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Hardcover, 23 x 17 x 4.7 cm, burgundy buckram, bevelled boards, blind geometrical design with a gilt medallion at the centre, gilt lettering and blind design elements to spine, text in frame, all edges red; pp.: [i-v] vi-xvi, [1] 2-494, [2 advert.], [1] 2-32 advert.], collation 4to: a-b4, B-3R4, a16. Title-page (red and black, in red frame): A HISTORY | OF | CARICATURE & GROTESQUE | {gothic letters} In Literature and Art. | By THOMAS WRIGHT, Esq., M.A., F.S.A., | Hon. M.R.S.L., &c.; | Corresponding Member of the Imperial Institute of France | (Académie des Inscriptions et Belles Lettres). |{double rules} | WITH | ILLUSTRATIONS FROM VARIOUS SOURCES, | DRAWN AND ENGRAVED BY | F. W. FAIRHOLT, Esq., F.S.A. | {double rules} | {gothic letters} London : | VIRTUE BROTHERS & CO., 1, AMEN CORNER, | PATERNOSTER ROW. | 1865. Contributors : Thomas Wright (British, 1792 – 1849) – author. Frederick William Fairholt (British, 1814 – 1866) – artist/engraver. Virtue Brothers & Co. (London) – publisher/printer.
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Hardcover volume 28.5 x 20.8 cm, quarter brown morocco over marbled boards, ruled in gilt, spine with raised bands, gilt in compartments, gilt lettering, marbled endpapers, top margin gilt, original lithographic wrappers designed by A. Willette preserved; pp.: [4] h.t., t.p., [1] 2-350 [2], 300 b/w ils in-text and 12 coloured photomechanical reproductions extraneous to collation; collated in-4o: π2 1-444; Title-page: L'ART DU RIRE | ET DE | LA CARICATURE | PAR ARSÈNE ALEXANDRE | 300 FAC-SIMILÉS EN NOIR ET 12 PLANCHES EN COULEURS | D’APRÈS LES ORIGINAUX | {vignette} | PARIS | ANCIENNE MAISON QUANIN | LIBRAIRIES-IMPRIMERIES RÉUNIES | 7, RUE ST-BENOIT | MAY & MOTTEROZ, DIRECTEURS || Contributors : Librairie-Imprimerie réunies (Paris, 1880-1908) – publisher. Arsène Alexandre (French, 1859 – 1937) – author. Adolphe Willette (French, 1857 – 1926) – artist (wrapper)
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Hardcover volume, 35 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28 cm, pp.: [4] [1] 2-124 (plates with photographs of 241 items), [2] 127-171 [3]. Kyō ware [京焼] (Kyō-yaki) – pottery from Kyoto. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume, 35 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a slipcase, the outer case missing, pp.: [4] [1] 2-116 (plates with photographs of 202 items), [2] 119-154 [4]. Ninsei [仁清] and Kenzan [乾山] ceramics produced by Ninsei Nonomura [野々村仁清] (Japanese, c. 1640 – c. 1690) and Ogata Kenzan [尾形 乾山] (Japanese, 1663 – 1743), respectively. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume, 35.1 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 27.8 cm, pp.: [4] [1] 2-108 (plates with photographs of 217 items), [2] [111] 112-150 [3]. Imari ware [伊万里焼] (Imari-yaki) – ceramics produced in and around the area of Arita, in the former Hizen Province, northwestern Kyūshū. 日本の陶磁 – Japanese ceramics, series title. Old imari [古伊万里] (koimari) – book title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume, 35 x 26.8 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a slipcase, the outer case missing, pp.: [4] [1] 2-136 (plates with photographs of 211 items), [2] 139-166 [4]. Kutani ware [九谷焼] (Kutani-yaki); old kutani [古九谷] (kokutani) – ceramic objects produced in Kutani in the 17th century. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume, 35.3 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28 cm, pp.: [4] [1] 2-88 (plates with photographs of 129 items), [2] 91-108 [3]. Seto ware [瀬戸焼] (Seto-yaki) – ceramics produced in and around the city of Seto in Aichi Prefecture. Yellow seto [黄瀬戸] (Kiseto) – a yellow glaze seto ware. Black seto [瀬戸黒] (Setoguro) – a black glaze seto ware. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume, 35.2 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28 cm, pp.: [4] [1] 2-104 (plates with photographs of 206 items), [2] 107-138 [4]. Kakiemon [柿右衛門] – book title. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume, 35 x 26.8 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28.2 cm, pp.: [4] [1] 2-144 (plates with photographs of 332 items), [2] 147-182 [4]. 鍋島 – Nabeshima – book title. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher.
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Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19 cm, bound in unprimed canvas, red ms characters on black strip to front, red and black lettering to spine, tan embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-31 text, [32] blank, 33-96 (76 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | UTAMARO | by Muneshige Narazaki and Sadao Kikuchi | Translated by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 歌麿} || Series: Masterworks of ukiyo-e, № 4. Contributors: Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. Sadao Kikuchi [菊地 貞雄] (Japanese, 1924 – 2017) – author. John Bester (British, 1927 – 2010) – translator. Kitagawa Utamaro [喜多川 歌麿] (Japanese, c. 1753 – 1806) – artist.
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Hardcover volume from the series Masterworks of ukiyo-e, 26.3 x 19.2 cm, bound in unprimed canvas, red characters on black strip to front, red and black lettering to spine, tan flat endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-31 text, [32] blank, 33-96 (58 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | STUDIES IN NATURE | HOKUSAI-HIROSHIGE | by Muneshige Narazaki | Translated by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 花鳥風月} || 花鳥風月 (Kachou Fugetsu) – beauties of nature. Series: Masterworks of ukiyo-e, № 11. Contributors: Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. John Bester (British, 1927 – 2010) – translator. Katsushika Hokusai [葛飾 北斎] (Japanese, 1760 – 1849) – artist. Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858) – artist.
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Hardcover volume from the series Masterworks of ukiyo-e, 26.3 x 19 cm, bound in unprimed canvas, red characters on black strip to front, red and black lettering to spine, tan flat endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/acknowledgements), 7-67 text, 27-30 map, 31-32 f.t./blank, 33-96 (65 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HIROSHIGE | FAMOUS VIEWS | by Muneshige Narazaki | English adaptation by Richard L. Gage | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules in ms 広重]} || Series: Masterworks of ukiyo-e, № 5. Edition: 1st edition ©1968, 2nd printing 1970. Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. Utagawa Hiroshige [歌川 広重] a.k.a. Andō Hiroshige [安藤 広重] (Japanese, 1797 – 1858) – artist. Richard L. Gage (American, b. 1934) – adaptation.
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Softcover, in pictorial wrappers, 28 x 21.7 cm, 70 entries, with colour illustrations. Catalogue of the sales exhibition on March 17-24, 2023 in NY; pagination: [1-3] 4-142 [2], ils. Invitation card laid in. Contributor: Sebastian Izzard
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Softcover, in pictorial wrappers, 28 x 21.7 cm, 43 entries, with colour illustrations. Catalogue of the sales exhibition on September 16-23, 2022 in NY; pagination: [1-3] 4-97 [98] [2 blank], ils. Contributor: Sebastian Izzard
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Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19.1 cm, bound in unprimed canvas, red characters on black strip to front 春信, red and black lettering to spine, cream embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-30 text, [2] faux-title, 33-96 (66 colour plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HARUNOBU | by Seiichirō Takahashi | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 春信} || Series: Masterworks of ukiyo-e, № 6. Contributors: Seiichirō Takahashi [高橋誠一郎] (Japanese, 1884 – 1982) – author. Suzuki Harunobu [鈴木 春信] (Japanese, 1725 – 1770) – artist. John Bester (British, 1927 – 2010) – adaptation.
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Hardcover volume, 31 x 23.5 cm, bound in full crimson canvas, reproduction colour print with black border pasted to embossed panel, ivory paper label with black lettering to spine, pp.: ffl, [1-4] (t.p./imprint, dedication/blank, 5-337 [338] colophon, 146 b/w woodblock prints by Sharaku photomechanically reproduced, within the pagination. Title-page: THE SURVIVING WORKS OF | SHARAKU | By HAROLD G. HENDERSON | and LOUIS V. LEDOUX | {device} | {blank} | PUBLISHED BY E. WEYNE • NEW YORK | ON BEHALF OF THE | SOCIETY OF THE JAPANESE STUDIES | 1939 || Colophon: PRINTED BY PETER BEILENSON AT THE WALPOLE PRINTING OFFICE | MOUNT VERNON • NEW YORK || Contributors: Harold Gould Henderson (American, 1889 – 1974)– author. Louis Vernon Ledoux (American, 1880 – 1948) – author. Tōshūsai Sharaku [東洲斎 写楽] (Japanese, fl. 1794 – 1795) – artist. Peter Beilenson (American, 1905 – 1962) – printer. Society for Japanese Studies – publisher. Walpole Printing Office (Mount Vernon, NY) – printer
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Paperback volume, 25.8 x 18.6 cm, brown embossed wrappers with framed Japanese characters along the outer margin, pictorial dust jacket with series design (black lettering and vignette in silver border to wrappers, black lettering on silver to spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-32 text, 33-96 (59 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | SHARAKU | by Jūzō Suzuki | Translated by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical between rules 写楽} || Series: Masterworks of ukiyo-e, № 2. Contributors: Jūzō Suzuki [鈴木 重三] (Japanese, 1919 – 2010) – author. John Bester (British, 1927 – 2010) – translator. Tōshūsai Sharaku [東洲斎 写楽] (Japanese, fl. 1794 – 1795) – artist.
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Paperback volume, 25.7 x 18.6 cm, brown embossed wrappers with framed Japanese characters along the outer margin, pictorial dust jacket with series design (black lettering and vignette in silver border to wrappers, black lettering on silver to spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-32 text, 33-96 (59 plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | EARLY PAINTINGS | by Muneshige Narazaki | English adaptation by Charles A. Pomeroy | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical between rules 初期 浮世絵} || Series: Masterworks of ukiyo-e, № 1. Contributors: Muneshige Narazaki [楢崎 宗重] (Japanese, 1904 – 2001) – author. Charles A. Pomeroy (American, b. 1930) – adaptation.