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Home/Collection/19th century
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  • Algernon Charles Swinburne. Lucretia Borgia: The chronicle of Tebaldeo Tebaldei; Renaissance Period / Commentary and notes by R. Hughes; Engravings by R. Stone. — London: The Golden Cockerel Press, 1942.

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  • Israel Goldman. Japanese prints and paintings / Recent acquisitions; Catalogue 21, 2015.

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  • Henry Monnier. Les Bas-fonds de la société / avec 8 dessins à la plume de F. R. [i.e. Félicien Rops]. — [Bruxelles: H. Kistemaeckers, 1879].

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  • Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 (2 vol. set). — NY, London: The Pierpont Morgan Library; Cornell University Press, 1982. — pp.: vol.1: [8] ix-xxxii, [2] 3-245 [3]; vol.2: [8] 247-557 [5], illustr.

    Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 / 2 vol. — NY: The Pierpont Morgan Library; London: Cornell University Press, © 1982.

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  • Эстетика раннего французского романтизма (История эстетики в памятниках и документах). — М.: Искусство, 1982.

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  • Muneshige Narazaki. Studies in Nature: Hokusai-Hiroshige [花鳥風月]/ Translated by John Bester (Masterworks of ukiyo-e, №11). — Tokyo; Palo-Alto, CA: Kodansha International, ©1970.

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  • Gordon Norton Ray. The Illustrator and the Book in England from 1790 to 1914 / Bibl. descript. Thomas V. Lange, photo. by Charles V. Passela. The Pierpont Morgan Library, Oxford University Press. — Oxford : Oxford Univ. Pr., 1976. — pp.: [i-viii] ix-xxxiii [1], [1-2] 3-336 [4], illustr.

    Gordon N. Ray. The Illustrator and the Book in England from 1790 to 1914. — New York: Pierpont Morgan Library; London: Oxford University Press, © 1976.

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  • Alfred de Musset. Gamiani oder Zwei Nächte der Ausschweifung. — Leipzig: s.n., 1911.

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  • Pierre Vésinier. Comment a péri la Commune. — Paris: Albert Savine, 1892.

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  • W. S. Baker. American engravers and their works. — Philadelphia: Gebbie & Barrie Publishers, 1875.

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  • Jean Galtier-Boissière. Mysteries of the French secret police / translated by Ronald Leslie-Melville. — London: Stanley Paul, [1938].

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  • Israel Goldman. Japanese prints and paintings / 35th anniversary; Catalogue 22, 2016.

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  • A. D. M. [Alfred de Musset]. Gamiani ou Deux nuits d’excès, avec un épisode de la vie de l’auteur, extrait des mémoires de la comtesse de C********. — Lesbos: Institution Méry – Pavillon Baudelaire [i.e. Bruxelles: A. Poulet-Malassis, 1864].

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  • Leitch Ritchie. Schinderhannes, the robber of the Rhine (The library of romance). — London: Smith, Elder, and Co., 1833.

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  • B. W. Robinson; Victoria and Albert Museum. Kuniyoshi. — London: Her Majesty’s Stationery Office, 1961.

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  • Muneshige Narazaki, Sadao Kikuchi. Utamaro [歌麿] / Translation by John Bester (Masterworks of ukiyo-e, №4). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Adelbert von Chamisso. Peter Schlemihls wundersame Geschichte. – Leipzig: Im Insel-Verlag, [1916 or 1923 or 1940] (Series: Insel-Bücherei, Nr. 194). – pp.: ff [1 t.p., 2 blank] 3-79 [80] bf., with 4 etchings [instead of woodcuts] by Adolf Schrödter [1838].

    Adelbert von Chamisso. Peter Schlemihls wundersame Geschichte. — Leipzig: Insel-Verlag, [1916–1940].

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  • Utagawa Kunisada (1786 – 1865): His world revisited / Catalogue 17, Exhibition March 17-21, 2021. — NY: Sebastian Izzard, LLC., 2021.

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  • Jean Berleux [i.e. Maurice Quentin-Bauchart]. La caricature politique en France pendant la guerre, le siège de Paris et la Commune (1870-1871). — Paris: Labitte, Ém. Paul et Cie, 1890.

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  • Thomas Wright. A history of caricature and grotesque in literature and art. — London: Virtue Brothers & Co., 1865.

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  • Eugène Briffault. Paris à table / Illustré par Bertall. — Paris: Hetzel, 1846.

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  • Israel Goldman. Japanese prints and paintings / Kawanabe Kyosai; Catalogue 23, 2017.

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  • [Alfred de Musset]. Gamiani ou Deux nuits d’excès par Alcide, baron de M******. — Bruxelles: [Vital Puissant], 1871.

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  • [Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX siècle, par un contemporain. — Bruxelles: A. Mertens et fils, 1864.

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  • B. W. Robinson. Kuniyoshi: the warrior-prints. — Oxford: Phaidon, 1982.

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  • [Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX siècle, par un contemporain. — Bruxelles: A. Mertens et fils, 1864.

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  • Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London, 1811.

    Thomas F. Dibdin. Bibliomania or book madness: a bibliographical romance. – London: Longman, Hurst, Rees, Orme, and Brown, 1811.

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  • Sebastian Izzard. Kunisada’s world. — New York: Japan Society, Ukiyo-e Society of America, ©1993.

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  • Louis V. Ledoux. A descriptive catalogue of an exhibition of Japanese figure prints from Moronobu to Toyokuni. — NY: The Grolier Club, 1924.

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  • Michel Carmona. Haussmann: his life and times, and the making of modern Paris. — Chicago: Ivan R. Dee, 2002.

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  • Pagès (du Tarn). La Nouvelle Phèdre et le directeur de l’Odéon. — Paris: Gustave Havard, 1858.

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  • Israel Goldman. Japanese prints, paintings and books / Recent acquisitions; Catalogue 24, 2018.

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  • A. D. M. [Alfred de Musset]. Gamiani ou deux nuits d’excès. — En Hollande [i.e. Bruxelles]: s.n., 1866.

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  • [Maurice Joly]. Dialogue aux Enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX eme Siecle, par Un Contemporain.Publisher: Bruxelles, Imprimerie de A. Mertens et Fils, 1864.

    [Maurice Joly]. Dialogue aux enfers entre Machiavel et Montesquieu ou la politique de Machiavel au XIX siècle, par un contemporain. — Bruxelles: A. Mertens et fils, 1864.

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  • Robert Schaap. Heroes & ghosts: Japanese prints by Kuniyoshi, 1797-1861 / Introduction by Amy Reigle Newland; essays by Timothy T. Clark, Matthi Forrer, Inagaki Shin’ichi. — Leiden: Hotei Publishing, 1998.

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  • Евгений Брандис. Марко Вовчок (ЖЗЛ, 19/460). — М.: Молодая гвардия, 1968.

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