Shop – Page 66 – Varshavsky Collection

Hayashi tsuba with cherry blossoms motif by Tohachi III. Edo period, 18th century.

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Haruo Shirane. Japan and the Culture of the Four Seasons: Nature, Literature, and the arts. — NY: Columbia University Press, 2013.

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Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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Harukawa Eichō (Shunsai Eishō). Sumo wrestler Kuroyanagi Matsujiro. Circa 1820-40.

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Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.

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Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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Harold Curwen. Processes of graphic reproduction in printing. — New York: Oxford University Press, 1934.

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Harold Curwen. Processes of graphic reproduction in printing. — London: Faber and Faber, 1934.

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Hair crystal snuff bottle carved in a form of Foo dog guarding a cub

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H. L. Rosegger. Von Königen und Jakobinern / Vollbildern und Buchschmuck von Marquis F. von Bayros. — Köstritz, Leipzig: C. Seifert, 1913.

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Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].

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Gustave Macé. La police parisienne: Le vilain monde; Les dépeceurs de cadavres; Gibier de Saint-Lazare. — Paris: Librairie illustrée, [1889].

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Gustave Flaubert. The Temptation of St. Anthony, illustrated by Mahlon Blaine. – NY: Williams, Belasco and Meyers, 1930.

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Gustav Hochstetter. Das Füsschen der gnädigen Frau und Anderes / Umschlagzeichnung und fünf Bildbeigeben von Franz von Bayros. — München und Leipzig: Georg Müller, 1912.

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Guillaume Apollinaire. Les onze mille verges ou les amours d’un Hospodar. — Brussels: s.n., 1942.

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Guillaume Apollinaire, Fernand Fleuret, Louis Perceau. L’enfer de la Bibliothèque Nationale. — Paris: Mercure de France, 1913.

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Green glaze ceramic ewer in a form of a purse. China, Liao Dynasty [辽朝] (907 – 1125)

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Greek Apulian red-figure pelike. Ca. 330 BCE.

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