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54 Products
Venetian Album: 12 lithographs by Lessore after Wyld. — Venice: Charles Hopfner, 1834; (2) Veduta della casa di Loreto: 5 etchings by Filippo Jaffei. – Loreto: Jaffei, 1828; 2 more etchings.
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S. T. Prideaux. An Historical Sketch of Bookbinding. — London: Lawrence & Bullen, 1893.
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Almanach Iconologique, ou des arts pour l’année 1764, orné de figures avec leurs explications par M. Gravelot. — Paris: Lattré, 1764.
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Utagawa Kunisada. Fuji and Tsukuba sharing an umbrella against the wind / Fan print, c. 1832.
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John Whitehead. This solemn mockery: The art of literary forgery. — London: Arlington Books, 1973.
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Charles Virmaître. Paris-police. — Paris: E. Dentu, 1886.
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Bayros Zeichnungen / Vorwort von Wilhelm M. Busch. — Hamburg: Gala Verlag, Wiesbaden: Fourier Verlag, 1987.
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Henri Murger. The Bohemians of the Latin Quarter. (Scènes de la vie de Bohême) / Translated from the French. — London: Vizetelly & Co., 1883.
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Le Mouvement social : bulletin trimestriel de l’Institut français d’histoire sociale; N° 35, Avril – Juin, 1961. — Paris: Les Éditions ouvrières, 1961 // Maurice Dommanget. La vie de Blanqui sous le Second Empire, pp. 30 – 41.
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Феофраст. Характеры / Перевод Г. А. Cтратановского (Литературные памятники). — Л.: Наука, 1974.
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Yoshirō mon-sukashi tsuba. Momoyama or early Edo period (1574-1650).
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G. Legman. The art of Mahlon Blaine. — East Lansing: Peregrine Books, 1982.
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Bibliothèque érotique: Gérard Nordmann; Livres, manuscrits, dessins, photographies du XVIe au XXe siècle / Catalogues de ventes, première partie. — Paris: Christie’s, 2006.
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Torquato Tasso. Il Goffredo overo la Gierusalemme liberata. — Paris: Impremerie Royale, 1644. — Paris: Impremerie Royale, 1644.
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Graham Greene. A sort of life. — London: The Bodley Head, 1971.
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Félicien Rops. Hypocrisie; etching and drypoint, n.d.
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Galignani’s plan of Paris, 1827
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Choderlos de Laclos. Les Liaisons dangereuses, ou lettres recueillies dans une société et publiées pour l’instruction de quelques autres / Avec des figures de S. Sauvage (2 volumes) — Paris: chez l’artiste, 1930.
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