Art history – Page 4 – Varshavsky Collection

Important Japanese prints: 1830-1860 / Catalogue 16, Exhibition March 14-20, 2020. — NY: Sebastian Izzard LLC, 2020.

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С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже в трех частях / Часть третья. 3-е издание. — Л.: Лениздат (Библиотека молодого рабочего), 1986.

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Kyō ware (Japanese ceramics 13) [京焼日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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Robert Schaap. Kunisada: Imaging, drama and beauty / Introduction by Sebastian Izzard, contributions by Paul Griffith and Henk. J. Herwig. — Leiden: Hotei Publishing, ©2016.

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Marcia B. Hall. Color and meaning : Practice and theory in Renaissance painting. — Cambridge: Cambridge University Press, 1992.

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Jack Hillier. Japanese prints and drawings from the Vever Collection (3 volumes). — New York: Rizzoli International & Sotheby Parke Bernet, 1976.

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Japanese paintings and prints, 1800-1860; Catalogue № 21. — NY: Sebastian Izzard LLC, 2023.

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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.

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С. Варшавский, Б. Рест. Билет на всю вечность: Повесть об Эрмитаже / Предисл. Б. Б. Пиотровского. — Л.: Лениздат, 1978.

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‎Arsène Alexandre. L’Art du Rire et de la Caricature. — Paris: Librairies-imprimeries réunies, [1892].

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Ellis Tinios. Mirror of the stage: The actor prints of Kunisada. — Leeds: The University Gallery Leeds, 1996.

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Otto Pächt. Venetian painting in the 15th century : Jacopo, Gentile and Giovanni Bellini and Andrea Mantegna. — London: Harvey Miller Publishers, ©2003.

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Jacob Pins. The Japanese pillar print: Hashira-e / Foreword by Roger Keyes. — London: Robert G. Sawers Publishing, 1982.

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Muneshige Narazaki. Hiroshige: Famous views [広重] / English adaptation by Richard L. Gage (Masterworks of ukiyo-e, №5). — Tokyo; Palo-Alto, CA: Kodansha International, 1970.

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