24 plates (incl. portrait, frontis., and t.p.) extraneous to collation, 1 headpiece and 18 tailpieces. Vol. 2: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME II. | Londres 1757 | H. Gravelot inv. […] T.II. N.1. […] N. LeMire Sculp .||; Pagination: [1] 2-292 [2] one blank leaf. Collation: 8vo; A-S8 T2, 146 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 18 tailpieces. Vol. 3: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME III. | Londres 1757 | Gravelot inv. […] T.III. N.1. […] Aillamet Sc. ||; Pagination: [1] 2-203 [204] [2] one blank leaf. Collation: 8vo; A-M8 N6, 102 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 18 tailpieces. Vol. 4: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME IV. | Lond 1761 | Gravelot invenit […] T.IV. №.I. […] Alliamet Sculpsit. ||; Pagination: [1] 2-280 [2] one blank leaf. Collation: 8vo; A-R8 S4, 140 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 20 tailpieces. Vol. 5: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME V. | Londres 1761 | Gravelot, inv. […] T.V. N.1. […] Aillamet Sc. ||; Pagination: [1] 2 [3] 4-269 [270] [2] one blank leaf. Collation: 8vo; A-Q8 R7, 135 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 22 tailpieces. Total plates: 24+23+23+23+23=112; total vignettes: 19+ 18 + 18 +20 + 22 = 94; total etchings and engravings: 213. Ref: MFA ACCESSION NUMBER 37.1371a-e; Cohen-de Ricci 160; Ray, French Illustrated Book, 15 / p. 39-41; Metropolitan Museum, NY (Accession Number: 17.3.2641). Contributors: Authors: Giovanni Boccaccio (Italian, 1313–1375); Filippo Villani [Philippe-Matthieu Villani] (Italian, 1325 – 1407)Illustrated by: Hubert François Gravelot (French, 1699–1773). Artists: Charles Eisen (French, 1720–1778); François Boucher (French, 1703–1770); Charles-Nicolas Cochin le fils (French, 1715–1790), Jacques Aliamet (French, 1726–1788) Engravers: Jean Charles Baquoy (French, 1721–1777); Jean Jacques Flipart (French, 1719–1782); Louis Legrand (French, 1723–1807); Noël Le Mire (French, 1724–1801); Louis Simon Lempereur (French, 1725–1796); Catherine Elisabeth (Cousinet) Lempereur (French, born in 1726); Jean-Jacques André Le Veau (French, 1729–1786); Pierre Etienne Moitte (French, 1722–1780); Jean Ouvrier (French, 1725–1784); Jean Jacques Pasquier (French, died in 1785); Pierre (Pitre) Martenasie (Flemish, worked in France, died in 1770?); Augustin de Saint-Aubin (French, 1736–1807); Dominique Sornique (French, 1708 – 1756); Jacques Nicolas Tardieu (French, 1716–1791). Publisher: Prault (French, 18th century) Note: MFA copy has a slightly different collation: [v. 1] 152 leaves, plus plates; [v. 2] 136 ll., plus pls.; [v. 3] 98 ll., plus pls.; [v. 4] 131 ll., plus pls.; [v. 5] 124 ll., plus pls. This is their description: "First edition with these illustrations; a French translation (Cohen-de Ricci 160) appeared slightly later. Gravelot designed 89 of the 111 plates, and all 97 of the tailpieces, his largest single commission. Some 115 of his preliminary sketches by this series are in the Rosenwald Collection, Library of Congress; 131 of the final engraver's models are in the Widener Collection at the National Gallery of Art; and two other finished drawings are in the Ray Collection, Pierpont Morgan Library. Ten plates were designed by Eisen, and Cochin and Boucher had six each. As some plates in the later volumes are dated as late as 1761, the actual issuing of the volumes apparently extended to that date."
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Title page: Л. А. РАСТРИГИН | ВЫЧИСЛИТЕЛЬНЫЕ | МАШИНЫ, | СИСТЕМЫ, СЕТИ… | {Publisher’s device } | МОСКВА «НАУКА» | ГЛАВНАЯ РЕДАКЦИЯ | ФИЗИКО-МАТЕМАТИЧЕСКОЙ ЛИТЕРАТУРЫ | 1982 || Pagination: [2] 3-223 [224]. Collation: [1]16, 2-716; 11 unsigned. Size: 20 x 12.5 cm Binding: Pictorial wrappers with a gradient orange to brown background, and lettering on stylized computer screen Л. А. РАСТРИГИН | ВЫЧИСЛИТЕЛЬНЫЕ | МАШИНЫ, | СИСТЕМЫ, СЕТИ … || Print run: 100,000 copies. Contributors: Растригин, Леонард Андреевич (Russian, 1929 – 1998)
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А. Тьюринг. Может ли машина мыслить? / С прил. ст. Дж. фон Неймана "Общая и логическая теория автоматов"; пер. с англ. Ю. А. Данилова; ред. и пред. С. А. Яновской. — М.: Физматгиз, 1960. Title page: А. ТЬЮРИНГ | МОЖЕТ ЛИ | МАШИНА МЫСЛИТЬ? | С приложением статьи ДЖ. фон НЕЙМАНА | ОБЩАЯ И ЛОГИЧЕСКАЯ ТЕОРИЯ АВТОМАТОВ | Перевод с английского | Ю. А. Данилова | Редакция и предисловие | проф. С. А. Яновской | {Publisher’s device «ФМ» | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО | ФИЗИКО-МАТЕМАТИЧЕСКОЙ ЛИТЕРАТУРЫ | МОСКВА 1960 || Pagination: [2] 3-110 [2]. Collation: [1]8, 2-416; 11 (t.p./contents, imprint.) unsigned. Size: 20 x 13 cm Binding: Softcover, front pictorial wrapper – yellow background and radio lamp, lettering: А. Тьюринг. Может ли | машина | мыслить | ? | {publisher's device white on blue "ФМ"} || Contributors: Turing, Alan Mathison (British, 1912 – 1954) – author of the text. John von Neumann (American-Hungarian, 1903 – 1957) – author of the text. Данилов, Юлий Александрович (Russian, 1936 – 2003) – translator. Яновская [Неймарк], Софья Александровна (Russian-Jewish, 1896 – 1966) – author of preface, editor.
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Title page: The Mathematical Theory | Of Communication | By CLAUDE E. SHANNON | and WARREN WEAVER | THE UNIVERSITY OF ILLINOIS PRESS: URBANA | 1949 || Pagination: [8] [2] 3-117 [3 blanks]. Size: 23.5 x 16 cm Binding: Publisher’s burgundy cloth, silver lettering to spine, yellow pictorial DJ with lettering: THE MATHEMATICAL THEORY OF | COMMUNICATION | {8 lines of text} {graph} | CLAUDE SHANNON WARREN WEAVER || Contributors: Shannon, Claude Elwood (American, 1916 – 2001) Weaver, Warren (American, 1894 – 1978)
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Description: single volume 24.5 x 19 cm, collated 4to, bound by a previous owner in quarter red morocco over marbled boards, raised bands, with gilt lettering in compartments: "SPADDY | DÉVERGONDAGES", red marbled endpapers. Printed on wove paper with watermark “RIVES”. Title-page: SPADDY | DÉVERGONDAGES | BRUXELLES | Aux Dépens d'un Amateur | 1948 || Pagination: [4] – blank, [1, 2] – h.t. / limitation, [3, 4] – t.p. / blank, 5-151 [152] – blank, [4] – blank; uncut, illustrated with 16 hand-coloured lithographs extraneous to collation after watercolours by Féodor Rojankowski [Rojan]. Table of contents on p. 151. Limitation: 250 copies of which №№ I – XVI with original watercolour and b/w suite of plates and №№ 17-250 on Rives paper with coloured lithography; this copy is № 100 of 234 Rives paper copies. Catalogue Raisonné: J.-P. Dutel (1920–1970) № 1389 / p. 128.
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Front wrapper: Историческая библиотека | Хроника трех столетий | Петербург – Петроград – Ленинград | И. Троцкий | III-е Отделение при Николае I | 3 | июля | 1826 года || Title: И. Троцкий | III-е Отделение при Николае I || Faux title (p. 75) : Жизнь | Шервуда-Верного || Pagination: [1-5] 6-317 [3]; 320 pages. Collation: 16mo; [1]16 2-1016; 160 leaves. Binding: Softcover, original pictorial wrappers. Print run: 150,000 copies. Contributors: Исаак Моисеевич Троцкий (Russian-Jewish, 1903 – 1937) – author of the text. Яков Аркадьевич Гордин (Russian-Jewish, b. 1935) – foreword, preparation.
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Half-title: STANDARD NOVELS. | № XLIII. | {6 lines of citation} | THE BETROTHED | COMPLETE IN ONE VOLUME. | LONDON: RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN) : | BELL & BRADFUTE, EDINBURGH; | CUMMING, DUBLIN. | 1834 || Illustrated title page: THE BETROTHED, | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | {vignette by S. Smith after F. Pickering} | LONDON: | RICHARD BENTLEY | (SUCCESSOR TO HENRY COLBURN.) | CUMMING, DUBLIN, – BELL & BRADFUTE, EDINBURGH, | GALIGNANI, PARIS. |1834. || Title page: THE | BETROTHED. | FROM THE ITALIAN | OF | ALESSANDRO MANZONI. | LONDON: RICHARD BENTLEY, 8 NEW BURLINGTON STREET | (SUCCESSOR TO HENRY COLBURN): | BELL & BRADFUTE, EDINBURGH; | AND CUMMING, DUBLIN. | 1834 || Frontispiece: vignette by S. Smith after F. Pickering. Pagination: [i-v] 6-xii, [1] 2-452 [2 blank] + 2 plates. Collation: [A]6 B-Z8 AA-FF8 GG2 + 2 leaves of plates; Note: A1, A2, A4, GG2 – unsigned; both frontispiece and illustrated title are extraneous to collation. Binding: 2/3 black calf over marbled boards, raised bands w/gilt elements, gilt lettering in compartments and gilt title on a crimson label to spine; contemporary, but not the original publisher's binding; size: 16.5 x 10.5 cm Bookplates: Yellow sticker to front pastedown “J. K. Higgins, Northampton” (unknown); Ex libris to the front flyleaf: “Hilda Moore” (probably Hilda Mary Moore (British, 1886 – 1929) – a British stage and film actress. Series: Bentley's Standard Novels, № 43, first series. Catalogue raisonné: Michael Sadleir (1951): p. 101. Original title: ALESSANDRO MANZONI : I PROMESSI SPOSI Contributors: Manzoni, Alessandro (Italian, 1785 – 1873) Pickering, Ferdinand (British, 1810 – 1889) – artist. Smith, Samuel S. (British, 1810 – 1879) – engraver. A. Spottiswoode (London); Spottiswoode, Andrew (British, 1787 – 1866) – printer. Bentley, Richard (British, 1794 – 1871) – publisher. For the Russian edition see [LIB-1333.2017]: Алессандро Манцони. Обрученные. Повесть из истории Милана XVII века / Перевод И. И. Шитца. (Итальянская литература). — М.-Л.: Academia, 1936.
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Title page: АЛЕССАНДРО МАНЦОНИ | ОБРУЧЕННЫЕ | ПОВЕСТЬ ИЗ ИСТОРИИ | МИЛАНА XVII ВЕКА | ПЕРЕВОД И КОММЕНТАРИИ | И. И. ШИТЦА | ВСТУПИТЕЛЬНАЯ СТАТЬЯ | А. К ДЖИВЕЛЕГОВА | ACADEMIA | 1936 || Frontispiece: ИТАЛЬЯНСКАЯ ЛИТЕРАТУРА | ПОД ОБЩЕЙ РЕДАКЦИЕЙ А. К ДЖИВЕЛЕГОВА | АЛЕССАНДРО | МАНЦОНИ | 1785 — 1873 | ACADEMIA | МОСКВА ЛЕНИНГРАД || Title verso: ALESSANDRO MANZONI | I PROMESSI SPOSI | Иллюстрации — автолитография | Е. Д. Белухи | Титула и переплет | по его же рисунку || Pagination: [i-vii] viii-xxxviii [2] [2] 3-946 [8] + 15 leaves of illustrations. Collation: [I]8 II8 III4 1-598 ⅛605 + 5 leaves of plates + 10 leaves of plates (lithography by Е. Д. Белуха). Binding: 19.5 x 14.5 cm; Publisher’s blue cloth, lettering and design to cover and spine (by Е. Д. Белуха). Print run: 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): №832, p. 279. Contributors: Мандзони, Алессандро [Manzoni, Alessandro] (Italian, 1785 – 1873) – author of the original text. Шитц, Иван Иванович (Russian, 1874—1942) – translator from the Italian into Russian. Дживелегов, Алексей Карпович (Russian, 1875 – 1952) – editor. Белуха, Евгений Дмитриевич (Russian, 1889 – 1943) – artist. For the first English edition see: [LIB-1332.2017]: Alessandro Manzoni. The betrothed / (Standard novels). — London: R. Bentley, 1834.
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Cover: LA | NOUVELLE PHÈDRE | ET | LE DIRECTEUR DE L'ODEON | PAR | PAGES (DU TARN) | PRIX : 50 CENTIMES | PARIS | GUSTAVE HAVARD, LIBRAIRE–ÉDITEUR | BOULEVARD SÉBASTOPOL (RIVE GAUCHE) et rue de la Harpe. | 1858 || Pagination: [1-3] 4-48. Collation: 8vp; [1]-38 (total 24 leaves) Binding: publisher’s wrappers. Printer: Imprimerie Bonaventure et Ducessois (Paris); Ducessois, Théodore (French, 1804 – after 1864.) Bonaventure, Jules-Frédéric (French, ca. 1816 – 1891) Pagès (du Tarn) (French, fl. 1838 – 1872) – known absolutely nothing. Other works: La France, ode (M. Papailhiau, 1840); Aux Électeurs ... du Tarn (Soupe, 1848) ; Les Funérailles de Napoléon, ode (Pilout, 1840) ; Mazagran, 4, 5 et 6 février 1840, chant héroïque (M. Papailhiau, 1840) ; Herminie, ou l'Amour et l'honneur, tragédie en 5 actes, en vers (Moquet, 1872) ; Lettre à S.E. le ministre de l'Intérieur sur la nouvelle Phèdre et le Théâtre français (Moquet, 1856), etc. There is also a humorous book by Antony de Menou, which does not contain anything of substance: Un contemporain: biographie de Pagès (du Tarn). — Paris: Masgana, 1857. Antony de Menou is an obscure figure in his own right. An article about him can be found at Les derniers bohêmes by Firmin Maillard (1833 – 1901) [LIB-2652.2021].
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Dust jacket: Pictorial floral ornament, lettering in a central medallion: ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ | {ACADEMIA} || Title page in black and red in a pictorial frame: ЖИЗНЬ | БЕНВЕНУТО, | СЫНА МАЭСТРО | ДЖОВАННИ | ЧЕЛЛИНИ, | ФЛОРЕНТИНЦА, | НАПИСАННАЯ | ИМ САМИМ | ВО ФЛОРЕНЦИИ |{√}| ПЕРЕВОД, ПРИМЕЧА | НИЯ И ПОСЛЕСЛОВИЕ | М. ЛОЗИНСКОГО | ВСТУПИТЕЛЬНАЯ | СТАТЬЯ | А. К. ДЖИВЕЛЕГОВА | ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Frontispiece: ПАМЯТНИКИ | ХУДОЖЕСТВЕННОГО | И ОБЩЕСТВЕННОГО | БЫТА |{√}| ЖИЗНЬ | БЕНВЕНУТО | ЧЕЛЛИНИ |{√}| ACADEMIA | МОСКВА~ЛЕНИНГРАД | M.CM.XXXI || Title verso: LA VITA DI BENVENUTO DI Mo GIOVANNI | CELLINI FIORENTINO | scritta per lui medesimo in Firenze | […] | Рисунки титулов, переплета и супер-обложки И. Ф. Реберга |[…]| 6 – 10 тысяча || Pagination: [1-5] 6-735 [736], 30 photomechanical plates (incl. portrait) Collation : [1]8 2-468 + 15 leaves of plates extraneous to collation, total 383 leaves. Binding: publisher’s burgundy cloth, gilt-stamped to front, blind-stamped to back board, gilt lettering to spine, pictorial DJ. Print run: 5,250 copies. Catalogue raisonné: Крылов-Кичатова (2004): №473, p. 220 (in 1932 section). Contributors: Benvenuto Cellini (Italian, 1500 – 1571) – author. Алексей Карпович Дживелегов (Russian, 1875 – 1952) – editor. Михаил Леонидович Лозинский (Russian, 1886 – 1955) – translator. Иван Фёдорович Рерберг (Russian, 1892 – 1957) – artist.
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Frontispiece: ИНОСТРАННЫЕ МЕМУАРЫ Под общей редакцией | И. Т. Смилги | ОММЕР ДЕ ГЕЛЛЬ | «Academia» | Москва—Ленинград || Title page: ОММЕР ДЕ ГЕЛЛЬ | ПИСЬМА и ЗАПИСКИ | Редакция, вступительная статья и примечания| М. М. Чистяковой | ACADEMIA | 1933 || Title verso: Супер-обложка и переплет | по рисункам Н. П. Дмитревского || Pagination: [1-6] 7-464 [8], ill. Collation: 8vo; [1]-298, 304 + 8 plates (photomechanical), one of them folded. Binding: 17.5 x 13.5 cm, original purple cloth, white lettering to spine, vignette to front board, pictorial DJ. Print run: 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 564, p.236. Вяземский, Павел Петрович (Russian, 1820 – 1888) – author. A famous literary forgery and mystification in the history of Russian literature. The fictitious author – Оммер де Гелль – was an existing human being: Adèle Hommaire de Hell, née Hériot (French, 1819 — 1883), a French writier. The fictitious matter of the book was not proven before 1935. The details can be found here.
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Title page: АПОЛЛОН ГРИГОРЬЕВ | ВОСПОМИНАНИЯ | РЕДАКЦИЯ И КОММЕНТАРИИ | ИВАНОВА – РАЗУМНИКА | « ACADEMIA» | МОСКВА — ЛЕНИНГРАД | 1930 || Duplicate title: ПАМЯТНИКИ | ЛИТЕРАТУРНОГО | БЫТА | ВОСПОМИНАНИЯ | АПОЛЛОНА ГРИГОРЬЕВА | И ВОСПОМИНАНИЯ О НЕМ | «ACADEMIA» | МОСКВА — ЛЕНИНГРАД | 1930 || Title verso: Супер-обложка | худ. В. М. Конашевича | Тиснение на переплете | худ. А. А. Ушина | {imprint} || Print run: 5070 copies. Pagination: [i-v] vi-viii, [1-3] 4-697 [3]. Collation: 8vo; π4, 1-428, Ω14 (total 345 leaves) + 1 plate (photomechanical portrait frontispiece). Note: 11 unsigned. Binding: 18 x 13 cm; purple cloth, gilt-stamped with geometrical design, gilt lettering to spine, pictorial DJ (short, 16 cm). Catalogue raisonné: Крылов-Кичатова (2004): № 403, p.210. Григорьев, Аполлон Александрович (Russian, 1822 – 1864) – character, author. Конашевич, Владимир Михайлович (Russian, 1888 – 1963) – artist. Ушин, Алексей Алексеевич (Russian, 1904 – 1942) – artist.