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Five volumes, uniformly bound in marbled three-colour stained polished calf, spine with raised bands, gilt in compartments, crimson label with gilt lettering “CONTES DE BOCCACE”, cream label with volume number, marbled endpapers and all edges; bookplate pasted to first blank flyleaf “BIBLIOTHÈQUE DE LAJUDIE” depicting a coat of arms over an anchor, anchors and tulips scattered in the upper section, globe in the lower section, in a frame. Size: 21 x 14 cm. Translated by Antoine Le Maçon (French, 1500? – 1559). Vol. 1: [4] two blank leaves, portrait by Louis Lempereur after Hubert Gravelot, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME I. | Londres | 1757. | H. Gravelot Inv. […] T.P. N 21 […] J. Aliamet Sculp. ||, engraved frontispiece to Vie de Jean Bocace by Lempereur after Gravelot; Pagination: [i] ii-viii (Vie de Jean Bocace with head- and tail-pieces); [1] 2-320 [2] one blank leaf. Collation: 8vo; a4 A-V8, 164 leaves + 6 blanks + 24 plates (incl. portrait, frontis., and t.p.) extraneous to collation, 1 headpiece and 18 tailpieces. Vol. 2: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME II. | Londres 1757 | H. Gravelot inv. […] T.II. N.1. […] N. LeMire Sculp .||; Pagination: [1] 2-292 [2] one blank leaf. Collation: 8vo; A-S8 T2, 146 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 18 tailpieces. Vol. 3: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME III. | Londres 1757 | Gravelot inv. […] T.III. N.1. […] Aillamet Sc. ||; Pagination: [1] 2-203 [204] [2] one blank leaf. Collation: 8vo; A-M8 N6, 102 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 18 tailpieces. Vol. 4: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME IV. | Lond 1761 | Gravelot invenit […] T.IV. №.I. […] Alliamet Sculpsit. ||; Pagination: [1] 2-280 [2] one blank leaf. Collation: 8vo; A-R8 S4, 140 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 20 tailpieces. Vol. 5: [4] two blank leaves, engraved t.p.: LE | DECAMERON | DE JEAN | BOCCACE. | TOME V. | Londres 1761 | Gravelot, inv. […] T.V. N.1. […] Aillamet Sc. ||; Pagination: [1] 2 [3] 4-269 [270] [2] one blank leaf. Collation: 8vo; A-Q8 R7, 135 leaves + 3 blanks + 23 plates (incl. t.p.) extraneous to collation, and 22 tailpieces. Total plates: 24+23+23+23+23=112; total vignettes: 19+ 18 + 18 +20 + 22 = 94; total etchings and engravings: 213. Ref: MFA ACCESSION NUMBER 37.1371a-e; Cohen-de Ricci 160; Ray, French Illustrated Book, 15 / p. 39-41; Metropolitan Museum, NY (Accession Number: 17.3.2641). Contributors: Authors: Giovanni Boccaccio (Italian, 1313–1375); Filippo Villani [Philippe-Matthieu Villani] (Italian, 1325 – 1407)Illustrated by: Hubert François Gravelot (French, 1699–1773). Artists: Charles Eisen (French, 1720–1778); François Boucher (French, 1703–1770); Charles-Nicolas Cochin le fils (French, 1715–1790), Jacques Aliamet (French, 1726–1788) Engravers: Jean Charles Baquoy (French, 1721–1777); Jean Jacques Flipart (French, 1719–1782); Louis Legrand (French, 1723–1807); Noël Le Mire (French, 1724–1801); Louis Simon Lempereur (French, 1725–1796); Catherine Elisabeth (Cousinet) Lempereur (French, born in 1726); Jean-Jacques André Le Veau (French, 1729–1786); Pierre Etienne Moitte (French, 1722–1780); Jean Ouvrier (French, 1725–1784); Jean Jacques Pasquier (French, died in 1785); Pierre (Pitre) Martenasie (Flemish, worked in France, died in 1770?); Augustin de Saint-Aubin (French, 1736–1807); Dominique Sornique (French, 1708 – 1756); Jacques Nicolas Tardieu (French, 1716–1791). Publisher: Prault (French, 18th century) Note: MFA copy has a slightly different collation: [v. 1] 152 leaves, plus plates; [v. 2] 136 ll., plus pls.; [v. 3] 98 ll., plus pls.; [v. 4] 131 ll., plus pls.; [v. 5] 124 ll., plus pls. This is their description: "First edition with these illustrations; a French translation (Cohen-de Ricci 160) appeared slightly later. Gravelot designed 89 of the 111 plates, and all 97 of the tailpieces, his largest single commission. Some 115 of his preliminary sketches by this series are in the Rosenwald Collection, Library of Congress; 131 of the final engraver's models are in the Widener Collection at the National Gallery of Art; and two other finished drawings are in the Ray Collection, Pierpont Morgan Library. Ten plates were designed by Eisen, and Cochin and Boucher had six each. As some plates in the later volumes are dated as late as 1761, the actual issuing of the volumes apparently extended to that date." -
[Choderlos de Laclos.] Les Liaisons dangereuses, lettres recueillies dans une société, et publiées pour l’instruction de quelques autres; par M. C*** de L*** / Ornées de 6 gravures d'après Devéria. — Londres: s.n., 1820. Description: two volumes, collated 12mo, 17.1 x 10.6 cm each, modern binding – recently bound in quarter brown calf with gilt lettering, fillets and black fleurons to spine over green marbled boards; bookplate to front pastedown in each volume: “Ex-Libris | F.-M. Caye”. Printed on laid paper, each volume is illustrated with a frontispiece and two plates engraved by various engravers after Achille Devéria under the direction of Ambroise Tardieu. Title-page: LES LIAISONS | DANGEREUSES, | LETTRES RECUEILLIES | DANS UNE SOCIÉTÉ, | ET PUBLIÉES POUR L’INSTRUCTION DE QUELQUES AUTRES. | PAR M. C*** DE L***. | {3 lines of citation from J.-J. Rousseau} | TOME PREMIER (TOME SECOND) | — | A LONDRES. | ~ | M.D.CCC.XX. || Collation: Vol. 1: π8 1-1412 156, total 182 leaves plus 3 engraved plates: frontispiece and opposite to pp. 37 and 338. Pagination: [1-5] 6-16, [1] 2-348, total 364 pages. Vol. 2: π2 16 2-1512 162, total 178 leaves plus 3 engraved plates: frontispiece and opposite to pp. 25 and 316. Pagination: [4] [1] 2-352, total 356 pages. Provenance: Caye, F.-M. Pierre Ambroise François Choderlos de Laclos (French, 1741 – 1803) – author. Achille Jacques-Jean-Marie Devéria (French, 1800 – 1857) – artist. Engravers: Ambroise Tardieu (French, 1788 – 1841) Jean Baptiste Touzé (French, fl. 1810 – 1830) Jean Jacques Frilley (French, 1797 – after 1850) Achille Lefèvre (French, 1798 – 1864) Jean Louis Toussaint Caron (French, 1790 – 1832) -
Title page: RECUEIL | DE CONTES | ET | DE POEMES, | PAR M. D**. | CI-DEVANT MOUSQUETAIRE. | TROSIÉME ÉDITION | AUGUMENTÉE | DE L'HERMITAGE DE BEAUVAIS. | [device] | A LA HAYE, | Et se trouve à Paris, | Chez Delalain, Libraire, rue de la Comédie | Française. | — | M. D. CC. LXX. IRZA | ET MARSIS , | POËME, includes: L'isle merveilleuse, Poëme, Chant 1re et Chant 2nd, Invocation a La Fontaine, and Alphonse, Conte – Cohen and De Ricci (#317) describe 2nd edition by the same publisher, 1769, 77 p., with similar illustrations after Charles Eisen: (1) engraved title by Louis Claude Legrand (2) L’Isle 1er: Frontispiece by Joseph de Longueil, (3) headpiece and (4) tailpiece by Emmanuel de Ghendt, and (5) L’Isle 2nd: Frontispiece by Jean Massard, (6) headpiece by Emmanuel de Ghendt + (7) tailpiece unsigned. Les Cerises et la Méprise, Contes en vers – Cohen and De Ricci (#311) also describe the 2nd edition of 1769, with the same (8) frontispiece by De Longueil after Eisen. Sélim et Sélima, Poeme imité de l'allemand; L'hermitage de beauvais, Conte –Cohen and De Ricci (#322) describe edition of 1769 by Sébastien Jorry, with the same (9) frontispiece by Emmanuel de Ghendt after Eisen. Size: 18.6 x 12.3 cm, small 8vo. Binding: polished, multi-coloured stained calf with gilt triple fillet border to boards; gilt floral arabesque and gilt lettering to flat spine: "Oeuvres de Dorat | Contes"; all edges gilt; blue-and-white marbled endpapers. Pagination: ffl, [2] IRZA ET MARSIS engraved half-title / blank, [1-2] - RECUEIL title page / blank, 3-8 (avis sur cette édition); [1 - L'Isle...] 2-184, bfl; Illustrations (copperplate engravings): 5 plates, 2 headpieces and 2 tailpieces. Collation: Octavo; a8 (title and avis sur cette édition); A-L8, M4. Author of the text: Claude Joseph Dorat, (French, 1734 – 1780) Artist: Charles-Dominique-JosephEisen (French, 1720 – 1778) Engravers: Emmanuel Jean Nepomucène de Ghendt (French, 1738 – 1815) Louis Claude Legrand (French, 1723 – 1807) Joseph de Longueil (French, 1730 – 1792) Jean Massard (French, 1740 – 1822) -
Title-page: LUKAS ROTGANS | POËZY, | VAN VERSCHEIDE | MENGELSTOFFEN; | MET KONSTPLAATEN VERSIERT. | Tweede Druk | {vignette} | TE AMSTERDAM; | By ANTONI SCHOONENBURG, 1735. || Collation: 4to; fep, 1st blank, engraved t.p. by M. Pool, t.p., *3,4; 2*-9*4, 10*1, *LII2, *LII, 10*2 —> *-10*4 (40 leaves); A-Z4, 2A-2Z4, 3A-3Z4, 4A-4Q4, last blank, fep; (340 leaves), 2 plates extraneous to collation. Pagination: [2] [1-5] 6-14 [15-80] [1-3] 4-680 [2], 2 unsigned plates not included in pagination after pp. 634 and 652, 50 headpieces by Jacob Folkema after Arnold Houbraken, and 2 tailpieces by Jan de Ruijter. Marks: Armorial bookplate: “Ex Libris J. J. Mak | {coat of arms} | Inveni Intermanere Melius”. Oval ink stamp: “HOOGERE BURGERSCHOOL. | DELFT” Provenance: Johannes Jacobus Mak (Dutch, 1908 – 1975). Edition: 2nd, 1st edition published in 1715 in Leeuwarden by François Halma. Contributors: Lukas Rotgans (Dutch, 1653 – 1710) – author. Arnold Houbraken (Dutch, 1660 – 1719) – artist. Jacob Folkema (Dutch, 1692 – 1767) – engraver. Matthijs Pool (Dutch, 1676 – 1740) – engraver. Jan de Ruijter (Dutch, 1688 – 1744) – engraver. Antoni Schoonenburg (Dutch, 1682 – 1754) – publisher. -
Two volumes in-12, 16.7 x 11.5 x 3.5 cm each, uniformly bound in quarter crimson morocco over marbled boards, spine with raised bands, gilt lettering, marbled endpapers, top margin gilt; text printed on laid paper, plates – on India paper: loose frontispiece by Félix Lukkow after Félicien Rops with tissue guard and 4 loose engraved plates by Félix Lukkow after Sigmund Freudenberger, in each volume. This edition is a reprint of an earlier publication: ANDRÉA DE NERCIAT, André-Robert (1739 - 1800). Les Aphrodites ou Fragments thali-priapiques pour servir à l'histoire du plaisir. Numéro Un et deux [Numéro trois et quatre [...] sept et huit]. 1793-1864. [Bruxelles : Briard pour Poulet-Malassis, 1864] with plated recarved by Félix Lukkow. Title-page: LES | APHRODITES | OU | FRAGMENTS THALI-PRIAPIQUES | POUR SERVIR A | L’HISTOIRE DU PLAISIR | — | Priape, soutiens mon hàleine… | Piron, Ode | — | Tome premier (second). | {publisher’s device} | A LAMPSAQUE | – | 1793 || Limitation: Edition is limited to 150 copies of which 130 on papier vergé, 5 on papier album jaune, 10 copies in-8o on large papier fort de Hollande, and one unique copy on peau de vélin. The number of this copy is left blank in both volumes. Vol. 1: π4 (h.t./limit., t.p./table, Éclaircissements historiques par V. M. D.), 1-2712 2910; total 182 leaves plus 5 leaves of plates, incl. frontispiece. Pagination: [1-5] 6-364, ils. V. M. D. stands for Vital Désiré Maximilien [Puissant]. Vol. 2: π2 (h.t., t.p.), 1-2912, 3110; total 192 leaves plus 5 leaves of plates, incl. frontispiece. Pagination: [1-5] 6-384, ils. Catalogue raisonné: Dutel I: A-95. Catalogue Poulet-Malassis & ses amis description: № 67. André-Robert ANDRÉA DE NERCIAT - [Félix LUKKOW]. Les Aphrodites, ou fragments thali-priapiques pour servir à l’histoire du plaisir. Tome premier (— second). A Lampsaque, 1793 [Vital Puissant, vers 1872]. 2 volumes in-12 de 364 et 384 pages, demi-maroquin rouge, dos à nerfs, tête dorée, non rogné (reliure de l’époque). Illustré de 2 frontispices et 8 planches volantes, par Félix Lukkow, d’après Félicien Rops pour les frontispices et Freundeberg pour les figures. Tirage limité à 151 ex. Contributors: André-Robert Andréa de Nerciat (French, 1739 – 1800) – author. Sigmund Freudenberger (Swiss, 1745 – 1801) – artist. Félicien Rops (Belgian, 1833 – 1898) – artist. Félix Lukkow (French, fl. c. 1870 – 1875) – engraver. -
Seated portrait of Russian diplomat Count Semyon Romanovich Vorontsov (Семён Романович Воронцо́в; 26 June 1744 – 9 July 1832). Engraved by August Weger (Born: 1823 in Nürnberg; died: 1892 in Leipzig) from the portrait painted by Richard Evans (1784–1871). Circa 1825-50. Semyon Romanovich Vorontsov, the son of Count Roman Illarionovich and Marfa Ivanovna Surmina, was born on June 15, 1744; Active Privy Councillor; Ambassador to Venice and London from 1784, for over 20 years. Died in London on June 26, 1832.
Inscription: Графъ Семенъ Романовичь Воронцовъ. Родился въ Москвѣ Iюня 15-го/26 1744, Скончался въ Лондонѣ Iюня 9-го/21 1822. | Le Comte Simon Woronzow. né à Moscou le 26 Juin 1744, Mort à Londres le 21 Juin 1832. | Richd. Evans, Peintre. - Gravé par A. Weger, Leipzig. Vorontsov family coat of arms in the middle.
Dimensions: 23 x 15 cm. Ref.: Подробный словарь русских гравированных портретов Д. А. Ровинского, том. 1, 534-540. -
A two-volume set. Vol. 1:Title: LA | GERUSALEMME | LIBERATA | DI | TORQUATO TASSO | Tomo Primo | {vignette} | IN PARIGI | M.DCC.LXXI | Appreßo { Agostino Delalain. | Pietro Durand. | Gio: Claudio Molini. | Droüet ∫crip.
Pagination: ffl [1] 2-331 [332] bfl; illustrations after Gravelot: frontis. by Henriquez, t.p. vignette by Patas, engraved dedication by Le Roy, 10 head- and 7 tailpieces by Le Roy, 5 full-page vignettes by Le Roy, and 10 plates by: Baquoy, Duclos (3), Le Roy, Lingée, Née, Rousseau, and Simonet (2).
Collation: 8vo; A-V8 X6.
Vol. 2: Title: LA | GERUSALEMME | LIBERATA | DI | TORQUATO TASSO | Tomo Secondo | {vignette} | IN PARIGI | M.DCC.LXXI | Appreßo { Agostino Delalain. | Pietro Durand. | Gio: Claudio Molini. | Droüet ∫crip. Pagination: ffl [1] 2-340 bfl; illustrations after Gravelot: frontis. by Henriquez, t.p. vignette by Mesnil, 10 head- and 6 tailpieces by Le Roy, 4 full-page vignettes by Le Roy, tailpiece by Ponce, and 10 plates by: Duclos, Henriquez, Leveau, Lingée, Massard, Née, Patas, Ponce, Rousseau, and Simonet. Collation: 8vo; A-X8 Y2. Size: 21.5 x 14.5 cm. Size of the copy sold at Sotheby's in 2015: 23.3 x 14.0 cm; Christie's in 2008: 23.2 x 14.4 cm Page size: 21 x 13.5 cm. In referenced sources, the page size is bigger than that. N. Ray gives 11 ½ x 8 7⁄8 inches or 9 x 5½ inches. Cohen and De Ricci do not bother to give sizes, considering that octavo is octavo. MFA: 30.3 x 23.1 x 4 cm (11 15/16 x 9 1/8 x 1 9/16 in.) Binding: Two volumes uniformly bound in full marbled calf, ruled in gilt, flat spine with gilt decorations and monogram, cream lettered label. Geoffrey Lord Cross of Chelsea [Geoffrey Cross, Baron Cross of Chelsea] (British, 1904 – 1989) bookplate to front pastedown. Catalogue raisonné: N. Ray №22, p. 48; Cohen De Ricci 974-975 According to MFA printing by: François-Augustin Quillau (French, 1743–1804). This edition was illustrated by Hubert François Gravelot (French, 1699–1773) and engraved by the following engravers: Jean Charles Baquoy (French, 1721–1777) Antoine Jean Duclos (French, 1742–1795) Benoît Louis Henriquez (French, 1732–1806) Jean Jacques André Le Veau (French, 1729–1785) Charles Louis Lingée (French, 1748–1819) Jacques Le Roy (French, born in 1739) Jean Massard (1740–1822) Elie du Mesnil (French, born about 1728) François Denis Née (French, 1735–1818) Charles Emmanuel Jean Baptiste Patas (French, 1744–1802) Nicholas Ponce (French, 1746–1831) Jean François Rousseau (French, born in 1740) Jean Baptiste Simonet (French, 1742–1813) Droüet (French, 18th century) -
WESTERN DIVISION OF | PARIS. | Containing the Quartiers | {4 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Under the frame: Drawn by W. B. Clarke, Archt. […] Published by Baldwin & Cradock, 47 Paternoster Row, April 1st. 1834. Dimensions: Sheet: 40.5 x 34.5 cm; Image: 39 x 28.8 cm. Contributors: William Barnard Clarke (British, 1806 – 1865) – artist. John Shury (fl. c. 1814-1844) – engraver. Baldwin & Cradock (London) – publisher. Society for the Diffusion of Useful Knowledge (SDUK) (British firm, 1826 – 1846). -
Engraved title-page: Contes | Moraux | Par | M. Marmontel, | de l'Academie Françoise. | A Paris | Chez J. Merlin Libraire, | Rue de la Harpe, | M DCC LXV ||Description: 3 volumes, 8vo, 20.4 x 13 cm, first issue, bound in the contemporary speckled calf, all edges gilt, spines gilt with double red/brown lettering labels (vol 1. labels missing); raised bands, gilt in compartments, double gilt-ruled borders; marbled endpapers. With the contemporary signature in each volume of Caroline Marlborough of Blenheim Palace, and bookplates of Lord F. A. Spencer. This is certainly Lady Caroline Russell, wife of George Spencer, Fourth Duke of Marlborough; she was daughter to the Duke of Bedford and was married in 1762. She died at Blenheim in 1811. The later bookplate in each volume pasted to the front pastedown of her son Francis Almeric Spencer (British, 1779-1845). Pagination: Vol. I: [two blank leaves] [half-title, verso blank] [recto blank, frontispiece on verso: portrait of Marmontel by St. Aubin after Cochin] [engraved t.p. by Duclos after Gravelot, verso blank], [i] ii-xvi, [table des contes with 5-line Errata (autograph Lordine Marlborough), verso blank], [1] 2–345 [346-50 blanks]; 9 plates after Gravelot by: Baquoy, de Longueil (2), Legrand, Leveau (2), Rousseau, Voyez, and unsigned (1). Vol. 2: [two blank leaves] [half-title, verso blank] [engraved t.p. by Duclos after Gravelot, verso blank] [table des contes with 10-line Errata (autograph Lordine Marlborough), verso blank], [1] 2–376 [377-50 blanks]; 9 plates after Gravelot by: de Longueil (5), Leveau (2), Pasquier and Rousseau. Vol. 3: [two blank leaves] [half-title, verso blank] [engraved t.p. by Duclos after Gravelot, verso blank] [table des contes with 9-line Errata, verso blank] [two leaves: approbation and Privilege du Roi] [1] 2–312 [313-16 blanks]; 5 plates after Gravelot by: de Longueil (2), Le Mire (2), and Pasquier. Catalogue raisonné: Cohen-De Ricci 686-7; Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914. — NY, London: The Pierpont Morgan Library; Cornell University Press, 1982, Vol. 1. pp. 44-5. [In their copy vol. 2 and 3 in a different order]; MFA ACCESSION NUMBER 37.1488a-c Illustrated by: Hubert François Gravelot (French, 1699–1773) Engraved by: Jean Charles Baquoy (French, 1721–1777) Engraved by: Antoine Jean Duclos (French, 1742–1795) Engraved by: Louis Legrand (French, 1723–1807) Engraved by: Noël Le Mire (French, 1724–1801) Engraved by: Jean Jacques André Le Veau (French, 1729–1785) Engraved by: Joseph de Longueil (French, 1730–1792) Engraved by: Jean Jacques Pasquier (French, died in 1785) Engraved by: Jean François Rousseau (French, born in 1740) Engraved by: Nicolas Joseph Voyez l'ainé (French, 1742–1806) Portrait(s) designed by: Charles-Nicolas Cochin le fils (French, 1715–1790) Engraved by: Augustin de Saint-Aubin (French, 1736–1807) Author: Jean-François Marmontel (French, 1723–1799) Publisher: Joseph Merlin (French, 1718–1783) Printer: Pierre-Alexandre Le Prieur (French, born in 1722) -
Two volumes, 12mo; 14 x 9 cm, uniformly bound in speckled calf with dentelle border in gilt, gilt-stamped spine with two crimson lettered labels, marbled endpapers. Inscription to h.t.: P. Leigh Smith | Moscow | 1921 || Vol. 1: Half-title: MIROIR | DE L'ANCIEN ET DU NOUVEAU | PARIS, | AVEC TREIZE VOYAGES | EN VÉLOCIFÈRES, |DANS SES ENVIRONS. | TOME I. || Title page: MIROIR | DE L'ANCIEN ET DU NOUVEAU | PARIS, | AVEC TREIZE VOYAGES | EN VÉLOCIFÈRES, |DANS SES ENVIRONS. Ouvrage indespensable aus Étrangers et même | aux Parisiens, et qui indique tout ce qu’il faut | connoître et éviter dans cette capitale. | Orné d’un Plan de Paris et de 18 Gravures | {to the right, in single rules} Tels temps, telles mœurs. | Par L. Prudhomme. | Tome I. | PARIS, | PRUDHOMME, fils, rue des Marais, F. B. St.-G. | DEBRAY, rue St. Honoré, barrière des Sergens. | AN XIII. — (1804.) || Pagination: [i-vii] viii-xxxvi, 1-260; total 296 pages + 15 copperplate engravings and 1 folding plan of Paris. Collation: πA-πC6, A-C6, 4-216 224; total 148 leaves + 15 plates + 1 folding. Note: 12mo; πA1 unsigned, A2 unsigned, A–C3 signed A-C5, respectively, 4* unsigned, 9* marked 8*, 18* marked 17*. Vol. 2: Similar half-title and title, TOME II instead of TOME I. Pagination: [4] 1-408; total 412 pages + 3 copperplate engravings. Collation: π2, 1-346; total 206 leaves + 3 plates. -
Description: 19th-century binding, 8vo,18.9 x 11.7 cm, in patterned quarter green shagreen over marbled boards, gilt elements and lettering to spine (reliure romantique), printed on laid paper, with tall "s", margins sprinkled blue. Title-page (red and black): L'ART | D'AIMER, | NOUVEAU POËME | EN SIX CHANTS, | Par Monsieur ***** Gouge de Cessières. | Edition fidéle & complette, enrichie de | Figures. | {vignette} | A LONDRES. | Aux dépens de la Compagnie. | = | M. DCC. L. || Includes: La Mort de Zulnï (pp. 175-190 ), Idée de l'Art d'aimer d'Ovide (pp. 191-244), and Lettre écrite à Monsieur *** de ******de l'Académie... (pp. 245-261). Collation: 8vo; a-b8, A-Q8 R3, lacking K2 (pp. 147/8); total 146 leaves (of 147) plus 8 engraved plates, unsigned, incl. frontispiece. Pagination: [i, ii] iii-xxxii, [1, 2] 3-261 [262 blank], lacking pp. 147/8 (K2), possibly containing Argument du chant VI; total 292 pages (of 294), ils. Catalogue raisonné: Cohen-DeRicci (under Ovid) 775, Lewine (under Ovid) 398. The artist and engravers of this edition are unknown. "Another edition, Londres (Paris), 1760, with frontispiece after Eisen by Martinet, and 6 plates after Martinet". Contributors: François-Étienne Gouge de Cessières (French, 1724 – 1782) – author. Ovid [Publius Ovidius Naso] (Roman, 43 B.C. – A.D. 17) – author. Aux dépens de la Compagnie (1685 – 1780) (Amsterdam) – publisher. -
From the series of prints 'Prospectum Ædium Viarumque Insigniorum Urbis Venetiarum'. Inscribed below image left: "Jo. Bap. Moretti et Filii del. e Pinx."; right: "Jo. Baptista Brustoloni sculp."; in lower margin centre: "Nocturna populi exultatio in pervigilio Sancti Petri Apostoli prope limina Patriarchalis Ecclesiæ, vulgò Sancti Petri de Castello. / Apud Ludovicum Furlanetto supra Pontem vulgo dictum dei Baretteri C.P.E.S.". The third state, published by Teodoro Viero; the numbering on plate lower right, next to the inscription in Latin is cancelled as indicated by bibliography.
The subject is taken from a drawing by Giovanni Battista Moretti (Italian, active Venice, 1748-75) which in turn derives from a Canaletto painting. The print comes from the most important of Brustolon’s series, Prospectuum Aedium Viarumque Insignorum Urbis Venetiarum, dedicated to the Doge Marco Foscarini, from drawings by Canaletto, Moretti and sons and others, published for the first time by Ludovico Furlanetto in 1763 and later by Teodoro Viero. Giambattista Brustolon (1712–1796) was a famous Venetian engraver, a pupil of Joseph Wagner; whose talent is best displayed in his famous nocturnals: ‘riesce a dare il meglio di sé … nei famosi notturni’ (Succi).
Plate: 324 × 458 mm Sheet: 350 × 471 cm
References: The British Museum 1944,1014.209.48; The Metropolitan Museum of Art 60.611.29(4) (first state); Dario Succi, Da Carlevaris ai Tiepolo, 1983, pp.81-93, n. 55; William George Constable, J. G. Links, Canaletto: Giovanni Antonio Canal. 1697–1768. Oxford, 1989, vol. II, cat. no. 10, p. 674.
Condition: a very slight central fold, slight foxing and a very slight stain to the top, four small pinholes in corners, not affecting the engraving; else a well-margined copy in good condition.
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Two prints on one sheet of watermarked laid paper.
Coupe de la ville de Paris prise du septentrion au midy, depuis la porte St Martin jusqu'à l'Observatoire en passant par l'isle du Palais... Coupe de la ville de Paris depuis la porte St Martin jusqu'à l'Observatoire... Plan des rues comprises dans la direction dela coupe... / Le tout dressé par Philippe Buache... ; Desbruslins, sculpsit.
Watermark: "IHS" within circle; countermark of "FIN/ DUPUY/ AUVERGNE 1749".
LOC dates it to 1757. Gallica – to 1742, though the watermark is 1749.
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Description: Two volumes 23.1 x 14.9 cm each, collated in 4to, uniformly bound in French flapped wrappers with the title and an engraved vignette, coloured; wrapped in glassine; cased in a cardboard chemise (23.1 x 15 cm) with a diaper of two hearts pierced by an arrow, in pink; and both volumes cased in a slipcase (23.8 x 15.2 cm) with the same diaper. Printed on unpaginated dense wove paper watermarked ‘Arches’, engravings with clear plate marks. Illustrations are by Jean Dulac. Title-page (double-fillet frame, black and red in manuscript) Nelly et Jean | – | nous deux | simples | papiers | du| tiroir secret | {vignette} | Première partie (Deuxième partie) | – | Gravé | et imprimé | pour les auteurs | et leurs amis || Vol. 1: 1 blank, π4 (blank, h.t., frontis., engr. t.p.), 1-84, [2 blanks]; total 39 leaves with 19 hand-coloured burin engravings, incl. wrapper, frontis., and t.p. Unpag. Vol. 2: 1 blank, π4 (blank, h.t., frontis., engr. t.p.), 1-114, [1 colophon] [2 blanks], total 52 leaves with 27 hand-coloured burin engravings, incl. wrapper, frontis., and t.p. Unpag. Limitation: total print run of 295 copies of which 12 (№№ 1-12) on Japon Impérial, 13 on Vélin d’Arches (№№ 13-25), 30 on Japon Impérial (№№ 26-55) and 240 on Vélin d’Arches (№№ 56-295); this is copy № 97 on Vélin d’Arches. Contributors: Marcel Valotaire (French, 1889 – 1979) – author. Jean Dulac (French, 1902 – 1968) – artist. Printed by Coulouma (Argenteuil) and Vernant (Paris). The same title with illustrations by Gaston de Sainte-Croix was published in 1956: LIB-2880.2021. -
Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A AMSTERDAM, | Se vendent chez les Heritiers de Daniel Elzevier, 1682. || Pagination : [2] – h.t. / blank ; [2] – 1st vol. t.p. in black and red with vignette engraved by Pet. Clouwet after Abr. Diepenbeke / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] vinette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – Advis au lecteur; [1, 2] – f.t. livre premiere, illustres politiques / blank; [2] – noms politiques / blank (A1, after f.t.), 3(A2)-421, [422-424] – table eloges. Collation: [*]6, **8, A6 B-Ggg4. (14 prelim. leaves, as in LIB-2675.2021; the LIB-2676.2021 copy has 12) Binding: 34.5 x 22 x 4.3 cm.34.5 x 22 x 4.3 cm, hardbound; full calf, raised bands. The title is drawn by Abraham van Diepenbeeck (Dutch, 1596 - 1675) and engraved by Peeter Clouwet (Flemish, 1629–1670). The first volume of a two-volume set contains 119 copperplate burin-engraved portraits of selected politicians, historians, jurists, writers, and Italian artists. 26 portraits engraved by Esme de Boulonois (French,1645 – 1681), 3 unsigned, and the rest engraved by Nicolas de Larmessin I (French, 1632 – 1694)Lavinia Vecellio, (Italian, 1530 – 1575), Titian' daughter, engraved by Lamerssin after Titian, Portrait of Jacques Auguste de Thou engraved by de Boulonois after Daniel Dumonstier. Politicians: Antoine Perrenot, Cardinal de Granvelle; Arnaud d'Ossat, Cardinal; Auger Busbeque; Bessarion, Cardinal; François Ximenes, Cardinal; George d'Amboise, Cardinal; Gille Albornoz, Cardinal; Guillaume de Croy; Guy du Faur de Pybrac; Jacques Auguste de Thou; Jean de Selve; Jean Zamoski; Jean de Barnevelt; Jean Armand du Plessis, Cardinal de Richelieu; Jule Mazarin, Cardinal; Michel de l'Hospital; Renaud Pole, Cardinal; Stanislas Hosius, Cardinal; Thomas Morus; Thomas Wolsey, Cardinal. Historians: Bertrand d'Argentré; Cæsar Baronius, Cardinal; Emanuel de Meteren; Enguerand de Monstrelet; Florimond de Remond; François Guicciardin; Fulve Ursin; Guillaume Camden; Henry Catherine d'Avila; Hubert Goltzius; Jacques Amiot; Jean Aventin; Jean Baptiste Platina; Jean Barclay; Jean Froissard; Jean Papirius Masson; Nicolas le Febure; Olivier de la Marche; Onuphre Panuinius; Pandolphe Collenuce; Paul Jove; Philippe de Commines; Pontus Heuterus; Regino Abbé de Prumy; Robert Gaguin; Wolfgang Lazius. Jurists: Alexandre de Tartagnis; André Alciat; André Tiraqueau; Antoine Augustin; Antoine le Febvre; Boece Epo; Charles du Moulin; François Bauduin; Gabriel Mudée; Jacques Cuias; Jason Mainus; Jean Wamese; Mathieu Wesenbec; Philippe Dece; Pierre Peckius; Pierre Pithou; Tibere Decian; Viglius de Zuichem. Writers/Linguists: Ange Politian; Demetrius Chalcondyles; Emanuel Chrysoloras; François Philelphe; François Raphelenge; Guillaume Postel; Jean Argyropilus; Jean Bocace; Jean Lascaris; Jean Passerat; Jean Pierius Valerianus; Jeanne Gray; Nicolas Clenard; Pierre Nannius; Rudolphe Agricola; Theodore Gaza. Italian painters, architects, and sculptors: André Mantegna; André Organa; André del Sarto; André Tafi; André Verrochio; Antoine de Correge; Antoine de Messine; Arnoud di Lappo; Baccio Bandinel; Balthazar Perusi; Bramante d'Urbin; Daniel Ricciarelli; Dominique Beccafumi; Donato; François Mazzuoli; François Primatici; Frere Philippe Lippi; Giorgion; Giotto; Jacques Barozzi de Vignole; Jean Antoine Licinio de Pordenone; Jean Cimabue; Jean d'Udine; Jean François Rustici; Jule Romain; Le Rosso; Leonard de Vinci; Masaccio; Michel-Ange Buonarotti; Perin del Vaga; Philippe Bruneleschi; Philippe Lippi; Polidore de Caravage; Propertia de Rossi; Raphael Sanzio d'Urbin; Sandro Boticelli; Simon Memmi; Taddée Gaddi; Titian Uccello. -
THE | ADVENTURES | OF | TELEMACHUS, | THE SON OF ULYSSES. | Translated from the French of | Messire François Salignac de la Mothe–Fenelon, | Archbishop of Cambray. | BY | JOHN HAWKESWORTH, L. L. D. | — | LONDON: | Printed for the AUTHOR, by W. and W. Strahan, | M DCC LXVIII. || Binding: half polished brown calf over marbled boards, wave ruled blind, gilt fillet ruled compartments, black label with gilt lettering to spine; 29.5 x 24.5 cm; marbled endpapers. Pagination: 2 blank leaves (wove paper), [I, ii] – t.p. / blank, [iii] iv – dedication, [v] vi-xv – subscribers, [xvi] blank, [xvii] xviii-xix – preface, [xx] xxi-xxxv – contents, [xxxvi] – errata, subscribers omitted, [1] 2-462, printed on laid paper, 2 blank leaves (wove paper). Collation: 4to; A4, a-c4 d2, B-Z4 Aa-Zz4 Aaa-Mmm4 Nnn3; 24 head- and 24 tailpieces engraved by Charles Grignion the Elder (British, 1721 – 1810) after Samuel Waly (British, 1720 – 1786). Original: François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. See № LIB-2522-2020 in this collection. Not in Lewine, 1898; Not in Cohen De Ricci, 1912. -
Top right: EASTERN DIVISION OF | PARIS. | Containing the Quartiers | {5 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Bottom left: WESTERN DIVISION OF | PARIS. | Containing the Quartiers | {4 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Under the frame: Drawn by W. B. Clarke, Archt. […] London: Published by Chapman and Hall, 186, Strand. April 1st, 1834. [...] Engraved by J. Shury || Dimensions: Sheet: 40.8 x 57 cm; Image: 38.7 x 52.5 cm. Contributors: William Barnard Clarke (British, 1806 – 1865) – artist. John Shury (fl. c. 1814-1844) – engraver. Chapman and Hall (London) – publisher. Society for the Diffusion of Useful Knowledge (SDUK) (British firm, 1826 – 1846). -
Hardcover volume, 8vo, 24.3 x 16.5 cm, bound in contemporary full marbled calf, spine with raised bands, gilt floral tools in compartments, gilt title lettering, marbled end-papers and all edges, printed on laid paper 23.9 x 5.5 cm with a watermark, entirely engraved (frontispiece, title, nine plates, and text), gatherings not indicated. Title-page (engraved, vignette, tall 's') LE | TEMPLE | DE | GNIDE | Nouvelle Edition, | Avec Figures | Gravées par N. LE MIRE, | des Acad. De Vienne en Autriche et de Rouen, | D’apres les Dessins de Ch. Eisen. | Le Texte Gravé par Droüet. | — | {3 lines quotation from Gallien} | A PARIS | Chez le Mire Graveur | Rue St. Etienne des Gres. | AVEC PRIVELEGE DU ROI. | 1772. || Frontispiece (engraved, vignette): Portrait medallion inscribed "CHARLES SECONDAT DE MONTESQUIEU — N. Le Mire del et sc", signed beneath "N. le Mire sculp 1771"; under the plate: "Dessiné par Ch. Eisen, et Gravé par N. le Mire." Pagination: frontispiece, t.p. / explication, dedication, [i] ii-vii [viii blank] 1-104 [105-6 blanks]; engraved throughout, plus 9 plates by Le Mire after Eisen.Catalogue Raisonné: Cohen-de Ricci 726-27; Ray, French Illustrated Book, №32/p. 61-2.Ref.: MFA (Boston): Accession Number 37.1726.Charles Eisen (French, 1720 – 1778) – artist. Noël Le Mire (French, 1724 – 1801) – engraver, publisher. Droüet (French, 18th century) – text engraver. Charles Louis de Secondat, Baron de La Brède et de Montesquieu (French, 1689 – 1755) – author. -
Two-volume large paper edition with 20 plates in two states. Vol. 1 (with plates). Title : CONTES | ET | NOUVELLES EN VERS. | PAR | JEAN DE LA FONTAINE. | — | TOME PREMIER| {vignette “P.P. Choffard 95”} | A PARIS, | DE L’IMPRIMERIE DE P. DIDOT L'AÎNÉ. | L’AN III DE LA RÉPUBLIQUE. | M. DCC. XCV. || Pagination: [2] [i-iv] v-vii [viii], 1-280 [2 table] [2], total 294 pages, ils. Collation: 4to; 1 blank, π4 (π3a signed “a”), 1-354 361, 1 blank, total 147 leaves, plus 40 leaves of plates with tissue guards, after Fragonard and others, which represent 20 engravings, each in two states, before and after letters, besides №9 (Le Calendrier des Vieillards by Jean Dambrun after Fragonard), which has two identical copies, both before letters. Vol. 2. (without plates) Title: same, but TOME SECOND. Pagination: [2] [4] 1-334 [2], total 342 pages. Collation: 4to; 1 blank, π2 1-414 423 1 blank, total 167 leaves. Binding: Two volumes uniformly bound in crimson straight-grain morocco, ruled in gilt, gilt-decorated flat spine with lettering, board edges and turn-ins tooled with gilt dentelles, marbled endpapers, three bookplates to front pastedown, top edge trimmed, 2nd volume partly uncut; text and plates printed on thick Dutch wove paper. Size: volumes: 33.3 x 25.2 cm; leaves: 31.5 x 23.5 cm. Provenance: Bishop, Cortlandt Field (American, 1870 – 1935) – bookplate. Mary S. Collins – bookplate by J. H. Fincken. Robin F. Satinsky (American, 1919 – 2008) – Robin Collection bookplate. Catalogue raisonné: Ray (French): 133-137; Cohen-DeRicci 573-582 ; Lewine : 281-282. CONTRIBUTORS: Jean de La Fontaine (French, 1621–1695) – author. Pierre Didot (French, 1761–1853) – publisher, printer. Artists: Jean-Honoré Fragonard (French, 1732–1806) Jean Baptiste Mallet (French, 1759–1835) Jacques Louis François Touzé (French, 1747–1807) Charles Monnet (French, 1732–after 1808) Engravers: Jacques Aliamet (French, 1726–1788) Jean Dambrun (French, 1741–about 1808) Jean Louis Delignon (French, 1755–about 1804) Jean Baptiste Michel Dupréel (French, active 1787–1817) Louis Michel Halbou (French, 1730–1809) Charles Louis Lingée (French, 1748–1819) Charles Emmanuel Jean Baptiste Patas (French, 1744–1802) Jean Baptiste Simonet (French, 1742–1813) Jean Baptiste Tilliard (French, 1740–1823) Philippe Trière (French, 1756–about 1815) Pierre-Philippe Choffard (French, 1730–1809) – t.p. vignette PLATES (collation order): №8: Fragonard / Trière – La Gageure des trois Commères №1*: Fragonard / Lingée – Joconde №1**: Mallet / Trière – Joconde №2: Fragonard / Delignon – Le Cocu battu et content №3: Fragonard / Tilliard – Le Mari confesseur №4: Fragonard / Dambrun – Le Savetier №5: Fragonard / Lingée – Le Paysan qui avait offensé son Seigneur №9: Fragonard / Dambrun – Le Calendrier des Vieillards №10: Fragonard / Aliamet – A Femme avare galant Escroc №12: Fragonard / Halbou – Le Gascon puni №11: Fragonard / Patas – On ne s’avise jamais de tout №13: Monnet / Tilliard – La Fiancée du roi de Garbe №14: Fragonard / Dupréel – La Coupe enchantée №15: Fragonard / Tilliard – Le Faucon №17: Fragonard / Patas – Le Pâté d’Anguilles №18: Fragonard / Tilliard – Le Magnifique №19: Fragonard / Delignon – La Matrone d’Ephèse №20: Fragonard / Patas – Belphégor №22: Touzé / Simonet – Le Glouton №26: Touzé / Lingée – Le Baiser rendu -
Title-page: IDYLLES | DE BION | ET | DE MOSCHUS, | TRADUITES EN FRANÇAIS | Par J. B. Gail, Professeur de littéra- | ture grecque au collège de France. | Ouvrage orné de Figures dessinées par le Barbier. | DE L’IMPRIMERIE DE DIDOT JEUNE. | A PARIS, | Chez Gail, au Collège de France, place | Cambrai. | L’AN TROISIEME. || Small volume in-12mo, 14.7 x 10 cm, bound in tree calf with gilt ornamental border, flat spine with gilt lozenges in compartments, lacking upper label and half of the lower label, gilt dentelle inside, marbled endpapers, all edges gilt. Collation: 1st and last leaves blank, [1]-96, total 54 leaves and 9 engraved plates, incl. frontispiece. Pagination: [1-5] 6-106 [2] (notice), total 108 pages, ils. Illustrations: (1) Frontispiece bust portrait of Jean-Baptiste Gail in two states, one proof before letters signed Le Barbier del., — C. S. Gaucher inc. a. ƒ., the other in finished state lettered « J. B. Gail | Professeur de littérature grecque | au collège de France » signed Le Barbier del. — C. S. Gaucher incid. (2) Le tombeau d’Adonis in two states, the first unsigned, the second signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγραφε — Γαυχερ εχαλχενε, with tissue guard. (3) Enlèvement d’Europe in two states, the first signed Baquoy fecit., the second Le Barbier inv. — Delignon Sculp. (4) Amour du fleuve Alphée pour la fontaine Aréthuse in two states, the first unsigned, the second signed Le Barbier inv. — Dambrun. (5) Daphnis et Naïs only in final state signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγρφε — Γαυχερ εχαλχενε. (sic.) Catalogue raisonné: Cohen-DeRicci 151-2, attributes to 1895, in-18, Daphnis et Naïs without the proof state; Lewine 64, "very scarce, particularly that of the portrait, a fancy price". Contributors: Bion [Βίων] (fl. late 2nd century BCE, Phlossa near Smyrna) – author. Moschus [Μόσχος] (fl. mid 2nd century BCE, Syracuse) – author. Jean-Baptiste Gail (French, 1755 – 1829) – translator. Jean-Jacques-François Le Barbier (French, 1738 – 1826) – artist. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Jean-Louis Delignon (French, 1755 – 1820) – engraver. Jean Dambrun (1741 – 1808/14) – engraver. Pierre François Didot, Le Jeune (French, 1732 – 1795) – publisher. -
A book of sixty-eight copperplate engravings (burin and etching) by various artists after Anthony van Dyck, and one engraving by Lucas Vorsterman I, printed in black on laid paper, bound in full calf with a blind-stamped double-fillet ruling to the boards, spine with raised bands, gilt floral lozenges in compartments, gilt lettering "RECUE DE FIGUR", all margins sprinkled red, marbled end-papers. Engravers: Adriaen Lommelin (French engraver, 1637 – c. 1673) : 12 plates: №№ 3, 17, 18, 20, 21, 24, 25, 26, 28, 30, 35, and 48. Anthony van Dyck (Flemish, 1599 – 1641) : partially engraved himself 1 plate: № 53. Antoine Couchet (Flemish, 1630 – 1678) : 1 plate № 30. Conrad Waumans [Woumans] (Flemish engraver, 1619 – after 1675) : 6 plates: №№ 5, 32, 36, 57, 64, and 66. Cornelis Galle the Younger (Flemish engraver, 1615 – 1678) : 5 plates: №№ 2, 7, 10, 29, and 33. Hendrick Snyers (Flemish engraver, 1611 – 1644) : 1 plate: № 9. Jacob Neefs, or Neeffs (Flemish engraver, 1610 – after 1660): 4 plates: №№ 1, 16, 45, and 67. Johannes [Jan] Meyssens (Flemish engraver and publisher, 1612 – 1670) : engraved 6 plates: №№ 4, 22, 31, 51, 61, and 62. Lucas Vorsterman the Elder (Flemish engraver, 1595 – 1675) : engraved 7 plates: №№ 11, 15, 55, 58, 59, 65, and 69. Michael Natalis, or Noël (Flemish engraver, 1610 – 1668) : 1 plate: № 34 Paulus Pontius (Flemish engraver, 1603 – 1658) : 2 plates: №№ 37 and 52. Peeter Clouwet (Flemish engraver, 1629 – 1670) : 3 plates: №№ 13, 27, and 49. Peeter van Lisebetten (Flemish engraver, 1630 – 1678) : 1 plate: № 56. Pieter de Bailliu (Flemish engraver, 1613 – after 1660) : 4 plates: №№ 8, 14, 44, and 54. Pieter de Jode II (Flemish, 1606 – 1670/74) : 7 plates: №№ 12, 19, 23, 46, 47, 50, and 60. Richard Gaywood (British, fl. 1644 – 1668) : 1 plate: № 63. Robert van Voerst (Dutch, 1597 – 1636) : 1 plate: № 6. Schelte Adamsz. Bolswert (Flemish, c. 1586 – 1659) : 2 plates: №№ 18 and 68. Wenceslaus Hollar (Bohemian, 1607 – 1677) : 6 plates: №№ 38, 39, 40, 41, 42, and 43. Publishers: 36 prints were printed/published by Johannes [Jan] Meyssens (Flemish, 1612 – 1670) : (2), (4), (5), (7), (8), (9), (10), (12), (14), (22), (29), (31), (32), (33), (34), (36), (37), (39), (40), (41), (42), (43), (44), (45), (46), (51), (53), (54), (56), (57), (60), (61), (62), (64), (66), (67). Gillis Hendricx (fl. 1640 – 1677) published 11 prints, including the title page: (1), (13), (18), (26), (30), (47), (48), (50), (59), (65), (68). N. Burgund. Cons. Brab : (20); John Overton (British, 1639/40 – 1713) : (63); Hendrik van der Borcht II (Dutch, 1614 – c. 1690) : (38); Peter Stent (British, fl. c. 1637 – 1665) : (63). Description of plates:
1. Engraved title page by Jacob Neeffs in 1646. On the slab supporting the bust, left: “ANT. VAN DYCK”, right: “Ant. van Dyck fecit aqua forti”. On the face of pedestal: “PRINCIPVM | VIRORVM DOCTORVM, | PICTORVM CHALCOGRAPHORVM, | STATVARIORVM NEC NON AMATORVM | PICTORIÆ ARTIS NVMERO CENTVM | AB | ANTONIO VAN DYCK, | PICTORE AD VIVVM EXPRESSÆ | EIVSQ: SVMPTIBVS ÆRI INCISÆ.” In cartouche: “ANTVERPIÆ | Gillis Hendricx excudit | Anno 1645” (corrected by hand “1646”). At lower left margin: “Iac. Neeffs Sculpsit.” The print with cut off margins pasted to the bound-in leaf. Size of the print: 24.3 x 15.8 cm. 
2. Ferdinand III, Holy Roman Emperor and King of Hungary and Bohemia (1608 – 1657); engraved by Cornelis Galle the Younger (Flemish, 1615–1678) in 1649. Inscription: “FERDINANDUS III. DEI GRAT. IMPERATOR ROM.SEMP.AUGUST. | GERM. HUNG. BOH. REX: ARCHIDICUX AU ST. DUX BURGUND. ETC.”. Below: “Ant. van Dÿc pinxit” <–> “Corn. Galle Iunior sculp∫it.”<–> “…excudit Antuerpiæ A.o 1649”. Second state with Meyssens’ name burnished. 
3. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Adriaen Lommelin (French, 1637 – c. 1673). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: “Ant. van Dÿc pinxit” <–> “Adr. Lommelin sculpsit”. 
4. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Johannes [Jan] Meyssens (Flemish, 1612 – 1670). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: Antonius Van Dÿck eques pinxit” <–> “...excudit”. Meyssens’ name burnished. [See similar print №61 with Ioannes Meysens name present]. 
5. Frederick Henry, Prince of Orange, Count of Nassau (Dutch, 1584 – 1647); engraved by Conrad Waumans [Woumans] (Flemish, 1619 – after 1675). Inscription: “FREDERICVS HENRICVS, D.G. PRINCEPS ARAVSIONENSIVM, COMES | NASSAVIÆ, ETC. | MARCHIO VERÆ ET FLISSINGÆ, BARO BREDÆ GRAVÆ, | DIESTÆ ETC.” Below: “Antonius van Dÿck pinxit” <–> “Conraet Waumans sculpsit” <–> “…excudit”. Meyssens’ name burnished. [Similar to №57, but with Ioannes Meyssens name in place]. 
6. Count Ernst von Mansfield (German, 1580 – 1626); engraved by Robert van Voerst (Dutch, 1597 – 1636). Inscription: “ERNESTO PRINCIPI ET COMITI MANSFELDIÆ, MARCHIONI | CASTELLI-NOVI ET BUTIGLIRIÆ, BARONI AB HELDRUNGEN, GENERALI ETC.” Below “Ant. Van Dÿck pinxit” <–> “Robertus van Voerst Sculpsit”. 
7. Engelbert Taye, Baron of Wemmel (Flemish, ? – 1638); engraved by Cornelis Galle the Younger. “DOMINVS ENGELBERTVS TAIE EQVES, BARO WEMMELIVS ETC.A | DEPVTATVS ORDINARIVS INTER NOBILES STATVS BRABANTIÆ.”. Below: “Antonius van Dyck pinxit”, “Cornelius Galle iunior ∫culpsit” <–> “…excudit Antuerpiæ.”. Second state, with “Ioannes Meyssens” erased. 
8. Antoine de Bourbon, comte de Moret (French, 1607 – 1632); engraved by Pieter de Bailliu (Flemish, 1613 – after 1660). Inscription: “ATHONIVS BOVRBONIVS, COMES MORETANVS, ET ABBAS S.TI STEPHANI | CAENTINI, FILIVS NATVRALIS, HENRICI MAGNI ET JACQVELINÆ BVEILANÆ | COMITISSÆ MORETANÆ,”. Below: “Antonius van dyck pinxit.” <–> “Petrus de Ballu sculpsit.” <–>“… excudit Antverpiæ.”. Second state with “Ioannes Meyssens” erased. Antoine de Bourbon was the illegitimate son of Henri IV, Roi de France and Jacqueline de Bueil, Comtesse de Moret. 
9. Prince Rupert of the Rhine (German, Bohemian, 1619 –1682); engraved by Hendrick Snyers (Flemish, 1611 – 1644). Inscription: “ILLVSTRISSIMVS PRINCEPS ROBBERTVS, COMES PALATINVS RHENI, EQVES | ORDINIS S.TI GEORGII. HIPPARCHVS SVÆ MAI.TIS MAGNÆ BRITANNIÆ. ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Henricus Snyers sculpsit” <–> “...excudit Antuerpiæ.”. Second state with “Ioannes Meyssens” erased. 
10. Gottfried-Heinrich, Count of Pappenheim; engraved by Cornelis Galle the Younger. Inscription: “GODEFRIDVS-HENRICVS COMES DE PAPENHEIM CONSILIARIVS AVLICVS | SVÆ CES. MAIES. EIVSQ³ EXERCITVVM MARESCHALLVS GENERALIS.” Lettered with production details below: “Ant. van Dyck pinxit” <–> “C. Galle ∫chulpsit.” <–> “…excudit”. Second state with “Ioan. Meyßens” erased. 
11. Thomas Howard, 14th Earl of Arundel (British, 1585 – 1646); engraved by Lucas Vorsterman the Elder (1595–1675). Inscription: “Illustri∫∫imus Dñs. D.Thomas Howardvs, Comes Arundeliæ et Surreiæ, Primus Angliæ Comes, Dominus | Howardi, Maltrauers, Mowbray, Segraue, Breus, Clun et O∫estriæ, Comes Mare∫callus Angliæ, Nobilißimi | Pericelidis ∫iue Garterij ordinis Eques, et Serenißimo Regi Carolo, Magnæ Britaniæ, Franciæ et Hiberniæ | Regi ab intimis Consilijs, Liberalium artium Mæcenas, et promotor omnion virtutum Actione et Laude.”. Below: “Ut donum hoc, mantenque probes qua consecro, Amori | Sufficit hocci tuo: Hic Magnvs ARONDELIVS”, “C.O.Q.D.A. VAN DYCK D. Vor∫termani.”, “Cum priuile.”. Third state with ‘Opera Vorstermanni’ burnished and two lines of Latin added below the four lines of the title. 
12. Jan van Montfort [Jean de Montfort] (Flemish, 1567 – 1648); engraved by Pieter de Jode II (Flemish, 1606 – 1670/74). Inscription: “D. IOANNES DE MONTFORT SERENISSIMORVM ARCHIDVCVM ET PRINCIPVM BELGII | ALBERTI ET ELISABETHÆ AVLARVM PRIMARIVS CONSTITVTOR ET EXORNATOR, NEC | NON REGIS CATHOLICI MONETARVM CITRA MONTES CONSILIARIVS, ET MAGISTER. | GENERALIS, NOBILIVMQ3 DOMINARVM PALATII SERENIS.MÆ ELISABETHÆ INVIOLATVS CVSTOS.” Below: “Antonius van Dyck pinxit.” <–> “Petrus de Iode sculpsit.” <–> “…excudit Antuerpiæ”. Second state with “Ioannes Meyssens” erased. 
13. Henry Rich, 1st Earl of Holland (British, 1590 – 1649), engraved by Pieter Clouwet (Flemish, 1629 – 1670). Inscription: “HENRICVS RICHE COMES HOLLANDIÆ BARO DE KENSINGTON NOBILISSIMI | ORDINIS GARTERII EQVES CAROLI. LOREGIS MAGNÆ BRITANIÆ A CONSILIIS. ETC.”. Below: “Ant. van Dÿck pinxit.” | “Pet. Clouwet sculpsit” <–> “Gillis Hendricx | excudit”. Third state with the title added and production details re-engraved. 
14. Honoré d’Urfé, marquis de Valromey, comte de Châteauneuf (French, 1568 – 1625); engraved by Pieter de Bailliu (Flemish, 1613 – 1660). Inscription: “ILLVS.MVS DOMNIVS HONORIVS VRFEIVS NOBILIS ORD.RIVS CVBICVLI REGII, DVX 50. ARMATORVM | HOMINVM A SVO MANDATO, COMES NOVI CASTELLI, BARO ARCIS MORANDANÆ ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Pet. de Bailliue sculpsit.” <–> “… excudit”. Second lettered state with title and production details, with “Ioannes Meyssens” erased. [There is another copy in this binding, №54, where Ioannes Meysens' name is in place]. 
15. Johannes [John VIII], Count of Nassau-Siegen (German, 1583 – 1638); engraved by Lucas Vorsterman I (Flemish, 1595 – 1675). Inscription: in the oval around the portrait “EXCELLENTISSIMVS DOMINVS: D. IOANNES, COMES NASSAOVIÆ, CATTNELLIBOCI: VIANDEN, DIETZ, &C. EQVES AVREI VELLERIS. S. MA: CÆS, MARESCHALIVS, CATH. REG. IN BELGIO. EQVITVM GENERALIS. &C”, in lower margin: “ILLVSTRISSIMÆ PRINCIPI ERNESTINÆ DE LIGNE EIVSDEM D. COMITIS VXORI DD.”, and “AVan Dÿck pinxit.” <–> “Cu Priuleg”. Fourth state with Vorsterman’s address burnished. [For the third state with “Lucas Vorsterman exc” present see № 55]. 
16. Joost de Hertoghe (Flemish, ? –1638); engraved by Jacobus Neefs. Inscription: "Me∫∫ire IOSSE DE HERTOGE chevalier ∫.r de franoÿ, hon∫walle etc: con∫eillier du conseil | de brabant, amba∫∫adeur de la part de ∫a Ma.te catholique co.e ducq de bourgoigne | et des pais bas, a la diete de rati∫bone de l'an 1636." In Lower margine: "Ant: van Dÿck pinxit.", <–>"Jacobus Neefs ∫culp.". Second, lettered state with the title and production details added. 
17. Philippe Le Roy (Flemish, 1596 – 1679). No inscription. The printmaker is unidentified but is possibly Adriaen Lommelin. The print is a copy of the print by Vorsterman and Pontius. 
18. Schelte Adamsz. Bolswert (Flemish, c. 1586 – 1659); engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “SCELTE A BOLSWART | CALCOGRAPHVS ANTVERPIÆ”. In lower margin: “Ant. van Dÿc inuentor | Adr. Lommelin sculpsit” <–> “Gillis Hendricx excudit”. Third state with an entirely different head, title and production details added. 
19. Willem Marquis (Flemish, 1604 – 1640); engraved by Pieter de Jode II. Inscription: “GVILIELMVS MARCQUIS ANTVERP. MED. DOCT. ÆT. 36.A.O 1640.” In lower margin: “Ant. van Dyck Pinxit” <–> “Petr. de Iode sculp.”. Second, lettered state with Borreken’s name burnished and replaced by Van Dyck’s. 
20. Frederik de Marselaer (Flemish, 1584 – 1670); engraved by Adriaen Lommelin. Inscription: “D. FREDERICVS DE MARSELAER, EQVES AVRATVS, TOPARCHA DE PARCK, ELEWYT | HARSEAVX, HOYCKE, BORNAGE, LIBERIQUE DOMINII DE OPDORP, CONSVL BRVXELLÆ.” Three lines of verse below: “Quantum occulta viris vis nominis ominis addat | Ceu fatale aliuid; placidum Mars E Lare, scitum, | Legatusue orbi manifestat, pacis alumnus.”. In lower margin: “Ant. van Dÿck pinxit | Adrian Lommelin sculpsit” <–> “N. Burgund. Cons. Brab:”. Third state with the roll of paper rounded. 
21. Jan Baptist de Wael I (Flemish, 1558 – 1633); engraved by Adriaen Lommelin. Inscription: “IOANNES DE WAEL.”. In lower margin: “Ant. van Dyck pinxit.”<–> and “Adrian Lommelin sculpsit.”. Second, lettered state with the title and production details. British Museum № 1872,1012.4168. 
22. François van der Ee (Flemish, ? – 1645); engraved and published by Johannes Meyssens. Inscription: “D . FRANCISCVS VANDER EE | Dñs de Meys, Pretor Ciuitatis Bruxellensis”. In lower margin: “Anton van Dyck pinxit”, and “fecit et excud.”. Fourth, lettered state, finished with the burin, with second line added to the title, with address “Ioannes Meyssens” almost completely burnished. 
23. Quintijn Simons (Flemish, 1592 – after 1634); engraved by Pieter de Jode II. Inscription: “QVINTINVS SIMONIS. | BRVXELLENSIS PICTOR HISTORIARVM.”. In lower margin: “Ant. van Dijck pinxit.” <–> “Pet. de Iode sculp.”. Third state with second line of title added. 
24. Adriaan Stevens (Flemish, 1561 – 1640); engraved by Adriaen Lommelin. Inscription: "INTEGERRIMVS VIR ADRIANVS STEVENS / S.P.Q. ANTVERP. AB ELEMOSYNIS.". In lower margin:"Ant van Dÿc pinxit." <–> "A. Lommelin sculp.". British Museum # R,1b.20. 
25. Jan van Malderus (Flemish, 1563 – 1633); engraved by Adriaen Lommelin. Inscription: “PERLL.ris et REVEREN.mus DOMINVS. D. IOANNES MALDERVS”. In lower margin: “Ant Van Dÿck pinxit” <–> “Adrianus Lommelin sculpsit”. 
26. Zeger van Hontsum (Flemish, ? – -1643). Engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “Zegerus van Hontsum S.T.L. cathedralis | pænitentiarius et Canonicus Ecclesiæ Antuerpiensis”. In lower margin: “Ant. van Dÿc pinxit” <–> “Adr. Lommelin sculp.” <–> “G. Hendricx excudit”. 
27. Carolus Scribani (Flemish, 1561 – 1629); engraved by Pieter Clouwet. Inscription: “R. P. CAROLVS SCRIBANIVS Bruxellensis, é Societate IESV; in qua Antuerpiæ et I Bruxellæ Rector, ac Flandro-Belgicæ Provincialis, per multos annos fuit. Pietate, | doctrina, consilio, rebus bono publico gestis, libris editis clarus. Obijt Antverpiæ | 24. Iun. anno 1629. ætatis 69.”. In lower margin: “Antonius van Dÿck pinxit.” <–> “Petrus Cloüet Sculpsit.”. Second, lettered state with the title and production details. 
28. Jan Baptist van Bisthoven (Flemish, 1602 – 1655); engraved by Adriaen Lommelin. Inscription: “R.P. IOANNES BAPTISTA DE BISTHOVEN Antverpiensis e societate IESV | Collegÿ Alostani Rector, nec non in missione fidei catholicæ propagandæ apud exteros | præpositus obÿt A.o 1655”. In lower margin: “Ant:van Dÿck pinxit”, and “A. Lommelin sculp”. Second, lettered state with the title and production details. 
29. Maria of Austria (Spanish, 1606 – 1646); engraved by Cornelis Galle the Younger, published by Johannes Meyssens. Inscription: “MARIA AUSTRIACA FERD. III. UXOR. I. DEI G. IMP. ROM. SEMP. AUG. | GERM. HUNG. BOH. REG. ARCHIDUCISSA AUTR. DUCISSA BURGUN. ETC”. In lower margin: “Ant. van Dyck pinxit.” <–> “Corn. Galle Iunior sculpsit.” <–> “...excudit Antuerpiæ A.o 1649”. Third, lettered state with Meyssens’ name burnished badly. 
30. Henriette Marie de Bourbon, Queen of Charles I (French, 1609 – 1669); engraved by Antoine Couchet and Adriaen Lommelin, published by Gillis Hendricx. Inscription: “Serenißima Potenti∫simâq Henrica Maria Dei gratia | Magne Britaniæ, Franciæ, Hibern. Regina”. In lower margin: “Ant. van Dyck pinxit” <–> “Ioseph Couchet sculp” <–> “Gillis Hendricx exc.”. State with “Lommelin sculp.” right after “Ant. van Dyck pinxit” burnished, but still legible. 
31. Henriette Marie de Bourbon, engraved and published by Ioannes Meyssens. Inscription: “HENRICA MARIA DEI GRATIA MAGNÆ BRITANIÆ FRANCIAÆ HIBERN. REGINA.”. In lower margin: “fecit et excud.” <–> “Anton van Dyck Pinxit”. Third state, finished with a burin; with Meyssens’ name burnished. [Similar to print №62 which has "Ioan. Mey∫ens" signature present]. 
32. Amalia van Solms, Princess of Orange (German, 1602 – 1675), engraved by Conraad Waumans and published by Johannes Meyssens. Inscription: “EMELIÆ DE SOLMS, D. G. PRINCPES ARAVSIONENSIVM, COMITISSA NASSAUVIÆ, ETC. | MARCHIONISSA VERÆ ET FLISSINGÆ, BARONISSA BREDÆ, GRAVÆ, DIESTÆ ETC.”. In lower margin: “Antonius van Dijck pinxit.” <–> “Conraet Waumans sculpsit.” <–> “… excudit”. First, lettered state with the title and production details, with Meyssens’ name burnished. [Similar to №66, which has Ioannes Meysens name present]. 
33. Henriette de Lorraine, Princess of Phalsbourg (or Pfalzburg) (French, 1605 – 1660); engraved by Cornelis Galle the Younger, published by Ioannes Meyssens. Inscription: “HENRICA LOTHARINGIÆ, PRINCIPISSA PHALSEBVRGÆ, ET RIXHEIMÆ, COMITISSA | BOVLAYÆ, BARONISSA ASPIRIMONTIS, DOMINA NOVI-CASTELLI, PRENY | HOMBVRGI, S.TI ANOLDI, AVANTGARDÆ, SAMPIGNI, FRANC-ALTORFFI ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Cornelius Galle iunior sculpsit.” <–> “… excudit.”. First state with the title and production details, with Ioannes Meyssens’ name burnished. British Museum # R,1a.248. 
34. Ernestine Yolande de Ligne, Countess of Nassau-Siegen (Flemish, 1594 – 1668); engraved by Michiel Natalis, published by Jan Meyssens. Inscription: “ERNESTINA PRINCEPS LIGNEANA ET S.TI IMPERII, COMES NASSAVI. ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Michael Natalis sculpsit.” <–> “…excudit Antuerpiæ.”. Second state with the initials of Ioannes Meyssens erased. 
35. Marie de Barbançon, Princess of Arenberg (1602 – 1675); engraved by Adriaen Lommelin. Inscription: “MARIA DEI GRATIÂ PRINCEPS COMES ARENBERGIÆ | PRINCEPS BARBASONIA ETC.A”. In lower margin: “Ant. van Dÿck pinxit. | Adrian. Lommelin sculpsit.”. Second, lettered state with title and production details and adjustments made in the face. British Museum # 1876,1014.181 
36. Marie-Claire de Croy, Duchess of Havré (Flemish, 1605 – 1664); engraved by Conraad Waumans, published by Ioannes Meyssens. Inscription: “MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQ3 PRINCEPS STE. IMPERII, | SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC.”. In lower margin: “Antonius van Dyck pinxit.” <–> “Coenraerdus Waumans sculpsit.” <–> “…excudit.”. Third state with Ioannes Meyssens’ name burnished. British Museum # 1891,1015.21. [Similar to №64, which has Ioannes Meysens’ name present]. 
37. Marie de Barbançon, Princess of Arenberg (1602 – 1675); engraved by Paulus Pontius, published by Ioannes Meyssens. Inscription: “MARIA DEI GRATIÂ PRINCEPS COMES ARENBERGIÆ, | PRINCEPS BARBASONIA ETC.A”. In lower margin: “Antonius van Dyck pinxit. | Paulus Pontius sculp. Anno 1645.” <–> “… excudit Antuerpiæ”. Second state with a thick borderline, title and production details added, Ioannes Meyssens’s name burnished. 
38. Karl I Ludwig, Elector Palatine (German, 1617 – 1680); engraved by Wenceslaus Hollar (Bohemian, 1607 – 1677). Inscription: “CAROLVS LVDOVICVS D:G: COMES PALATINVS AD RHENVM, S:ri R.ni IM:rii | Princeps, Archidapifer & Elector, Dux Bauariæ, …Nobilissimi Ordinis Garterij Eques etc.”. Below: “Ant: van Dyck pinxit” <–> “WHollar fecit,” <–> “1646”. First, lettered state with the title and production details, without “H: van de Borcht excu:”. British Museum # 1867,1012.598. Hendrik van der Borcht II (Dutch, 1614 – c. 1690) 
39. Richard Weston, 1st Earl of Portland (British, 1577 – 1635); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “PERILLUSTRIS DOMINVS HIERONYMVS WESTONIVS, COMES PORTLANDIÆ, | HEYLANDÆq3, etc’,”. Below: “Antonius van Dyck pinxit”<–> “W: Hollar fecit, aqua forte. 1645”. Ioannes Meyssens’s name completely burnished. 
40. Thomas Howard, 14th Earl of Arundel (British, 1585 – 1646); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: "ILLVSTRIS:us & EXCELLENT:mus D:nus. DOMINVS THOMAS HOWARD, COMES ARXNDELIÆ & SVRRIÆ | primus Comes & summus Marescallus Angliæ, etc nobilisimi ordiuis Garterÿ Eques, Serenis∫imi po: | tentis∫imq3 Principis Caroli: Magnæ Britanniæ & Hiberniæ Regis, Fidei defen∫oris, etc. in Anglia, Sco | tia et Hibernia a Secretioribus Consilijs, et eju∫dem Regis Ao1639. Contra | Scotos Supremus & Generalis Militiæ Dux,”. In lower margin: “Ant: van Dyck Eques pinxit” <–> “WHollar fecit 1646”. Second state with Ioannes Meyssens’s name completely burnished. 
41. Lucas de Wael (Flemish, 1591 – 1661) and Cornelis de Wael (Flemish, 1592 – 1667); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “LVCAS ET CORNELIVS DE WAEL ANTV: FFr. GERMANI IOis QUI PICTORIAM AR | TEM HÆREDITARIO IVRE CONSECVTI HIC RVRALIVM, ILLE OMNIGENVM PRÆCIPVEQVE / CONFLICTVVM REPRÆSENTATOR.”. In lower margin: “Ant. van Dyck Eques pinxit.” <–> “W: Hollar fecit, 1646.” <–> “I: Meysens exc”. First, lettered state with the title and production details. 
42. Mary (Elisabetha ) Villiers, Duchess of Lennox and Richmond (British, 1622 – 1685); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “ILLUSTRISS: ma D:ma DOMI.na ELISABETHA VILLIERS DVCESSA DE LENOX ET RICH | MOND. etc: FILIA GEORGIJ VILLIERS DVCIS ET COMITIS BVCKINGHAMIÆ.”. In lower margin: “Ant: van dyck pinxit” <–> “W:Hollar fecit” <–> “… Antverpiæ.”. Ioannes Meyssens’ name completely burnished. First state with the title and production details. 
43. Frances (Maria) Stuart, Countess of Portland (British, 1617 – 1694); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “ILLVSTRIS: DOMINA DNA: MARIA STVART COMITISSA | PORTLANDIÆ NEYLANDIÆ, etc.”. Below: “Ant: Van Dycke pinxit,” <–> “W: Hollar fecit, A:o 1650,”, “...excud: Antuerpiæ,”. Second state with Meyssens’ name burnished. British Museum # 1853,0112.1761 
44. Lucy Percy, Countess of Carlisle (British, 1599 – 1660); engraved by Pieter de Bailliu, published by Ioannes Meyssens. Inscription: “LVCIA PERCYE, COMES CARLYLENSIS, MARCGRAVIA | DONCASTRENSIS BARONISSA HAYÆ IN SALCÏA, ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Petrus de Baillue sculpsit.” <–> “...excudit Antuerpia.”. Third, lettered state with Joannes Meyssens’ name burnished. 
45. Marie-Marguerite de Berlaymont ( ? – 1654); engraved by Jacobus Neeffs, published by Ioannes Meyssens. Inscription: “D.DNA. MARIA MARGARETA DE BARLEMONT COMITISSA HEGMONDANA.” In lower margin: “Ant. van Dyck pinxit.” <–> “Iacobus Nefs sculpsit.”<–> “...exc.”. Fourth state with Ioannes Meyssens’ name erased. British Museum # 1876,1014.206. [Similar to №67, which has Ioannes Meysens name present]. 
46. Béatrix Constance de Cussance, Princess of Cantecroix (French, 1614 – 1663); engraved by Pieter de Jode II, published by Ioannes Meyssens. Inscription: “BEATRIX COSANTIA PRINCEPS CANTECROYANA ETC.A”. In lower margin: “Antonius van Dyck pinxit” <–>“Petrus de Iode sculpsit.” <–> “… excudit Antuerpiæ.”. Second, lettered state with Meyssens’ name burnished. 
47. Johanna de Blois; engraved by Pieter de Jode II, published by Gillis Hendricx. Inscription: “D. IOHANNA DE BLOIS”. In the lower margin: “Ant. van Dÿck pinxit | Petr. de Iode sculpsit” <–> “Gillis Hendricx | excudit.”. British Museum # 1876,1014.189. 
48. Katherine Howard, Countess of Newburgh, Lady d’Aubigny (British, ? – 1650); engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “EXCELLmæ ILL.mæq3 DOMINÆ CATHARINÆ HOWARD, EXCELLmi DUCIS LIVOXIÆ | HÆREDIS CONIUGIS DELECTISSIMÆ, VERA EFFIGIES.” In lower margin: “A. van Dÿck pinxit.” <–> “G. Hendricx excudit” <–> “A. Lommelin scup.”. British Museum # P,3.326 
49. Anna Wake (Flemish, 1606 – 1680); engraved by Pieter Clouwet. Inscription: “D. ANNA WAKE.”. In lower margin: “Ant. van Dÿck pinxit.” <–> “Petrus Clouwet sculpsit”. 
50. Pieter de Jode II (Flemish, 1606-1670/74); engraved by Pieter de Jode II. Inscription: “PETRVS DE IODE IVNIOR / CHALCOGRAPHVS ANTVERPIÆ.”. In lower margin: “Ant. van Dyck pinxit.”<–> “Petrus de Iode sculpsit.”. Third state (before the initials G.H. (of Gillis Hendricx) added. The print with cut off margins pasted to the bound-in leaf. 
51. Mary Ruthven, Lady van Dyck (Scottish, c. 1622 – 1645); engraved and published by Ioannes Meyssens. Inscription: “MARIA RVTEN VXOR D. ANTONI VAN DYCK EQVES”. In lower margin: “Anton.van Dyck pinxit” <–> “Ioan. Meysens fecit et excud.”. First, lettered state with the title and production details. Tired plate. British Museum # 1863,0725.747. Van Dyck's wife. 
52. Sir Balthazar Gerbier (British, Flemish, 1592 – 1663); engraved by Paulus Pontius. Inscription: “D. Balthazar Gerberius Eques Auratus primus post renouationem. | Foederis cum Hispaniarum Rege anno 1630. A Potentissimo | et Serenissimo Carolo Magnæ Britanniæ Franciæ et Hiberniæ. Rege, Bruxellas Prolegatus. A:o 1631”. Below “Anton van Dyck pinxit”<–> “Paul Pontius schupcit.”. Top left corner: “Ætatis suæ 42 | A.o 1634”. The paper in Gerbier’s hand is lettered “viuat | memoria | Buckinga: | mii”. 
53. Paul de Vos (Flemish, 1596 – 1678); printed by Ioannes Meyssens, face and collar engraved by Anthony van Dyck, the body engraved by Ioannes Meyssens. Second, lettered state. Inscription: PAVLVS DE VOS PICTOR”. In lower margin: “Anton. van Dyck pinxit fecit.”, and “Ioan. Meysens excudit.”. British Museum # R,1b.95. [Look s very much alike №68, but with a one-line inscription and engraved by Meyssens instead of Bolswert]. 
54. Honoré d’Urfé, marquis de Valromey, comte de Châteauneuf (French, 1568 – 1625); engraved by Pieter de Bailliu (Flemish, 1613 – 1660). Inscription: “ILLVS.MVS DOMNIVS HONORIVS VRFEIVS NOBILIS ORD.RIVS CVBICVLI REGII, DVX 50. ARMATORVM | HOMINVM A SVO MANDATO, COMES NOVI CASTELLI, BARO ARCIS MORANDANÆ ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Pet. de Bailliue sculpsit.” <–> “Ioanes Meysens excudit.”. Second lettered state with title and production details. [Similar to №14, but with Ioanes Meysens name in place]. 
55. Johannes [John VIII], Count of Nassau-Siegen (German, 1583 – 1638); engraved by Lucas Vorsterman I (Flemish, 1595 – 1675). Inscription: in the oval around the portrait “EXCELLENTISSIMVS DOMINVS: D. IOANNES, COMES NASSAOVIÆ, CATTNELLIBOCI: VIANDEN, DIETZ, &C. EQVES AVREI VELLERIS. S. MA: CÆS, MARESCHALIVS, CATH. REG. IN BELGIO. EQVITVM GENERALIS. &C”, in lower margin: “ILLVSTRISSIMÆ PRINCIPI ERNESTINÆ DE LIGNE EIVSDEM D. COMITIS VXORI DD.”. Below: “AVan Dÿck pinxit.” <–> “Cū Priuleg” <–> “Lucas Vorsterman exc”. Third state. [For the fourth state with Lucas “Vorsterman exc” burnished see № 15]. 
56. James Hamilton, 1st Duke of Hamilton (British, 1606 – 1649); engraved by Peeter van Lisebetten (Flemish,(1630 – 1678), published by Ioannes Meysens. Inscription: “IACOBVS HAMILTONIVS, MARCHIO AB HAMILTON, COMES | CAMBRICENSIS ET ARANENSIS, BARO EVENIVS ET ABER: | BROCHIVS MAGISTRO EQVITVM SVÆ MAIESTATIS | MAGNE BRITTANIÆ, ET EQUES ORDINIS GARTERY.”.In lower margin: “Ant. van Dÿck pinxit” <–> “Pet. van Lisebetius sculp.”<–> “Ioannes Meÿssens excudit.”. Second state with title and signatures. British Museum # P,2.208. 
57. Frederick Henry, Prince of Orange, Count of Nassau (Dutch, 1584 – 1647); engraved by Conrad Waumans [Woumans] (Flemish, 1619 – after 1675). Inscription: “FREDERICVS HENRICVS, D.G. PRINCEPS ARAVSIONENSIVM, COMES | NASSAVIÆ, ETC. | MARCHIO VERÆ ET FLISSINGÆ, BARO BREDÆ GRAVÆ, | DIESTÆ ETC.”. Below: “Antonius van Dÿck pinxit” <–> “Conraet Waumans sculpsit” <–> “Ioannes Meyssens excudit.” First, lettered state with title and production details. [Similar to №5, but this one with Ioannes Meyssens name present]. 
58. Francisco de Moncada, Count d’Osuna (Spanish, 1568 – 1635); engraved by Lucas Vorsterman I. Inscription: “EXCELL.MVS D. FRANCISCVS DE MONCADA MARCHIO AYTONÆ, COMES OSSONÆ VICE– | COMES CABRERÆ ET BAAS, MAGNVS SENESCALCVS REGNI ARRAGONIÆ, PHILIPPO IV. | HISPANIAR.INDIARVMQ3 REGI A CONSILIIS STATVS, EIVSDEMQ3 LEGATVS EXTRAORDIN,ET | SVPREMVS MILITIÆ TERRA MARIQ3 IN BELGIO PRÆFECTVS". Above within portrait frame, to the right: “D.A.van Dÿck pinxit. | LVorsterman sculpsit.”. 
59. Wolfgang Wilhelm, Count of Pfalz-Neuburg and Duke of Jülich (German, 1578 – 1653); engraved by Lucas Vorsterman I. Inscription: "SERENISSIMVS PRINCEPS WOLFGANGVS WILHELMVS, D.G. COMES PALATINVS RHENI, | DVX BAVARIÆ, IVLIACÆ, ET MONTIVM :COMES VELDENTII, SPONHEMII | MARCHIÆ, RAVENSBVRGI ET MOERSII, DOMINVS IN RAVENSTEIN. ETC." In lower margin: "D. A. van Dÿck Eques Pinxit." <–> "Cū. Priuileg:" <–> "LVorsterman sculp.". Fifth state with initials of Gillis Hendricx burnished. British Museum # 1863,0509.825. 
60. Ferdinand, Cardinal Infante of Spain and Archduke of Austria (Spanish, 1609 – 1641); engraved by Pieter de Jode II, published by Ioannes Meyssens. Inscription: “SERENISSIMVS PRINCEPS FERDINANDVS AVSTRIACVS S.R.E CARDINALIS | BELGARVM BORGVNDIORVMQ3 GVBERNATOR ETC.A”. In lower margin: “Antonius van Dÿck pinxit” <–> “Pet. de Iode fecit” <–> “Ioannes Meysens excudit”. Third, lettered state with title and production details. British Museum # R,1a.28. 
61. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Johannes [Jan] Meyssens (Flemish, 1612 – 1670). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: “Antonius Van Dÿck eques pinxit” <–> “Ioan. Meysens excudit”. [Similar to №4, but with Ioannes Meysens name present]. 
62. Henriette Marie de Bourbon, engraved and published by Ioannes Meyssens. Inscription: “HENRICA MARIA DEI GRATIA MAGNÆ BRITANIÆ FRANCIAÆ HIBERN. REGINA.” Lettered with production details in lower margin: “Ioan. Meysens fecit et excud.” <–> “Anton van Dyck Pinxit”. Third state, finished with a burin. [Similar to print №31, but this one with Ioan. Mey∫ens signature present]. 
63. Mary Ruthven, Lady van Dyck (Scottish, c. 1622 – 1645); copy in reverse by Richard Gaywood after Bolswert (see also №51 by Meyssens) published by Peter Stent. Inscription: “Maria Ruten nata in Anglia vxor Antonÿ van Dyck Pictoris”. Below: “Ant: van Dyck pinx:”, “P Stent excud”, “R: Gaywood fecit”. Below centre: “Sould by John Ouerton at the white horse without New gate”. John Overton, publisher (British, 1639/40 – 1713); Richard Gaywood (British, fl. c. 1644 – 1677). Peter Stent (British, fl. c. 1637 – 1665). See BM # P,3.351. 
64. Marie-Claire de Croy, Duchess of Havré (Flemish, 1605 – 1664); engraved by Conraad Waumans, published by Ioannes Meyssens. Inscription: “MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQ3 PRINCEPS STE. IMPERII, | SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC”. In lower margin: “Antonius van Dyck pinxit.” <–> “Coenraerdus Waumans sculpsit.” <–> “Ioannes Meysens excudit.”. Second state. British Museum # R,1a.188. [Similar to №36, but this one with Ioannes Meysens name present]. 
65. Isabel Clara Eugenia, ruler of the Spanish Netherlands (Spanish, 1566 – 1633); engraved by Lucas Vorsterman I. “SERENISSIMA D. ISABELLA. CLARA. EVGENIA. HISPANIARVM INFANS ETC. | SER.MI ALBERTI. ARCHID. AVSTRIÆ, DVCIS BVRGVNDIÆ, BELGARVM PRINCIPIS, ETC. | VIDVA, MATER CASTRORVM.” In lower margin: “D. A.van Dÿck Eques pinxit.” <–> “Cū Priuileg.” <–> “LVorsterman sculp.”. Fourth state with initials of Gillis Hendricx burnished. British Museum # 1863,0509.820. 
66. Amalia van Solms, Princess of Orange (German, 1602 – 1675), engraved by Conraad Waumans and published by Johannes Meyssens. Inscription: “EMELIÆ DE SOLMS, D. G. PRINCPES ARAVSIONENSIVM, COMITISSA NASSAUVIÆ, ETC. | MARCHIONISSA VERÆ ET FLISSINGÆ, BARONISSA BREDÆ, GRAVÆ, DIESTÆ ETC.” In lower margin: “Antonius van Dijck pinxit.”, “Conraet Waumans sculpsit.” and “Ioannes Meysens excudit.”. First, lettered state with the title and production details lettered. [Similar to №32, but this one with Ioannes Meysens name present]. 
67. Marie-Marguerite de Berlaymont ( ? – 1654); engraved by Jacobus Neeffs, published by Ioannes Meyssens. Inscription: “D.DNA. MARIA MARGARETA DE BARLEMONT COMITISSA HEGMONDANA.” In lower margin: “Ant. van Dyck pinxit.” <–> “Iacobus Nefs sculpsit.” <–> “Ioes Meyssens exc.”. Fourth state. [Similar to №45, but this one with Ioannes Meysens name present]. 
68. Paul de Vos (Flemich, 1596-1678); engraved and etched by Anthony van Dyck and by Schelte Adamsz. Bolswert, published by Gillis Hendricx. Eighth state with the initials of Gillis Hendricx burnished. Inscription: PAVLVS DE VOS PICTOR | VENATIONVM ANTVERPIÆ.”. “Ant. van Dyck pinxit et | fecit aqua forti.” <–> “S. à Bol∫wert | sculpsit. ”. [Look s very much alike №53, but with a two-line inscription and engraved by Bolswert instead of Meyssens, etc.]. 
69. Paul-Bernard de Fontaines (French, 1566 – 1643) delineated and engraved by Lucas Vorsterman I (Flemish, 1595 – 1675) in 1615–75. Inscription: “Excellentissimus Dns. Paulus Bernardus Comes de Fontaine. liber Toparcha supremae terrae de fougerolle etc: Armeme tarij Catho. Matis. per Belgium Gnalis Praefectus: Vrbis Brugensis et Territorij fraconatus Magnus Praetor. Supremus nuper armpru Prouinciam flandriae Moderator etc: D.D.L Vorsterman sculptor. delin”. Cut without margins and pasted to inbound leaf. See: MET: Accession Number: 51.501.1332 -
Plan de la ville et citadelle de Cambray : place forte du pays bas capitalle du Comté Cambresis situé sur la riviere de l'Escaut a trois lieues de Bouchain, a cinq du Quesnoy, a six et demy de Landrecy, a six de Valenciene, a cinq de Douay, a huit d'Arras, et a six de Perone, l'Archeveque de Cambray est Duc de Cambray, Comté du Cambresis et Prince du S. Empire, elle fut prix sur les espagnoles par Louis XIV, le 5.me d'April 1677; A AMSTERDAM Chez Covens & Mortier, Avec Privilege.
Date of publication: [between 1721 and 1778].
Dimensions: Sheet: 48 x 58.3 cm; Image: 38.2 x 47.7 cm. Earlier editions of the same were by Pierre Husson in the Hague (ca. 1715) and by Eugene Henry Fricx in Brussels (1710). -
Description: two volumes, 38.3 x 25.5 cm each, uniformly bound in red morocco, boards decorated in gilt in the style of Luc-Antoine Boyet, with gilt dentelle inside out; spine with raised bands, gilt lettering, gilt in compartments; all edges gilt; marbled endpapers; printed on laid paper, text in the floral frame, engraved frontispiece (after Hyacinthe Rigaud), plates, t.p. vignette with the portrait of Desiderius Erasmus (after Quentin Metsys), head- and tailpieces (total of 40, some repeating) and 2 initials by Bernard Picart, folded portrait of dedicatee Guillelmine Charlotte Princesse de Galles &c &c &c by van Gunst after Kneller. Title-page (red and black, tall ‘s’): OEUVRES | DE | NICOLAS BOILEAU | DESPRÉAUX. | AVEC DES | ÉCLAIRCISSEMENTS | HISTORIQUES, | DONNEZ PAR LUI-MEME. | Nouvelle Edition revuë, corrigée & augmentée de diverses Remarques. | Enrichie de figures gravées par Bernard Picart le Romain. | TOME PREMIER (SECOND). | {vignette} | A AMSTERDAM, | Chez DAVID MORTIER. | — | M DCCXVIII. | AVEC PRIVILEGE. || Vol. 1. Collation: 4to; 1 ffl, a-c4 d1 A-3K4, 3L2, 1ffl; (K3 marked I3). Plates: t.p. vignette, frontispiece, 24 head- and tailpieces, f.t. in a grotesque frame and 6 full-page for ‘Le Lutrin’ in the same frame by Bernard Picart; folded portrait of Guillelmine Charlotte, Princess of Wales by van Gunst after Kneller. Pagination: [4] [i-v] vi-xviii [4] [1] 2-450 [2]. Vol. 2. Collation: 4to; 2 ffl, π2 A-3C4 3D3 2 ffl; (V3 marked T3, 2L4 marked A). Plates: t.p. vignette (same as vol.1) and 7 head- and tailpieces by Bernard Picart. Pagination: [4] [i-iii] iv-vii [viii] [1] 2-370 [2] [20]. Catalogue raisonné: Lewine 72-3; Cohen-De Ricci 165-6. Contributors: Luc-Antoine Boyet (French, fl. 1684 – 1733) – bookbinder. Claude Brossette (French, 1671 – 1743) – author, remarks. André Dacier (French, 1651 – 1722) – author, preface. Nicolas Boileau Despréaux (French, 1636 – 1711) – author. Pieter Stevens van Gunst (Dutch, 1659-1724) – engraver. Sir Godfrey Kneller (British, 1646-1723) – artist. David Mortier (Dutch-British, 1673 – 1728) – publisher. Bernard Picard (French, 1673 – 1733) – artist, engraver. Quentin Massijs [Metsys, Matsys] (Flemish, 1466 – 1530) – artist. Hyacinthe Rigaud [Jacint Rigau-Ros i Serra] (French, 1659 - 1743) – artist. Guillelmine Charlotte, Princess of Wales (Wilhelmina Charlotte Caroline of Brandenburg-Ansbach) (1683 – 1737) – dedicatee -
Phaedri, Aug. Liberti Fabularum Aesopiarum libri V / notis illustravit in usum serenissimi principis Nassavii David Hoogstratanus. Accedunt ejusdem opera duo indices, quorum prior est omnium verborum, multo quam antehac locupletior, posterior eorum, quae observatu digna in notis occurunt. — Amstelaedami : Ex Typographia Francisci Halmae, MDCCI [1701]. — pp.: [1] title, [1] (portr.), [32] 160, [84], 18 leaves of plates. Vita Phaedri is written by Johannes Schefferus (February 2, 1621 – March 26, 1679). Appendix fabularum is written by Marquard Gude (Gudius) (1 February 1635 – 26 November 1689). Gaius Julius Phaedrus was a 1st-century CE Roman fabulist and the first versifier of a collection of Aesop's fables into Latin. David van Hoogstraten (Rotterdam, March 14, 1658 - Amsterdam, November 21, 1724), a physician, poet and linguist, annotated the fables and dedicated them to Johan Willem Friso van Oranje-Nassau (14 August 1687 – 14 July 1711). The book was published in Amsterdam by François Halma (Langerak, January 3, 1653 - Leeuwarden, January 13, 1722), a Dutch printer, publisher and bookseller, with a portrait of Prince of Orange-Nassau, engraved by Pieter van Gunst (Dutch, Amsterdam 1659–1724) after Bernard Vaillant (Dutch, Lille 1632–1698 Leyden). The title page was engraved by P. Boutats after Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam). The edition is adorned throughout with 18 plates, each with 8 médaillons, designed and engraved by Jan van Vianen (Dutch, 1660–1726), and with vignettes, head- and tailpieces, inhabited initials, etc. Contemporary vellum over boards, title in red and back, red edges, 4to, 26 x 20 cm. Seller's description:4to, engraved general title, letterpress red & black title page with allegorical engraved vignette. 18 full-page copper-engraved plates by Jan van Vianen, each featuring six circular images, and 38 in-text reproductions, engraved decorative initials, and head- and tailpieces. Phaedrus (15 BC - 50 AD, Italy), was a "Roman fabulist, the first writer to Latinize whole books of fables, producing free versions in the iambic metre of Greek prose fables then circulating under the name of Aesop." (Ency. Brit.). This deluxe edition was specially created for the Prince of Nassau, profusely illustrated with fine engravings. Dibdin spoke highly of it in his Greek and Latin Classics (4th edition): "I have always considered this as a correct and very sumptuous edition. It is ornamented with a great number of small plates, or medallions, in which the subject of the fable is very ably and spiritedly executed.Ref.: Metropolitan Museum; Musée Médard -
Title page: THE | ADVENTURES | OF | TELEMACHUS, | THE | SON OF ULYSSES. | FROM THE FRENCH OF | SALIGNAC DE LA MOTHE–FENELON, | ARCHBISHOP OF CAMBRAY. | BY THE LATE | JOHN HAWKESWORTH, LL. D. | CORRECTED AND REVISED BY | G. GREGORY, D. D. | JOINT EVENING PREACHER AT THE FOUNDLING HOSPITAL, AND AUTHOR OF | ESSAYS, HISTORICAL AND MORAL, &C. | WITH | A LIFE OF THE AUTHOR, AND A COMPLETE INDEX, HISTORICAL AND GEOGRAPHICAL. | EMBELLISHED WITH TWELVE ELEGANT ENGRAVINGS. | IN TWO VOLUMES. | VOL. I. [VOL. II] | — | LONDON: | PRINTED FOR C. AND G. KEARSLEY, FLEET-STREET. | 1795. || Vol. 1: collation: 2 blank leaves, π6, a-d4, B-Z4 Aa-Ff4, 2 blank leaves, 7 coloured engravings; pagination: [i-v] vi-xxxv [xxxvi], [1] 2-223 [224 blank]. Vol. 2: collation: 2 blank leaves, π4, Gg-Zz4, 3A-3K4 [a]4 b2, 2 blank leaves, 5 coloured engravings; pagination: [i-iii] iv-vii [viii], [225] 226-439, [440-452]. Exterior: 2-volume set, uniformly bound in full crimson linen morocco, key fret inside, gilt-ruled with a floral pattern between fillets to boards, flat spine decorated in gilt, with gilt lettering, marbled endpapers, AEG, 4to, 28 x 22.5 cm; printed on wove paper with watermark “WS”. Blind stamp to ffl by previous owner: "B. J. WIJNVELDT". Engravings: 12 tinted stipple engravings à la poupée: one by James Neagle (British, 1760? – 1822), four by William Bromley (British, 1769 – 1842), four by William Skelton (British, 1763 – 1848), one by John Ogborne (British, 1755 – 1837), and two by James Parker (1750 – 1805) after Thomas Stothard (British, 1755 – 1834). Ref.: Lewine (1898), p. 183: "The 1795 edition, 2 vols., 4to., with 12 engravings after Stothard, has a nominal value." Not in Cohen De Ricci, 1912. Original: François Fénelon. Les Aventures de Télémaque, fils d’Ulysse. See №№ LIB-2522-2020 and LIB-2683.2021 in this collection. John Hawkesworth (British, c. 1715 – 1773). George Gregory (British, 1754 – 1808).George Kearsley the elder (British, 1739 – 1790) (Kearsley, Catharine and George – publishers)
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Top right: EASTERN DIVISION OF | PARIS. | Containing the Quartiers | {5 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Bottom left: WESTERN DIVISION OF | PARIS. | Containing the Quartiers | {4 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Under the frame: Drawn by W. B. Clarke, Archt. […] Published by Baldwin & Cradock, 47 Paternoster Row, A April 1st, 1834. [...] Engraved by J. Shury || Dimensions: Sheet: 40.8 x 57 cm; Image: 38.7 x 52.5 cm. Contributors: William Barnard Clarke (British, 1806 – 1865) – artist. John Shury (fl. c. 1814-1844) – engraver. Baldwin & Cradock (London) – publisher. Society for the Diffusion of Useful Knowledge (SDUK) (British firm, 1826 – 1846). -
Les Aventures de Télémaque, fils d'Ulysse, Par feu Messire François de Salignac de la Mothe-Fénelon, Précepteur de Messeigneurs les Enfants de France, & depuis Archevêque - Duc de Chabray, Prince du Saint-Empire Romain, &c. / Nouvelle édition enrichie de figures en taille-douce. – À Maestricht, Chez J. E. Dufour & Ph. Roux, Imprimeurs-Libraires associés. M. DCC. LXXXII. Pagination: ffl, [i, ii - ht, explication] [2 - blank, frontis. portrait] [iii, iv - t.p., blank] [v - discours] vi-xxviii, [1] 2-484, bfl; 1 folding map and 24 plates engraved by Jean-Baptiste-Pierre Tardieu. Size: 8vo, 21 x 13 cm. Binding: full contemporary mottled calf, marbled end-papers, all margins red, raised bands, floral gilt elements in compartments, red title label, head- and tail-band absent. Point of issue: the vignette in Liv. 1 is upsidedown. Liv. 1 & 8 plates signed: Gravé par Tardieu résident à Malines. Jean Baptiste Pierre Tardieu (French, 1746 – 1816) - engraver and cartographer from a large family of artists and engravers. For English translation of this book see № LIB-2683-2021 in this collection. -
Vol. 1: Title page: LES AVENTURES | DE | TÉLÉMAQUE, | PAR FÉNELON. — | TOME PREMIER. | {publisher’s arms by Beugnet after Choffard} | DE L'IMPRIMERIE DE MONSIEUR. | M. DCC. LXXXV. || Title-frontispiece (engraved by Montulay): lettering within garland: Les Aventures de Télémaque, FILS D’ULYSSE. GRAVÉES | D’APRÈS LES DESSEINS | DE | CHARLES MONNET | PEINTRE DU ROY | PAR | JEAN BAPTISTE | TILLIARD. ||; Lettering on ribbon beneath the garland: A PARIS | Chez L’AUTEUR Quay des Grands Augustins | Maison de Mr. Debure Fils Aîné Libraire. M. DCC. LXXIII. | AVEC PRIVILEGE DU ROY. ||; Signed under the frame: Montulay Sculpsit. || Pagination: [2] – h.t. / imprint, [2] – t.p. / blank, [2] Advert., [2] d.t.p. / sommaire, [1] 2-309 [3 blanks], total 320 pages on thick wove paper plus engraved title-frontis. by Montulay, 12 engraved text leaves (one for each book), unsigned, and 36 plates (all in ornamental frame of laurel ribbon) by Tilliard after Monnet, all engravings on laid paper. Collation: 4to; vergé flyleaves at front and back, π4 A-2P4 plus 4 additional divisional titles in choirs C, F, I, and M for books 2-5, total 160 leaves, plus 49 plates. Vol. 2: Title page: Same but “TOME SECOND”. Pagination: [2] – h.t. / imprint, [2] – t.p. / blank, [1-3] 4-297 [298 blank] [2] – approb., total 304 pages plus 12 engraved text leaves (one for each book), and 36 plates, last 6 plates in a simple frame without the laurel ribbon and before signatures. Collation: 4to; π2 A-2O4 2P1 χ1, total 152 leaves, plus 48 plates. Binding: Two volumes uniformly bound in green paper boards with two red labels lettered in gilt, untrimmed. Size: overall 36.5 x 28 cm, platemark 32 x 25 cm, with white vergé flyleaves to front and back, similar pastedowns. Catalogue raisonné: Cohen, de Ricci (1912): 384-386; Ray (French): № 37, p. 74; Lewine (1898): p. 181. Contributors: François Fénelon [François de Salignac de la Mothe-Fénelon] (French, 1651 – 1715) – author. Choffard, Pierre Philippe (French, 1730 – 1809) – artist. Monnet, Charles (French, 1732 – after 1808) – artist. Montulay (French, fl. c. 1773) – engraver. Tilliard, Jean Baptiste (French, 1740 – 1813) – engraver. Beugnet, Jean (French, c. 1803) – engraver. Didot, Pierre-François (French, 1731 – 1795) – printer. Barrois, Louis-François (French, 1748 – 1835?); Barrois, Pierre-Théophile (French, 1752 – 1836); Onfroy, Eugène (French, before 1765 – 1809) ; Delalain, Louis-Alexandre (French, 1749? – 1798) – booksellers. -
Two volumes in-16o, 16.3 x 10.3 cm, uniformly bound in marbled calf with gilt triple-fillet border, flat spine with gilt lozenges in compartments, two crimson labels with gilt lettering, marbled endpapers, all edges gilt, with engraved title, 2 title vignettes, 11 copper plate engravings, incl. title/frontispiece in vol. 1, and 10 headpieces (two of them similar), printed on laid paper. Vol. 1: Livres 1 – 5. Engraved title-page: Cartouche with the title "Les | Amours de | THEAGENES | & | CHARICLÉE", with a Cupid holding a torch on top and a defeated winged dragon at the bottom; Cupid's quivers with bows and arrows beside. Collation: 8vo; a5 (t.p., preface), A-N8 O4 (O4 blank), total 113 leaves plus 6 unsigned engraved plates, incl. engraved title as frontispiece, unsigned; 5 different headpieces, unsigned. Pagination: [i, ii] iii-x, [1] 2-213 [3] (blank), total 226 pages, ils. Vol. 2: Livres 6 – 10. Collation: 8vo; π1 (t.p.), A-M8, total 97 leaves plus 6 unsigned plates, incl. the Conclusion, no frontispiece; 5 headpieces, the headpiece for Livre 7 similar to Livre 4. Pagination: [2] [1] 2-190 [2] (blank), total 194 pages, ils. Letterpress title-page (red and black) in each volume: AMOURS | DE | THEAGÉNES | ET | CHARICLÉE• | HISTOIRE ETHIOPIQUE. | PREMIERE (SECONDE) PARTIE. | {vignette} | A LONDRES, | — | M. DCC. XLIII. || According to Cohen-DeRicci, this is the first anonymous edition with 9 different headpieces; the second edition in the same 1743 was published by Antoine Urban Coustelier (French, 1714 – 1763) in Paris with less provocative headpiece vignettes. The original text belongs to Héliodore d'Emèse, i.e. Heliodorus [Ἡλιόδωρος] (Greek, 3rd – 4th century AD). The earliest translation into French was performed by Jacques Amyot (French, 1513 – 1593) and published by J. Longis in Paris in 1547. The new translation is credited by Lewine to Jean de Montlyard (French/Swiss, 17th century), first published in Paris in 1620. However, most scholars attribute it to Louis François de Fontenu (French, 1667 – 1759), Bernard Le Bovier de Fontenelle (French, 1657 – 1757) or Germain François Poullain de Saint-Foix (French, 1698 – 1776), first published in 1727 by Herman Uytwerf (Dutch, 1698 – 1754) in Amsterdam. Catalogue raisonné : J. Lewine, 236; Cohen-DeRicci, 478. Information about the story can be found here: Aethiopica. -
Four parts bound in two 18mo volumes (1-2 & 3-4), half polished brown calf, dot-ruled, flat spine with gilt bands and lettering, marbled boards, some plates with guard sheets, margins sparkled red. Title-page: LES LIAISONS | DANGEREUSES, | Ou Lettres recueillies dans une | société, et publiées pour l’ins- | truction de quelques autres. | par C….. de L… | — | J’ai vu les mœurs de mon temps, et j’ai publié | ces Lettres. | J. J. Rous. Préf. De la nouv. Hél. | PREMIÈRE PARTIE. | — | A GENEVE. | 1792. || Vol. 1: Pagination: ffep, blank, [2] – h.t., [i, ii] – t.p. part one, [iii] iv-xxij, [1] 2-245 [246] + 2 plates (p. 26 & p. 75); [1, 2] – h.t., [3, 4] – t.p. part two, [5] 6-233 [234], fep + 2 plates (p. 59 & p. 222). Collation: part 1: a12, A-M18 N5; part 2: A-M18 N9, plus four plates by various engravers after Le Barbier. Vol. 2: Pagination: ffep, blank, [1, 2] – h.t., [3, 4] – t.p. part three, [5] 6-225 [226] + 2 plates (p. 69 & p. 215); [1, 2] – h.t., [3, 4] – t.p. part four, [5] 6-250, fep + 2 plates (p. 25 & p. 201). Collation: part 3: A-M18 N5; part 4: A-N18 O5, plus four plates by various engravers after Le Barbier. Illustrations: After Le Barbier, engravers: Halbou (1), Simonet (1), N. Thomas (2), Dambrun (2), and Delignon (2). In the first illustration (vol. 1, part one, p. 26) Le Barbier signed “Le Barbier Jnv. 1794”, however, the edition was published (anonymously) in 1792. Cohen-De Ricci mentions an edition of 1794 (Paris: Maradan) and 1801 (Genéve) with the same plates. Lewine mentions a reprint of 1794 without naming the publisher. Catalogue raisonné: Cohen-De Ricci: 234-5, Ray: p. 79; Lewine: 109-10. Contributors: Choderlos de Laclos, Pierre Ambroise François (French, 1741 – 1803) – author. Le Barbier, Jean-Jacques-François (French, 1738 – 1826) – artist Engravers: Dambrun, Jean (French, 1741 – c. 1808) Delignon, Jean Louis (French, 1755 – 1804) Halbou, Louis Michel (1730 – 1809) Thomas, N. (French, c. 1750 – 1812) Simonet, Jean-Baptiste Blaise (French, 1742 – 1813) -
Mons the Capital City of Hainault in y Low Countries, taken by y French in 1691, Restor'd to y Spaniards by y Peace of Ryswick in 1697, retaken by y Allies in 1709, and left to y Emperor by y Treaty of Utrecht. attribution to publication source has been trimmed.
Dimensions: Sheet: 40.7 x 52.5 cm; Image: 37.5 x 48 cm. Published between 1744 and 1747. Attribution to publication source has been trimmed. Reference: Royal Academy 03/2919. Source: Maps for Mr. Tindal's Continuation of Mr. Rapin's History of England. London: John and Paul Knapton. Nicolas Tindal (British, 1687 – 1774) – the translator and continuer of the History of England by Paul de Rapin. Paul de Rapin (French, 1661 – 1725) – a Huguenot historian, author of the History of England. -
Description: softcover, 25.5 x 16.5 cm, pink French flapped wrappers with black lettering, printed on laid paper watermarked “ARCHES (France)”, with 10 plates (etchings) bound in and 1 plate (coloured etching) laid in, extraneous to collation, with tissue guards; pp.: ffl, [2] h.t., [2] t.p., 1- 151 [152] [4] colophon, blank, ffl; some pages uncut; margins untrimmed. Title-page: UN ÉTÉ A LA | CAMPAGNE | CORRESPONDANCE DE DEUX | JEUNES PARISIENNES RECUEILLIE | PAR UN AUTEUR A LA MODE | ILLUSTRÉE DE DIX EAUX-FORTES | ET D’UNE AQUARELLE ORIGINALE | {blank} | IMPRIMÉ SOUS LE MANTEAU | ET NE SE VEND NULLE PART | MCMXVIII || Limitation: a print run of 165 copies, of which this is № 129 on Arches à la forme paper. Cat. Raisonné: Dutel III № 2545, p. 397; Honesterotica. Contributors: Gustave Droz (French, 1832 – 1895) – author (presumable) Frans de Geetere (Belgian, 1895 – 1968) – artist/engraver -
Amoris Divini Emblemata, Studio Et Aere Othonis Vaeni Concinata. — Antverpiae: Ex Officina Plantiniana Balthasaris Moreti, MDCLX [1660]. — pp.: [1] (Van Veen port.), [1] title, [2] (Isabella port.), 3-127 [1], 60 illustr. — 2nd impression. Octavius Vaenius, a.k.a. Otto Vaenius or Otto Van Veen (c. 1556-1629) was Rubens's last and most influential teacher. The Amoris divini emblemata was first published in 1615 by Nutius & Meursius in Antwerp. Vaenius’s book was to influence Herman Hugo's Pia desideria (LIB-1657.2018). Book structure: On frontispiece, trimmed and mounted portrait of Octavius Vaenius painted by his daughter Gertruida van Veen (signed Gertrudis filia) and engraved by Nicolas de Larmessin. Trimmed portrait of the Infanta Isabella Clara of Austria (1566 – 1633) pained by Peter Paul Rubens and engraved by Jan de Leeuw mounted to title verso. 60 engraved plates with emblems are on recto pages with facing texts: Latin quotations from Bible and Fathers, Spanish verses by Alphonso de Ledesma, Dutch by Vaenius and French by Carolus Philippus Hattron (d. 1632). Rebound in the mid-19th century in brown quarter Morocco with blind marbled boards and gilt lettering to spine. Inscription in ink on verso to van Veen portrait: "I bought this volume with the portraits inserted at the sale of the library of my uncle Samuel Rogers, Esq." Signed: "Frederick Sharpe, 1856". Frederick Sharpe (born was a son of Samuel Sharpe (1799–1881), the nephew of Samuel Rogers (1763–1855), a celebrated English poet. Size: 23.3 x 17.9 cm. Ref.: Emblem Project Utrecht (with an explanation of all the emblems); PETER BOOTHUYGENS: Similar or Dissimilar Loves? -
Title page: PHROSINE | ET | MELIDORE, | POËME | EN QUATRE CHANTS. | A MESSINE, | Et se trouve A Paris, | Chez Le Jay, Libraire, au Grand Corneille, | rue S. Jacques. | M. DCC. LXXII. || Pagination : ffl, [2] – h.t. / blank, [2] t.p. / blank, [1] 2-55 [56 blank], bfl ; 4 copperplate engravings by Nicolas Ponce (French, 1746 – 1831) after Charles Eisen (French, 1720 – 1778), one before each chant. Collation: 8vo; π2 (h.t., t.p. ) A-C8 D4. Binding: 20.5 x 14 cm, full mottled calf, gilt-ruled with triple fillet, flat spine, gilt in compartments, black label with gilt lettering, printed on laid paper, all edges red. Catalogue raisonné: Cohen de Ricci p. 132; J. Lewine: p. 53. Contributors: Nicolas Ponce (French, 1746 – 1831) Jean Charles Baquoy (French, 1721–1777) Charles-Dominique-Joseph Eisen (French, 1720 – 1778) Pierre-Joseph Bernard [Gentil-Bernard] (French, 1708 – 1775). -
Top right: EASTERN DIVISION OF | PARIS. | Containing the Quartiers | {5 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || Bottom left: WESTERN DIVISION OF | PARIS. | Containing the Quartiers | {4 lines in italic} | Published under the Superintendence of the Society for the | Diffusion of Useful Knowledge || The map is framed, but there is no lettering beneath the frame to identify the cartographer, engraver, and publisher. However, we can attribute it to William Barnard Clarke (British, 1806 – 1865) and John Shury (fl. c. 1814-1844). The publisher is either Baldwin & Cradock or Chapman and Hall. Dimensions: Sheet: 40 x 60.8 cm; Image: 40 x 53.5 cm. -
The portrait of Erasmus of Rotterdam (1466 – 1536), half-length, head to the right, body facing right, looking away, in a trompe-l'oeil octagonal frame. Inscriptions: Top right: Tom IV, pag. 686. Center of the image: DIDIER ERASME / Ne a Rotterdam en 1467, mort a Basle en 1536. Bottom of the plate: Holbein pinxit | Flipart Sculp. From the book Histoire générale des Provinces-Unies by Bénigne Dujardin (French, 1689 – 1771?) and Gottfried Sellius (real name Gottfried Sell) (1704? – 1767), published in 1757 in Paris by P. G. Simon. Volume 4, facing p. 686. Size: Sheet: 25 x 17.5 cm; Plate: 19.5 x 13.5 cm; Image: 18 x 12 cm. References: (1) Van Someren v.2, p.249, №1688; (2) https://archive.org/details/histoiregnra04duja/page/n714/mode/2up. Inscription above the plate: nut ink, hand, "231".
