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Hand-colouring
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COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.
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A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.
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Das Kaiserlein Napoleon, und seine Rauberhorten. L. Schlemmer, hand-coloured etching, c. 1815.
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Losing my seat. [Anonyme] A. Sharpshooter, 1829.
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Scipio Africanus auf den Ruinen von Carthago. German anonyme, hand-coloured etching, c. 1815.
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Le Miroir de la Vérité ou le tigre écrassé. French anonyme, hand-coloured etching, 1815.
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Colette, Willy. L’ingénue libertine / Eaux-fortes de Louis Icart. — Paris: Éditions Excelsior, 1926.
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Épices: Réflexions sur quelques à-côtés de l’amour destinées à des personnes expérimentées. — s.l.: Groupe de bibliophiles, c. 1955. [Enriched with a suite of 1950].
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Chansons de salles de garde. — Lucerne: Éditions des quatre cantons, 1938.
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Pierre Aretin. La putain errante: Dialogue de Madeline et Julie / [illustré par André Collot]. — Paris: s.n., 1930.
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[William Alexander.] Costume of the Russian Empire. — London: John Stockdale, 1811.
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Les Filles d’Eve – Album de Travestissements Plus ou Moins Historiques. — Paris: Le Journal Amusant et al., 1867.
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Voltaire. Candide or all for the best / Illustrated by Clara Tice. — NY: The Bennett Libraries, 1927.
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[André Collot]. Jeunesse. — [Paris], 1933.
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La Belle Assemblée, or Bell’s Court and Fashionable Magazine / Vol. XI.–New Series. Jan. 1 to Jun 30, 1815. — London: J. Bell, 1815.
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The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 13, Nos. 73-78 (Jan–Jun) 1822. — London: Rudolph Ackermann, 1822.
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The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 3, Nos. 13-18 (Jan–Jun) 1817. — London: Rudolph Ackermann, 1817.
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The Repository of Arts, Literature, Fashions, Manufactures, &c., 2nd series, vol. 2, Nos. 7-12 (July–December) 1816. — London: Rudolph Ackermann, 1816.
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