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Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.
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G. Legman. The art of Mahlon Blaine. — East Lansing: Peregrine Books, 1982.
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Gail Levin. Edward Hopper: The Complete Prints. — NY, London: W. W. Norton & Co., 1979©.
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Мастера современной гравюры и графики: Сборник материалов / Редакция Вяч. Полонского; Статьи В. Адарюкова, М. Бабенчикова, Е. Данько, К. Кузьминского, Л. Розенталя, А. Сидорова, К. Тихоновой, М. Фабриканта, А. Федорова-Давыдова. — М.- Л: Государственное издательство, 1928.
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Charles-Antoine Jombert. Catalogue de l’œuvre de Charles Nicolas Cochin fils. — Paris: Prault, 1770.
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David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.
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Shigeo Miyao. Edo kabuki uchiwa-e / With notes by Sutezō Kimura. — Tokyo: Inoue Shobō, 1962.
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Jules Brivois. Bibliographie des ouvrages illustrés du XIXe siècle principalement des livres à gravures sur bois. — Paris: L. Conquet, 1883.
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Ausführliche Erklärung der Hogarthischen Kupferstiche / vol. 1-3 plus vol. of plates. — Vienna and Göttingen, 1809-1835.
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The amorous drawings of the Marquis von Bayros / Part I and II. — NY: Cythera Press, 1968.
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The erotic drawings of Mihály Zichy: Forty drawings. — New York: Grove Press Inc., 1969.
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The amorous drawings of the Marquis von Bayros / Part I and II. — North Hollywood: Brandon house, [1968?]
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Érastène Ramiro. Félicien Rops (Études sur quelques artistes originaux) / Exemplaire truffé de 58 estampes originales. — Paris: G. Pellet, H. Floury, 1905.
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Gordon N. Ray. The Art of the French Illustrated Book 1700 to 1914 / 2 vol. — NY: The Pierpont Morgan Library; London: Cornell University Press, © 1982.
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Jules Lieure. Jacques Callot / Introduction de F. Courboin (Vol. 1-3). — Paris: Gazette des Beaux-Arts, 1924-27.
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Zichy / Introduced and selected by Katalin Gellér. — Budapest: Corvina, 2007.
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Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.
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Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].
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