-
Title-page (turquoise and black): WILLY ET COLETTE WILLY | CLAUDINE | A L'ECOLE | ILLUSTRATIONS DE SUZANNE BALLIVET | ÉDITIONS DU HOUBLON | BRUXELLES || Front wrapper: WILLY ET COLETTE WILLY | {vignette} | ILLUSTRATIONS DE SUZANNE | CLAUDINE | A L'ÉCOLE || Description: French flapped wrappers, 21 x 14.5 cm, lettered front wrapper and spine, in glassine dustcover, paginated [1-8] 9-242 [6], 248 pages total, plus 8 photomechanical reproductions in colour after Suzanne Ballivet. Contributors: Sidonie-Gabrielle Colette [a.k.a. Colette] (French, 1873 – 1954) – author. Henry Gauthier-Villars [a.k.a. Willy] (French, 1859 – 1931) – author. Suzanne Ballivet (French, 1904 – 1985) – artist.
-
Title-page (in red and black): Keramic art of Japan, | BY | GEORGE A. AUDSLEY | AND | JAMES L. BOWES. | LONDON: HENRY SOTHERAN & CO., | 36 PICADILLY; 136, STRAND; 77 & 78, QUEEN STREET, CITY. | MANCHESTER: 49, CROSS STREET. | MDCCCLXXXI. || Description: 28.5 x 19.5 cm, publisher’s red cloth, bevelled boards, gilt lettering and tooling on front cover and spine, AEG, disbound. 304 p., 10 pl., 32 chromo-lithographed plates. This is the 2nd edition of the 1875 folio edition by the same publisher.. Contents: Introductory essay on Japanese art: p. 1-107; Keramic art of Japan: p. 108-260; Marks and monograms: p. 261-287, Index: p. 288-304. Contributors: George Ashdown Audsley (American, 1838 – 1925) – author. James Lord Bowes (British, 1834 – 1899) – author.
-
Title page: DIALOGUE AUX ENFERS | ENTRE | MACHIAVEL | ET MONTESQUIEU | OU LA POLITIQUE DE MACHIAVEL | AU XIXe SIÈCLE, | PAR UN CONTEMPORAIN. | {6 lines of citations} | ~ | BRUXELLES, | IMPRIMERIE DE A. MERTENS ET FILS, | RUE DE L’ESCALIER, 22. | 1864 ||
Description:18.7 x 11.8 cm, quarter red morocco over marbled boards, spine with raised bands ruled in gilt, gilt lettering, marbled endpapers.
Collation: 12mo; fep, 1 blank, π4 1-2712, 292, 1 blank, fep.; total 176 leaves. Pagination: [2] [2 h.t] [2 t.p.] [i] ii-iii [iv] [1] 2-337 [338] [2 errata] [2]. Other copies: LIB-0460.2015 and LIB-1034.2016. Other related objects: SVVP-0062.2021. The publication was funded by the author and smuggled into France. Contributors: Maurice Joly (French, 1829 – 1878) -
Title-page: FABLES | NOUVELLES. | {vignette by Ponce after Marillier} | A LA HAYE, | Et se trouve a Paris, | Chez Delalain, rue de la Comédie Françoise. | — | M. DCC. LXXIII. || Collation: 2 volumes (4 livres) in one, 1st blank, engraved t.p. “FABLES | Par | Mr. Dorat.” signed C. P. Marillier, inv. – E. D. Ghendt Sculp. 1772; a-c4, A-Z4 2A-2Q4, last blank, plus engraved frontispiece before A1 by Nicolas Delaunay and engraved d.t.p. before Z1: “Fables | de M. Dorat | II. Volume” also by Ghendt after Marillier., 99 vignettes and 99 tailpieces, all after Marillier. Lacking Delaunay frontispiece for the second volume (similar to the 1st). Edition: This is a vol. 1 176 pp. copy (Ray, 43). 2nd edition after Fables ou allégories philosophiques, 1772, p. 162 corrected: “Je sais , même au sein des poisons / Puiser le suc qui m'est utile”. Page xxii numbered correctly; on top of p. iii, printed a chain instead of a triple fillet in later issues (Ray, 43A). Pagination: [i, ii] iii-xxii, [2 d.t.p. «Livre premier»] [1] 2-309 [3 table], 3 plates. Binding: Crimson crashed morocco (198 x 133 mm) ruled in gilt, spine with raised bands gilt in compartments with gilt-lettered cream calf label, gilt dentelle inside, marbled endpapers, Pauli Menso bookplate pasted to front pastedown, printed on laid paper, AEG. Catalogue raisonné: Cohen-DeRicci: 313-315; Ray (French): № 43, pp. 81-83. Provenance: Pauli Menso. We only present a sample of illustrations, as their total number is enormous. Contributors: Author: Claude Joseph Dorat (French, 1734–1780) Publisher: Delalain (firm) (18th century) Artist: Clément Pierre Marillier (French, 1740–1808) Engravers: Jean Charles Baquoy (French, 1721–1777) Nicolas Delaunay (French, 1739–1792) Pierre Duflos (French, born in 1751) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738–1815) Yves-Marie Le Gouaz (French, 1742–1816) Pierre Adrien Le Beau (French, 1748–after 1800) Jean-Jacques André Le Veau (French, 1729–1786) Charles Louis Lingée (French, 1748–1819) Joseph de Longueil (French, 1730–1792) Louis Legrand (French, 1723–1807) Jacques Le Roy (French, born in 1739) Louis Joseph Masquelier (French, 1741–1811) François Denis Née (French, 1735–1818) Nicholas Ponce (French, 1746–1831) Marguerite (Hémery) Ponce (French, born in 1745) Jean Baptiste Simonet (French, 1742–1813)
-
Title-page: LUKAS ROTGANS | POËZY, | VAN VERSCHEIDE | MENGELSTOFFEN; | MET KONSTPLAATEN VERSIERT. | Tweede Druk | {vignette} | TE AMSTERDAM; | By ANTONI SCHOONENBURG, 1735. || Collation: 4to; fep, 1st blank, engraved t.p. by M. Pool, t.p., *3,4; 2*-9*4, 10*1, *LII2, *LII, 10*2 —> *-10*4 (40 leaves); A-Z4, 2A-2Z4, 3A-3Z4, 4A-4Q4, last blank, fep; (340 leaves), 2 plates extraneous to collation. Pagination: [2] [1-5] 6-14 [15-80] [1-3] 4-680 [2], 2 unsigned plates not included in pagination after pp. 634 and 652, 50 headpieces by Jacob Folkema after Arnold Houbraken, and 2 tailpieces by Jan de Ruijter. Marks: Armorial bookplate: “Ex Libris J. J. Mak | {coat of arms} | Inveni Intermanere Melius”. Oval ink stamp: “HOOGERE BURGERSCHOOL. | DELFT” Provenance: Johannes Jacobus Mak (Dutch, 1908 – 1975). Edition: 2nd, 1st edition published in 1715 in Leeuwarden by François Halma. Contributors: Lukas Rotgans (Dutch, 1653 – 1710) – author. Arnold Houbraken (Dutch, 1660 – 1719) – artist. Jacob Folkema (Dutch, 1692 – 1767) – engraver. Matthijs Pool (Dutch, 1676 – 1740) – engraver. Jan de Ruijter (Dutch, 1688 – 1744) – engraver. Antoni Schoonenburg (Dutch, 1682 – 1754) – publisher.
-
Title page: DIALOGUE AUX ENFERS | ENTRE | MACHIAVEL | ET MONTESQUIEU | OU LA POLITIQUE DE MACHIAVEL | AU XIXe SIÈCLE, | PAR UN CONTEMPORAIN. | {6 lines of citations} | ~ | BRUXELLES, | IMPRIMERIE DE A. MERTENS ET FILS, | RUE DE L’ESCALIER, 22. | 1864 ||
Description: 18.5 x 12 cm, quarter red morocco over marbled boards, spine with raised bands ruled blind, gilt lettering, marbled endpapers.
Collation: 12mo; fep, 3 blanks, π4 1-2712, 292, 3 blanks, fep.; total 180 leaves. Pagination: [6] [2 h.t] [2 t.p.] [i] ii-iii [iv] [1] 2-337 [338] [2 errata] [6]. Bookplate to front pastedown: “Le Mis de Biencourt” (probably Mademoiselle Anna Charles de Biencourt). See other copies: LIB-2913.2021 and LIB-0460.2015. Other related objects: SVVP-0062.2021. The publication was funded by the author and smuggled into France. Contributors: Maurice Joly (French, 1829 – 1878) -
Front wrapper and title-page (in red and black): LE COFFRET DU BIBLIOPHILE ILLUSTRE | Pamphlets et Tableaux de mœurs intimes | CORRESPONDANCE | DE | Madame Gourdan | dite La Comtesse | INTRODUCTION ET NOTES PAR J. HERVEZ. | POINTES SÈCHES DE | P.-E. BECAT | {device} | PARIS | BIBLIOTHÈQUE DES CURIEUX | 4, rue de Furstenberg, 4 | Édition réservée aux souscripteurs || Limitation: L'édition illustrée du "Coffret | du bibliophile" est tirée à 750 | exemplaires, sur vergé de Rives, | – numérotés de 1 à 750 – | № 353 || Limited edition of 750 copies on Rives laid paper, of which this is copy № 353. Collation: fep, 3 blanks, front wrapper, 3 blanks vergé, [2] h.t. / limit., [2] t.p., [5] 6-188, blank, back wrapper, 3 blanks, fep., plus 12 plates, dry-points by P.-É. Bécat, extraneous to collation, incl. frontispiece. Binding: 16 x 10.3 cm, red crushed morocco, gilt lettering to spine, marbled endpapers, printed on laid paper, original wrappers preserved. Contributors: Marguerite Gourdan [Marguerite Alexandrine Ernestine Stock] (French, c. 1730 –1783) – fictional author. Jean Hervez (French, 1864 – ?) – author (preface). Charles Théveneau de Morande (French, 1741 – 1805) – presumable author of the text. Paul-Émile Bécat (French, 1885 – 1960) – artist. Bibliothèque des curieux [Georges & Robert Briffaut], Georges Briffaut (French, 1886 – 1973) – publisher. Previous editions: First published 1783, under the title: "Le portefeuille de Madame Gourdan" in London by Jean Nourse. Bibliothèque des curieux, 1910. Bibliothèque des curieux, 1924.
-
Etching on laid paper, monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp LVM on verso.
Dimensions: Paper: 47 x 34 cm; Plate: 24 x 19 cm; Image: 21 x 14 cm.
Catalogue raisonné: Rouir 858:5; Arthur Hubschmid (1977): 320.
-
A woman from Antwerp or a servant, another title "Laitière anversoise"; 2nd state. Etching on wove paper. Owner's stamp LVM on verso.
Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm
Catalogue raisonné: Arthur Hubschmid (1977): 343.
-
"In the olive grove", etching on laid paper. Signed on the plate and inscribed "L'olivierade Monaco, 76" (sic.). Owner's stamp LvM on verso.
Dimensions: Paper: 44 x 30.5 cm; Plate: 40 x 27 cm; Image: 35 x 24.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 323; Graphics irreverent and erotic (1968): 323.
-
Sanguine print on toned China paper pasted on cream wove paper sheet, depicting a dressed-up man trying to copulate with a hanged sow. Inscription on top of the plate: "Ne faites pas aux truies ce que vous ne voudriez pas qu'on vous fit", and below: "Visection" (sic.). Owner's stamp 'LvM' on verso.
Dimensions: Paper: 26.8 x 20.6 cm; India paper: 21.5 x 16.2 cm; Image: 19.3 x 14.2 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 661; Graphics irreverent and erotic (1968): 42.
-
Etching on laid paper, depicting a kneeling groom with his head between the spread legs of a bare-breasted woman in a veiled hat. Inscribed on plate: Un groom a tout faire. Owner's stamp LVM on verso.
Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm
Catalogue raisonné: Arthur Hubschmid (1977): 662.
-
Soft-ground etching on laid paper. Inscribed on plate: "Le dessous de cartes d'une partie de whist" [The underside of a game of whist]. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 26 x 20 cm; Image: 24 x 17.7 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 43; Graphics irreverent and erotic (1968): 273.
-
Drypoint on wove paper, depicting a woman in a hat with a ribbon lettered "ACADEMIE", carrying in her hand a male head in spectacles on a plate. Monogrammed "FR 83", inscribed: LA MODERNITÉ. — Imp. Eudes.; in pencil on verso."L'ARTISTE" – OCT. 1886 | (PRUD'HOMME ONTHOOFD) E 332-V". Owner's stamp 'LvM' on verso.
Dimensions: Paper: 27.2 x 17.8 cm; Plate: 19.7 x 14 cm; Image: 18.5 x 13 cm.
Catalogue raisonné: Rouir 767:5; Arthur Hubschmid (1977): 405; Graphics irreverent and erotic (1968): 72.
-
Etching on wove paper, depicting an old woman trying to thread a needle. Signed in plate: "Felicien Rops, 76 Septembre". Owner's stamp LvM on verso.
Dimensions: Paper: 51.9 x 35 cm; Plate: 27.5 x 21 cm; Image: 23.5 x 16 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 358; Graphics irreverent and erotic (1968): 54.
-
Etching and drypoint on wove paper, depicting Athena with an awl on her helmet and holding a shield with Medusa head. Owner's stamp 'LvM' on verso.
Dimensions: Paper: 38.7 x 26.5 cm; Plate: 31 x 18 cm; Image: 24.5 x 14.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 317; Graphics irreverent and erotic (1968): 41.
-
Two prints on laid paper, one in an earlier state, published under the name Niederkorn. Owner's stamp 'LvM' on verso.
Dimensions: Paper (1): 31 x 22.3 cm; Paper (2): 46 x 33.8 cm; Plate: 31 x 22 cm; Image: 25.5 x 17.5 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 318; Rouir 954:3 and 954:5?.
-
Etching and drypoint on wove paper, depicting a woman with a face mask on her buttocks. Monogrammed in the plate 'FR'. Owner's stamp 'LvM' on verso.
Dimensions: Papaer: 22.2 x 18.5 cm; Plate: 17.5 x 13.3 cm; Image: 15.5 x 12 cm.
Catalogue raisonné: Arthur Hubschmid (1977): 448; Graphics irreverent and erotic (1968): 106; Rouir 648.