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A.-R. Andréa de Nerciat. Félicia ou mes fredaines / Orné de vingt eaux-fortes coloriées à la main par l’artiste [André Collot]. — Paris: s.n., 1928.
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Alexandre de Vérineau [i.e. Louis Perceau]. Douze sonnets lascifs pour accompagner la suite d’aquarelles intitulée Les délassements d’Éros [par Gerda Wegener]. — Érotopolis: A l’enseigne du faune [i.e. Paris: Maurice Duflou], 1925.
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Alfred Machard. Printemps sexuels… L’épopée au faubourg / Lithographies de Jean Auscher. — Paris : Éditions M.-P. Trémois, 1928.
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Andréa de Nerciat. La matinée libertine ou les moments bien employés / Pointes sèches et dessins de Jean-Gilles Legendre [Gaston Trilleau]. — Paris: s.n. [Maurice Duflou], 1928.
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Andréa de Nerciat. Le diable au corps. — Alençon: s.n., 1930.
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Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.
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Bayros-mappe mit vorwort von Rudolf Hans Bartsch. — Wien: Ed. Strache, [1921].
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Bonne à tout faire / illustrations by Mario Tauzin. — Éric Losfeld, late 1950s.
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C. Варшавский, Б. Рест. Над Берлином // Библиотека «Огонек», №7. — М.: Правда, 1942.
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C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987.
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C. Варшавский, Б. Рест. Сын отечества (Библиотека краснофлотца) [autograph]. — М.: Военмориздат, 1942.
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C. Варшавский, Б. Рест. Сын отечества (Библиотека краснофлотца). — М.: Военмориздат, 1942.
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C. Варшавский. Упадочное искусство Запада перед судом русских художников-реалистов. — Л.-М.: Искусство, 1949.
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Protected: Cerkan de Sardan. Viol au Pensionnat / illustrations de Garcini. — Paris: Evasion, 1988.
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Christie’s New York. Masterpieces of Modern Literature: The Library of Roger Rechler / October 11, 2002. — New York: Christie’s, 2002.
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Colette, Willy. L’ingénue libertine / Eaux-fortes de Louis Icart. — Paris: Éditions Excelsior, 1926.
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Colette. La vagabonde / Lithographies en couleurs de Marcel Vertès. — Paris: La cité des livres, 1927.
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Complexes: 40 dessins de Vertès, préface de Pierre Mac-Orlan. — Monte-Carlo: André Sauret, 1948.
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