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Seiichirō Takahashi. Harunobu [春信] / English adaptation by John Bester (Masterworks of ukiyo-e, №6). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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Ninsei; Kenzan (Japanese ceramics 12) [仁清 乾山 日本の陶磁 (12) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.
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Peter Fendi. Vierzig Erotische Aquarelle in Faksimilereproduktion. — [Vienna: C. W. Stern , 1910].
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Le camp de Chalons / Image d’Épinal, 1870.
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The world of Hogarth: Lichtenberg’s commentaries on Hogarth’s engravings / Translated by Innes and Gustav Herdan. — Boston: Houghton Mifflin Company, Cambridge: The Riverside Press, 1966.
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[Gustave Droz]. Un été à la campagne. — S.l.: s.n., 1868 [i.e. Paris: s.n., 1926].
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Utagawa Kunisada (Toyokuni III). Geisha (Geiko): kabuki actor Iwai Hanshirō V as Katanaya Hanshichi, 1821.
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Л. Ф. Лосев. История античной эстетики. 1992
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Utagawa Kuniyoshi. Memorial portrait of Nakamura Utaemon IV as Taira no Kiyomori, 1852.
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Ōnin ten-zōgan tsuba with design of dragonfly and inome. Mid Muromachi period, 15th century.
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Shimizu Jingo Tsuba. Dragon and Vajra. Edo period
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Suzuki Harunobu. Shunga. Circa 1770.
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Katsukawa Shunshō. The Seven Gods of Good Luck in the Takarabune. Ca. 1780.
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Le diable à Paris: Paris et les Parisiens. Gravures par Gavarni et Bertall / Vol. 1 & 2. — Paris, J. Hetzel, 1845-46.
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Tachi tsuba of chrysanthemum design. Late Heian – Kamakura period (ca. 1150 – 1200’s)
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Е. Н. Данилова. “Завещание” Петра Великого. М.: Историко-архивный институт, 1946.
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Utagawa Kuniyoshi. Sparrow and gourds, from the series ‘Collection of flowers and birds’ / Fan print, 1849-50.
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Harriet Beecher Stowe. La case de l’Oncle Tom / gravures par George Cruikshank. — Paris: Aux Bureaux Du Magasin Pittoresque, 1853.
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