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Dora Kallmus, Arthur Benda. Boudoir portrait of a young woman (Madame Agnès), c. 1935.
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Dora Kallmus, Arthur Benda. Portrait of a young woman with a veiled hat and a dog, c. 1930.
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Dora Kallmus. Portrait of actor and singer Maurice Chevalier, c. 1927.
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Dorat. Les Baisers, précédés du mois de Mai, poëme. — Haye et Paris: Lambert et Delalain, 1770.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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E. Cresson. Cent jours de siège à la préfecture de police: 2 novembre 1870 – 11 février 1871. — Paris: Plon-Nourrit et Cie., 1901.
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E. de Crauzat. L’Œuvre gravé et lithographié de Steinlen / Préface de Roger Marx. — San Francisco: Alan Wofsy Fine Arts, 1983.
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E. Neurdenburg, B. Rackham. Old Dutch pottery and tiles. — London: Benn Brothers Ltd., 1923.
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Early images from the floating world: Japanese paintings, prints, and illustrated books, 1660-1720 / Catalogue 12, Exhibition March 3 – April 5, 2008. — NY: Sebastian Izzard LLC, 2008.
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Eastern and western divisions of Paris, containing the quartiers. — London: Baldwin & Cradock, 1834.
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Eastern and western divisions of Paris, containing the quartiers. — London: c. 1840.
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Eastern and western divisions of Paris, containing the quartiers. — London: Chapman and Hall, 1834.
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Eastern division of Paris. — Edward Stanford, c. 1870.
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Eckhart G. Franz. Revolution, Krieg und Streik, Weltausstellung und Volksfest : der Illustrator und Karikaturist Leo von Elliot (1816–1890). — Darmstadt : Hessische Historische Kommission, 2000.
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Edgar Jepson: The Iron Tsuba of Japan / The Connoisseur: An Illustrated Magazine for Collectors. Vol. 70 (September–December). — London, 1924.
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Edmund Burke. Reflections on the revolution in France and on the proceedings of certain societies in London relative to that event / 2nd edition. — London: J. Dodsley, 1790.
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Edmund Burke. Reflections on the revolution in France and on the proceedings of certain societies in London relative to that event / 3rd edition. — London: J. Dodsley, 1790.
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Egyptian faience funerary scarab, 5th – 4th century BC.
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Elisa P. Sani. Italian Renaissance Maiolica. — London: V&A Publishing, 2012.
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Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.
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Ellis Tinios. Mirror of the stage: The actor prints of Kunisada. — Leeds: The University Gallery Leeds, 1996.
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Émile Zola. Nana / Illustré de 30 gravures originales en couleurs de Marcel Vertès. — Paris: Javal et Bourdeaux, 1933.
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Emilie Mediz-Pelikan. Pine Grove / Chromolithography, 1905.
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Emilie Mediz-Pelikan. Roman Pines Grove / Chromolithography, c. 1905.
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Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.
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Environs of Paris from Weekly Dispatch Atlas. — London: Cassell, Petter, and Galpin, 1863.
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Épices: Réflexions sur quelques à-côtés de l’amour destinées à des personnes expérimentées. — s.l.: Groupe de bibliophiles, c. 1955. [Enriched with a suite of 1950].
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Érastène Ramiro. Félicien Rops (Études sur quelques artistes originaux) / Exemplaire truffé de 58 estampes originales. — Paris: G. Pellet, H. Floury, 1905.
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Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.
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Eric D. Butler. The International Jew : The Truth About “The Protocols of Zion”. [— Adelaide: R. M. Osborne Limited, 1939].
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Erich Godal [Erich Goldbaum]. Jo gewidmet / Album of etchings, c. 1925.
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Erika Plehn. Aspasia’s prostitute school: Three watercolour drawings, c. 1923.
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Erika Plehn. Seven watercolour illustrations for “Pybrac” by Pierre Louÿs / Berlin, c. 1928.
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Ernest Alfred Vizetelly. My days of adventure: The fall of France, 1870-71. — London: Chatto & Windus, 1914.
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Ernest Gegout, Charles Malato. Prison Fin de Siècle: Souvenirs de Pélagie / Illustrations de Steinlen. — Paris: G. Charpentier & E. Fasquelle, 1891.
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Ernest Hemingway. A moveable feast. — New York : Charles Scribner’s Sons, [1964].
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