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Important eighteenth century Japanese prints. / Catalogue 15, Exhibition November 1-5, 2019. — NY: Sebastian Izzard, LLC., 2019.
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Important Japanese prints from the collection of Henry Steiner / Catalogue 14, Exhibition March 17-29, 2018. — NY: Sebastian Izzard LLC, 2018.
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Important Japanese prints: 1830-1860 / Catalogue 16, Exhibition March 14-20, 2020. — NY: Sebastian Izzard LLC, 2020.
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Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Rizzoli International & Sotheby Parke Bernet, 1976.
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Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.
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Japanese painting and prints of the Edo period / Catalogue 1, Exhibition September 15-18, 1998. — NY: Sebastian Izzard LLC, 1998
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Japanese paintings and prints, 1800-1860; Catalogue № 21. — NY: Sebastian Izzard LLC, 2023.
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Japanese prints and paintings from the late 18th century; Catalogue № 20. — NY: Sebastian Izzard LLC, 2022.
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Jean Berleux [i.e. Maurice Quentin-Bauchart]. La caricature politique en France pendant la guerre, le siège de Paris et la Commune (1870-1871). — Paris: Labitte, Ém. Paul et Cie, 1890.
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Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.
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Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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Kabuki plays on stage (3 volumes of 4) / Edited by James R. Brandon and Samuel L. Leiter. — Honolulu: University of Hawai’i Press, 2002.
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Kakiemon (Japanese ceramics 9) [柿右衛門 日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.
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Kyō ware (Japanese ceramics 13) [京焼 日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.
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Louis V. Ledoux. A descriptive catalogue of an exhibition of Japanese figure prints from Moronobu to Toyokuni. — NY: The Grolier Club, 1924.
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Madame d’Ora / edited by Monika Faber. – Munich, London, NY: Prestel Verlag / Neue Galerie, 2020.
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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.
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Muneshige Narazaki, Sadao Kikuchi. Utamaro [歌麿] / Translation by John Bester (Masterworks of ukiyo-e, №4). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.
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