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Félicien Rops. Hypocrisie; etching and drypoint, n.d.

Etching and drypoint on wove paper, depicting a woman with a face mask on her buttocks. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.

Dimensions: Papaer: 22.2 x 18.5 cm; Plate: 17.5 x 13.3 cm; Image: 15.5 x 12 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 448; Graphics irreverent and erotic (1968): 106; Rouir 648.

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Félicien Rops. L’ariette; etching, n.d. (two prints).

Two prints on laid paper, one in an earlier state, published under the name Niederkorn. Owner's stamp 'LvM' on verso.

Dimensions: Paper (1): 31 x 22.3 cm; Paper (2): 46 x 33.8 cm; Plate: 31 x 22 cm; Image: 25.5 x 17.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 318; Rouir 954:3 and 954:5?.

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Félicien Rops. L’enter’acte de Minerve; photogravure, n.d.

Photogravure after a pastel drawing by F. Rops. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 26 x 20 cm; Plate: 25 x 18 cm; Image: 21 x 14.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 543; Graphics irreverent and erotic (1968): 156.

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Félicien Rops. L’oliverade – Monaco; etching, 1876.

"In the olive grove", etching on laid paper. Signed on the plate and inscribed "L'olivierade Monaco, 76" (sic.). Owner's stamp LvM on verso.

Dimensions: Paper: 44 x 30.5 cm; Plate: 40 x 27 cm; Image: 35 x 24.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 323; Graphics irreverent and erotic (1968): 323.

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Félicien Rops. La dalécarlienne; etching, 1874.

Etching on laid paper, monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp LVM on verso.

Dimensions: Paper: 47 x 34 cm; Plate: 24 x 19 cm; Image: 21 x 14 cm.

Catalogue raisonné: Rouir 858:5; Arthur Hubschmid (1977): 320.

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Félicien Rops. La Modernité; drypoint, 1883.

Drypoint on wove paper, depicting a woman in a hat with a ribbon lettered "ACADEMIE", carrying in her hand a male head in spectacles on a plate. Monogrammed "FR 83", inscribed: LA MODERNITÉ. — Imp. Eudes.; in pencil on verso."L'ARTISTE" – OCT. 1886 | (PRUD'HOMME ONTHOOFD) E 332-V". Owner's stamp 'LvM' on verso.

Dimensions: Paper: 27.2 x 17.8 cm; Plate: 19.7 x 14 cm; Image: 18.5 x 13 cm.

Catalogue raisonné: Rouir 767:5; Arthur Hubschmid (1977): 405; Graphics irreverent and erotic (1968): 72.

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Félicien Rops. La vieille à l’aiguille; etching, 1876.

Etching on wove paper, depicting an old woman trying to thread a needle. Signed in plate: "Felicien Rops, 76 Septembre". Owner's stamp LvM on verso.

Dimensions: Paper: 51.9 x 35 cm; Plate: 27.5 x 21 cm; Image: 23.5 x 16 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 358; Graphics irreverent and erotic (1968): 54.

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Félicien Rops. Le dessous de cartes d’une partie de whist (Series: Les diaboliques – petites planches); soft-ground etching, 1886.

Soft-ground etching on laid paper. Inscribed on plate: "Le dessous de cartes d'une partie de whist" [The underside of a game of whist]. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 26 x 20 cm; Image: 24 x 17.7 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 43; Graphics irreverent and erotic (1968): 273.

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Félicien Rops. Médecine expérimentale; etching, 1854.

Sanguine print on toned China paper pasted on cream wove paper sheet, depicting a dressed-up man trying to copulate with a hanged sow. Inscription on top of the plate: "Ne faites pas aux truies ce que vous ne voudriez pas qu'on vous fit", and below: "Visection" (sic.). Owner's stamp 'LvM' on verso.

Dimensions: Paper: 26.8 x 20.6 cm; India paper: 21.5 x 16.2 cm; Image: 19.3 x 14.2 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 661; Graphics irreverent and erotic (1968): 42.

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Félicien Rops. Mon bourgmestre & Le modèle; aquatint & etching, 1874.

Two images printed on one sheet of van Gelder wove paper. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 46.7 x 31 cm; top Mon bourgmestre: 11 x 9 cm plate, 9 x 7.5 cm image; Bottom Le modèle: 13.5 x 8.5 cm plate, 10 x 7 cm image.

Catalogue raisonné: Arthur Hubschmid (1977): 341 & 342; Rouir 425:4 & 517:7.

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Félicien Rops. Pallas; etching and drypoint, 1874.

Etching and drypoint on wove paper, depicting Athena with an awl on her helmet and holding a shield with Medusa head. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 38.7 x 26.5 cm; Plate: 31 x 18 cm; Image: 24.5 x 14.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 317; Graphics irreverent and erotic (1968): 41.

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Félicien Rops. Un groom a tout faire; etching, n.d.

Etching on laid paper, depicting a kneeling groom with his head between the spread legs of a bare-breasted woman in a veiled hat. Inscribed on plate: Un groom a tout faire. Owner's stamp LVM on verso.

Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm

Catalogue raisonné: Arthur Hubschmid (1977): 662.

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Feodor Rojankovsky. La Grande Maison de Blanc. Four plates, advertisement, 1929.

Four chromolithographic plates, each sheet 180 x 150 mm; image 16 x 12.5 cm after Feodor Rojankovsky, signed “Rojan”, titles printed on the back on red (à la chasse), blue (en voyage), green (aux courses), and yellow (depuis | 1865 les plus | jolis trousseaux | ont été créés par | LA GRANDE | MAISON DE | BLANC | place de l’opera | Paris | NICE CANNES DEAUVILLE LONDRES) background. Contributors: Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – artist.

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Fernand Drujon. Catalogue des ouvrages, écrits et dessins de toute nature poursuivis, supprimés ou condamnés depuis le 21 octobre 1814 jusqu’au 31 juillet 1877. — Paris: Édouard Rouveyre, 1879.

Title page: CATALOGUE | DES | OUVRAGES, ÉCRITS | ET DESSINS | DE TOUTE NATURE | POURSUIVIS, SUPPRIMÉS OU CONDAMNÉS | DEPUIS LE 21 OCTOBRE 1814 JUSQU'AU 31 JUILLET 1877 | Edition entièrement nouvelle, considérablement augmentée | SUIVIE DE LA TABLE DES NOMS D’AUTEURS ET D’ÉDITEURS | ET ACCOMPAGNÉE DE NOTES BIBLIOGRAPHIQUES ET ANALYTIQUES | PAR | FERNAND DRUJON | {publisher’s device} | PARIS | LIBRAIRIE ANCIENNE ET MODERNE | ÉDOUARD ROUVEYRE | 1, RUE DES SAINTS-PÈRES, 1 | 1879 || Pagination: [2] [i-v] vi-xxxvii [xxxviii blank] [1] 2-430 [2] 1-16, total number of pages 2+38+430+2+16=488. Collation: 8vo; π⁴ i-ii⁸ 1-25⁸ 26-29⁴ ω⁸, total number of leaves 4+(2x8)+(25x8)+(4x4)+8=244; 2 binder’s blank leaves before the front wrapper, 2 blanks after the wrapper, blank / avis important, h.t. with gift inscription from publisher to Anger / limitation, t.p. / blank, [text], 17 leaves of advert., 2 blanks before back wrapper, 1 binder’s blank after. Binding: 28.3 x 19 cm, tree-quarter beige buckram over marbled boards, spine: brown leather label with gilt double fillet top and bottom, gilt lettering, stamped in gilt with a lily and a year of publishing, gilt double-fillet to tail; publisher’s wrappers bound in. Bookplate with motto “AGE DICANT” to front pastedown. Gift inscription: "À mon ami Anger | Hommage de me bien dévoué | Édouard Rouveyre". Possibly Pierre Anger (1854-19..).

Edition: 1st edition, this copy is from an unnumbered print run. Despite the note "Edition entièrement nouvelle, considérablement augmentée" this is obviously the 1st edition.

Contributors: Drujon, Fernand (French, 1845 – 1912) Rouveyre, Édouard (French, 1849 – 1930)

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Filippo de Strata. Polemic Against Printing / Shelagh Grier (translator), Martin Lowry (editor). — [Birmingham]: Hayloft, 1986.

POLEMIC AGAINST PRINTING | by | FILIPPO DE STRATA | Translated by SHELAGH GRIER | Edited and | Introduced by MARTIN LOWRY | University of Warwick | The Hayloft Press | 1986 || Publisher’s mustard wrappers w/ lettering, 18.5 x 12.5 cm, 20 unnumbered pages of parallel Latin text and English translation with English introduction; limited edition of 350 copies, 100 for private circulation and 250 numbered copies for sale of which this is №3, with ink inscription to the last page: To Beryl | on her birthday, 1986 | with love from | David ||

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Fine Japanese paintings, prints and illustrated books of the 18th century / Catalogue 18, Exhibition September 20-30, 2021. — NY: Sebastian Izzard LLC, 2021.

Softcover, in pictorial wrappers, 28 x 21.7 cm, 50 entries, with colour illustrations. Catalogue # 18 of the sales exhibition on September 20-30, 2021 in NY; pagination: [1-3] 4-122 [2], ils., some folding. Contributor: Sebastian Izzard Ref.: p. 112-3; image in this collection: [SVJP-0350.2021] Utagawa Toyohiro. Young man arranging flowering iris, c. 1795.

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Five wood engravings by Gustave Doré from “Les Contes de Perrault”, 1864.

Le Petit Chaperon rouge (Little Red Riding Hood), three wood engravings by Gustave Doré, 1864: "En passant dans un bois elle rencontra compère le Loup"; "Le Chaperon rouge fut bien étonné de voir comment sa grand'mère était faite en son déshabillé"; "Cela n'empêche pas qu'avec ses gran dents il avait mangé une bonne grand'mère". Engraved by Adolphe Pannemaker. Le Petit Poucet (Little Thumb), one wood engraving by Gustave Doré, 1864: "Une bonne femme vint leur ouvrir". Engraved by Héliodore-Joseph Pisan. La Belle au bois dormant (Sleeping Beauty), one wood engraving by Gustave Doré, 1864: "Il marcha vers le château qu'il voyait au bout d'une grande avenue où il entra". Engraved by Héliodore-Joseph Pisan. Medium: Paper; Wood engraving. Illustrations for P.-J. Hetzel's edition of Perrault's Fairy Tales (Les Contes de Perrault) by Gustave Doré published in 1864. Size: frame: 428 x 302 mm; sheet: 280 x 231 mm; image: 194 x 244 mm.

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Flambé glazed nine-mouth vase. China, Qianlong period (1711 – 1799).

Porcelaneous stoneware vase glazed in purple-red with blue and beige splashes outside and dark blue inside, with one tube in the centre surrounded with eight peripheral tubes. Base unglazed. China, the Qianlong period (1711 – 1799) of the Qing Dynasty (1644 – 1912). Diameter: 19 cm; Height: 24 cm.

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