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Otto Rudolf Schatz. Erotic scene (12) with catholic nuns / Watercolour, pen and ink wash on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (13) / Watercolour, pen and ink on card stock, c. 1950.
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Otto Rudolf Schatz. Erotic scene (14) with hat and cane / Watercolour and India ink on card stock, c. 1950.
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Otto Rudolf Schatz. Erotic scene (15) / Watercolour, pen and ink on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (16) / Watercolour on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (17) / Watercolour on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (2) / Watercolour on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (3) / Watercolour on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (4) / Pen and ink wash on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (5) / Watercolour on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (6) / India ink, gouache on cardboard, c. 1950.
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Otto Rudolf Schatz. Erotic scene (7) / Watercolour on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (8) / Graphite on paper, c. 1950.
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Otto Rudolf Schatz. Erotic scene (9) / Graphite on paper, c. 1950.
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Otto Van Veen. Amoris Divini Emblemata. — Antwerp: Plantin – Balthasar Moretus, 1660.
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Ou le Tommy est-il resté? – German propaganda card, c. 1944.
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Ouverture de l’exposition universelle de 1855 / Image d’Épinal.
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Ovid’s Metamorphoses in Fifteen Books / Translated by the Most Eminent Hands. — London: Jacob Tonson, 1717.
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Ovid’s Metamorphoses in Latin and English (2 vols.) — Amsterdam: Wetstein & Smith, 1732.
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Owari school tsuba with design of keys. Edo period, 17th century.
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Owari tsuba with double crossbar and family crests motif. Early Edo period, 17th century.
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Owari tsuba with slanting rays of light (tokei) motif / Edo period, early 17th century.
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Owari tsuba with slanting rays of light motif. Edo period.
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Owari tsuba with wild geese and dewdrops on pampas grass motif. Early Edo period, 17th century.
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Owen E. Holloway. French rococo book illustration. (Chapters in art) — London: Alec Tiranti, 1969.
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P. L. Jacob [i.e. Paul Lacroix]. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875.
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P. L. Jacob [i.e. Paul Lacroix]. Curiosités de l’histoire du vieux Paris. — Paris: A. Delahays, 1858.
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P. M. Handover. Printing in London : from Caxton to modern times. — Cambridge, MA: Harvard University Press, 1960.
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P.-J. Stahl. Maroussia, d’après une légende de Markowovzok (Collection Hetzel). — Paris: J. Hetzel et Cie, [1878].
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P.-J. Toulet. Le mariage de Don Quichotte / Illustrations de Charles Martin. — Paris: La renaissance du livre, 1922.
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Pagès (du Tarn). La Nouvelle Phèdre et le directeur de l’Odéon. — Paris: Gustave Havard, 1858.
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Painted Cizhou ware meiping vase. China, Yuan Dynasty [大元] (1279 – 1368).
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Panorama le « Tout-Paris » / peint par Ch. Castellani. — Paris: Benger, Arents et Cie, 1889.
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Paris tel qu’il est aujourd’hui or Plan of Paris at the present day, 1800.
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Pascal Pia. Les Livres de l’enfer: bibliographie critique des ouvrages érotiques dans leurs différentes éditions du XVIe siècle à nos jours / 2 volumes. — Paris: C. Coulet et A. Faure, 1978.
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Pascin. Perls Galleries / Exhibition Catalogues: 1952, 1955, 1959, 1962.
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Paul Morand. L’Europe Galante / Lithographes originales de Vertès (Le miroir des mœurs, №3). — Paris: Les arts et le livre, 1927.
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Paul Morand. Les plaisirs rhénans / Orné de sept lithographies originales et coloriées à la main. — Düsseldorf: Librairie Leocadia [i.e. Paris: René Bonnel, 1926].
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Paul Verlaine. Femmes / Édition ornée de trente et une gravures sur bois. — Paris: [Jean-Gabriel Daragnès], 1917.
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Paul Verlaine. Parallèlement / illustrations de Vertès. — Paris: Éditions de Cluny, 1934.
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Paul Verlaine. Parallèlement / Lithographes originales de Vertès. — Paris: Vialetay, 1954.
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Protected: Pénétrations sauvages. — Paris: O.E.D.I.P, 1984.
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Peter Fendi. Vierzig Erotische Aquarelle in Faksimilereproduktion. — [Vienna: C. W. Stern , 1910].
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Phaedri Aug. Liberti Fabularum Aesopiarum libri V. Amstelaedami : Ex Typographia Francisci Halmae, 1701
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Philipp Franz von Siebold. Manners and Customs of the Japanese, in the Nineteenth Century. 1841.
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Phiscultura. Valery Katsuba. — Nashville: Turner, 2007
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Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].
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Pierce Egan. Life in London / I. R. & G. Cruikshank (illustrators). — London: Sherwood, Neely, and Jones, 1821.
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Pierre Aretin. La putain errante: Dialogue de Madeline et Julie / [illustré par André Collot]. — Paris: s.n., 1930.
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Pierre Choderlos de Laclos. Les liaisons dangereuses / Translated by Ernest Dowson, illustrations by Alastair (2 vol. in 1). — Paris: Black Sun Press, 1929.
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Pierre Louÿs, Poésies érotiques d’un auteur célèbre, illustrées de 32 lithographies originales dessinées par un artiste inconnu [i.e. Marcel Vertès]. — Barcelone, Atarazanas (Barrio Chino): L’an I de la République Catalane [i.e. Paris: René Bonnel, 1932].
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Pierre Louÿs. Les aventures du Roi Pausole / Illustrations de Brunelleschi. — Paris: L’Estampe Moderne, 1930.
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Pierre Louÿs. Les aventures du roi Pausole; Au pays du roi Pausole / Illustré par Marcel Vertès (2 vol., enriched). — Paris: Léon Givaudan, 1930.
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Pierre Louÿs. Manuel de civilité pour les petites filles à l’usage des maisons d’éducation. — Londres [i.e. Nice]: s.n., 1948.
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