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  • [Gustave Droz]. Un été à la campagne. — S.l.: s.n., 1868 [i.e. Paris: s.n., 1926].

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  • Iron tsuba with design of vines, trellis, fence, and windows. Momoyama or early Edo period.

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  • Maurice Joly. Dialogue aux Enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX siecle, par un contemporain. Bruxelles, Impremerie de A.Mertens et fils, rue de l'Escalier, 22, Bruxelles. 1864. 337 pages.

    [Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIXe siècle, par un contemporain. — Bruxelles : A. Mertens et fils, 1864.

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  • Katsukawa Shunshō. Itchikawa Danjuro V in Shibaraku as Kamakura Gongoro Kagemasa. Circa 1770's.

    Katsukawa Shunshō. Ichikawa Danjūrō V in a Shibaraku role. Circa 1770’s.

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  • Ōnin suemon-zōgan tsuba with design of family crests and cherry blossoms. Muromachi period.

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  • Shingen tsuba with woven wire pattern. Muromachi period

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  • Utagawa Toyokuni I. Actors and Women in the Snow. 1809.

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  • Kyo tsuba with a bridge and iris motif, late Muromachi period

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  • Tsuba with slanting rays of light (tokei) and other symbols / Edo period, 17th century.

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  • Torii Kiyonaga. The Takarabune: The Seven Gods of Fortune on a Treasure Boat. Ca. 1780.

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  • Five wood engravings by Gustave Doré from “Les Contes de Perrault”, 1864.

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  • Tachi tsuba of chrysanthemum design. Late Heian – Kamakura period (ca. 1150 – 1200’s)

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  • Е. Н. Данилова. “Завещание” Петра Великого. М.: Историко-архивный институт, 1946.

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  • Utagawa Kuniyoshi. Sparrow and gourds, from the series ‘Collection of flowers and birds’ / Fan print, 1849-50.

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  • Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.

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  • Blue and white porcelain plate with a running yak, China, Ming Dynasty (1368 – 1644).

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  • Thomas F. Adams. Typographia: a brief sketch of the origin, rise, and progress of the typographic art. — Philadelphia, 1837

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  • A Square [Edwin A. Abbott]. Flatland: A romance of many dimensions / New and revised edition. — London: Seeley and Co., 1884.

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