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54 Products
S. A. Perry. Martin van Maële: An illustrated bibliographical checklist. — Las Vegas: Author, 2021 (© 2015).
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Les artistes du livre: Vertès. — Paris: H. Babou, 1930.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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Owen E. Holloway. French rococo book illustration. (Chapters in art) — London: Alec Tiranti, 1969.
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Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 / 2 vol. — NY: The Pierpont Morgan Library; London: Cornell University Press, © 1982.
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Gordon N. Ray. The Illustrator and the Book in England from 1790 to 1914. — New York: Pierpont Morgan Library; London: Oxford University Press, © 1976.
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Jules Brivois. Bibliographie des ouvrages illustrés du XIXe siècle principalement des livres à gravures sur bois. — Paris: L. Conquet, 1883.
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G. Legman. The art of Mahlon Blaine. — East Lansing: Peregrine Books, 1982.
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William R. Holland. Louis Icart: Erotica (A Schiffer book for collectors). — Atglen, PA: Schiffer Publishing Ltd., © 1998.
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Eckhart G. Franz. Revolution, Krieg und Streik, Weltausstellung und Volksfest : der Illustrator und Karikaturist Leo von Elliot (1816–1890). — Darmstadt : Hessische Historische Kommission, 2000.
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O. Liepiņš. Sigismunds Vidbergs / Monografija. — Rigā: K. Rasiņa apgāds, 1942.
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Jean-Pierre Dutel. Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1880 et 1920 [Vol. 1]; 1920 et 1970 (Vol. 2); 1650 et 1880 (Vol. 3). — Paris: Chez l’Auteur, 2002–2009.
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Rodney K Engen. Dictionary of Victorian wood engravers. — Cambridge; Teaneck (N.J.): Chadwyck-Healey, 1985.
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Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.
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Bayros Zeichnungen / Vorwort von Wilhelm M. Busch. — Hamburg: Gala Verlag, Wiesbaden: Fourier Verlag, 1987.
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Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].
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The amorous drawings of the Marquis von Bayros / Part I and II. — North Hollywood: Brandon house, [1968?]
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The amorous drawings of the Marquis von Bayros / Part I and II. — NY: Cythera Press, 1968.
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Zichy / Introduced and selected by Katalin Gellér. — Budapest: Corvina, 2007.
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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.
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E. de Crauzat. L’Œuvre gravé et lithographié de Steinlen / Préface de Roger Marx. — San Francisco: Alan Wofsy Fine Arts, 1983.
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Д. Ровинский. Русские граверы и их произведения с 1564 года до основания Академии художеств. — М.: Издание графа Уварова, 1870.
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Е. Н. Тевяшов. Указатель имен и предметов упомянутых в подробном словаре русских граверов Д. А. Ровинского. — СПб.: Императорская академия наук, 1899.
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P. L. Jacob [i.e. Paul Lacroix]. Bibliographie et iconographie de tous les ouvrages de Restif de la Bretonne. — Paris: A. Fontaine, 1875.
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Life in England in aquatint and lithography, 1770-1860: from the library of J. R. Abbey / A bibliographical catalogue. — London : Curwen Press, 1953.
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R. V. Tooley. Some English books with coloured plates. — London: Ingpen & Grant, 1935.
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R. J. H. Douglas. The works of George Cruikshank: classified and arranged with references to Reid’s catalogue and their approximate values. — London: Dryden Press, 1903.
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Martin Hardie. English Coloured Books. — London: Methuen and Co., 1906.
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Sarah T. Prideaux. Aquatint Engraving: A Chapter in the History of Book Illustration. — London: Duckworth & Co., [1909]
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Albert M. Cohn. George Cruikshank : A catalogue raisonné of the work executed during the years 1806-1877. — London: The Bookman’s Journal, 1924.
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Thomas Hugo. The Bewick Collector. A Descriptive Catalogue & A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick. Lovell Reeve and Co., 1866-1868.
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