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Hardcover, 20.8 x 13.2 cm; publisher's original green cloth with black and gilt lettering to front and spine; pictorial endpapers. Gift ms inscription from Irina Komarova to Yury and Elvina Varshavsky to front free endpaper's verso: "Прослышав, что теперь для Юры / Нет ничего милей гравюры, / Литературу я отныне / Дарю из принципа Эльвине! / И. / Февраль 86". Pp.: [2] 3-477 [3], collation 16mo: 1-1516 (total 240 leaves) plus portrait frontispiece. Title-page: Джон Фаулз | ПОДРУГА | ФРАНЦУЗСКОГО | ЛЕЙТЕНАНТА | РОМАН | Перевод с английского | М. Беккер и И. Комаровой | под редакцией Н. Рахмановой | {vignette} | {publisher’s device} | ЛЕНИНГРАД | «ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА» | ЛЕНИНГРАДСКОЕ ОТДЕЛЕНИЕ• 1985 || T.p. verso: […] | JOHN FOWLES | THE FRENCH LIEUTENANT'S WOMAN | Вступительная статья А. ДОЛИНИНА | Примечания М. БЕККЕР | Оформление художников | Н. ВАСИЛЬЕВА и Э. КАПЕЛЮША | […] || Contributors: Беккер, Мэри Иосифовна (Russian, 1920 – 2010) Комарова, Ирина Бенедиктовна (Russian, b. 1933) Рахманова, Наталия Леонидовна (Russian, b. 1930) -
Hardcover volume, 20.2 x 14.5 cm, aubergine cloth, gilt lettering and publisher’s device to spine, aubergine top edge, aubergine dust jacket with gilt lettering and black fleuron to front, gilt lettering and black fleuron and publisher’s device to spine, and a captioned photographic portrait to back, blurb text to flaps, price ”35s net | in U.K. only” unclipped; pictorial endpapers. Pp.: [1-8] 9-445 [446] [2], collation: A-O16, total 224 leaves. Title-page (in oval frame): JOHN FOWLES | THE | FRENCH | LIEUTENANT'S | WOMAN | — | Every emancipation is a restoration of the human | world and of human relationships to man himself. | MARX, Zur Judenfrage (1844) | JONATHAN CAPE | THIRTY BEDFORD SQUARE | LONDON || Contributors: John Fowles (British, 1926 – 2005) – author. Herbert Jonathan Cape (British, 1879 – 1960) – publisher. Ebenezer Baylis & Son, Ltd. (f. 1858) – printer. The Trinity Press – printer. -
Publisher’s olive French flapped wrappers, in-4to, 33 x 25.3 x 6 cm, green and black lettering to front and spine, in a glassine dust jacket, in a marbled double slipcase 34.5 x 25.5 cm, unbound; pp.: [8] 1-436 [4], plus 30 colour plates with guard tissue, extraneous to collation; edition enriched with a set of 30 uncoloured etchings with guard tissue in a lettered paper folder. Title-page: ÉMILE ZOLA | NANA | ILLUSTRÉ DE | TRENTE GRAVURES ORIGINALES | DE | VERTÈS |◾| PARIS | JAVAL ET BOURDEAUX | 44 bis, rue de Villejust | 1933 || Justification du tirage: il a été tiré de «Nana » d'Émile Zola. Soixante exemplaires sur japon impérial, numérotés de 1 a 60, avec un état en couleurs colorié a la main et un état en noir des trente gravures originales de Vertès. [Edition limited to 60 copies, this is copy № 54]. Colophon: « NANA », D'ÉMILE ZOLA, ÉTÉ ACHEVÉ D'IMPRIMER LE TRENTE AVRIL MIL NEUF CENT TRENTE-TROIS, EN CARACTÈRES ROMAIN ANGLAIS DU CORPS 16, SUR LES PRESSES DU MAITRE IMPRIMEUR COULOUMA, À ARGENTEUIL, H. BARTHÉLEMY, DIRECTEUR. LES COMPOSITIONS DE VERTÈS ONT ÉTÉ REPRODUITES EN FAC-SIMILÉ PAR D. JACOMET & Cie. Printed on April 30, 1933 by Coulouma in Argenteuil, H. Barthélemy, director; illustrations reproduced in facsimile by D. Jacomet & Co. Catalogue raisonné: Vokaer 30. Contributors: Émile Zola (French, 1840 – 1902) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Javal et Bourdeaux – publisher. Daniel Jacomet (French, 1894 – 1966) – printer. Seller's description: Nana. Paris, Javal et Bourdeaux, 1933. 2 volumes in-4, en feuilles, non coupé, non rogné, chemise et étui. Ouvrage illustré de 30 gravures originales en couleurs de Marcel Vertès. Tirage à 60 exemplaires sur japon impérial contenant un état des illustrations coloriées à la main en couleurs et un état en noir. Chemise et emboîtage insolés. -
Hardcover, 20.2 x 15.5 cm, owner’s half blue morocco binding over marbled boards with gilt lettering to spine, marbled endpapers, extracts from La Revue Blanche, numbers 91 and 92 of March 15 and April 1 of 1897 (année VII, tome XII), publisher’s pink wrappers preserved, pp. [2] [1-5] 6-160. Ref.: Bridget Alsdorf. Vallotton, Fénéon, and the Legacy of the Commune in Fin-de-siècle France. Portraits: François [Quico] Merlin Colonel Merlin (French, 1814 – 1900) Adolphe Thiers (French, 1797 – 1877) Commandant Gaveau Fortuné Henry (French, 1821 – 1882) Otto von Bismarck (German, 1815 – 1898) Henri, comte de Chambord (French, 1820 – 1883) Louis Rossel (French, 1844 – 1871) François Huet Tranquille (French, 1842 – after 1879) Joseph Vinoy (French, 1803 – 1880) Raoul Rigault (French, 1846 – 1871) Eugène Varlin (French, 1839 – 1871) Théophile Ferré (French, 1845 – 1871) Georges Darboy (French, 1813 – 1871) Auguste Vermorel (French, 1841 – 1871) Jaroslaw Dombrowski [Jarosław Dąbrowski] (Polish-French, 1836 – 1871) Contributors: Félix Fénéon (French, 1861 – 1944) Félix Vallotton (French, 1865 – 1925) La Revue Blanche (Paris) Imprimerie Alcan-Lévy -
Hardcover volume, 25.3 x 19.6 cm, bound in blue cloth, gilt lettering to spine, pictorial dust jacket, crimson endpapers, pp.: [1-4] 5-160, ils. Title-page: THE MAN WHO MADE PARIS | PARIS | THE ILLUSTRATED BIOGRAPHY OF | GEORGES-EUGENE HAUSSMANN | WILLET WEEKS | Photographer of | scenes of Paris today | JEAN-CLAUDE MARTIN | (in frame) LONDON / HOUSE || Contributors: Willet Weeks (American)– author. Jean-Claude Martin (French-American) – photographer. Georges Eugène Haussmann (French, 1809 – 1891) – character. -
Hardcover volume 28.5 x 20.8 cm, quarter brown morocco over marbled boards, ruled in gilt, spine with raised bands, gilt in compartments, gilt lettering, marbled endpapers, top margin gilt, original lithographic wrappers designed by A. Willette preserved; pp.: [4] h.t., t.p., [1] 2-350 [2], 300 b/w ils in-text and 12 coloured photomechanical reproductions extraneous to collation; collated in-4o: π2 1-444; Title-page: L'ART DU RIRE | ET DE | LA CARICATURE | PAR ARSÈNE ALEXANDRE | 300 FAC-SIMILÉS EN NOIR ET 12 PLANCHES EN COULEURS | D’APRÈS LES ORIGINAUX | {vignette} | PARIS | ANCIENNE MAISON QUANIN | LIBRAIRIES-IMPRIMERIES RÉUNIES | 7, RUE ST-BENOIT | MAY & MOTTEROZ, DIRECTEURS || Contributors : Librairie-Imprimerie réunies (Paris, 1880-1908) – publisher. Arsène Alexandre (French, 1859 – 1937) – author. Adolphe Willette (French, 1857 – 1926) – artist (wrapper) -
![[Hippolyte Prosper Olivier LISSAGARAY]. History of the Commune of 1871 / Translated from the French of Lissagaray by Eleanor Marx Aveling. London: Reeved and Turner, 1886. pp.: [i-v] vi-xv [1] 2-500.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1110.2016-d-500x500.jpeg)
Hardcover volume, collated in-8o, 21.9 c 14.6 cm, bound in half red morocco over red buckram by Palmer, Hove & Co. (Manchester), ruled in gilt, marbled end-papers, top edge gilt, spine with raised bands, ruled in gilt, gilt lettering; bookplate "Ex libris William John Robertson" with black ink ms dated 1922 to front pastedown. Insert paper clipping “In Memoriam” marked “D.W. 25.1.61.” Graphite ms to t.p.: “[assisted by Karl Marx]”. Pp.: [i-v] vi-xv [xvi blank], [1] 2-500; collation: ffl blank first and last, π8 A-2H8 2I2. Title-page: HISTORY | OF | THE COMMUNE OF 1871. | Translated from the French of | LISSAGARAY, | BY | ELEANOR MARX AVELING. | LONDON: | REEVES AND TURNER, 196 STRAND. | 1886.|| Contributors: Hippolyte Prosper-Olivier Lissagaray (French, 1838 – 1901) – author. Eleanor Marx [Aveling] (British, 1855 – 1898) – translator. William John Robertson (Canadian, 1846 – 1894) – provenance. The Russian translation of the same title: [LIB-1158.2016] Э. Лиссагарэ. История Парижской Коммуны в 1871 г. (Дешевая библиотека, № 274) / Пер. под ред. В. Базарова. — С.-Петербург: Знание, 1906. -
![Э. Лиссагарэ. История Парижской Коммуны в 1871 году / С французского. Полный перевод под редакцией В. Базарова. — С.-Петербург. 1906. (Дешевая библиотека товарищества "Знание", № 274). — pp.:[4] [1] 2-524. [Проспер Оливье Лиссагарэ].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1158.2016-d-500x500.jpeg)
Hardcover volume, collated in-8o, 21.1 x 14.9 cm, bound in half black polished morocco over green buckram boards, gilt lettering in rules to flat spine, brown diaper over cream endpapers, red ink oval library stamp in Estonian to t.p. «AJALOOMUUSEUM RAAMATUKOGU» (history museum library); pp.: [4] [1] 2-524, total 528 pages; collation π2 1-328 336, total 264 leaves. Title-page: ДЕШЕВАЯ БИБЛIОТЕКА ТОВАРИЩЕСТВА "ЗНАНIЕ". | № 274. | Э. Лиссагарэ. | ИСТОРIЯ ПАРИЖСКОЙ КОММУНЫ | въ 1871 г. | Съ французскаго. Полный переводъ | подъ редакцiей В. Базарова.| С.-ПЕТЕРБУРГЪ | 1906. || Original title: Prosper-Olivier Lissagaray. Histoire de la Commune de 1871. — Paris: E. Dentu, 1876. English translation by Eleanor Marx Aveling: [LIB-1110.2016] Prosper-Olivier Lissagaray. History of the Commune of 1871. — London: Reeves and Turner, 1886. Contributors: Hippolyte Prosper-Olivier Lissagaray (French, 1838 – 1901) – author. Владимир Александрович Базаров [Руднев, Vladimir Bazarov] (Russian, 1874 – 1939) – translator. -
Hardcover volume, 25.2 x 20.5 cm, in a double slipcase 26.3 x 21.5 cm; black boards on cloth spine, front board with pasted photocollage in colour, first leaf thick verge paper different to the rest of the edition; top margin red, text printed on cream laid paper without a watermark and adorned with 14 in-text lithographs in black. A suite of 20 coloured lithographs 245 x 195 mm in the inner slipcase. Plates by Berthomme Saint-André. Pagination: [2] blanks, [3-8] 9-100 [101] blank, [2] colophon, limit. [2] blanks. Title-page (red and black): A. DE M. | GAMIANI | ou | deux nuits d'excès | Édition Réalisée | par les soins | et au profit exclusif des | « Vrais Amateurs Romantiques » | (Groupement de bibliophiles) || Limitation: № 1 – on Tonkin à la forme paper with two sets of plates, on Tonkin and one on Arches, printed in colour and in black, etc.; № 2 – similar but with the earlier state of one suite of plates; №№ 3-52 on Arches verge with plates on Tonkin; №№ 53-127 on Arches verge with plates on the same; №№ 128-227 on Rives with the suites on paper watermarked “Japon”; №№ 228-672 on Rives with the suites on the same; 25 copies marked A-Z of which A-J on Arches vergé and suites on Tonkin, and K-Z on Rives. Altogether 697 copies, of which this is copy № 27. Catalogue raisonné: Dutel III № 1650, p. 187-8; honesterotica.com. with a partially different set of in-text illustrations. Alfred de Musset (French, 1810 – 1857) – author. Louis Berthomme Saint-André (French, 1905 – 1977) – artist. -
Hardcover volume, 20.8 x 13.5 cm, pictorial paper backed with grey cloth, black and white lettering to spine (serial design), pp.: [1-4] 5-333 [3]; collated 8vo: 1-218; total 168 leaves plus 13 photomechanical plates. Title-page (blue and black): Евг. Брандис | МАРКО ВОВЧОК | ИЗДАТЕЛЬСТВО | ЦК ВЛКСМ | «МОЛОДАЯ ГВАРДИЯ» | — || Frontispiece (blue and black): ЖИЗНЬ | ЗАМЕЧАТЕЛЬНЫХ | ЛЮДЕЙ | Серия биографий | ОСНОВАНА | В 1933 ГОДУ | М. ГОРЬКИМ | ВЫПУСК 19 / 460 {torch} МОСКВА / 1968 || Print-run: 100,000 copies. Contributors: Евгений Павлович Бра́ндис (Russian, 1916 – 1985) – author. Марко Вовчок [Марія Олександрівна Вілінська, Marko Vovtchok] (Ukrainian, 1833 – 1907) – character. Борис Борисович Лобач-Жученко (Russian, 1899 – 1995) – dedicatee. -
Title page: DIALOGUE AUX ENFERS | ENTRE | MACHIAVEL | ET MONTESQUIEU | OU LA POLITIQUE DE MACHIAVEL | AU XIXe SIÈCLE, | PAR UN CONTEMPORAIN. | {6 lines of citations} | ~ | BRUXELLES, | IMPRIMERIE DE A. MERTENS ET FILS, | RUE DE L’ESCALIER, 22. | – | 1864 || Description: 19 x 12.7 cm, quarter green morocco over blue marbled boards, spine with raised bands ruled in gilt, gilt fleurons in compartments, gilt lettering, marbled endpapers; three paper clippings laid in. Collation: 12mo; π5 1-2712 292; total 175 leaves. Pagination: [2] blank, [2] h.t, [2] t.p. [i] ii-iii [iv] [1] 2-337 [338] blank [2] errata]; total 350 pages. Contributors: Maurice Joly (French, 1829 – 1878) – author. Characters: Niccolò Machiavelli (Italian, 1469 – 1527) Charles Louis de Secondat, baron de La Brède et de Montesquieu (French, 1689 – 1755) The publication was funded by the author and smuggled into France. See other copies: LIB-2913.2021, LIB-1034.2016 and LIB-0460.2015. Other related objects: SVVP-0062.2021. Seller's description: [JOLY (Maurice)]: Dialogue aux enfers entre Machiavel et Montesquieu. Bruxelles, Mertens et fils, 1864 ; un volume in 12, demi-chagrin vert orné de l'époque. C'est dans ce livre que Joly écrit, au prétexte d'une discussion philosophique et politique, comment Napoléon III, selon lui, a manipulé les milieux économiques, la presse, l'opinion publique, les syndicats, les milieux ouvriers, le peuple, etc., pour établir un pouvoir politique fort, ce qui lui valut un séjour de 15 mois à la prison Sainte-Pélagie à Paris. -
Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19 cm, bound in unprimed canvas, red ms characters on black strip to front, red and black lettering to spine, tan embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-31 text, [32] blank, 33-96 (76 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | UTAMARO | by Muneshige Narazaki and Sadao Kikuchi | Translated by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 歌麿} || Series: Masterworks of ukiyo-e, № 4. Contributors: Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. Sadao Kikuchi [菊地 貞雄] (Japanese, 1924 – 2017) – author. John Bester (British, 1927 – 2010) – translator. Kitagawa Utamaro [喜多川 歌麿] (Japanese, c. 1753 – 1806) – artist. -
Hardcover volume from the series Masterworks of ukiyo-e, 26.3 x 19.2 cm, bound in unprimed canvas, red characters on black strip to front, red and black lettering to spine, tan flat endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-31 text, [32] blank, 33-96 (58 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | STUDIES IN NATURE | HOKUSAI-HIROSHIGE | by Muneshige Narazaki | Translated by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 花鳥風月} || 花鳥風月 (Kachou Fugetsu) – beauties of nature. Series: Masterworks of ukiyo-e, № 11. Contributors: Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. John Bester (British, 1927 – 2010) – translator. Katsushika Hokusai [葛飾 北斎] (Japanese, 1760 – 1849) – artist. Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858) – artist. -
Hardcover, 17 x 12 cm, tan paper over cardboard, black lettering and vignette to front cover "И. Н. РОЗАНОВ | ПУТЕВОДИТЕЛЬ | по русской | ЛИТЕРАТУРЕ | XIX века | {vignette} | «РАБОТНИК ПРОСВЕЩЕНИЯ» | 1930", design of the cover by А. Суворов (woodcut), lettering to spine. Blue ink oval stamp “Из КНИГ | Д.С.НЕСТЕРОВ | и | ЖУРНАЛОВ”. Collation/pagination: 8vo: 1-218, total 168 leaves; pp.: [1-8] 9-336. Title-page: Double rule | Путеводитель | по русской | литературе | XIX века СОСТАВИЛ ИВ. РОЗАНОВ ИЗДАНИЕ ТРЕТЬЕ | РАБОТНИК ПРОСВЕЩЕНИЯ | МОСКВА – 1930 – ЛЕНИНГРАД || Print run: 5,100 copies. Contributors: Иван Никанорович Розанов (Russian, 1874 – 1959) Анатолий Андреевич Суворов (Russian, 1890—1943) -
Hardcover volume from the series Masterworks of ukiyo-e, 26.3 x 19 cm, bound in unprimed canvas, red characters on black strip to front, red and black lettering to spine, tan flat endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-67 text, 27-30 map, 31-32 f.t./blank, 33-96 (65 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HIROSHIGE | FAMOUS VIEWS | by Muneshige Narazaki | English adaptation by Richard L. Gage | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules in ms 広重]} || Series: Masterworks of ukiyo-e, № 5. Edition: 1st edition ©1968, 2nd printing 1970. Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858) – artist. Richard L. Gage (American, b. 1934) – adaptation. -
Softcover, in pictorial wrappers, 28 x 21.7 cm, 70 entries, with colour illustrations. Catalogue of the sales exhibition on March 17-24, 2023 in NY; pagination: [1-3] 4-142 [2], ils. Invitation card laid in. Contributor: Sebastian Izzard -
Hardcover volume from the series Masterworks of ukiyo-e, 26.1 x 19 cm, bound in canvas, red characters on black strip to front, red and black lettering to spine, tan embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-16 text, 17-96 (79 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HOKUSAI | SKETCHES AND PAINTINGS | by Muneshige Narazaki | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 漫画肉筆画} || Series: Masterworks of ukiyo-e, № 7. Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. Katsushika Hokusai [葛飾 北斎] (Japanese, 1760 – 1849) – artist. John Bester (British, 1927 – 2010) – adaptation. -
Description: ¾ contemporary red morocco over marbled boards, 33.1 x 25.8 cm, raised bands, gilt lettering to spine, in a marbled slipcase 34.2 x 25.9 cm. Printed on thick wove paper watermarked “MONTGOLFIER ANNONAY” by Canson & Montgolfier (Annonay, France). Front wrapper and title-page : A. D. M. | GAMIANI | OU | DEUX NUITS D’EXCÉS | FAC-SIMILE DU | TEXTE ORIGINAL | orné des 12 lithographies | de | DEVÉRIA & GRÉVEDON | 1833 – Paris – 1926 | aux dépens d'un amateur || Faux-t.p. (1): GAMIANI | OU | UNE NUIT D’EXCÉS | {vignette} | Bruxelles | 1833 || (fac-semilé of the original wrapper of 1833) Faux-t.p. (2): GAMIANI | OU | DEUX NUITS D’EXCÉS | {vignette} | Bruxelles | 1833 || (fac-semilé of the original wrapper of 1833) Collation: 2 blanks, 1 orig. lavender blue colour front wrapper, 1 blank, 1 h.t., 1 limitation p., 1 t.p., 3 leaves ‘Notice Bibliographique’, 32 leaves of printed text, 2 blanks, 1 brown faux t.p. (1), text in fac-semilé manuscript (7 leaves) with 8 coloured plates, 1 blank, 1 brown faux t.p. (2), 7 leaves of text with 4 plates, 2 blanks, brown back wrapper, lavender blue back wrapper, 2 blanks; total 64 leaves plus 16 plates. Pagination: [1-8] 9-75 [76] [4]; [1] 2-26; mispaginated p. 23 marked 25, f.t.p. and ffl not counted. Last four plates without letters. Limitation: a print run of 360 copies, of which 20 with ‘miniatures’ №№ 1-20, 100 with coloured plates №№ 21-120, 230 with b/w plates №№ 121-350; 10 copies not for sale, marked H. C. (hors commerce). This is copy № 201, which should be with black lithographs, but has coloured plates. According to J.-P. Dutel, the plates were printed from the original stones. For variations on Devéria & Grévedon designs for Gamiani see also: LIB-3087.2022 (Bruxelles, 1864); LIB-3093.2022 (Bruxelles, 1866); LIB-3090.2022 (Bruxelles, 1871); LIB-2902.2021 (Greman, 1911); LIB-2903.2021 (late 1940s). Catalogue raisonné: Dutel III 1640, p. 185. Contributors : Alfred de Musset (French, 1810 – 1857) – author. André Warnod [André de Sermanmagny] (French, 1885 – 1960) – author (bibliographical note) Pierre Louis Henri Grévedon (French, 1776 – 1860) – artist. Achille Devéria (French, 1800 – 1857) – artist.
