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54 Products
Romeyn de Hooghe. Spiegel van Staat / 2 volumes. — Amsterdam: Jan ten Hoorn, 1706-7.
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Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.
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[Pierre Louÿs.] Pybrac / Illustré de 30 point sèches d’un artiste inconnu [i.e. Marcel Vertès]. — Paris: Aux dépens d’un amateur [i.e. Marcel Vertès], 1928.
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В. Я. Пропп. Исторические корни волшебной сказки. — Л.: Изд-во Ленинградского ун-та, 1946.
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[Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIXe siècle, par un contemporain. — Bruxelles : A. Mertens et fils, 1864.
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Thomas Hugo. The Bewick Collector. A Descriptive Catalogue & A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick. Lovell Reeve and Co., 1866-1868.
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Charles-Louis de Secondat Montesquieu. Le temple de Gnide. — Paris: Le Mire, 1772.
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John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.
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Maurice Alhoy, Louis Lurine. Les prisons de Paris: Histoire, types, mœurs, mystères / Édition illustrée. — Paris: Gustave Havard, 1846.
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Adelbert von Chamisso. Peter Schlemihls wundersame Geschichte. — Leipzig: Insel-Verlag, [1916–1940].
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P. L. Jacob [i.e. Paul Lacroix]. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875.
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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.
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Arthur Freeman. Bibliotheca Fictiva: a Collection of Books and Manuscripts Relating to Literary Forgery 400 BC – AD 2000. — London: Bernard Quaritch Ltd, 2014.
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Pierre-Joseph Bernard. L’art d’aimer, et poésies diverses. — Anonymous, [1775?]
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Ch. Virmaître. Les curiosités de Paris / préface de M. Xavier Eyma. — Paris: P. Lebigre-Duquesne, 1868.
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Л. А. Растригин. Вычислительные машины, системы, сети… — М.: Наука, 1982.
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[Graham Greene (?), Ronald Matthews] Sheila Cousins. To beg I am ashamed. — Paris: The Obelisk Press, 1938.
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Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.
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