///Arms and Armor
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    Iron tsuba with a horse motif in marubori-sukashi. Edo period, ca. 1800.

    $890.00

    Iron tsuba pierced and carved (marubori-sukashi) with the 'horse in the round' design. Possibly, Bushū-Ito school, 19th century (ca. 1800). Kogai-hitsu-ana plugged with shakudō.

    Size: 67.6 x 66.8 x 5.1 mm

    Unsigned.

    See:

      1. Robert E. Haynes. Study Collection of Japanese Sword Fittings. Nihon Art Publishers, 2010, p. 120: Iron plate carved and formed in the round as a tethered bull...Signed: Bushū jū Sadayasu saku.
      2. Robert E. Haynes. Masterpiece and highly important tsuba, etc... San Francisco, 1984 // Catalog #9.: Signed: Bushū jū Yoshifusa. Ca. 1800, H 6.7 cm, Th. 4.75 mm.
      3. The Hartman collection of Japanese metalwork. Christie's, 1976, p. 29, №59: Bushū type, 19th century. Reference to Takezawa, Nihon Toban Zuetsu №411 for a similar design signed Bushū Yoshifusa.

    Hartman collection, №59. 

    4. Japanese Sword Fittings from the R. B. Caldwell Collection. Sale LN4188 "HIGO". Sotheby's, 30th March 1994, p. 17, №24: An iron tsuba, by Heianjo Sadatsune, Edo period (18th century). In the form of a horse, standing with its head lowered and a rope halter attached to its bit and trailing beneath. Signed Heianjo Sadatsune, 7.3 cm. With NBTHK Tokubetsu kicho paper, dated Showa 49 (1974). GBP 600-700.

    The Caldwell Collection. Heianjo Sadatsune, Edo period (18th century).

     
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  • Kawaji school tsuba with landscape motif, by Tomohisa. Edo period, c. 1700.

    $900.00

    Iron tsuba of oval form carved with a landscape motif. Kogai-hitsu-ana plugged with shakudo. Sekigane of copper.

    Signed: Chōshū Hagi-jū Tomohisa saku (長州萩住友久作).

    Tomohisa, adopted son of Rokurō'emon, was 3rd generation master of Kawaji School from Hagi in Nagato (Chōshū), lived 1687-1743 [M. Sesko 'Genealogies', page 117].

    Edo period, circa 1700. Dimensions: 71.1 x 66.8 x 2.9 mm For his adopted son Hisatsugu work see TSU-0103 in this collection.  
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  • Bushū-Itō school tsuba by Masamitsu, ca. 1800.

    $980.00

    An iron tsuba of oval form decorated with a water plantain (omodaka) carved in low relief and water drops inlaid in gold.

    Signed: Bushū jū Masamitsu.

    Bushū-Itō school.

    Height: 71.8; Width: 67.3; Thickness: 3.6; Weight: 96 g.

    Mid to late Edo period; 18th-19th century.

    There were several tsuba artists with the name of Masamitsu. The one who worked with iron and spelled [正光] is mentioned at Markus Sesko's 'Genealogies' on page 106 in Akasaka School of Edo section as Masamitsu Gorōbei , student of Tadatoki, 4th generation Akasaka master. The name is not mentioned at Torigoye/Haynes 'Tsuba. An Aesthetic Study' in the list of Bushū-Itō family masters on page 181.
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  • Chōshū school tsuba with ivy motif, 19th century.

    $980.00

    An iron tsuba of slightly vertically elongated circular form carved and pierced with a mass of ivy (tsuta) leaves and tendrils, details damascened with gold in nunome-zōgan technique. Hitsu-ana with raised rim.

    Unsigned.

    Chōshū school.

    Height: 72.0 mm; width: 69.0 mm; thickness: 4.7 mm; Weight: 92 g.

    According to John W. Dower, "ivy bears fairly close resemblance to both maple leaf and grape leaf". However, I consider this tsuba decorated with ivy leaves for several reasons, such as the lack of racemations in the presence of tendrils.
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  • Iron tsuba with spotted deer motif by Hamano Noriyuki. Edo period, 18th-19th century.

    $1,300.00
    Iron tsuba of ryō-mokko-gata form decorated with a spotted deer (Nara deer or sika deer) motif in low relief carving (sukidashi-bori) and flat silver inlay (hara-zōgan); deer's eyes and details in gold inlay. Signed on a copper cartouche: Noriyuki. Grass in low relief carving on the reverse. There were two Noriyuki in Hamano school - father (Noriyuki I, 1736-1787) and son (Noriyuki II, 1771-1852). Frankly speaking, I don't know which one made this particular piece. Edo period, late 18th or early 19th century.

    Size: 71.5 x 70.0 x 3.0 mm.

       
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  • Nara school tsuba by Sugiura Jōi with dreaming Rosei motif. Edo period.

    $1,500.00

    Copper tsuba of slightly elongated round form carved in low relief (shishiaibori and sukisagebori) and inlaid in gold, silver and shakudō with the design of dreaming Rosei (Lu Sheng): he is half-sitting by the pillow with his eyes closed, holding his fan, with a scroll by his feet, surrounded by flying butterflies.

    Edo period, first half of the 18th century.

    Dimensions: 70.8 x 67.1 x 5.0 mm. Signed on the reverse: Jōi (乗 意) + Kaō. Sugiura Jōi [杉 浦 乗 意] (1701-1761) was a master of Nara School in Edo; he was a student of Toshinaga [M. Sesko, ‘Genealogies’, p. 32]. “Sugiura Jōi (1701-1761) made many fuchigashira and kozuka, tsuba are rather rare.” [M. Sesko, The Japanese toso-kinko Schools, pp. 148-149]. On Rosei (Lu Sheng) dream's legend see Legend in Japanese Art by Henri L. Joly (1908 edition) on page 293.
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  • Copper tsuba with Daruma motif. Edo period.

    $1,550.00

    A copper tsuba with ishime-ji ground carved and polished (migaki-ji) with sitting Daruma; his eyes are inlaid with shakudo and he has a golden earring. The reverse carved with four characters: 廓 然 無 性 (Kakunen-mushō). It is a Zen proverb that goes back to Bodhidharma (Daruma), meaning "boundless expanse and nothing that can be called holy." [Markus Sesko translation]. Shakudo fukurin.

    Unsigned.

    Edo period (circa 1800). Dimensions: 68.2 x 65.5 x 4.8 (center) x 3.2 (rim) mm
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  • Copper tsuba with a mythical creature motif. Edo period.

    $1,780.00

    Copper tsuba of slightly elongated round form carved in low relief (usuniku-bori, katakiri bori) with the design of a mythical creature: a horse, however, with divided hoofs, with anthropomorphic (human-like) face though with a vertically positioned third eye on the forehead, and a corn. Certain elements of the image accentuated with gold iroe. On the back: flowers and grasses carved in katakiribori technique. Shakudō fukurin.

    Edo period.

    Dimensions: 70.7 x 70.2 x 3.7 mm In a custom wooden box.
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