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Hardcover, 28.8 x 22.3 cm, green cloth, gilt lettering to spine, pictorial dust jacket; pp.: [i-iv] v-xiv, 1-274, total 288 pp., ils. ISBN: 9780521392228, 9780521457330, 0521392225, 0521457335. Title-page: COLOR | AND | MEANING | Practice and Theory in Renaissance Painting | MARCIA B. HALL | CAMBRIDGE UNIVERSITY PRESS | Cambridge | New York Port Chester Melbourne Sydney || Marcia B. Hall (American, b. 1939) -
Hardcover, 28.5 x 21 cm, blue cloth, gilt lettering to spine, pictorial dust jacket with the glued white label “Winner of the Apollo Magazine | Book of the Year 2003 Award”; pp.: [1-9] 10-260, ils.; ISBN 9781872501543, 9781872501239, 1872501540, 1872501230. Title-page: OTTO PÄCHT | Venetian Painting | in the 15th Century | Jacopo, Gentile and Giovanni Bellini | and Andrea Mantegna | Edited by | Margareta Vyoral-Tschapka | and | Michael Pächt | {publisher’s device} | HARVEY MILLER PUBLISHERS || Contributors: Otto Pächt (Austrian, 1902 – 1988) Margareta Vyoral-Tschapka Michael Pächt (Austrian, b. 1942) -
Quarter calf over marbled boards, 16 x 9 cm, spine with raised bands, gilt in compartments, gilt-lettered label, all margins red, two title-pages (one for each vol.), illustrated with engraved frontispiece by Antonio Baratti after Antonio Balestra; engraved portrait of John Milton by Antonio Baratti, 12 plates, one for each book, after “Piazzetta, Zucchi, Balestra, Tiepolo, and other Venetian artists”, unsigned; plate II signed ‘Antonio Barati scul.’ Title page: IL PARADISO | PERDUTO | POEMA INGLESE | DI GIOVANNI MILTON | TRADOTTO DAL SIG. | PAOLO ROLLI | Con le Annotazioni | DI G. ADDISON | E alcune Osservazioni critiche. | TOMO PRIMO (SECUNDO). | {publisher’s device} | IN PARIGI , MDCCLVIII. | — | A spese di Bartolommeo Occhi. | LIBRAJO VENETO. || Collation: *-**12 ***8 (dedication, vita), A-R12 (vol. 1) A-K12 L9 (vol.2); total 365 leaves plus 14 engraved plates, incl. frontispiece and portrait. Pagination: [i, ii] iii-lxiv 1-407 [408 blank], [2] 3-258; total 730 pages. Catalogue raisonné: Wickenheiser Collection 688 [LIB-2795.2021]. Though it states 228 pp., which does not seem right. “Scarce. Not in Coleridge”. Contributors: Milton, John (British, 1608 – 1674) – author. Joseph Addison (British, 1672 – 1719) – author / criticism Paolo Antonio Rolli (Italian, 1687 – 1765) – author / transaltion Bartolomeo Occhi (Italian, 1730 – 1781) – publisher. Antonio Baratti (Italian, 1724 – 1787) – engraver Antonio Balestra (Italian, 1666 – 1740) – artist. Giovanni Battista Piazzetta (Italian,1682/83 – 1754) – artist. Antonio Zucchi (Italian, 1726 – 1795) – artist. Giovanni Battista Tiepolo (Italian, 1696 – 1770) – artist. -
Hardcover, 21.5 x 15 cm, green buckram with gilt border and gilt lettering to front board and spine, blind decorated in art nouveau style, T.E.G. Pagination: [26] 1-294, [4] 1-323 [324], [4] 1-255 [256] [4]; total 912 pages and photo portrait frontispiece. Title-page: THREE VOLUMES IN ONE | LEAVES OF GRASS| WALT WHITMAN | ISSUED UNDER THE | EDITORIAL SUPERVISION OF HIS | LITERARY EXECUTORS, RICHARD MAURICE | BUCKE, THOMAS B. HARNED, AND | HORACE L. TRAUBEL | {device} | D. APPLETON AND COMPANY | New York […] London || For the Russian translation, see LIB-3103.2022 Уолт Уитмен. Листья травы / Пер. с англ. Вступ. статьи К. Чуковского и М. Медельсона. — М.: Государственное издательство художественной литературы, 1955. Contributors: Walter [Walt] Whitman (American, 1819 – 1892) Richard Maurice Bucke (Canadian, 1837 – 1902) Thomas Biggs Harned (American, 1851 – 1921) Horace Logo Traubel (American, 1858 – 1919) -
Hardcover, 28 x 20 cm, quarter sheepskin over marbled boards, marbled endpapers, gilt lettering to flat spine with gilt fillet bands, clipping pasted to front fep verso. Title-page: GRANIER DE CASSAGNAC — PAUL DE CASSAGNAC | ~ | HISTOIRE POPULAIRE | ILLUSTRÉE | DE | L'EMPEREUR NAPOLEON III | TOME I (II) | {publisher’s device} | PARIS | E. LACHAUD ET Cie, LIBRAIRES-ÉDITEURS | 4, PLACE DU THÉATRE-FRANÇAIS, 4 | – | Tous droits réservés || Collation: (v.1) π2 [1]-504, (v.2) π2 1-494; total 400 leaves plus albumen photograph pasted to frontispiece and 96 full-page woodcuts within collation. Pagination: [4] [1] 2-398 [2], [4] [1] 2-390 [2], ils.; total 800 pp. Contributors: Bernard Adolphe Granier de Cassagnac (French, 1806 – 1880) – father. Paul Adolphe Marie Prosper Granier de Cassagnac (French, 1843 – 1904) – son. -
Paperback, 21.2 x 13.6 cm, dark blue pictorial covers with white lettering, pp.: [2] 3-316 [4]. Title-page: Рав. Й.-Д. Соловейчик | И СТАНЕТЕ ИСКАТЬ | ОТТУДА… | Перевод Мириам Китросской | Памяти | Миши Шнейдера и Лены Гальпериной | {publisher’s device} | Иерусалим 5782 (2022) || Contributors: Иосеф Дов-Бер ха-Леви Соловейчик [יוסף דב הלוי סולובייצ'יק, Joseph Dov-Ber Soloveitchik) (Jewish-American, 1903 – 1993) Мириам Китросская [Miriam Kitrossky] (Israeli, b. 1957) -
Two volumes 23.2 x 15.6 cm, uniformly bound in full polished calf by Riviere and Son (signed on fep verso), boards with triple gilt fillet border, spine with raised bands, gilt in compartments, gilt-lettered labels; dark blue endpapers, armorial bookplate of William Jennings with the motto “Honor Virtutis Premium” to front pastedown. Vol. 1: THE | ENGLISH SPY: | An Original Work | CHARACTERISTIC, SATIRICAL, AND | HUMOROUS. | COMPRISING | SCENES AND SKETCHES IN EVERY RANK OF SOCIETY, | BEING | PORTRAITS | OF THE | Illustrious, Eminent, Eccentric, and Notorious. | DRAWN FROM THE LIFE | BY BERNARD BLACKMANTLE. | THE ILLUSTRATIONS | DESIGNED BY | ROBERT CRUIKSHANK. | {vignette w/inscription: ‘By Frolic, Mirth, and Fancy gay, | Old Father Time is borne away.’ | — | LONDON : | PUBLISHED BY SHERWOOD, JONES, AND CO. | PATERNOSTER-ROW. | – | 1825. || Collation: [a]8 b4 B-H8 I4 K2 L-Z8 2A-2E8 2F3; total 221 leaves Pagination: [i-iii] iv-xxiii [xxiv] [1-3] 4-417 [418]; total 442 pages. Illustrations: 35 coloured plates, 1 uncoloured plate, and 29 woodcuts in text, incl vignette on title, all but four by Robert Cruikshank, 1 by G. M.B rightly (p. 335), 1 by T. Wageman (p. 413), and 2 by T. Rowlandson (pp. 411 and 416) Vol. 2: THE | ENGLISH SPY: | An Original Work | CHARACTERISTIC, SATIRICAL, AND | HUMOROUS. | COMPRISING | SCENES AND SKETCHES IN EVERY RANK OF SOCIETY, | BEING | PORTRAITS | OF THE | Illustrious, Eminent, Eccentric, and Notorious. | DRAWN FROM THE LIFE | BY BERNARD BLACKMANTLE. | THE ILLUSTRATIONS | DESIGNED BY | ROBERT CRUIKSHANK. | — | VOL. II. | — | {vignette w/inscription: ‘By Frolic, Mirth, and Fancy gay, | Old Father Time is borne away.’ | — | LONDON : | PUBLISHED BY SHERWOOD, GILBERT, AND PIPER, | PATERNOSTER-ROW. | – | 1826. || Collation: [A]-Z8 2A-2C8; total 208 leaves. [i-iii] iv-xv [xvi] [1-3] 4-399 [400]; total 416 pages. Illustrations: 36 coloured plates and 25 woodcuts in text. Catalogue raisonné: Martin-Hardie pp. 191-2; Tooley pp. 266-9; Abbey 325, pp.272-4 (see reflections regarding the ‘first issue’). Contributors: Charles Molloy Westmacott (British, c. 1788 – 1868) – author. Isaac Robert Cruikshank (British, 1789 – 1856) – artist, engraver. G. M. Brightly (British, fl. 1809 – 1827) – artist, engraver. Thomas Charles Wageman (British, 1787-1868) – artist, engraver Thomas Rowlandson (British, 1757 – 1827) – artist. Thomas Davison (British, 1794 – 1826) – printer. Sherwood, Jones, and Co. (London) – publisher. Sherwood, Gilbert, and Piper (London) – publisher. William Jennings – provenance -
Softcover, 22.5 x 16.5 cm, pictorial paperback, pp.: [i-xi] xii-xix [xx blank] [2] [1] 2-179 [180] [6 advert.], total 206 pp plus cardstock Portable Stanford form. Nicholas Russel [Николай Константинович Судзиловский] (Russian-American, 1850 – 1930) -
Softcover, collated 8vo, 19.5 x 14.2 cm, French flapped wrappers, lettering to front: MANUEL | DE | CIVILITÉ | POUR LES | PETITES FILLES | À L’USAGE DES | MAISONS D’ÉDUCATION | {checks} ||; printed on BFK Rives wove paper with watermark, with blue vertical and horizontal lines to imitate notebook checkered paper; pp.: [8] [1-15] 16-177 [7]; π4 1-118 124; total 96 leaves (192 pages), incl. those in wrappers. Cardboard double slipcase with vellum spine lettered in black: MANUEL | DE | CIVILITÉ | POUR | LES PETITES | FILLES ||. Title-page: similar to cover, within the frame: MANUEL | DE | CIVILITÉ | POUR LES | PETITES FILLES | À L’USAGE DES | MAISONS D’ÉDUCATION | {checks} || Edition: 1st clandestine limited edition of 600 copies of which 1 copy on papier de chine (№ 1), 15 copies on japon impérial (№№ 2-16), 20 copies on papier de Hollande (№№ 17-36), and 564 copies on vélin de Rives (№№ 37-600) ; this is copy № 473. Enrichment: Accompanied by 5 loose sheets of thin paper blind stamped in the upper-left corner “WHATMAN” with pencil and watercolour drawings, one on both sides, unsigned. Insert two printouts from the previous sellers. Catalogue raisonné: Pia 800/801; Dutel (III) 1916 (indicates 180 pp.). Nordmann II 315 describes copy № 246 illustrated with 86 compositions by Rojankovsky, all signed by Rojan. Later edition, see: LIB-2972.2022. Contributors: Pierre Louÿs (French, 1870 – 1925) Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970). -
4to volume, ‘cartonnage percaline romantique’, 27.5 x 19.5 cm, green cloth with gilt fillet border and fictional coat of arms to front, border and fleuron to back, gilt and embossed vignette to spine, yellow endpapers, all edges gilt, 32 plates, incl. frontispiece, with tissue guards, and numerous in-text woodcuts after J.-J. Grandville by various engravers, mostly by Best, Leloir, Hotelin et Régnier group. Page 102 is numbered correctly. Title-page: JÉROME | PATUROT | A LA RECHERCHE | D'UNE POSITION SOCIALE | PAR | LOUIS REYBAUD, | Auteur des Études sur les Reformateurs ou Socialistes modernes. | — | Édition illustrée par J.-J. Grandville. | {vignette} | PARIS, | J.-J. DUBOCHET, LE CHEVALIER ET Cie, ÉDITEURS, | RUE DE RICHELIEU, 60. | – | 1846 || Collation: π4 1-574 582; total 234 leaves plus 32 wood-engraved plates extraneous to collation. Pagination: [8] [1] 2-460; total 468 pages, ils. Catalogue raisonné: L. Carteret 516; Ray 197 (pp. 277-8); Brivois: 350-1. Contributors: Louis Reybaud [Jérôme Paturot] (French, 1799 – 1879) – author. J.-J. Grandville [Isidore-Adolphe Gèrard] (French, 1803 – 1847) – artist. Schneider et Legrand (Paris) – printer. J.-J. Dubochet, Le Chevalier et Cie – publsiher. Engravers: Lucjan Stypulkowski (Polish, 1806 – 1849) Best, Leloir, Hotelin et Régnier Jean Baptiste Best (French, 1808 – 1879) or Adolphe Best (French, 1808 – 1860) Isidore Leloir (French, 1806 – 1851) Laurent Éloi Hotelin (French, 1821 – 1894) Eugène Laurent Isidore Régnier (?) -
Volume bound by Boichot (signed on front pastedown), 25.3 x 20.2 cm in a 25.9 x 20.3 slipcase, the book and the case uniformly in beige, brown, and blue diaper paper with a navy blue label with gilt lettering to book's spine, top edge gilt, J.-P. Dutel’s bookplate to fep, portfolio cover preserved. Pp.: [1-4] 5-37 [38 blank]; collated 4to, 13 2-54; total 19 leaves (38 pages), plus 12 plates coloured in stencil technique (pochoir), produced after watercolours by Gerda Wegener in c. 1917 on Arches or Whatman laid paper, watermarked. Each illustration bears a small masquerade mask at the bottom as a signature. Text printed on laid paper without a watermark; starting from 2nd gathering, the text printed on recto only; minor traces of water stain to some pages. Title-page (red and black): ALEXANDRE DE VÉRINEAU | Douze Sonnets lascifs | pour accompagner la suite d’aquarelles intitulée | Les Délassements d’Éros | {vignette medallion} | ÉROTOPOLIS | A L’ENSEIGNE DU FAUNE | 1925 || First edition, first printing (incl. plates); clandestine. Catalogue raisonné: Dutel 1356, 1434; Pia 363/4; Noedmann I 310; Fekete 221. Contributors: Louis Perceau (French, 1883 – 1942) – author (see LIB-2633.2021: Guillaume Apollinaire, Fernand Fleuret, Louis Perceau. L'enfer de la Bibliothèque Nationale. — Paris: Mercure de France, 1913). Gerda Wegener (Danish, 1886 – 1940) – artist. Maurice Duflou (French, 1885 – 1951) – publisher. Boichot – bookbinder. -
Publisher’s wrappers, 21.3 x 14.8 cm, 10 four-leave gatherings, unsigned, pp.: [8] 1-70 [2]; total 40 leaves (80 pages), illustrated with 73 in-text woodcuts in sanguine after Feodor Rojankovsky drawings. [1]4 recto reproduces the author’s handwriting. Unbound. Some foxing to the wrappers, all pages clean. Title-page: Poésies Érotiques | de | Pierre Louys | {vignette} | ROME | 1937 || Print run limited to 311 copies, 230 copies (№№ 71-300) on BFK Rives wove paper (watermarked); of which this is copy № 93. Catalogue raisonné: Dutel III 2230. Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Feodor Rojankovsky [Rojan, Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970). -
Small softcover volume, ‘édition minuscule’ in-32, 13 x 8 cm, publisher’s wrappers, pp.: [1-6] (h.t., t.p., advert.), [7] 8-160 [2 table/blank], included in pagination 8 pasted etchings on India paper after Félicien Rops and one blank leaf next to plate 1; laid paper with watermarks, some pages uncut. Title-page: DOCUMENTS | POUR SERVIR A L’HISTOIRE DE NOS MŒURS | – | LES | BAS-FONDS | DE LA SOCIÉTÉ | PAR | HENRY MONNIER | AVEC | 8 dessins à la plume | de F. R. | {fleuron} | ÉDITION MINUSCULE | tirée | à 64 exemplaires. || Pencil handwriting on top: 8 gravures de Felicien Rops | 250 –, in the bottom: [1879]. Print run: 64 copies; clandestine edition. Catalogue raisonné: Vicaire V, 1019; Bory p. 100 (though here is the frontispiece for Les Bas-fonds de la société par Joseph Prudhomme [Henry Monnier], 1864, with all the sheets together; Dutel I, A-134. Ref: (1) Poulet-Malassis & ses amis № 90 [LIB-3118.2022] ; (2) Félicien Rops: L'oeuvre graphique complète. / Ouvrage établi et présenté par Jean-François Bory. Avec un texte contemporain de l'artiste par J. K. Huysmans. — Arthur Hubschmidt, 1977. [LIB-2241.2019] Contributors: Henry Monnier (French, 1799 – 1877) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Henry Kistemaeckers (Belgian, 1851 – 1934) – publisher. Auguste Poulet-Malassis (French, 1825 – 1878) -
Illustrated sales catalogue of 23-25 September 2022, paperback, 21 x 15 cm, pictorial wrappers, white lettering on a black background to the front, back, and spine, 24 leaves, unpaginated, 109 items listed, print run of 50 copies, this copy signed by hand to Monsieur Serge Varshavsky on the last page. Title-page: POULET-MALASSIS | & ses amis | Une sélection d’ouvrages entre 1860 et 1880, | la plupart clandestins et quelques manuscrits | À monsieur Bernard Peyrat, bibliophile |{vignette} | LES LARMES D'ÉROS | 58, rue Amelot 75011 Paris | sur rendez-vous | les-larmes-d-eros@wanadoo.fr | 06 09 81 65 57 - 01 43 38 33 43 || -
Single volume, 16.8 x 11.3 cm, bound in full dark olive crushed morocco by Brany (signed), gilt triple-fillet border to boards, spine with raised bands, gilt in compartments, gilt-lettered label, gilt dentelle inside, marbled endpapers, all margins gilt, gilt double fillet to boards margin; text printed on laid paper. Bookplate of Maurice Lebarbier de Tinan to fep 45 x 35 mm representing standing satyr with erected penis holding monogram ‘MT’ in his hands with a motto below on a ribbon ‘FAIRE SANS DIRE’. Maurice Lebarbier de Tinan book collection was dispersed via l’hôtel Drouot (Paris) on a sale from March 9 to 12, 1885; a catalogue was published: Catalogue d’un joli choix de livres anciens et modernes, en très belle condition de reliure, composant la bibliothèque de M. L. de T*** [Lebarbier de Tinan] (Paris, Ch. Porquet, 1885, in-8, VIII-140 p., 481 lots). Collation: π2 (h.t., t.p.) a6 b2 1-1112, total 82 leaves plus 18 engraved plates on wove paper; illustrations include engraved frontispiece and six etchings printed in two versions each, black and red, and one etching (at p. 103) in two states, two colour versions for each state, frontispiece and 3 or 4 plates after Félicien Rops, the others after original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition (re-print of 1926 LIB-3135.2023). Pagination: [4] [i] ii-xvi, [3] 4-141 [3], total 164 pages, ils. Title-page (red and black): GAMIANI | OU | DEUX NUITS D’EXCES | PAR | A D M | AVEC UN EPISODE DE LA VIE DE L’AUTEUR | Extrait des mémoires de la | COMTESSE DE C******** | – | « Hippolyte, cher cœur, que dis-tu ces choses ? » | Femmes damnées, Fleurs du Mal. | — | LESBOS | INSTITUTION MERY — PAVILLON BAUDELAIRE. || Catalogue raisonné: Dutel I: A-464; Bory: 596-605; Pia: 516/7. According to Pia, the print run is limited to 150 copies on laid paper. Ref.: BNF Enfer 419. Fekete (Christie's): 135. Provenance: Maurice Lebarbier de Tinan (French, 1842 – 1918). Contributors: Alfred de Musset (French, 1810 – 1857) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Auguste Poulet-Malassis (French, 1825 – 1878) – publisher. Catalogue Poulet-Malassis & ses amis description: № 5. [Alfred de MUSSET] A D M. Gamiani ou Deux nuits d’excès, avec un épisode de la vie de l’auteur, extrait des mémoires de la comtesse de C********. Lesbos, Institution Méry, Pavillon Baudelaire [A. Poulet-Malassis, 1864]. Illustré de 8 gravures, dont l’une en frontispice, en double état (et quatre états pour la gravure « au singe » de la page 103) de Félicien Rops. Là où Baudelaire soutient Poulet-Malassis quand l’éditeur soutient l’attribution à Musset. Perfectionniste ? Trop cher ? Trop sollicité ? Pas toujours inspiré ? Rops réalisera rarement des suites complètes, ne répondant le plus souvent à la demande de ses commanditaires que par la conception de frontispices. Au verso du faux-titre, Launay voit une justification de 150 exemplaires sur papier vergé, paraphés et numérotés, qui ne figure pas ici. Très bel exemplaire relié par Brany. Provenance : Bibliothèque de Lebarbier de Tinan de Lebarbier de Tinan dont la collection fut dispersée en 1885, justifié par son ex-libris représentant un satyre en érection, portant la devise “Faire sans dire”. Bibliographie : Pia 558, Per 16-8, PC 1299, Lau 285, Enfer 419, Dutel A-464." [LIB-3118.2022] -
Single volume, 19.2 x 14.2 cm, bound in ¾ dark blue morocco over peacock marbled boards, gilt double-fillet border, spine with gilded raised bands, gilt fleurons and lettering, marbled endpapers, top margin gilt, outer margin uncut; text printed on watermarked laid paper; frontispiece by Félicien Rops, plates by Félix Lukkow after original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition (1926 re-print LIB-3135.2023); the plate with the ape may be considered 'after edition of 1864' (LIB-3087.2022). Collation: π2 (h.t., t.p.) [a]8 1-712 96, total 64 leaves plus etched frontispiece in sanguine after page 8 and 12 engraved plates on India paper; illustrations include six burin engravings printed in two versions each, black and red, all six by Félix Lukkow after Devéria and Grévedon. Pagination: [4] [i] ii-viii, [1] 2-116, total 128 pages, ils. Title-page: GAMIANI | OU | DEUX NUITS D’EXCES | PAR | ALCIDE, Baron de M******. | {publisher's device} | — | BRUXELLES | MDCCCXXXIII—1871. || Limitation: Print run of 150 copies of which one unique on peau de vélin, 130 on laid paper (papier vergé), 5 on papier album jaune, 4 on papier de Chine, 10 on papier fort de Hollande. This is copy № 3, on Van Gelder laid paper, watermarked (possibly this is what they call ‘papier fort de Hollande’). Catalogue raisonné: Dutel I: A-472; Pia 520. Ref.: BNF Enfer 66. Contributors: Alfred de Musset (French, 1810 – 1857) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Félix Lukkow (French, fl. c. 1870 – 1875) – engraver. Vital Puissant (Belgian, 1835 – 1878) – publisher. Catalogue Poulet-Malassis & ses amis description: № 58. [Alfred de MUSSET - Félix LUKKOV] Alcide, baron de M******. Gamiani ou Deux nuits d’excès. Bruxelles, M DCCC XXXIII - 1871 [Vital Puissant]. In-8 de 2 .n.ch, viii, 116 pages, demi-chagrin bleu à coins, dos à nerfs orné, lets dorés et à froid sur les mors, tête dorée, tranches naturelles, non rogné (reliure de l’époque). Illustré de 7 gravures sur Chine, dont une en frontispice, en double état (sauf le frontispice) par Félix Lukkov, d’après les gravures de Félicien Rops. Tirage à 150 ex. L’un des 10 ex. tirés in-8, sur grand papier fort de Hollande (n° 3). Bibliographie : Pia 561, Per 16-14, Enfer 66, Dutel A-472. -
Artist: Utagawa Hiroshige II (二代目 歌川広重] (Japanese, 1826 – 1869). Signed: Hiroshige ga. Publisher: Enshūya Matabei [遠州屋又兵衛] (Japanese, fl. c. 1768 – 1881); (Enmata [遠又]), seal 22-009 (Marks). Block carver: Matsushima Masakichi (Japanese, fl. c. 1847-65); seal: [松嶋彫政] – Hori Masa (Frieze, 2009: 142). Combined date seal and kiwame censor seal: Bunkyū 2 (1862). Media: Fan print (uchiwa-e, 団扇絵), 230 x 298 mm Series: Three Famous Views in Ise [伊勢名所三景] (Ise meisho sankei). -
Single volume, 18 x 12.5 cm, bound in ¾ crimson morocco over marbled boards, gilt double-fillet borders, spine with gilded raised bands, gilt in compartments, gilt-lettered label, marbled endpapers, top margin gilt, text printed on dense wove paper, with 8 etchings by anonymous on thin laid paper (Chine) with tissue guards, after original lithographs by Devéria and Henri Grévedon or Octave Tassaert for the 1833 edition (1926 re-print LIB-3135.2023); the plate with the ape after 1864 edition (LIB-3087.2022) and the plate with the donkey after unknown. Title-page: GAMIANI | OU | DEUX NUITS D’EXCES | PAR | A D M | — | EN HOLLANDE | – | 1866 || Pagination: [4] (h.t., t.p.), [i] ii-xvi, [3] 4-153 [154 blank]; total 158 pages plus 8 plates (anonymous etchings), incl. frontispiece. Catalogue raisonné: Dutel I: A-470; Pia: 518/9. BNF Enfer 418. Note: This edition is conformant with Dutel, but not with Pia, who mentions [2], xvi, 148 pp. Pia writes: 'According to a bibliographic record published in 1874 by Vital Puissant, this edition was printed in Brussels by Briard on behalf of Alphonse Lécrivain, a Parisian publisher who took refuge in Belgium'. Catalogue Poulet-Malassis & ses amis description: № 74. [Alfred de MUSSET] A D M. Gamiani ou deux nuits d’excès. En Hollande, 1866. In-8 de xvi, 153 pages, demi-maroquin cerise à coins, dos à nerfs orné, lets dorés sur les mors, tête dorée, tranches naturelles, couverture conservée (reliure ancienne). Illustré de 8 gravures sur Chine dont l’une en frontispice, toutes accompagnées de serpentines. Piqûres et mouillures. Dutel A-470, pas à l’Enfer de la BnF.
