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Hardcover volume 20 x 14 cm, bound in burgundy half faux chagrin over brown faux chagrin boards, gilt lettering to spine, marbled endpapers, all margins sprinkled blue. Convolute: 1) SPIRITOMANES ET SPIRITOPHOBES |— | ÉTUDE | SUR LE | SPIRITISME | PAR LE | DOCTEUR HUGUET | De la Faculté de Paris | {« ED » publsiher’s device} | PARIS | E. DENTU, LIBRAIRE-ÉDUTEUR | Palais-Royal, 17-19, Galerie d’Orléans | – | 1875 | Tous droits réservés ||; pp. [1-7] 8-48, with Dr Huguet signature to h.t. verso. Contents: Introduction. I. Le procès du 16 juin 1875; MM. Firman, Buguet, Leymarie. II. Le Spiritisme dans ses rapports avec le dogme, l’histoire, la science. Conclusion. 2) Same, pp. [1-7] 8-48, with Dr Huguet signature to h.t. verso. 3) FÉDÉRATION SPIRITE BELGE | — | Étude critique | DU LIVRE INTITULÉ | L'Hypnotisme | et le Spiritisme | du Docteur Joseph LAPPONI | Médecin de L. L. S. S. LÉON XIII et PIE X. | * | CONFÉRENCE | PAR | J. FRAIKIN | Président de la Fédération Spirite de Liége, | Vice-Président de la Fédération Spirite Belge. | * | Imp. Emile Dumon | Rue Haute-Marexhe, 27, Herstal-Liége. ||; pp. [1-3] 4-50 [51] errata/blank. 4) BUREAU PERMANENT D’ÉTUDE | DES | PHÉNOMÈNES SPIRITES | ANVERS | * | Cours De Doctrine Spirite | — | Imprimerie et Publicité « LA GÉNÉRALE » (SOC. AN.) Anvers. ||; 6 leaves, pagination trimmed out with partly visible numbers 13 and 18 ; includes Deuxième leçon « Du passage de la vie… », t.p., 7 pp. of text, last three pages blank. 5) LA PSYCHOLOGIE EXPERIMENTALE || Manifeste adresse par le « Syndicat de la Presse spiritualiste de France » | au Congres spiritualiste de Londres (Juin 1898); pp. [1] 2-31 [32]. Contents: I. Prolégomènes. II. Télépathie. III. Médiumnité. Conclusion. 6) LE FLUIDE HUMAIN | Son existence/ | Ses lois * Ses propriétés | — | CONFÉRENCE | DONNÉE PAR LE | Sous-Lieutenant DE BACKERE | — ||; pp. [1-3] 4-28. Contributors: Hilarion Huguet (French, ? – ?) Alfred-Henri Firman (American, ? – ?) Édouard Isidore Buguet (1840 – 1901) Pierre-Gaëtan Leymarie (1827 – 1901) Giuseppe Lapponi (Italian, 1851 – 1906) Jacques Fraikin (Belgian, ? – ?) Franz de Backere (Belgian, ? – ?) -
Description: Bound in brown ¾ morocco over marbled boards by R. et R. Mativet (ink stamp to ffep verso), collated 4to, 26.4 x 20.7 cm, raised bands, gilt arabesque and lettering to spine, original glossy pink pictorial wrappers preserved, marbled endpapers, bookplate to front pastedown “ML”, to front fep “EX-LIBRIS | Jacques | Crépineau”; A.L.s. of Marcel Vertès pasted to one of the feps: "Biblis [6] rue Jacques Callot. Cher Monsieur Le Bodo, Voudriez-vous avoir l’amabilité et de céder un exemplaire de « Dimanche » à M. Risler à un prix très réduit? Merci d’avance. Bien à vous, Vertès". Jean Le Bodo – abord gérant de la Librairie Biblis (20, rue du Vieux-Colombier, Paris 6e), et en 1946, libraire au Livre de France, Paris 16e; Risler – probablement Jean-François Risler (1910-1952), fils d’un pianiste Joseph-Édouard Risler (1873 – 1929). Title-page: DAISY FELLOWES | Les | Dimanches | de la | Csse de Narbonne | ILLUSTRATIONS | DE | VERTÈS | ÉDITIONS DE France | 20, AVENUE RAPP, PARIS || Collation: 1 blank, front wrapper, π4 (2 blanks with A.L.s. pasted to the 2nd, h.t., t.p.), 1-244 χ4 (table, colophon, 2 blanks) back wrapper, 1 blank; total 104 leaves within the wrappers, numerous in-text and 7 full-page prints after drawings by Marcel Vertès, within collation. Pagination: [8] [1-2] 3-191 [192] [8], total 208 pages, ils. Limitation: printed on June 25, 1935 by Coulouma (Argenteuil) under the direction of H. Barthélemy, 20 copies (№1-20) on Japon blanc super-nacré + two suites, 80 copies on Japon a la forme (№21-100) + one suite, 900 (№101-1000) on Vélin blanc. This is copy № 598. Catalogue raisonné: Vokaer (Vertès) № 34, p. 15. Provenance: Jacques Crepineau (French, 1932 – 2017). Contributors: Daisy Fellowes [Marguerite Séverine Philippine Decazes de Glücksberg] (French, 1890 – 1962) – author Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. -
Description: French flapped wrappers, 27 x 20.5 cm, 134 gatherings, plus two leaves (blank, h.t. / limitation) at the beginning (54 leaves total), the first and the last two leaves blank, two pages in each of 12 gatherings (24 total) are hand-painted photogravures after etchings by an anonymous artist, attributed to Santippa, pseudonym of Georges or Gaston Hoffmann, or, possibly, of André Collot; the gatherings are unbound, pp. [1-10] 11-99 [100] [8] (108 pages total). Title-page: ÉPICES | REFLEXIONS | sur quelques à-côtés de l'amour | destinées à des personnes | expérimentées | ILLUSTREES | DE | VINGT-QUATRE PLANCHES | HORS-TEXTE | COLORIÉES A LA MAIN | {vignette} | ÉDITÉ | POUR UN GROUPE DE BIBLIOPHILES || Edition: limited to 500 copies numbered from 1 to 480 + 20 hand-numbered with Roman numbers. This is copy № 273. Enrichment: one original sketch (for Coucou… ou l’erreur de porte), one etching before letters and the same after letters and coloured (Le petit coin tranquille.. 19/20), and a full suite of 24 original etchings in sepia on cream paper, 20 of them on Arches and 4 on BFK Rives) printed for the first 17 copies of the 1950 edition (55 copies were printed then). In addition: one graphite pencil sketch which is not part of the suite. Catalogue raisonné: Dutel 1920 – 1970: № 1490 (for 1950), № 1491 (for 1955).
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Half calf binding 33.5 x 25 cm, gilt lettering within rules “GODAL | JO”, engraved title-page and 9 etchings printed in sepia on sheets 32.5 x 24 cm of thick wove paper, pencil signed, presumably, by the artist; a newspaper clipping tipped-in. The number of copies is unknown. Ticket to front pastedown: "Haeusgen |8 München 90 | Reinekestrasse 36" According to seller: “Extraordinarily rare series of erotic original etchings. - Cf. Bilderlexikon II, 451 u. Vollmer II, 261 - According to KVK not in any library”. Contributors: Erich Godal [Erich Goldbaum] (German-Jewish, 1899 – 1969) – artist. -
Title page: ACROSS THE RIVER | AND | INTO THE TREES | BY | ERNEST HEMINGWAY | CHARLES SCRIBNER'S SONS | NEW YORK | 1950 || Pagination: [12] 1-308; total 160 leaves. Binding: black cloth, gilt Hemingway's fac-simile to front board, lettering to spine, pictorial dust jacket designed by A. Ivancich; $3.00 price clipped from top of front flap. Bookplate of Feodor Rojankovsky to front pastedown. Size: 21.5 x 15 cm. Edition: 1st edition, 1st printing; DJ with yellow on spine (later copies have orange); letter “A” and the Scribner’s device to copyright page. Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970) Contributors: Ernest Hemingway (American, 1899 – 1961) – author. Adriana Ivancich (Italian, 1930 – 1983) – artist of the dust jacket (Ivancich inspired the figure of Renata in the novel). Charles Scribner's Sons – publisher. -
Description: One volume, publisher’s original tan French flapped wrappers with engraved vignette, in glassine DJ, unbound, 25.5 x 19.5 cm, collated in-4to, bottom and outer margins untrimmed, some pages uncut, printed on laid watermarked Van Gelder Zonen paper, illustrated with 15 full-page drypoint plates, some with tissue guard; front wrapper, t.p. and table vignettes, numerous head- and tailpieces by R. Lacourière after drawings by Marcel Vertès, enriched with two cancelled images printed on different laid papers in different states, three of each image. Printed on June 10, 1926 by Coulouma (Argenteuil) under the direction of H. Barthélemy, drypoints by Roger Lacourière (Paris). Limitation: 95 copies of which № 1 on Japon Ancien, № № 2-26 on Japon Impérial, and №№ 27-95 on Hollande. This is copy № 78. Front wrapper: FRANCIS CARCO | L'AMOUR | VÉNAL | {vignette with inscription in oval tablet «POINTES | SÈCHES | DE» } | VERTÈS | PARIS | MCMXXVI || Title-page: FRANCIS CARCO | L'AMOUR | VÉNAL | {vignette} | POINTES SÈCHES DE | VERTÈS | PARIS | MCMXXVI || Collation: 2 leaves in wrapper, π4 (fac-simile of Carco a.l.s., h.t., t.p., authorship) a4 (preface), 1-164 [17]4, 2 leaves in wrapper; total without the wrapper 76 leaves plus 15 plates, plus 6 plates of enrichment plates. Pagination: [8] [i] [ii-viii] [1] 2-128 [8], total 152 pages, ils. Note: The edition is not in Dutel, not in Pia (Enfer); Fekete (2014): № 215, p. 117; Vokaer (1967): № 15, p.10. According to both sources, it is a 2-volume edition, with text in vol. 1 and plates in vol. 2. Vokaer attributes publishing to La Roseraie (Paris) and provides for 45 drypoints of which 18 full-page plates in the second volume. Fekete (Christie’s) provides for 15 full-page plates and 25 illustrations in text. Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Roger Lacourière (French, 1892 – 1966) – engraver, printer. -
Title-page (text in frame): FRANCIS CARCO | RIEN QU'UNE | FEMME | {vignette} | EAUX-FORTES DE | CHAS LABORDE | — | PARIS — M.CM.XXV || Description: 4to, 24.5 x 20 cm, owner’s red cloth, yellow leather label with gilt lettering to spine, original wrappers bound in, woodcut bookplate “ИЗ КНИГ Ф.РОЖАНКОВСКАГО” to front pastedown; chapter titles and initials printed in pink. Collation: fep, 2 blanks before front wrapper, front wrapper with a black lettered pink label, 2 blanks, h.t., t.p., dedication, 1-204 212,2 blanks, rear wrapper, 2 blanks, rep; total 89 leaves within wrappers, plus 15 plates with tissue guards, incl. frontispiece – hand-coloured etchings by Chas [Charles] Laborde, extraneous to collation. In some copies, there are two additional plates. Pagination: [10] [1] 2-162 [2 colophon/blank] [4], total 178 pages. Limitation: Date of printing: September 15, 1925. Printer: Imprimeur Coulouma (Argenteuil) Print run: 267 copies of which 1 copy on Japon Ancien (№1), 15 on Japon Impérial (№№ 2-16), 60 on Hollande (№№ 17-76), and 200 copies on Vélin de Rives (№№ 77-276) ; this is copy № 82. Etchings printed on BFK Rives paper (embossed). Provenance: Rojankovsky, Feodor [Rojan; Рожанковский, Фёдор Степанович] (Russian-American, 1891 – 1970). Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Chas Laborde [Charles Laborde] (French, 1886 – 1941) – artist. Roger Lacourière (French, 1892 – 1966) – engraver. -
Description: Softcover, French flapped wrappers, lettered front, back (advert.) and spine, collated in-4to, 24.3 x 20.2 cm, printed on thick wove paper Vélin pur fil Lafuma-Navarre, print run limited to 335 copies from which this is copy № 219; outer margin untrimmed, some leaves uncut, glassine DJ. Limitation: 1 copy (A) on Japon Impérial + double suite of plates + suite of original drawings, 4 copies (B-E) on Japon Impérial + double suite of plates, 15 copies on on Japon Impérial + suite of plates on Vieux Japon teinté (F-T), 315 copies on Vélin pur fil Lafuma-Navarre, of which 15 (I-XV) not for sale. Copyright: Libraire Gallimard, 1924. Printed: March 10, 1924 – text by Coulouma (Argenteuil) under direction of H. Barthélemy, lithographs printed by Marchizet (Paris). Front wrapper (in letterpress two-colour border): Tableaux Contemporains – no 4 | . TABLEAU | de | L'AMOUR | VÉNAL | par | FRANCIS CARCO | Illustré | de douze lithographies en noir | par Luc-Albert Moreau | PARIS | ÉDITIONS DE LA NOUVELLE REVUE FRANÇAISE | 3, rue de Grenelle || Title-page: Same, without a frame, in black, L'AMOUR | VÉNAL in brown. Collation: 4to; 14 a4 2-164, total 68 leaves with wrappers included in collation plus 12 plates, incl. frontispiece, extraneous to collation. Pagination: [2 wrapper] [6] [i] ii-vii [viii blank] [9] 10-122 [2 colophon] [2 blank] [2 wrapper]; total 136 pages incl. wrappers, plus ils. Contributors: Francis Carco [François Carcopino-Tusoli] (French, 1886 – 1958) – author. Luc-Albert Moreau (French, 1882 – 1948) – artist. La Nouvelle Revue Française (nrf) (Paris)– publisher. Gaston Gallimard (French, 1881 – 1975) – publisher. -
Hardcover volume, 28.5 x 25.5 cm, green lettered boards, pictorial dust jacket, pp.: [1-13] 14-143 [144], ils., inset: double-sheet 29.7 x 21 cm, “Exposition du 4 novembre 2006 au 4 février 2007”. Published on the occasion of the exhibition "Gabriel Laurin d'Aix (1901-1973)" held at the Musée Ziem, Martigues, Nov. 3, 2006 — Feb. 4, 2007. Title-page: GABRIEL LAURIN | un monde en couleurs | 1901-1973 | Sous la direction de Gérard Fabre | Texte de Jeanine Warnod | {publishers devices} || Contributors: Gabriel Laurin (French, 1901 – 1973) Jeanine Warnod (French, b. 1921) Gérard Fabre (French, b. 1963) -
Description: Softcover 4to volume 25 x 19.7 cm in publisher’s French flapped tan wrappers, in glassine DJ, lettering to front. Printed on watermarked “Arches” laid paper, margins untrimmed, pages uncut. Illustrated with 24 in-text coloured etchings, and 59 vignettes, initials, and tailpieces engraved on wood by Gilbert Poilliot after Maurice Leroy. Front wrapper: GABRIEL SOULAGES | LE | MALHEUREUX | PETIT | VOYAGE {vertical} | AUX ÉDITIONS DU CHARME || Title-page (red and black): GABRIEL SOULAGES | LE MALHEUREUX | PETIT VOYAGE | Illustrations de MAURICE LEROY | {fleuron} | ÉDITIONS DU CHARME | PARIS – 1942 || Pagination: [1-8] (leaf in wrapper, t.p., dedication, d.t.p.) 9-187 [188] [4] (table, colophon, leaf in wrapper), total 192 pages , incl. in wrappers. Limitation: Limited to 750 copies, 25 copies (№ 1-25) on Vélin d’Arches with the original drawings and several suites of plates, 59 copies (№ 26-84) on Vélin d’Arches with the original drawings and several suites of plates, 100 copies (№ 85-184) on Vélin d’Arches with one suite of woodcuts and one of the etchings, 216 copies (№ 185-400) on Vélin d’Arches without enrichment, 350 copies (401-750) on Vélin des Papeteries Lana (Docelles); besides there are 10 copies numbered I-X for the artist and collaborators. This copy is № 266. Edition made under the direction of Sven Nielsen and Robert Meiffrédy; printed on April 29, 1942, at Dumoulin under the direction of H. Barthélemy. Etchings were printed at La Tradition under the direction of H. Durupt and the artist. Gabriel Soulages (French, 1876 – 1930?) – author. Maurice Leroy (French, 1885 – 1973) – artist. Gilbert Poilliot (French, fl. 1938 – 1952) – wood engraver. Sven Nielsen (Danish, 1901 – 1976) – publisher. Robert Meiffrédy (French, 20th century) – publisher. -
Description: one volume 25.5 x 22 cm, quarter calf with raised bands and gilt lettering over gilt-decorated boards, text within decorated borders printed on wove paper, with 8 mounted colour plates, 16 x 14 cm, photomechanical reproductions after Franz von Bayros, with lettered tissue guards, t.e.g. Title-page (in decorated border): INPANDEANVALE | PICTURED {} IN COLOUR | BY THE MAR {} QUIS F.BAYROS {vignette} | AMALTHEA PUBLISHING OFFICEZURICH || Pagination: [2 blank] [1-6] 7-156 [2 blank], total 80 leaves, incl. 8 colour plates with lettered tissue guards. Limitation: Copyright by Amalthea Publishing Office, Vienna. Printed by Adolf Holzhauzen in Vienna. Bound by Karl Scheibe, Vienna. Edition A: №№ I-V, full leather signed by von Bayros; Edition B: №№ 1-495 in half-leather. This copy is № 130, signed by the author. Contributors: Geoffrey Sephton – author, nothing is known. Franz von Bayros (Austrian, 1866 – 1924) – artist. Adolf Holzhausen the Younger (Austrian, 1868 – 1931) – printer. Karl Scheibe (Austrian) – bookbinder. -
NEWHardcover, 244 x 205 mm, red quarter morocco over marbled boards, gilt lettering and raised bands to spine, marbled endpapers, original wrappers 235 x 190 mm preserved. Collated 4to: 3 ffl, front wrapper2, blank4, h.t./imprint6, frontis.8, t.p.10, 1-234, blank196, back wrapper198, 3ffl; pp.: [1-11] 12-186 [12], plates and wrappers within collation. Total number of leaves from wrapper to wrapper 198 (190 per Vokaer). Title-page (brown and black): Tableaux Contemporains – no 6 | TABLEAU | de | LA MODE | par | GEORGES-ARMAND MASSON | illustré | de vingt et une gravures à l'eau-forte | et de onze lithographies en couleurs | par | MARCEL VERTÈS | PARIS | ÉDITIONS DE LA NOUVELLE REVUE FRANÇAISE | 3, rue de Grenelle || Front wrapper: same as t.p., framed. Back wrapper: advert. dans la même collection, framed. Imprint: Un exemplaire sur japon impérial (A), 6 exemplaires sur japon impérial (B-E), 15 exemplaires sur japon impérial (F-T), 320 exemplaires sur vélin pur fil Lafuma-Navarre (dont 20 exemplaires hors commerce), numérotés de 1 a 300 et de I a XX. Exemplaire no 238. Tous droits de reproduction el de traduction réserves pour tous les pays, y compris la Russie. Copyright by Librairie Gallimard, 1926. Colophon: CE VOLUME, | LE SIXIEME DE LA COLLECTION DES | TABLEAUX CONTEMPORAINS, | A ÉTE ACHEVE D’IMPRIMER | LE DIX MAI MIL NEUF CENT VINGT-SIX : | POUR LE TEXTE, | PAR LE MAITRE IMPRIMEUR COULOUMA, A ARGENTEUIL, | H. BARTHELEMY ETANT DIRECTEUR, | ET POUR LES GRAVURES, | PAR CLOT, LITHOGRAPHE | ET HAASEN, IMPRIMEUR EN TAILLE-DOUCE | A PARIS || Limited Edition: 22 copies printed on Japon Impérial paper marked letters A to T enriched with suites of plates and original drawings; 20 copies marked I to XX on Vélin pur fil Lafuma-Navarre paper not for sale, and 300 commercial copies on the same paper, numbered 1 to 300, of which this is copy № 238. Total number of copies 342. Catalogue Raisonné: Vokaer № 14, p. 10. Contributors: Masson, Georges-Armand (French, 1892 – 1977) – author Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist Clot, Auguste (French, 1858 – 1936) – lithography Haasen, Paul (French, d. 1944) – etchings -
![Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 (2 vol. set). — NY, London: The Pierpont Morgan Library; Cornell University Press, 1982. — pp.: vol.1: [8] ix-xxxii, [2] 3-245 [3]; vol.2: [8] 247-557 [5], illustr.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2424.2020-scaled-500x500.jpeg)
Title page: The Art of the | French Illustrated Book | 1700 to 1914 | VOLUME I (II) | Gordon N. Ray | The Pierpont Morgan Library | Cornell University Press || Pagination: vol.1: [8] ix-xxxii, [2] 3-245 [3], illustr.; vol.2: [8] 247-557 [5], illustr. Both volumes paginater through out. Binding: 30.5 x 23.5 cm, two volumes uniformly bound in red cloth, gilt vignette to front cover, gilt lettering to spine; bookplate to front pastedown, ex-lib (Sweet Briar College Library) Contributors: Ray, Gordon Norton (American, 1915 – 1986) – author. Lange, Thomas V. – formal bibliographical description. Passela, Charles V. – photography. The Pierpont Morgan Library – Copyright © 1982 -
Title page: Title page: MODERN | FILM | SCRIPTS | THE THIRD MAN | a film by | Graham Greene | and Carol Reed | Lorrimer, London. Pagination: [1-4] 5-134 [2] blank; pasted into the last page: The film The Third Man is owned and distributed by British | Lion Films Ltd. Binding: publisher’s pictorial wrappers with the film still and lettering in white to front, and in black to back, and spine. Size: 20.2 x 14 cm. The Third Man is a 1949 British film directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Contributors: Graham Greene (British, 1904 – 1991) – author. Carol Reed (British, 1906 – 1976) – film director. Lorrimer Publishing Limited (London) – publisher. Villiers Publications, Ltd. (London) – printer. -
Title page: MODERN | FILM | SCRIPTS | THE THIRD MAN | a film by | Graham Greene | and Carol Reed | Simon and Schuster, New York. Pagination: [1-4] 5-134 [2] blank. Binding: publisher’s pictorial wrappers with the film still and lettering in blue and black to front, back, and spine. Size: 20.2 x 14 cm. The Third Man is a 1949 British film directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Contributors: Graham Greene (British, 1904 – 1991) – author. Carol Reed (British, 1906 – 1976) – film director. Simon & Schuster (NY) – publisher. Villiers Publications, Ltd. (London) – printer. -
Title-page: GRAHAM GREENE | — | A Burnt Out Case | {publisher's device} | HEINEMANN | LONDON MELBURNE TORONTO || Black buckram with silver lettering to spine, green pictorial dust jacket, unclipped (16s | NET), [2] h.t. / books by GG, [2] t.p. / copyright, [2] quotations / blank, [2] dedication to Doctor Michel Lechat; [1, 2] d.t.p. Part I / blank, 3-256. Total 264 pages. Publisher: William Heinemann Ltd. Printer: Windmill Press Ltd., Kingswood, Surrey. Copyright: © Graham Greene 1960, 1961. Wrapper design: Lacey Everett. Graham Greene (British, 1904 – 1991) William Henry Heinemann (Jewish-British, 1863 – 1920) Michel Lechat (Belgian, 1927 – 2014) -
Title-page: A SORT OF LIFE | — | Graham Greene | — | {publisher’s device} | THE BODLEY HEAD | LONDON SYDNEY | TORONTO || Green publisher’s cloth with silver lettering to spine, aubergine dust jacket, lettered on front and spine, designed by Michael Harvey, unclipped (£1.80 NET | IN U.K. ONLY), [1-8] 9-215 [216] + 2 blank leaves. © Graham Greene 1971. Printed by: William Clowes & Sons Ltd. (Beccles). Graham Greene (British, 1904 – 1991). -
Title-page: GRAHAM GREENE | DOCTOR FISCHER | OF GENEVA | or | THE BOMB | PARTY | {publisher’s device} | THE BODLEY HEAD | LONDON SYDNEY | TORONTO || Green publisher’s cloth with gilt lettering to spine, cream dust jacket, lettered on front, back and spine, unclipped (£4.50 NET | IN U.K. ONLY), [1-8] 9-139 [140] + 2 blank leaves. Printed by Clowes Ltd. (Beccles). © Graham Greene 1980. Dust jacket design by Michael Harvey. Graham Greene (British, 1904 – 1991).
