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“Iron tsuba with design of slanting rays of light. Edo period.” has been added to your cart.
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Paris tel qu’il est aujourd’hui or Plan of Paris at the present day, 1800.
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Daisy Fellowes. Les dimanches de la comtesse de Narbonne / Illustrations de Marcel Vertès. — Éditions de France: Paris, [1935].
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Utagawa Kunisada (Toyokuni III). Beauty playing the shamisen beneath a mosquito net / Fan print, c. 1832.
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Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.
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Utagawa Kunisada (Toyokuni III). Edo Murasaki – Fake Murasaki’s Rustic Genji / Fan print, 1853.
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Israel Goldman. Japanese prints, paintings and books / Recent acquisitions; Catalogue 25, 2019.
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Ōnin ten-zōgan tsuba with design of chrysanthemum, late Muromachi period (16 AD).
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Tsukioka Tanka. Picture of Fuji, Tsukuba and Sumida River / Fan print, 1833
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С. Варшавский. “Жди меня” (Моя встреча со стихотворением Симонова) / Журнал “Вопросы литературы”, № 3, март 1985; стр. 47-56. — М.: Известия, 1985.
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Pierre Louÿs. Pybrac / Poésies [Enrichi de 8 aquarelles libres] (exemplaire unique). — Cythère: Au coq hardi [i.e. Paris: René Bonnel], 1927.
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Report of the Committee on Leather for Bookbinding. — London: George Bell & Sons for the Society of Arts, 1905.
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[Pierre Louÿs.] Manuel de civilité pour les petites filles à l’usage des maisons d’éducation. — Paris: [Simon Kra,] 1926 / accompagné de 6 dessins de Rojan.
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Roger Cotteret. Folies d’amour [Manuscrit illustré]. — s.l.: Roger Cotteret, 1938.
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Одесский мартиролог: Данные о репрессированных Одессы и Одесской области за годы советской власти (Серия «Реабилитированные историей»); Том 3 / Сост.: Л. В. Ковальчук, Г. А. Разумов. — Одесса : ОКФА, 2005.
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Old kutani (Japanese ceramics 11) [古九谷 日本の陶磁 (11) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.
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John Marciari. Sublime Ideas: Drawings by Giovanni Battista Piranesi. — NY: The Morgan Library & Museum, Paul Holberton Publishing, 2003©.
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Émile Zola. Nana / Illustré de 30 gravures originales en couleurs de Marcel Vertès. — Paris: Javal et Bourdeaux, 1933.
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Louis-Napoléon Bonaparte / Image d’Épinal, 1848.
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