//Owari School
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    Owari tsuba with slanting rays of light (tokei) motif / Edo period, early 17th century.

    Iron tsuba of the round form (maru gata) with a grey patina pierced with the design of slanting rays of light (Jesuit’s IHS symbol) and a pair of ginger symbols [茗荷] (myōga) at top and bottom, in positive silhouette (ji-sukashi). This design is often called “tokei” [時計] or “clock gear”. Rounded rim, large hitsu-ana, copper fittings (sekigane). Unsigned, unpapered. Owari school. Early Edo period, early 17th century.

    Size: H 71.9 x W 71.1 x Th (centre) 5.5 cm.

    For information regarding this type of tsuba see the article 'Kirishitan Ikenie Tsuba by Fred Geyer at Kokusai Tosogu Kai; The 2nd International Convention & Exhibition, October 18-23, 2006, pp. 84-91. ​

    IHS emblem of the Jesuits

    茗荷 Myoga or Japanese ginger
     
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  • Owari school tsuba with design of keys. Edo period, 17th century.

    $600.00

    Iron tsuba of round form decorated with design of keys to the storehouse of the gods in openwork (sukashi). Rounded rim. Copper sekigane.

    Unsigned. Early Edo period, 17th century.

    Size: 71.0 x 70.9 x 6.0 mm.

    Merrily Baird, Symbols..: The Key to the Storehouse of the Gods, one of the Myriad Treasures.

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  • Owari tsuba with double crossbar and family crests motif. Early Edo period, 17th century.

    Iron tsuba of round form with design of double crossbar and two family crests (hikiryo-ni-kamon) in openwork (sukashi). Squared rim. Copper sekigane. Owari school. Early Edo period: Late 17th century (Kanbun / Enppo era). Height: 80.9 mm. Width: 80.8 mm. Rim thickness: 5.0 mm. Center thickness: 4.6 mm. Provenance: Sasano Masayuki Collection, № 172: "A paulownia and a clover are diagonally opposite two crossbars. This expressive design suggests a Higo origin, but the iron and the finish are certainly of the Owari school. Work of this nature may have been influenced by Hayashi Matashichi (1613-1699)."
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  • Iron tsuba with a design of bracken and paulownia in openwork. Muromachi period, 16th century.

    Iron tsuba of round form decorated with a design of bracken scrolls and paulownia leaves and blossoms (kiri-mon) in openwork (sukashi). Details carved in kebori. Squared rim with iron bones (tekkotsu). Hitsu-ana plugged with shakudō.

    Size: 83.6 x 82.9 x 5.4 (center), 5.1 (rim) mm.

    Unsigned.

    Muromachi period, ca. 16th century.

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  • Sukashi iron tsuba with horse trappings motif. Momoyama period, ca. 1580.

    Iron tsuba of oval form with the motif of horse trappings in openwork (sukashi). Copper sekigane. Iron bones (tekkotsu) on the rim.

    Size: 80.4 x 75.8 x 5.2 mm

    NBTHK Certificate №454567, allegedly saying that it is Akasaka School, Muromachi period. A look-a-like tsuba in Robert. E. Haynes Catalog #7, 1983 on page 57 under №48 is described as follows: "A masterpiece second period Owari sukashi tsuba. The plate is of beautiful color and quality almost like velvet. The design is very hard to discern, it might be the horse trappings, or even a moon. The style and type of Owari tsuba shows the great tradition of the Momoyama period and why it was the renaissance in time, as well as the arts produced, through the long history of all Japanese art. Ca. 1580. Ht. 7.7 cm, Th. (center) 5.5 mm, (edge) 5.25 to 5.75 mm."

    Robert. E. Haynes Catalog #7, 1983, p. 57, №48.

    I believe we can safely attribute this tsuba to Owari School, c. 1580.    
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  • Sukashi tsuba with slanting rays of light (tokei) motif / Edo period, 17th century.

    Iron tsuba of round form with slanting rays of light (shakoh) Christian motif (Jesuit's IHS symbol) in openwork (sukashi). Traditional description of this kind of design is called "tokei", or "clock gear". Edo period.

    Size: 77.7 x 76.1 x 6.7 mm.

    For information regarding shakoh tsuba see article 'Kirishitan Ikenie Tsuba" by Fred Geyer at Kokusai Tosogu Kai; The 2nd International Convention & Exhibition, October 18-23, 2006, pp. 84-91.  
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  • Owari tsuba with slanting rays of light motif. Edo period.

    Iron tsuba of mokko form with slanting rays of light (shakoh) Christian motif (Jesuit's IHS symbol) in openwork (sukashi). Traditional description of this kind of design is called "tokei", or "clock gear". Owari school. Edo period.

    Size: 83.4 x 83.1 x 4.4 mm

    NTHK certified KANTEISHO ("Important Work").  In a custom wooden box. For information regarding shakoh tsuba see article 'Kirishitan Ikenie Tsuba by Fred Geyer at Kokusai Tosogu Kai; The 2nd International Convention & Exhibition, October 18-23, 2006, pp. 84-91.  
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  • Iron tsuba with design of slanting rays of light or clock gear. Early Edo period.

    Iron tsuba of round form with design of slanting rays of light (shakoh) or clock gear (tokei) in openwork (sukashi). Commonly considered a Christian / Jesuit motif. Copper sekigane. According to seller, Owari School. Haynes writes that most tsuba of this design are Owari (Tsuba. Aesthetic Study). Unsigned. Edo period. According to F. Geyer, diamond-shaped vertical posts and long rays suggest that this tsuba was probably made between 1605 and 1630.

    Size: 76.9 x 76.0 x 5.4 mm

    For information regarding shakoh tsuba see article 'Kirishitan Ikenie Tsuba by Fred Geyer at Kokusai Tosogu Kai; The 2nd International Convention & Exhibition, October 18-23, 2006, pp. 84-91.  
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  • Owari tsuba with wild geese and dewdrops on pampas grass motif. Early Edo period, 17th century.

    Iron tsuba of slightly elongated round form with design of wild geese and drops on pampas grass (masashino) in openwork (sukashi). Rounded rim. Copper sekigane. Owari school. Early Edo period: early 17th century (Kan-ei era). Height: 78.8 mm. Width: 76.3 mm. Rim thickness: 6.1 mm. Center thickness: 6.4 mm. Provenance: Sasano Masayuki Collection, № 169. A description of musashino symbolism can be found at Symbols of Japan by Merrily Baird [Merrily Baird. Symbols of Japan. Thematic motifs in art and design. Rizzoli international publications, Inc., 2001]: Musashino - "the plain of Musashi - a large expanse in the Tokyo area, was celebrated in poetry for the grasses that grew there before the recent era of industrialization... The use of Musashino themes was particularly common in the Momoyama and Edo periods". Pampas grass with dew drops and wild geese in flight collectively provide strong autumnal connotation.  
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