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54 Products
Kyo tsuba with a bridge and iris motif, late Muromachi period
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Tsuba with slanting rays of light (tokei) and other symbols / Edo period, 17th century.
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Torii Kiyonaga. The Takarabune: The Seven Gods of Fortune on a Treasure Boat. Ca. 1780.
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Five wood engravings by Gustave Doré from “Les Contes de Perrault”, 1864.
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Tachi tsuba of chrysanthemum design. Late Heian – Kamakura period (ca. 1150 – 1200’s)
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Е. Н. Данилова. “Завещание” Петра Великого. М.: Историко-архивный институт, 1946.
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Utagawa Kuniyoshi. Sparrow and gourds, from the series ‘Collection of flowers and birds’ / Fan print, 1849-50.
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Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.
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Blue and white porcelain plate with a running yak, China, Ming Dynasty (1368 – 1644).
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Thomas F. Adams. Typographia: a brief sketch of the origin, rise, and progress of the typographic art. — Philadelphia, 1837
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A Square [Edwin A. Abbott]. Flatland: A romance of many dimensions / New and revised edition. — London: Seeley and Co., 1884.
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Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].
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[Philip Graves]. The Truth About “The Protocols” : A Literary Forgery / From the Times of August 16, 17, and 18, 1921. — London: The Times, 1921.
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John Milton. The poetical works : Paradise Lost, Paradise Regained, Samson Agonistes, Poems on several Occasions. — London: Jacob Tonson, 1695.
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S. Roscoe. Thomas Bewick: a bibliography raisonné of editions of the general history of quadrupeds, the history of British birds, and the fables of Aesop, issued in his lifetime. — London: Oxford University Press, 1953.
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Utagawa Sadahide. Five festivals, ninth month, full moon celebration / Fan print, 1835.
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Жизнь Бенвенуто, сына маэстро Джованни Челлини, флорентинца, написанная им самим во Флоренции / Перевод М. Лозинского. — М.-Л.: Academia, 1931.
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Christie’s New York. Masterpieces of Modern Literature: The Library of Roger Rechler / October 11, 2002. — New York: Christie’s, 2002.
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