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NEWA salt print 208 x 155 mm hand-coloured with watercolours depicting a fencer standing in full gear, mounted on cardboard with all four corners cut out and traces of an oval frame. -
Sheet № 20 from the series of 42 сhromolithography prints 'Skizzen und Bilder aus ROM und der Umgegend' (Sketches and pictures from Rome and surroundings).
Inscriptions:
Top left: LINDEMANN-FROMMEL’S Top right: Skizzen und Bilder aus ROM und der Umgegend. Centre below: No 20 | IL CASTEL E IL PONTE SANT ANGELO, | E SAN PIETRO. Bottom left: Imp. de JACOMME et Cie. R. de Lancry, 16 Paris. Bottom centre: Stuttgart, bei FRANZ KÖHLER. Bottom right: Paris, Goupil et Cie. Editeurs.Dimensions:
Plate: 372 x 473 mm Sheet: 372 x 473 mm
Contributors:
Lindemann-Frommel, Karl (French-German, 1819 – 1891) – artist. Jacomme, Claude (French, fl. 1838 – 1857) – printer/lithographer. Goupil et Cie (Paris); Goupil, Adophe (French, 1806 – 1893) – publisher Franz Köhler (Stuttgart); Köhler, Franz (German, 1805 – 1872) – publisher. -
Title: Lyon Collection: Genji, Chapter 21, the maiden (otome - 乙女): the nine-tailed fox woman (kayō-fujin [花陽夫人]) terrorizing Prince Hanzoku (足王) and his servant from the series Japanese and Chinese parallels to Genji (wakan nazorae genji - 和漢准源氏). British Museum: Otome 乙女 (Maiden) / Waken nazorae Genji 和漢准源氏 (Japanese and Chinese Comparisons for the Chapters of the Genji). Schaap: Prince Hanzoku terrorized by a nine-tailed fox; Series: Wakan nazorae Genji (Japanese and Chinese parallels to Genji) Artist: Utagawa Kuniyoshi [歌川 國芳] (1798 – 1861). Publisher: Iseyoshi [伊勢芳] (Marks 25-013 | U095); seal [イせ芳]. Block carver: Hori Shōji [彫庄治] (Lyon Collection; BM); Hori Takichi [彫多吉] (Schaap). Date-aratame seal: Ansei 2, 7th month (1855). Ref: Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Sotheby Parke Bernet & Rizzoli International, 1976; vol.3, p. 868, pl. 847. Robinson (1982): p. 161, S88, № 21. Schaap (1998): p. 115, № 107. SOLD -
The Bay of Kuroto in Kazusa province [Kazusa Kuroto no ura] – an uncut fan print showing "Three women, wearing stylish cotton summer robes are shown in a skiff, admiring the view of Mount Fuji while looking back at the other passengers being helped into small boats". From the series: Views of famous places in the provinces [Shokoku meisho zue]. Ref: Sebastian Izzard. Important Japanese Prints 1830–1860 March 14–20, 2020 exhibition [LIB-2398.2020], №. 53. Not in Faulkner's Hiroshige Fan Prints, however, there are three other prints from the series, under № 95, 96 and 97 on p. 95. Artist: Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858). Publisher: Iseya Sōemon [伊勢屋惣右衛門] (Japanese, c. 1776 – 1862). Date seal: 2/1855 Signed: Hiroshige ga. Censor's seal: aratame (certified) and date. Publisher's seal: Iseya Sōemon. Size: Aiban yoko-e uchiwa-e; 22.9 x 29.8 cm -
Artist: Utagawa Kunisada [歌川 国貞], a.k.a. Utagawa Toyokuni III [三代 歌川 豊国] (Japanese, 1786 – 1865). Signed: Toyokuni ga [豊国 画] in a red toshidama cartouche Block carver: Yokokawa Takejirō [横川竹二郎] (Japanese, fl. 1845 – 1863); seal: Hori Take [彫竹]. Publisher: Iseya Magobei [伊勢屋孫兵衛] (Japanese, fl. c. 1794 – 1868); seal: Hanmoto, Masu [板元, 益] (Marks 19-039 | 150d). Date-aratame seal: Ansei 2 (1855). Title: Time in Fukagawa, Iyo Province (Fukagawa Iyo setsu). Ref.: [LIB-3008.2022] Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900. — Tuttle Publishing, 2010; p. 221. –> 1855 Kunisada. "Iyo Province-time at Fukagawa" (Fukagawa Iyo setsu). Fan print. Japan Ukiyo-e Museum, Matsumoto.
