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Softcover, 18 x 13 cm, grey paper wrappers with black lettering to front and spine; price and publisher’s device to back wrapper. Collation 8vo: 1-238; total 184 leaves; pp.: [1-3] 4-359 [5] index & contents, [3] advert., [1] blank; total 368 pages. Cover and title-page: : ПУТЕВОДИТЕЛЬ | ПО СОВРЕМЕННОЙ | РУССКОЙ ЛИТЕРАТУРЕ | СОСТАВИЛ ИВ. Н. РОЗАНОВ | Издание второе | “РАБОТНИК ПРОСВЕЩЕНИЯ” | МОСКВА — 1929 || Print run: 4,500 copies. Contributors: Иван Никанорович Розанов (Russian, 1874 – 1959) – author. -
Softcover volume, 24.0 x 17.7 cm, publisher’s tan wrappers, lettered to front and spine in brown and black, publisher’s device and imprint to back, upper margin trimmed, all printed on laid paper, pp: [i-viii] [1-3] 4-496 [4], last page blank (total 508 pages); collated 8vo: π4 1-318 χ2 (total 254 leaves). Book-label with publisher’s device to fep (χ1 recto). Title-page and front wrapper (in brown and black): С. Ф. ЛИБРОВИЧЪ | НА КНИЖНОМЪ ПОСТУ | ВОСПОМИНАНIЯ | : : ЗАПИСКИ : : | ДОКУМЕНТЫ | {two-headed eagle} | ИЗДАНIЕ | Т-ВА М. О. ВОЛЬФЪ | ПЕТРОГРАДЪ И МОСКВА | (1916 on front wrapper) || Provenance: Publisher Contributors: Сигизмунд Феликсович Либрович [Zygmunt Librowicz] (Polish-Russian, 1855 – 1918) – author. Товарищество М. О. Вольф (Петроград-Москва) – publisher. Типография товарищества М. О. Вольф (Петроград) – printer. Маврикий Осипович Вольф [Maurycy Bolesław Wolff] (Polish-Russian, 1825 – 1883) – dedicatee. -
Hardcover volume, 22.5 x 19.5 cm, collated 4to, owner’s terracotta cloth with gilt-lettered black label to spine, publisher’s wrappers preserved, pp.:3 ffl, front wrapper, 3 ffl, [2] h.t./limit, [2] t.p./blank, 1-228 [2] 3 ffl, back wrapper, 3 ffl. Collation: π3 1-314 323. (130 leaves, incl. plates). Title-page (pink and black): Bonne-fille | PAR | JEAN VIOLLIS | Illustrations de | DIGNIMONT | {vignette} | A PARIS | La Collection Originale | ÉDITIONS MORNAY | 37, BOULEVARD DU MONTPARNASSE | MCMXXVI || Illustrations: 14 full-page colour plates, incl. frontispiece and endpiece, within collation but not within pagination, verso blank, and numerous head- and tailpieces and in-text stencil-coloured (au pochoir) lithography after André Dignimont. Limitation: A print run of 628 copies for sale, of which 18 on Japon Ancien, 30 on Japon Impérial, 90 on Hollande, 490 on Rives (139-628), plus 50 copies not for sale. Printed on May 12, 1926, at l’Imprimerie Kapp (Vanves), this copy is № 380. Provenance: Feodor Rojankovsky, pictorial bookplate “ИЗ КНИГ РОЖАНКОВСКАГО” to front pastedown, ms inscription to front ffl2 top “TH. ROJANKOWSKY | 14 VIII 30” in block letters. One of the possible transliterations of Feodor Rojankovsky's name is Theodor Rojankowsky. Contributors: Jean-Henri d'Ardenne deTizac [JeanViollis] (French, 1877 – 1932) – author. André Dignimont (French, 1891 – 1965) – artist. Frédéric Emile Kapp (French, 1851-193?) – printer. Georges Mornay (French, 1876 – 1935) et Antoinette Mornay – pubishers. Feodor Rojankovsky [Rojan; Фёдор Степанович Рожанковский] (Russian-American, 1891 – 1970) – provenance. -
Softcover volume, 23.5 x 15 cm, in tan French flapped wrappers with red lettering to front, collated in-4to, in a tan double slipcase 24 x 15 cm with red lettered label to spine, pp.: [1-12] 13-112 [8], total 120 pages, incl. those within wrappers; printed on thick wove paper watermarked “Lafuma Frères”, 5 full-page and 6 half-page illustrations within collation, incl. frontispiece, guard tissue laid in. Title-page (red and black): LE ROMAN | DE | GODEMICHET | ÉPOPÉE | LIBERTINE | ET VÉCUE | composée par un | DESCENDANT D’HERMES | AMI DES MUSES | ÉMULE DE PRIAPE | et illustrée par un | MAITRE DU GENRE | ÉDITÉ POUR LES | AMIS DE L’AUTEUR | A PARIS EN L’AN DE GRACE | MCMXLVIII || Limited edition 200 + XX, this is copy № 175. Catalogue raisonné: Dutel III № 2336. Jean Reschofsky (French, 1905 – 1998) – artist. -
Softcover, french flapped wrappers, 29 x 19 cm, in glassine dustjacket, text printed on laid paper, pp.: [1-10] 11-256 [8], total 264 pages plus 11 plates out of 12, hand-coloured etchings on wove paper laid in, extraneous to collation. Wrappers detached from the block. Some pages uncut. Below is the missing plate, according to honesterotica.com:
Title-page: LES FILLES | DE LOTH | • | et autres poèmes | érotiques | recueillis par le | Vidame de Bozegy | • | A SODOME | — Imprimerie de la Genèse — | 1933 ||
Edition limited to 500 copies, this is copy № 54.
Catalogue raisonné: Dutel III № 1575.
Edmond Dardenne Bernard [Vidame de Bozegy] (French, 20th c.) – author.
André Collot (French, 1897 – 1976) – artist. -
Two volumes in owner’s uniform so called Jansenist binding by someone Alix (signed in gilt inside), gilt lettering to spine, each in a slipcase. Vol. 1: full crimson morocco 32.5 x 26 x 6.5 cm in a 33.3 x 27 x 7 cm slipcase, cloth endpapers, all edges gilt, publisher’s wrappers preserved, autographed drawing by Vertès to h.t. “à monsieur Willard | bien sympathiquement | Vertès | Paris 1930”. Collation: 3 blanks, front wrapper, 2 blanks, [10] h.t./limit., t.p., art., dedic., person., [2] 3-487 [488 blank], [2] coloph., 3 blanks, spine, 3 blanks; 74 dry-point illustrations by Marcel Vertès within collation; printed on thick wove paper by ‘Arches’ watermarked “Pausole & Vertès”. Title-page (red and black): LES AVENTURES | DU | ROI PAUSOLE | de | PIERRE LOUŸS | {vignette} | AUX DÉPENS D'UN AMATEUR | PARIS, MCMXXX || Limitation: CETTE ÉDITION DU ROMAN | DE |PIERRE LOUŸS | LES AVENTURES DU ROI PAUSOLE | A ÉTE COMPOSE EN CARACTÈRE GARAMOND DU CORPS 18 | ET IMPRIMEE SUR VÉLIN A LA FORME DES PAPETERIES | D' ARCHES FILIGRANÉ | PAUSOLE & VERTÈS | ELLE EST ILLUSTRÉE DE SOIXANTE-QUATORZE | POINTES-SÈCHES ORIGINALES | DE | VERTÈS | SON TIRAGE A ÉTÉ STRICTEMENT LIMITÉ A | QUATRE-VINGT-DIX-NEUF EXEMPLAIRES NUMÉROTÉS | DE 1 A 99 ET CONTENANT : | 1° LA SUITE DES CUIVRES AVEC REMAROUES. | 2° UNE SUITE DES 15 PLANCHES REFUSÉES. | IL A ÉTÉ TIRÉ EN OUTRE, POUR L' ARTISTE ET LES COLLABORATEURS, | QUELQUES EXEMPLAIRES NOMINATIFS, DONT DEUX IMPRIMÉS SUR PAPIER | CHIFFE D'AUVERGNE A LA MAIN | EXEMPLAIRE | № 9 || Colophon: Cet ouvrage, établi aux dépens de m. L. Givaudan, a été achevé d'imprimer le quinze novembre mil neuf cent trente, pour le texte, sur les presses de R. Coulouma, maitre imprimeur a Argenteuil, H. Barthélemy, directeur, et pour les pointes-sèches, dans les ateliers de «La Tradition", a Paris. Limited edition of 99 copies, this is copy № 9. Vol. 2: Three-quarters crimson morocco over cloth outlined gilt, 32.7 x 27.8 x 4 cm in a 33.3 x 28.2 x 4.3 cm slipcase, cloth endpapers, all edges gilt, printed on thick wove paper by ‘Arches’ watermarked “Pausole & Vertès”. Collation: 3 blanks, 74 unpaginated leaves of plates (main suite avec remarque), blank, 15 leaves of plates (refusées), t.p./limit., blank, 30 leaves of plates (15 prints in two states each, with and without ‘remarks’) titled Au pays du Roi Pausole, 3 blanks. Title-page (red and black): AU PAYS | DU | ROI PAUSOLE | Quinze cuivres | gravés par un artiste | inconnu | de la suite | du Roi | ❦ | —| TRYPHÈME. MCMXXX. || Limitation: IL A ÉTÉ TIRÉDE CETTE SUITE | DE POINTES-SÈCHES VINGT- | CINQ EXEMPLAIRES SUR VÉ- | LIN A LA FORME DES PAPETE- | RIES ARCHES AU FILIGRANE | DE PAUSOLE. CES SUITES NON | MISES DANS LE COMMERCE | SONT RÉSERVÉES A SA MAJES- | TÉ, AUX REINES PRÉFÉRÉES | PARMI LL. AA. RR. ET A QUEL- | QUES FIDÈLES SERVITEURS. | № 13 || Limited edition of 25 copies, this is copy № 13; Enriched with an original copper plate with one of the illustrations. Marcel Willard (French, – provenance. Catalogue raisonné: Dutel (III) 1057; Nordmann (II) № 307; Vokaer 26. Ref.: honesterotica.com Contributors: Pierre Louÿs (French, 1870 – 1925) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Léon Givaudan (French, 1875 – 1936) – publisher. Seller's description:Les Aventures du Roi Pausole. Paris, Aux dépens d'un amateur, 1930. 2 volumes in-4, maroquin rouge janséniste, tranches dorée, couverture et dos, emboîtage. Le volume de suites est relié en demi-maroquin rouge. (Alix). Ouvrage illustré de 74 pointes-sèches de Marcel Vertès. Tirage à 99 exemplaires sur vélin d'Arches, comportant la suite des cuivres avec remarque, ainsi qu'une suite des 15 planches refusées. Exemplaire enrichi d'une plaque de cuivre ayant servi à une des illustrations, d'un dessin avec envoi autographe signé de l'artiste sur la page de faux-titre et d'une double suite des 15 pointes-sèches par un artiste inconnu intitulée Au Pays du roi Pausole. Dos légèrement passés. -
Hardcover, 22.2 x 14.6 cm, quarter black cloth, pictorial boards, lettering to spine; pp.: [2] 3-253 [3], collated 8vo: 1-168, total 128 leaves plus portrait frontispiece. Title-page: Дж. Д. СЭЛИНДЖЕР | ПОВЕСТИ | НАД ПРОПАСТЬЮ | ВО РЖИ | ВЫШЕ СТРОПИЛА, | ПЛОТНИКИ | РАССКАЗЫ | ХОРОШО ЛОВИТСЯ | РЫБКА-БАНАНКА | ЧЕЛОВЕК, КОТОРЫЙ | СМЕЯЛСЯ | ГОЛУБОЙ ПЕРИОД | ДЕ ДОМЬЕ-СМИТА | ЛАПА-РАСТЯПА | ПЕРЕВОД С АНГЛИЙСКОГО | И ПРЕДИСЛОВИЕ | Р. РАЙТ-КОВАЛЕВОЙ | ИЗДАТЕЛЬСТВО ЦК ВЛКСМ | «МОЛОДАЯ ГВАРДИЯ», 1965 || T.p. verso: […] J. D. Salinger | The Catcher in the Rye | Raise high the Roof Beam, Carpenters | A Perfect Day for Bananafish | The Laughing Man | De Daumier — Smith’s Blue Period | Uncle Wiggly in Connecticut | Художник Б. Жутовский | (В оформлении использован фрагмент картины | американского художника Э. Уайеса) || Print run: 115,000 copies. Contributors: [Джером Дэвид Сэлинджер] Jerome David Salinger (American, 1919 – 2010) Райт-Ковалёва, Рита [Черномордик, Раиса Яковлевна] (Russian, 1898 – 1988) Жутовский, Борис Иосифович (Russian, 1932 – 2023) «Э. Уайес» – [Эндрю Уайет] Andrew Wyeth (American, 1917 – 2009) -
The Colophon, A Book Collectors' Quarterly
- The colophon (new series): A quarterly for bookmen / Summer 1935, № 1, vol. 1. — NY: Pynson Printers, 1935. Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 7-159 [160] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | SUMMER 1935 | VOLUME I • NEW SERIES • NUMBER 1 | NEW YORK, N. Y. ||
- The colophon (new series): A quarterly for bookmen / Autumn 1935, № 2, vol. 1. — NY: Pynson Printers, 1935. (2 copies). Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 167-315 [315] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1935 | VOLUME I • NEW SERIES • NUMBER 2 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1936, № 1, vol. 2. — NY: Pynson Printers, 1936. Hardcover, 24 x 16 cm, cloth serial design; pp: [4 blanks] [6] 7-157 [158] [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1936 | VOLUME II • NEW SERIES • NUMBER 1 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Winter 1936, № 3, vol. 1. — NY: Pynson Printers, 1936. (2 copies) Hardcover, 24 x 16 cm, paper boards, serial pictorial design; pp: [4 blanks] [6] 323-480 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | WINTER 1936 | VOLUME I • NEW SERIES • NUMBER 3 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1937, № 4, vol. 2. — NY: Pynson Printers, 1937. Hardcover, 24 x 16 cm, cloth serial design; pp: [4 blanks] [6] 487-628 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1937 | VOLUME II • NEW SERIES • NUMBER 4 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Summer 1938, № 3, vol. 3. — NY: Pynson Printers, 1938. Hardcover, 24 x 16 cm, cloth new serial design; pp: [4 blanks] [6] 335-476 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | SUMMER 1938 | VOLUME III • NEW SERIES • NUMBER 3 | NEW YORK ||
- The colophon (new series): A quarterly for bookmen / Autumn 1938, № 4, vol. 3. — NY: Pynson Printers, 1938. Hardcover, 24 x 16 cm, cloth new serial design; pp: [4 blanks] [6] 483-632 [4 blanks]. THE | COLOPHON | new series | A QUARTERLY FOR BOOKMEN | {woodcut vignette} | — | AUTUMN 1938 | VOLUME III • NEW SERIES • NUMBER 4 | NEW YORK ||
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Softcover, 228 x 180 mm, tan French flapped wrappers with red lettering to front[1-4, owner’s glassine dustcover, top edge trimmed, printed on thick wove paper without a watermark; pp.: ffl [1-4 h.t., t.p.] 5-154 [2 blanks] colophon to back ffl recto, plus 12 plates with hand-coloured lithographs, extraneous to collation. Pencil and pigment drawing to h.t. signed “J. D’A” with gift manual inscription “A Monsieur et Madame Chalamel [sic] ce tardif mais sincère souvenir de sympathie”, signed “J et Y D’A.” Etching bookplate to front ffl recto: “EX LIBRIS PIERRE CHALLAMEL | JE FONCE DANS LE BROUILLARD”, signed “J A M” (Jean-Adrien Mercier). The signature J. D’A stands for Jean d’Angers, while Y D’A stands for Jean-Adrien’s wife Yvonne (1902—1999), nicknamed Zizi; they married in 1927. According to J.-P. Dutel, the stated illustrator of this edition, Jean d’Angers is indeed Jean-Adrien Mercier. The text belongs to Gustav Droz and, possibly, Auguste Poulet-Malassis. Limitation: the book was printed for subscribers in 30 copies on Japon Impériale paper (№№ 1-30) and 250 copies on vélin du Marais paper (№№ 31-280). This copy bears № 123 and was presented as a gift by the artist and his wife to Pierre Challamel. Title-page (red and black): POUR SERVIR | A L'HISTOIRE | DE NOS MŒURS | UN ÉTÉ | A LA CAMPAGNE | CORRESPONDANCE DE DEUX JEUNES PARISIENNES | RECUEILLIE PAR UN AUTEUR A LA MODE | MDCCCLXVIII || Catalogue raisonné: Dutel III № 2546; honesterotica. Provenance: Pierre Challamel (French, 20th century) Contributors: Gustave Droz (French, 1832 – 1895) – author (presumable). Auguste Poulet-Malassis (French, 1825 – 1878) – author (presumable). Jean-Adrien Mercier (French, 1899 – 1995) – artist. Micro photo of the lithography:
Micro photo of the original drawing:
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Hardcover volume, 19 x 13 cm, grey cloth with gilt lettering to spine, grey/cream dust jacket lettered throughout, price “10s 6d | NET” unclipped. Covers rubbed, dust jacket has a purple ink stain on the back bottom. Black ink inscription to recto ffl. Collation: a-o8 p10, total 122 leaves; pp.: [6] 1-237 [238]. 1st edition, 1st issue / Great Britain. Title-page: THE END OF THE | AFFAIR | by | GRAHAM GREENE | {publisher’s device} | — | WILLIAM HEINEMANN LTD | MELBOURNE :: LONDON :: TORONTO || Imprint: FIRST PUBLISHED 1951 | PRINTED IN GREAT BRITAIN | AT THE WINDMILL PRESS | KINGSWOOD, SURREY || Dedication: To C. (Catherine Walston, nee Crompton, American, 1925 – 1978) Contributors: Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) -
Softcover volume, 19.5 x 14.3 cm, olive French flapped wrappers, glassine dust cover, printed on laid paper (Hollande), outer and bottom margins untrimmed, some pages uncut; pagination: [2] blank, [i-iv] h.t./limit., t.p./blank, v-viii, 1-196 [197] [5], total 212 pages plus frontispiece; head- and tailpieces and in-text stencil-coloured etchings after Chéripoulos. Title-page (olive and black): LE ROMAN | DE | VIOLETTE | {vignette} | A LA ROYNE DE CYTHÈRE | SODOME | 1920 || Limitation: Cet ouvrage, achevé d'imprimer le cinq Janvier Mil Neuf Cent Vingt à trois cents exemplaires dont vingt-cinq exemplaires sur Japon Impérial contenant chacun un dessin original de Chéripoulos, numérotés de un à vingt-cinq; deux cent soixante-quinze exemplaires sur papier de Hollande, numérotés de vingt-six à trois cents; en plus cinq exemplaires de collaborateurs marqués de A à E. Le présent exemplaire porte le numéro 72. Edition: Printed on the 5th of January 1920 in 305 copies (№№ 1-25 on Japon Impérial, №№ 26-300 on Hollande, A–E for collaborators). Catalogue raisonné: Dutel III № 2339, p. 350. Contributors: Henriette de Mannoury d'Ectot [Henriette Nicolas Le Blanc] (French 1815 – 1899) Charles Auguste Edelmann [Chéripoulos] (French, 1879 – 1950). -
A softcover volume 18.7 x 12.1 cm, in publisher’s cream wrappers, red lettering in red and green frames to front cover, in glassine dustwrapper, uncut, untrimmed, collated in 8vo: 1-98 104, pp. [1-8] 9-151 [152 blank], plus 6 illustrations reproduced in drypoint after Mario Tauzin's lithographs from the album 'Interdit aux adultes' (see SVE-0547.2024). Front cover : BONNE | A | TOUT | FAIRE Title-page : BONNE | A | TOUT | FAIRE Stated limited edition of 900, strictly for subscribers. According to J.-P. Dutel III 1108 (p.66): published by Éric Losfeld in the late 1950s. Bonne à tout faire is a French idiom = maid-of-all-work Éric Losfeld (Belgian-French, 1922 – 1979) — publisher Mario Tauzin (French, 1909 – 1979) — artist -
NEWSoftcover, French flapped pictorial wrappers, 240 x 160 mm, translated title: Rape at the boarding school, pp. [1-6] 7-164 [4], 40 black and white illustrations by Garcini. Title-page: D’après un texte de | CERKAN DE SARDAN | VIOL | AU PENSIONNAT | illustrations de | GARCINI || -
NEWHardcover album 387 x 300 mm, bound in orange half-calf over green paper with vertical black zig-zag and embossed gilt rings, by Isy Brachot of Brussels; includes a photographic portrait of D. H. Lawrence pasted to front green ffl verso, ms title-page, six pages of ms text with a woodcut portrait of the same to page 2, 27 plates (including eight double-page), one blank leaf followed by ten pages of ms text and back green ffl with text to recto, 49 leaves total, plates on thick wove paper, text on Canson & Montgolfier watermarked laid paper, all unpaginated; in a slipcase. The title page indicates: “Vertés, a fashionable and popular designer from 1940 to 1960 […] attempted to illustrate in 1959 the famous novel by D.H. Lawrence, Lady Chatterley's Lover, but not getting along with his publisher, he sold his sketches for two thousand dollars to count Charles de Kerchove de Denterghem (1819 – 1882). Further, the t.p. reads: Les esquisses, lit-on encore sur cette page, furent reliées par Isy Brachot de Bruxelles. Elles furent classées par lui sans ordre, comme elles venaient. En préface figurent un bref résumé du roman, un historique des difficultés qu'il connut, un compte rendu de sa victoire finale. En postface sont transcrits, en langue originale, les scènes illustrées par Vertès dans l'ordre où elles se trouvent écrites, ainsi qu'une appréciation de l'art de Vertès. Michel Vokaer’s Bibliographie de Marcel Vertès (1967) does not mention this collection of sketches; however, it says that the artist had produced two test etchings for Lady Chatterley’s Lover around 1936, which remained unpublished. The gouaches were drawn in the US, and the texts accompanying them are in English, so one could suppose that the prospective publisher—who remains unknown—was American. Contributors: Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) David Herbert Lawrence (British, 1885 – 1930) -
NEWAnonymous manuscript half bound in green sheepskin, gilt lettering to spine, 382 x 325 x 65 mm, 424 pp. with pp. 368-400 blank, thick graph paper, tissue samples pasted throughout. According to the seller: “Important treatise on weaving decorated with numerous drawings, sketches, diagrams and samples of laminated fabrics (satin, silk, damask, velvet, etc.). Elegant work, beautiful writing in italics, all pages in a framing net. It contains chapters on the history of silk, the silkworm (hatching, transformation, etc.), silk spinning, dyeing, warping, folding, heddles, different types of mesh, satin, satin drifts, damask for dresses, royal damask for furnishings, velvet, etc. etc.” -
NEWThe true first edition in original parts, published in four issues of the Soviet magazine «Трезвость и культура», Москва, Профиздат (Sobriety and Culture, Moscow, Trade Union Publishing): Part 1 in № 12/1988, pp. 26-38; Part 2 in № 1/1989, pp. 26-37; Part 3 in № 2/1989, pp. 28-39; Part 4 in № 3/1989, pp. 30-35. Each issue: 260 x 200 mm; 64 pages, in pictorial wrappers, stapled. Print run: 12/1988 — 800,525 copies; 1/1989 — 626,970 copies; 2/1989 — 635,115 copies; 3/1989 — 639,810 copies. The first part was submitted for typesetting on October 10 and signed to print on November 28, 1988. This makes it the first officially published 'Soviet' edition; however, it lacks the author's foreword and was substantially censored. Reference: Id., Moskva-Petushki, “Trezvost’ i kul’tura”, 12 (1988): 26-38 [introduction by S. Chuprinin, censured edition]. Id., Moskva-Petushki, “Trezvost’ i kul’tura”, 1 (1989): 26-37; 2 (1989): 28-39; 3 (1989): 30-35 [censured edition]. Contributors: Ерофеев, Венедикт Васильевич [Yerofeyev, Venedikt] (Russian, 1938 – 1990) – author Чупринин, Сергей Иванович (Russian, b. 1947) – preface Басыров, Гариф Шарипович (Russian, 1944 – 2004) – artist -
NEWSoftcover, 200 x 126 mm, publisher’s pictorial wrappers, pp. [2] 3-126 [2]. ISBN: 5-85965-006-X. Title-page: ВЕНЕДИКТ | ЕРОФЕЕВ | — | МОСКВА–ПЕТУШКИ | Рига {R Rakstnieks} 1991 || Print run 50,000 copies. Contributors: Ерофеев, Венедикт Васильевич [Yerofeyev, Venedikt] (Russian, 1938 – 1990) – author Dainis Breikšs [Дайнис Брейкшс] (Latvian, b. 1942) – artist Муравьёв, Владимир Сергеевич (Russian, 1939 – 2001) – preface -
NEWSoftcover, light brown wrappers with French flaps, 163 x 110 mm, pp. [1-6] 7-357 [3]. Title-page: Venedikts Jerofejevs | MASKAVA | – | GAILĪŠI | No krievu valodas tulkojis | Uldis Tīrons | {Publisher’s device} | LIEPNIEKS & RITUPS || Translated from Russian by Uldis Tīrons Original title: Венедикт Ерофеев. Москва — Петушки Contributors: Ерофеев, Венедикт Васильевич [Yerofeyev, Venedikt] (Russian, 1938 – 1990) – author Uldis Tīrons (Latvian, b. 1956) – translator -
NEWスラブ社会文化論シリーズ||スラブ シャカイ ブンカロン シリーズ ; 第4号 Softcover, grey publisher’s wrappers with black lettering, in silver dust jacket with black lettering and vignette; pp. [8] [i] ii-iii [iv] [1] 2-293 [5]; 257 x 183 mm. DJ Front: Эдуард ВЛАСОВ | БЕССМЕРТНАЯ ПОЭМА | ВЕНЕДИКТА ЕРОФЕЕВА | МОСКВА ПЕТУШКИ | {vignette} | СПУТНИК ПИСАТЕЛЯ | Slavic research center | Hokkaido university || Title-page: Эдуард ВЛАСОВ | БЕССМЕРТНАЯ ПОЭМА | ВЕНЕДИКТА ЕРОФЕЕВА | МОСКВА ПЕТУШКИ | {vignette} | СПУТНИК ПИСАТЕЛЯ | ИЗДАНИЕ ПЕРВОЕ, | ИСПРАВЛЕННОЕ И СОКРАЩЕННОЕ || Contributors: Ерофеев, Венедикт Васильевич [Yerofeyev, Venedikt] (Russian, 1938 – 1990) – author Власов, Эдуард Ю. – author/commentary -
NEWHardcover, 217 x 142 mm, pictorial boards and spine, lettering; pictorial endpapers, collated 16mo: 1-1816, i.e. 288 leaves; pp.: [1-4] 5-573 [3], pictorial title, section titles, and frontispieces within collation. Print run 3000 copies. Title-page: ВЕНЕДИКТ ЕРОФЕЕВ | МОСКВА – | ЭДУАРД ВЛАСОВ | Бессмертная поэма | Венедикта Ерофеева | «МОСКВА – ПЕТУШКИ» | МОСКВА ВАГРИУС 2002 || Contents: Венедикт Ерофеев. Москва – Петушки. Поэма. (pp. 13-119); Эдуард Власов. Бессмертная поэма Венедикта Ерофеева «Москва – Петушки»: Спутник писателя (121-574). Contributors: Ерофеев, Венедикт Васильевич [Yerofeyev, Venedikt] (Russian, 1938 – 1990) – author Власов, Эдуард Ю. – author/commentary Попов, Евгений Анатольевич (Russian, b. 1946) – preface Муравьёв, Владимир Сергеевич (Russian, 1939 – 2001) – editor Гусейнов, Вадим Владимирович (Russian, b. 1962) – artist -
NEWHardcover, 210 x 147 mm, black cloth with geometrical (avant-garde style) lettering to front cover and spine, pictorial endpapers, pp.: [1-7] 8-510 [2]. Chair of the editorial board of the almanach Каверин, Вениамин Александрович [Kaverin, Veniamin] (Russian-Jewish, 1902 – 1989) Print run 50,000 copies. ISBN 5-7000-0161-6. It was the first more or less uncensored publication in the Soviet Union. Submitted for typesetting on September 27, 1988, signed to print on January 2, 1989. Referenced as: Moskva-Petushki, in Vest’: Sbornik. Proza, poėziia, dramaturgiia, Knizhnaia palata, Moskva 1990: 418-506 [complete edition]. Contributors: Венедикт Васильевич Ерофеев [Venedikt Yerofeyev] (Russian, 1938 – 1990) – author. -
NEWSoftcover, 240 x 190 mm, green velvet paper French flapped wrappers with a silver vignette of Rops’ sphynx, in half of double-slipcase, pp. [1-8] 9-76 [8], i.e. 42 leaves plus 20 hand-coloured soft-ground etchings, incl. frontispiece, attributed to Louis Berthomme Saint-André. Text and plates printed on thick wove paper watermarked Arches, margines untrimmed; anonymous woodcut head- and tailpieces. Enhanced by a complete set of plates, uncoloured, in green velvet paper folder, gilt inside. Pibrac (or Pybrac) by Pierre Louÿs is "composed of 313 rhymed Alexandrine quatrains, the majority of them starting with the phrase I do not like to see. Pybrac is in the form a mockery of sixteenth-century chancellor poet Guy Du Faur, seigneur de Pibrac (French, 1528-1584), whose moralizing quatrains were the common literary fare for young French readers until the nineteenth century".honesterotica.com: Pibrac is best remembered for his own collection of poems, a set of 126 moralistic quatrains, which throughout its endless printings bestowed good advice and guidelines to proper conduct…
The English translation of Louÿs' Pibrac/Pybrac by Geoffrey Longnecker was published by Wakefield Press in 2014: https://wakefieldpress.com/products/pybrac Title-page (green and black): PIBRAC | QUATRAINS ÉROTIQUES | DE | PIERRE LOUYS | {vignette} | AUX DÉPENS D’UN AMATEUR | POUR LE PROFIT DE QUELQUES AUTRES | M. IM. XXXIII || Imprint / Limitation: Cette édition des quatrains érotiques de Pierre Louÿs, illustrée de vingt eaux-fortes originales d'un artiste inconnu, a été strictement limitée à 300 exemplaires qui ont été composés en Elzévir vieux style de corps 12 avec des caractères neufs. Ils ont tous été tirés sur grand vélin d'Arches à la forme et comportent tous un état avec remarque des 20 planches, tiré en noir. Justification du tirage: 20 exemplaires sur grand vélin d'Arches à la forme, numérotés de 1 à 20, auxquels il a été ajouté en plus des états avec remarque des 20 cuivres, 1 des aquarelles ayant servi à l'illustration, 1 croquis original et 1 cuivre encré. 280 exemplaires sur grand vélin d'Arches à la forme, numérotés de 21 à 300, comprenant tous les états avec remarque. Il a été tiré en outre 8 exemplaires sur Arches, numérotés en chiffres romains de I à VIII, destinés aux collaborateurs de l'ouvrage. Pour authentifier la présente édition, l'artiste et l'éditeur apposeront sur cette justification un cachet en garantissant l'originalité. Cet exemplaire porte le No 290. Colophon: La présente édition a été achevée d'imprimer à Paris le trente et un janvier mil neuf cent trente-quatre par deux imprimeurs amis des belles éditions. Catalogue raisonné: Dutel III № 2198. Collaborators: Pierre Louÿs (French, 1870 – 1925) – author. Louis Berthomme Saint-André (French, 1905 – 1977) – artist. Edition attributed to the bookseller Robert Télin. -
NEWHardcover, 244 x 205 mm, red quarter morocco over marbled boards, gilt lettering and raised bands to spine, marbled endpapers, original wrappers 235 x 190 mm preserved. Collated 4to: 3 ffl, front wrapper2, blank4, h.t./imprint6, frontis.8, t.p.10, 1-234, blank196, back wrapper198, 3ffl; pp.: [1-11] 12-186 [12], plates and wrappers within collation. Total number of leaves from wrapper to wrapper 198 (190 per Vokaer). Title-page (brown and black): Tableaux Contemporains – no 6 | TABLEAU | de | LA MODE | par | GEORGES-ARMAND MASSON | illustré | de vingt et une gravures à l'eau-forte | et de onze lithographies en couleurs | par | MARCEL VERTÈS | PARIS | ÉDITIONS DE LA NOUVELLE REVUE FRANÇAISE | 3, rue de Grenelle || Front wrapper: same as t.p., framed. Back wrapper: advert. dans la même collection, framed. Imprint: Un exemplaire sur japon impérial (A), 6 exemplaires sur japon impérial (B-E), 15 exemplaires sur japon impérial (F-T), 320 exemplaires sur vélin pur fil Lafuma-Navarre (dont 20 exemplaires hors commerce), numérotés de 1 a 300 et de I a XX. Exemplaire no 238. Tous droits de reproduction el de traduction réserves pour tous les pays, y compris la Russie. Copyright by Librairie Gallimard, 1926. Colophon: CE VOLUME, | LE SIXIEME DE LA COLLECTION DES | TABLEAUX CONTEMPORAINS, | A ÉTE ACHEVE D’IMPRIMER | LE DIX MAI MIL NEUF CENT VINGT-SIX : | POUR LE TEXTE, | PAR LE MAITRE IMPRIMEUR COULOUMA, A ARGENTEUIL, | H. BARTHELEMY ETANT DIRECTEUR, | ET POUR LES GRAVURES, | PAR CLOT, LITHOGRAPHE | ET HAASEN, IMPRIMEUR EN TAILLE-DOUCE | A PARIS || Limited Edition: 22 copies printed on Japon Impérial paper marked letters A to T enriched with suites of plates and original drawings; 20 copies marked I to XX on Vélin pur fil Lafuma-Navarre paper not for sale, and 300 commercial copies on the same paper, numbered 1 to 300, of which this is copy № 238. Total number of copies 342. Catalogue Raisonné: Vokaer № 14, p. 10. Contributors: Masson, Georges-Armand (French, 1892 – 1977) – author Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist Clot, Auguste (French, 1858 – 1936) – lithography Haasen, Paul (French, d. 1944) – etchings -
NEWHardcover, 330 x 255 mm, marble paper, two labels of black calf with gilt lettering to spine, 2 blank leaves at front and 2 at back (laid paper), two leaves of lithographic vignettes (t.p. and limitation), plus 20 lithographic plates signed “am”, unpaginated. Limited edition of 25 copies on Japon Impérial paper №№ 1-25, 300 copies on Vélin d’Arches №№ 26-325, of which this is copy № 206. Stones sanded. A poem by Verlaine at p. 2 recto. Title-page: L'Académie | DES | Dames | VINGT ATTITUDES PAR | ALBERT MARQUET | {vignette} | NEW YORK | SIXTY-NINTH AVENUE || Imprint: ÉDITION PRIVÉE | EXEMPLAIRE NUMERO 206 Limitation: JUSTIFICATION DU TIRAGE | IL A ÉTÉ TIRÉ DE CET OUVRAGE | VINGT-CINQ EXEMPLAIRES SUR JAPON IMPÉRIAL | NUMÉROTÉS DE 1 à 25 | ET TROIS CENTS EXEMPLAIRES SUR VÉLIN D'ARCHES | NUMÉROTÉS DE 26 à 325 | PIERRES BIFFÉES || Catalogue raisonné: Dutel III № 949; Nordmann I № 255. Provenance: From the collection of Hans-Jürgen Döpp, Frankfurt. Contributors: Albert Marquet (French, 1875 – 1947) Verlaine, Paul (French, 1844 – 1896) One additional lithographic plate by Marquet from a different source but on a similar subject is laid in.
