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“Iron tsuba with pines, crescent moon, and torii in openwork. Edo period.” has been added to your cart.
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54 Products
The amorous drawings of the Marquis von Bayros / Part I and II. — NY: Cythera Press, 1968.
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Adelbert von Chamisso. Peter Schlemihl’s wundersame Geschichte / mitgetheilt von J. E. Hitzig. — Nürnberg: J. L. Schrag, [1839].
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Blue and white porcelain charger, Dutch or English, 18th century.
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[Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.
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Chinese sancai-glazed pottery bowl, Liao Dynasty [辽朝] (907 – 1125).
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Kamakura-bori tsuba with design of a bridge, mountain pavilion and 5-storey pagoda. Muromachi period, 16th century.
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Graham Greene. Our man in Havana: An entertainment / UNCORRECTED PROOF COPY. — London: Heinemann, 1958.
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K. A. Coleridge. A descriptive catalogue of the Milton Collection in the Alexander Turnbull Library, Wellington, New Zealand. — Oxford: Oxford University Press, 1980.
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Les Contes de La Fontaine / Illustrations de Brunelleschi (2 vol.) — Paris: Gibert Jeune, Librairie d’Amateurs, 1938.
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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Claude Joseph Dorat. Fables nouvelles. —The Hague, Paris: Delalain, 1773-[75].
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Mons the Capital City of Hainault in ye Low Countries; engraving, 1744.
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Francis Carco. Tableau de l’amour vénal / Illustré de 12 lithographies par Luc-Albert Moreau; (Tableaux Contemporains № 4). — Paris: Nouvelle Revue Française, 1924.
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Utagawa Hiroshige. Kominato in Awa province, from the series ‘Famous places in the Bōsō peninsula’ / Fan print, 1852.
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François-Étienne Gouge de Cessières. L’art d’aimer, nouveau poëme en six chants / Édition fidèle & complète, enrichie de figures. — Londres [Amsterdam]: Aux dépens de la Compagnie, 1750.
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Utagawa Kunisada (Toyokuni III), Utagawa Kunihisa II. Kabuki actor Nakamura Shikan IV as Tasogare / Fan print, 1863.
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Utagawa Kunisada (Toyokuni III). Narihira, from the series ‘A parody of six immortal poets’ / Fan print, 1844.
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Le théâtre érotique de la rue de la Santé / [illustré par Rojan]. — Paris: s.n., 1932.
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