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  • The world of Hogarth: Lichtenberg’s commentaries on Hogarth’s engravings / Translated by Innes and Gustav Herdan. — Boston: Houghton Mifflin Company, Cambridge: The Riverside Press, 1966.

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  • [Gustave Droz]. Un été à la campagne. — S.l.: s.n., 1868 [i.e. Paris: s.n., 1926].

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  • Utagawa Kunisada (Toyokuni III). Geisha (Geiko): kabuki actor Iwai Hanshirō V as Katanaya Hanshichi, 1821.

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  • Л. Ф. Лосев. История античной эстетики. 1992

    Л. Ф. Лосев. История античной эстетики. 1992

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  • Utagawa Kuniyoshi. Memorial portrait of Nakamura Utaemon IV as a priest. 1852.

    Utagawa Kuniyoshi. Memorial portrait of Nakamura Utaemon IV as Taira no Kiyomori, 1852.

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  • Ōnin ten-zōgan tsuba with design of dragonfly and inome. Mid Muromachi period, 15th century.

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  • Shimizu Jingo Tsuba. Dragon and Vajra. Edo period

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  • Suzuki Harunobu. Shunga. Circa 1770.

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  • Katsukawa Shunshō. The Seven Gods of Good Luck in the Takarabune. Ca. 1780.

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  • Le diable à Paris: Paris et les Parisiens. Gravures par Gavarni et Bertall / Vol. 1 & 2. — Paris, J. Hetzel, 1845-46.

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  • Tachi tsuba of chrysanthemum design. Late Heian – Kamakura period (ca. 1150 – 1200’s)

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  • Е. Н. Данилова. “Завещание” Петра Великого. М.: Историко-архивный институт, 1946.

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  • Utagawa Kuniyoshi. Sparrow and gourds, from the series ‘Collection of flowers and birds’ / Fan print, 1849-50.

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  • Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.

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  • Blue and white porcelain plate with a running yak, China, Ming Dynasty (1368 – 1644).

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  • Thomas F. Adams. Typographia: a brief sketch of the origin, rise, and progress of the typographic art. — Philadelphia, 1837

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  • A Square [Edwin A. Abbott]. Flatland: A romance of many dimensions / New and revised edition. — London: Seeley and Co., 1884.

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  • Guy Chapman. The Third Republic of France: The First Phase, 1871–1894. — London: Macmillan & Co Ltd, NY: St. Martin’s Press, 1962 [i.e. 1963].

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