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Title-page: APOLOGIA | DEL S. TORQVATO | TASSO. | IN DIFESA DELLA SVA | GIERVSALEMME | LIBERATA. | Con alcune Opere, partien in accusa, | partein difesa dell Orlando Furioso | dell’Ariosto. | Della Gierusalem- | me istessa , e dell’Amadigi | del Tasso Padre. | I titoli tutti si leggono nella feguente | facciata. | con privilegi. | {publisher’s device} | In Mantoua, Per Francesco Osana. | M D LXXXV. || 1st blank π1, [a]-a8; (9 leaves, 18 pp., unpaginated) Divisional t.p. (1): DE GLI | ACCADEMICI | DELLA CRVSCA | DIFESA DELL’ ORLANDO | FVRIOSO DELL’ ARIOSTO | Contra’l Dialogo dell’Epica | poesia di Camillo | Pellegrino. | Stacciata prima. | {woodcut} ||; A-E12 [2]A1 (61 leaves, 122 pp., unpaginated). Divisional t.p. (2): APOLOGIA | DEL S. TORQVATO | TASSO. | IN DIFESA DELLA SVA | GIERVSALEMME | LIBERATA. | {publisher’s device} | IN MANTOVA, |—| Per Francesco Osanna. | MDLXXXV. || [2]A11 2B-[2]I12 [2]K4, pp. [2] 3-219 [3] (111 leaves, 222 pages). Divisional t.p. (3): DELL’ | INFARINATO | ACADEMICO | DELLA CRVSCA … etc. | MDLXXXV. | Con licenza de’ Superiori. || [3]A-[3]G12, pp. [2] 3-164, 163 (i.e. 165) [3] (84 leaves, 168 pages). Divisional t.p. (4): RIPOSTA | DEL S. TORQVATO | TASSO, | ALLA LETTERA | DI BASTIAN ROSSI, …etc. | MDLXXXV. | Con licenza de’ Superiori. || [4]A-[4]E12 F8, ([4]B3 i.e. [4]A3), pp. [2] 3-135 [1] (68 leaves, 136 pages). Divisional t.p. (5): DISCORSO | IN TORNO | A’CONTRASTI, | CHE SI FANNO | SOPRA… ect. | M D LXXXVI. || [5]A-[5]D12 E4, pp. [2]3-67, 66 (i.e. 68), 92 (69), 70-73 (70-73), 94 (74), 95 (75), 76, 77, 98-115 (78-95), 112 (96), 97-100, [4] (52 leaves, 104 pages). Divisional t.p. (6): PARERE | DEL SIGNOR | TORQVATO | TASSO. | SOPRA IL DISCORSO | del Signor Horatio Lom- | bardello intorno a’ | contrasti,&c. … etc. | M D LXXXVI. || [6]A12 [6]B6 (incl. last blank), pp. [1-5] 6-33 [3] (18 leaves, 36 pages). Collation: 12mo; π1, a8, A-E12, [2]A-[2]I12 [2]K4, [3]A-[3]G12, [4]A-[4]E12 F8, [5]A-[5]D12 E4, [6]A12 [6]B6 (incl. last blank), total 403 leaves, 806 pages, in-text woodcut head- and tailpieces, and initials. Binding: 14.4 x 9 cm, 19th-century quarter calf over marbled boards, raised bands, gilt-bordered compartments, gilt lettering, three flyleaves at the front and back, "The Robin Collection" bookplate to front pastedown. Provenance: The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Orazio Ariosto (Italian, 1555 – 1593) – author. Ludovico Ariosto (Italian, 1474 – 1533) – author. Camillo Pellegrino (Italian, 1527-1603) – author. Francesco Osanna [Osana] (Italian, fl. 1549 – 1608) – printer, publisher. -
Title-page (1): DI | GERVSALEMME | CONQVISTATA. | DEL SIG. TORQVATO | TASSO. | LIBRI XXIIII. | {engraved portrait of Torquato Tasso in lettered oval medallion surrounded with laurel branches} | IN PARIGI, | Appresso Abel L’ANGELIER | nella prima Colonna del palazzo. | M.D. CXV. || Title-page (2): DI | GERVSALEMME | CONQVISTATA. | DEL SIG. TORQVATO | TASSO. | LIBRI XXIIII. | ALL’ ILL. MO ET REV. MO| SIG. RE| IL SIGNOR. | CINTHIO ALDOBRANDINI | Card. Di San Giorgio. | Appresso Abel L’ANGELIERI | nella prima Colonna del palazzo. | M.D. LCXV. || Collation: 1st blank leaf with an extensive pencil MS in French and English (unsigned), 1st t.p. / blank (unsigned), 2nd t.p. / blank [ai] (unsigned), Dedication by Angelo Ingegneri dated 10-NOV-1592 (ã2-ã5), dedication by Torquato Tasso and Aux Lecteur by Abel L’Angelier ã5[i.e. 6]-[ã9]; 12mo: π12, A-Z12, 2A-2Q12 (2Q11 woodcut / blank, 2Q12 blank), total 480 leaves, with woodcut head- and tailpieces, historiated initials. Note: leaves D6, M3, M6, and N3 unsigned; leave E2 signed for F2, E4 – for F4, Z – for Z5, and A – for Aa. Pagination: 12 prelims unpag., 1-361, each leaf paginated as one page) [2]; with a lot of mispaginations: shall be 1-468, but after p.291 follows 278 (for 292), then 193 for 293, etc. Binding: 14.5 x 8.5 cm, 20th-century tan morocco by Zaehnsdorf (signed in gilt), gilt fleurons in corners and in compartments, raised bands, titles on spine, gilt dentelles, marbled endpapers plus 6 fep at the front (one with pasted clipping “A PARIS, Chez Fetil, Libraire, rue des Cor-| deliers, près celle de Condé, au | Parnasse Italien”, and 2 at the end. What connection has the 18th-century publisher with this edition remains unclear. “The Robin Collection” bookplate to front pastedown. Edges sprinkled red. Occasional damp staining to top margins. There is controversy regarding the year of this publication. It could be 1615 (MDCXV), however, both the publisher and the dedicatee were dead this year. Dedication by the publisher dated 1592. We agree with those scholars who suggest that MDCXV and MDLCXV were misprinted for MDXCV (1595). Provenance: The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Angelo Ingegneri (Italian, 1550 – 1613) – author. Abel L'Angelier (French, 1553? – 1610) – printer, publisher. Cinzio Aldobrandini (Italian, 1551 – 1610) – dedicatee. -
Engraved title-page: L'AMINTA | FAVOLA BOSCHERECCIA | DI | TORQUATO TASSO | Aggiuntovi il Poemetto | Amore Fugitivo |{vignette} | IN VENEZIA | MDCCLXIX |—| PRESSO ANTONIO ZATTA | CON LICENZA DE’ SUPERIORI || in historiated frame, signed below: “Pet. Ant. Novelli in — Fambrini inci.” Pagination: [i] ii-xxiv, [1-2] 3-84, total 108 pages, ils. Collation: 12mo; a12, A-C12 D6, last blank; first 6 leaves signed in 12-leave quires, first 3 in D; total 54 leaves plus 9 plates, incl. engraved title and frontispiece, and numerous head- and tailpieces by Fambrini after Novelli. Binding: 18.6 x 11 cm, contemporary tree calf, rebacked, crimson label with gilt lettering; clipping and bookplate of The Robin Collection to front pastedown; verso front flyleaf stamped “RESTORED BY MACDONALD CO. | NORWALK. CONN.” Additional blank leaves at front and back. Provenance: Satinsky, Robin F. (American, 1919 – 2008); The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Pietro Antonio Novelli (Italian, 1729 – 1804) – artist. Ferdinando Fambrini (Italian (1764 – c.1793) – engraver. Antonio Zatta (Italian, c. 1722 – 1804) – printer, publisher. -
Title-page: RIME | DEL SIGNOR | TORQUATO | TASSO. | PARTE PRIMA. | Insieme con altri componimenti | del medesimo | CON PRIVILEGIO. | {publisher’s device} | IN VINEGIA, M D LXXXI. || Contents: 1. Rime; 2. Aminta favola boscareccia; 3. Conclusioni amorose; 4. Il Romeo, overo del Giuoco dialogo; 5. Lettera, nellaquale paragona l’Italia alla Francia; 6. All’eccellentis signor Duca di Urbino; 7. Dialogo del l’amor. Pagination: [2 blanks], [2] – t.p. / blank, [4] dedication, [2] – blank / content, [16] – tavola, [1] 2-160 – rime, [8] [1] 2-74 – aminta, [4] 1-9 [10 blank] – conclusion, [2] [1]-22 – dialogo, [2] 1-27 [28 blank] – lettera, [2] 1-4 – all’eccellentiss, [4 blanks], [2] 1-17 [18 blank] – dialogo del l’amor, [2] – Car. 52 / Car. 113., [4 blanks], total 372 pages. Collation: 8vo; first blank, *4, **8, A-K8, 2A-2L8 M4, last blank; total 186 leaves, incl. first and last blanks. Note: 2F2, 2G1, 2K4, 2L1, and 2M3,4 – unsigned. Binding: 15.2 x 10.3 cm, 19th-century polished calf by Duke St., St. James, London (ticket) Cambridge panels ruled in gilt with fleurons at corners, two crimson labels to spine with gilt lettering, gilt in compartments, raised bands ruled gilt, rebacked, AEG, bookplate to front pastedown: “BIBLIOTECA | del | Conte Leonardo Vitetti | Ambasciatore d’Italia” in a frame, and “The Robin Collection” to FEP. Inset a card from Bryn Mawr College Library. Provenance: Satinsky, Robin F. (American, 1919 – 2008), The Robin Collection. Count Leonardo Vitetti (Italian, 1895 – 1973) Bryn Mawr College Library (Pennsylvania) Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Aldus Manutius, the Younger (Italian, 1547 – 1597) – printer, publisher.
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Title-page: AMINTA | FAVOLA BOSCARECCIA | DI | TORQUATO TASSO | CON | LE ANNOTATIONI | D'EGIDIO MENAGIO | ACCADEMICO | DELLA CRVSCA• | {woodcut vignette} | IN PARIGI| Presso AGOSTINO Cvrbe`, nella Galeria del Palazzo, | all’ insegna della Palma. |—| M. DC. LV. || Collation: 4to; ā4 ē4 ī4 A2 B2 C-V4 Y-Z4 2A1,2 X4 2A3,4 2B-2Z4, 3A-3B4, total number of leaves = 200. Note: O2, 2K3, 2V3 2X3 2Y3, and 3B3 – unsigned, 2Z3 signed 2Z2 (Zzij), quire X (pp. 145-152) bound between 2A2 (p. 172) and 2A3 (p. 173); illustrated throughout with woodcut head- and tailpieces and initials, Atto Primo has copperplate engraved historiated initial and a headpiece signed “F. C. in. — I. B. fe.” “I. B.” was a monogram of engraver Giulio Bonasone (Italian, c. 1498 – after 1574). Pagination: [2] – t.p. / blank, [8] – dedication, i-xviii, [4], 1-341 [342-368]; total number of pages = 400. Binding: 22.3 x 18 cm, 19th-century quarter morocco over marbled boards, spine with raised bands and gilt lettering, rebacked, additional blank flyleaves at front and back, marbled endpapers and all edges. Bookplate to front pastedown: “The Robin Collection”. Verso front flyleaf stamped “RESTORED BY MACDONALD CO. | NORWALK. CONN. Provenance: The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Gilles Ménage (French, 1613 – 1692) – author. Antoine Vitré (French, 1595 – 1674) – printer. Augustin Courbé (French, fl. c. 1625 – 1660) – publisher. Marie-Madeleine Pioche de La Vergne, comtesse de La Fayette (French, 1634 – 1693) – dedicatee. -
Engraved title-page 1, as per British Museum: An architectural setting with, at upper centre, a portrait of Carlo Emanuele I, Duke of Savoy, in an ornate cartouche lettered “"Spectandus Certamine Martio"; a central title “LA | GERUSALEMME | DI | TORQUATO | TASSO | FUGURATA A | DA BERNARDO CASTELLO | A | CARLO EMANUELLO | DVCA DI SAVOIA” flanked by Tuscan columns and crests with mottos and imprese showing compasses lettered "Dvm Premor Amplior", at left, and a crossed sword and sceptre with a crown lettered "Illaesa Super Sunt", at right; in the lower register, male and female figures in armour, perhaps representing Tancredi and Clorinda, with a central crest showing an impresa of armour”. Central title: Below, within frame: "In Genova, Appresso Giuseppe Pavoni. […] Con licenza de' Superiori. MDCXVII." Engraved title-page 2, as per British Museum: Portrait of Torquato Tasso, bust, facing front, wearing a laurel crown; within an oval pendant, lettered “TOROVATO […] TASSO EF”, suspended from a pediment, beneath which a view of Genoa is flanked by two columns, and above is a tablet, lettered: “LA GERUSALEMME | LIBERATA | DI TORQUATO | TASSO. | Con le annotazioni | di Scipion | Gentili, e di Givlio | Guastauini , | Et li argomenti di Oratio Ariosti , | STAMPATA | Per Giuseppe Pauoni ad instanza di | Bernardo Castello,in Genova | L’Anno MDCXVII." Collation: 8vo; 2 leaves of engraved title-pages, 1 leaf signed †2, 1 leaf unsigned, 2 leaves signed †† and ††2, respectively, 1 leaf unsigned, 1 leaf with engraving to verso (frontispiece to Canto Primo) —> 8 prelims (besides FEP or a blank leaf before 1st t.p.); π8 A-Q8 (pp. 1-255 [256 blank], plated within collation), G1, I1, K1, O1, and P1 (recto to plates without text) unsigned, L3 signed as second L2; A-D8 E4 (pp. 1-71 [72]; A-B8 C4 χ1 (pp. [1] 2-36 [37-40] [2]), in the 4-leaf quires E and C only two first leaves signed, in the 8-leaf quires four first leaves signed. Illustrations: woodcut head- and tail-pieces, woodcut initials, some historiated, and 20 plates within collation and pagination engraved by Camillo Cungio after Bernardo Castello. Binding: 30.5 x 21.4 cm overall, 30 x 20.5 cm leaves; contemporary vellum, rebacked with modern brown morocco, crimson morocco label with gilt lettering and double-fillet outline. Two bookplates to front pastedown: (1) Chippendale armorial bookplate (8.3 x 7.6 cm): Thos. Brand Esqr. Signed: W Austin — Fecit; (2) The Robin Collection bookplate. Bookseller’s ticket to back pastedown: “J. POOLE. | British & foreign | BOOKSELLER, | 39 BOOKSELLERS ROW, | STRAND |〰️| Books Bought.” All edges green. Provenance: The Robin Collection; Thomas Brand Hollis (British, 1719 – 1804). Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Scipione Gentili [Scipio Gentilis] (Italian, 1563 – 1616) – author. Giulio Guastavini (Italian, fl. 16th century) – author. Bernardo Castello [Castelli] (Italian, 1557 – 1629) – artist. Camillo Cungi (Italian, fl. 1597 – 1649) – engraver. Giuseppe Pavoni (Italian, 1551 – c. 1641) – printer, publisher. Carlo Emanuele I, Duke of Savoy (Italian, 1562 – 1630) – dedicatee. -
Title page (in red and black): LA | GERUSALEMME | LIBERATA | DI TORQUATO TASSO | Con la Vita del medesimo , Allegoria del Poema , Argomenti incisi | ne’Rami del Tempesta , ed Indice di tutti i Nomi proprj , | e Materie principali contenute nell’Opera ; | e con le Annotazioni | DI SCIPIONE GENTILI | E DI | GIULIO GUASTAVINI. | A Sua Eccellenza il SIGNOR | D. ORAZIO ALBANI | Principe di Soriano, &c. | {printer’s device} | URBINO, MDCCXXXV. | — | Nella Stamperia della Venerabile Cappella del SS. SAGRAMENTO per Girolamo Mainardi | Stampator Camerale a sue proprie spese . Si vendono dal medesimo in Roma | nella sua Libraria all’insegna di S. Crescentino, e nella Stamperia Camerale | CON LICENZA DE SUPERIORI. || Half-title: Title page: IL | GOFFREDO | OVVERO | LA GERUSALEMME | LIBERATA | DI | TORQUATO TASSO. || Collation: 4to; [2] blank leaves, [1] – h.t. / blank, [1] – t.p. / blank, [1] – dedication signed *2, [2] – vita, 1st signed *3, [2] – allegoria, [3] – indice, first two signed ** and **2, respectively, [1] – frontispiece to Canto Primo —> total 13 prelims; π13 (incl. 2 blanks), A-Z4 Aa-Bb4 Cc6 Dd-Qq4, χ1 (blank); 20 engraved frontispieces, one headpiece and initials, some historiated. Frontis. to Cantos II-XX incl. in collation and pagination; the number of leaves from A1 to Qq4 = 158; pagination: 1-316. The total number of leaves incl. prelims and blanks = 172. Note: three first leaves in the Cc quire of six leaves are signed; all other four-leaf quires only have the first two first leaves signed. Frontispiece to Canto Quarto cut down and laid down on D2v (as in Christie’s copy sold on 6 Jun 2010 – Live Auction 5475 – Fine Printed Books and Manuscripts, lot 168, price realized GBP 600). Illustrations: Frontispiece to Canto Primo signed “Arnoldo van Westerhout formis Roma”. Headpiece to Canto Primo signed “Eq. Petrus Leo Ghezius Inu. et. delin. — Frãn. Aquila incid.” Other plates unsigned but all attributed to Westerhout after Antonio Tempesta; Numeration of frontispieces in roman numbers, IIII for VI, VIIII for IX, XIIII for XIV, inverted numbers XVII, XVIII, and XIX, respectively: IIVX, IIIVX, and IIIIVX. Binding: 35 x 24 cm, 34 x 23 cm leaves, contemporary calf, rebacked retaining original spine, verso front flyleaf stamped “RESTORED BY MACDONALD CO. | NORWALK. CONN. Marbled endpapers, all edges red. Speckled calf, gilt triple-fillet borders, with remnants of blind-stamped and gilt design to an upper inside corner, spine with raised bands, gilt acorn tooling in compartments, later crimson label with gilt lettering. Damp staining to inside edges affecting all leaves. The Robin Collection bookplate to front pastedown. Provenance: The Robin Collection. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Scipione Gentili [Scipio Gentilis] (Italian, 1563 – 1616) Giulio Guastavini (Italian, fl. 16th century) Antonio Tempesta [Tempestino] (Italian, 1555 – 1630) – artist. Arnold [Arnoldo] van Westerhout (Flemish, 1651 – 1725) – artist, engraver. Pier Leone Ghezzi (Italian, 1674 – 1755) – artist. Francesco Faraone Aquila (Italian, c. 1676 – c. 1740) – engraver. Girolamo Mainardi (Italian, c. 1679 circa – 1763) – printer, publisher. Orazio Albani (Italian, 1576 – 1653) – dedicatee. -
Title page: IL | GOFFREDO | OVERO | LA | GIERUSALEMME | LIBERATA | DI TORQUATO TASSO. || Engraved title: On the banner: IL GOFFREDO | OVERO | LA GIERUSALEMME | LIBERATA | DI TORQUATO TASSO ||; under the image, within frame: IN PARIGI NELLA STAMPERIA REALE MDC XLIV. Signed: J. Stella Invenit — Ægid Rousselet Sculpsit (with tall “s”) || Collation: 2 blank leaves with donation ink inscription to recto of the 1st: “Ex Dono Patruelis Do Roberto Willughby” [i.e. Robert Willoughby]; t.p. / blank, engraved t.p. by Gilles Rousselet after Jacques Stella / blank, “Allegoria dell poema” 4 leaves, 1st two leaves signed iij and iiij, respectively; π6 A-Z4 Aa-Zz4 Aaa-Rrr4, 2 blank leaves at the end; text paginated from 1 to 502 [2] (p. 503 tailpiece, p. 504 blank); a printable area marked with vertical and horizontal double lines; total: 252 leaves of text (504 pages), 6 prelims and 4 blanks. Illustrated throughout with head- and tailpieces, and historiated initials. Binding: 18th-century red crushed morocco, triple-fillet gilt border, triple-fillet gilt frame, panel with gilt lozenge centrepiece, lozenges at corners, marbled endpapers, AEG, crudely rebacked retaining original spine with raised bands, gilt in compartments, crimson label with gilt lettering; The Robin Collection bookplate to front pastedown. Provenance: The Robin Collection; Robert Willoughby family. Contributors: Torquato Tasso (Italian, 1544 –1595) – author. Jacques Stella (French, 1596 – 1657) – artist. Gilles [Aegidius] Rousselet (French, 1610 – 1686) – engraver. -
Two-volume large paper edition with 20 plates in two states. Vol. 1 (with plates). Title : CONTES | ET | NOUVELLES EN VERS. | PAR | JEAN DE LA FONTAINE. | — | TOME PREMIER| {vignette “P.P. Choffard 95”} | A PARIS, | DE L’IMPRIMERIE DE P. DIDOT L'AÎNÉ. | L’AN III DE LA RÉPUBLIQUE. | M. DCC. XCV. || Pagination: [2] [i-iv] v-vii [viii], 1-280 [2 table] [2], total 294 pages, ils. Collation: 4to; 1 blank, π4 (π3a signed “a”), 1-354 361, 1 blank, total 147 leaves, plus 40 leaves of plates with tissue guards, after Fragonard and others, which represent 20 engravings, each in two states, before and after letters, besides №9 (Le Calendrier des Vieillards by Jean Dambrun after Fragonard), which has two identical copies, both before letters. Vol. 2. (without plates) Title: same, but TOME SECOND. Pagination: [2] [4] 1-334 [2], total 342 pages. Collation: 4to; 1 blank, π2 1-414 423 1 blank, total 167 leaves. Binding: Two volumes uniformly bound in crimson straight-grain morocco, ruled in gilt, gilt-decorated flat spine with lettering, board edges and turn-ins tooled with gilt dentelles, marbled endpapers, three bookplates to front pastedown, top edge trimmed, 2nd volume partly uncut; text and plates printed on thick Dutch wove paper. Size: volumes: 33.3 x 25.2 cm; leaves: 31.5 x 23.5 cm. Provenance: Bishop, Cortlandt Field (American, 1870 – 1935) – bookplate. Mary S. Collins – bookplate by J. H. Fincken. Robin F. Satinsky (American, 1919 – 2008) – Robin Collection bookplate. Catalogue raisonné: Ray (French): 133-137; Cohen-DeRicci 573-582 ; Lewine : 281-282. CONTRIBUTORS: Jean de La Fontaine (French, 1621–1695) – author. Pierre Didot (French, 1761–1853) – publisher, printer. Artists: Jean-Honoré Fragonard (French, 1732–1806) Jean Baptiste Mallet (French, 1759–1835) Jacques Louis François Touzé (French, 1747–1807) Charles Monnet (French, 1732–after 1808) Engravers: Jacques Aliamet (French, 1726–1788) Jean Dambrun (French, 1741–about 1808) Jean Louis Delignon (French, 1755–about 1804) Jean Baptiste Michel Dupréel (French, active 1787–1817) Louis Michel Halbou (French, 1730–1809) Charles Louis Lingée (French, 1748–1819) Charles Emmanuel Jean Baptiste Patas (French, 1744–1802) Jean Baptiste Simonet (French, 1742–1813) Jean Baptiste Tilliard (French, 1740–1823) Philippe Trière (French, 1756–about 1815) Pierre-Philippe Choffard (French, 1730–1809) – t.p. vignette PLATES (collation order): №8: Fragonard / Trière – La Gageure des trois Commères №1*: Fragonard / Lingée – Joconde №1**: Mallet / Trière – Joconde №2: Fragonard / Delignon – Le Cocu battu et content №3: Fragonard / Tilliard – Le Mari confesseur №4: Fragonard / Dambrun – Le Savetier №5: Fragonard / Lingée – Le Paysan qui avait offensé son Seigneur №9: Fragonard / Dambrun – Le Calendrier des Vieillards №10: Fragonard / Aliamet – A Femme avare galant Escroc №12: Fragonard / Halbou – Le Gascon puni №11: Fragonard / Patas – On ne s’avise jamais de tout №13: Monnet / Tilliard – La Fiancée du roi de Garbe №14: Fragonard / Dupréel – La Coupe enchantée №15: Fragonard / Tilliard – Le Faucon №17: Fragonard / Patas – Le Pâté d’Anguilles №18: Fragonard / Tilliard – Le Magnifique №19: Fragonard / Delignon – La Matrone d’Ephèse №20: Fragonard / Patas – Belphégor №22: Touzé / Simonet – Le Glouton №26: Touzé / Lingée – Le Baiser rendu
