Engraving/Etching – Varshavsky Collection

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Richard Parkes Bonington. Evreux: Tour du Gros Horloge. 1824.

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Losing my seat. [Anonyme] A. Sharpshooter, 1829.

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Venetian Album: 12 lithographs by Lessore after Wyld. — Venice: Charles Hopfner, 1834; (2) Veduta della casa di Loreto: 5 etchings by Filippo Jaffei. – Loreto: Jaffei, 1828; 2 more etchings.

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The environs of Paris. — London: Baldwin & Cradock, 1832.

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Félicien Rops. Le dessous de cartes d’une partie de whist (Series: Les diaboliques – petites planches); soft-ground etching, 1886.

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Das erotische Werk des Félicien Rops. — Privatdruk, 1905.

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Le Pere Matthieu Ricci, Le Pere Adam Schaal, and Le Pere Ferdinand Verbiest by Joshua Van Solingen (1736).

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Das Kaiserlein Napoleon, und seine Rauberhorten. L. Schlemmer, hand-coloured etching, c. 1815.

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Martial. Les femmes de Paris pendant le Siège / Suite of 12 etchings. — Paris, 1871.

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A plan of the city of Paris. — London: J. Stockdale, 1800.

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Félicien Rops. La vieille à l’aiguille; etching, 1876.

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Rudolf Keller. Erotische Märchen (10 radierungen). — S.l.: Privatdruck, 1919.

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A portrait of Marcello Malpighi from his Opera Posthuma (1697).

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A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.

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La Caillette (XVIIIe siècle), by E. Charreyre after Juan Antonio González, 1884.

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Le plan de la ville, cité, et université de Paris, par N. de Fer, 1705.

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Félicien Rops. Pallas; etching and drypoint, 1874.

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Martin van Maële. Set of 21 two-colour etchings for the Charles Carrington edition of ‘Thais’ by Anatole France, 1901.

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