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Iron tsuba of a spindle shape (tate-itomaki-gata) pierced and inlaid in brass suemon-zōgan with bellflowers, vines and foliage, and a dragonfly in the upper right corner, on both sides. One of the hitsu-ana plugged with grey metal (led or pewter), nakaga-ana fitted with copper sekigane. The shape of the tsuba may be interpreted as four saddles connected to each other by horse bits. Such a design of sukashi and zōgan is usually attributed to Kaga Yoshirō branch of Heianjo school, active in the second half of the 17th century (c. 1650-1700). Size: 95.9 mm diagonal; 4.1 mm thickness. Tokubetsu Kicho certificate № 332 issued by NBTHK on October 12, 1965. -
Iron tsuba of a round form (maru-gata) pierced (sukashi) with two six-petal flowers at 6 and 12 o’clock and modified lozenges at 3 and 9 o’clock, and inlaid in brass (suemon-zōgan) with tendrils and flowers (chrysanthemum, cherry blossom, Chinese bellflower, paulownia); openings outlined with scalloped brass wire. The plate is slightly concave with traces of lacquer on the surface. Nakago-ana plugged with copper sekigane. Some elements of inlay missing. The rim with conspicuous tekkotsu, quite worn. Measurements: Height 92.0 mm; Width 86.3 mm; thickness at seppa-dai 3.2 mm, at rim 4.2 mm. Time: Late Muromachi (1514 – 1573) or earlier. -
NEWIron tsuba of slightly elongated round form (nagamaru-gata) pierced on top and in the bottom (ko-sukashi) with simplified Genji-kō (incense game symbol) and two petals of bellflower; openings, seppa-dai, and plate along the rim are outlined with brass wire, kozuka-ana outlined with scalloped brass wire, missing on the front; kogai-ana pierced later. The plate is slightly concave with traces of lacquer, decorated in brass (suemon-zōgan) with tendrils, bellflowers, and Genji characters, and with brass dots (ten-zogan), many of which are missing. Measurements: Height 77.5 mm; Width 75.5 mm; thickness at seppa-dai 2.4 mm, at rim 3.2 mm. Time: Late Muromachi (1514 – 1573) or earlier. -
Iron tsuba of round form, slightly convex, decorated with persimmon (kaki), simplified Genji-kō (incense game symbol) and halves of plum blossoms (ume) in brass inlay on both sides, and with part of bellflower (kikyo) in openwork. Outer rim, seppa-dai, bellflower openwork, and kozuka-ana outlined with brass inlay; traces of lacquer to surface. The symbolic meaning alludes to Chapter 20: Asagao (朝顔, the bellflower or "morning face") of Tale of Genji by Murasaki Shikibu (11th century AD). The events take place in the 9th lunar month (Nagatsuki) and involve the following poetry by Prince Genji: saku hana ni / utsuru chō na wa / tsutsumedomo / orade sugiuki / kesa no asagao [I would not have it said / that my heart has turned toward / a flower in bloom — / yet how hard it is to pass / without plucking a “morning face”!]. Measurements: H: 76.6 mm; W: 76.3 mm; Th.: 3.6 mm (seppa-dai), 3.0 mm (rim) Time: Late Muromachi (1514 – 1573). -
Iron tsuba of round form decorated with chrysanthemums, pine cones and needles, pampas grass, vines, cherry blossoms, and wild geese in brass inlay (suemon-zōgan) and pierced with designs of water clover (denjiso) and half bellflower (or karahana) to the left and to the right of nakago-ana as well as double bars above and below nakago-ana (possibly with the meaning of number 2 or ordinal 2nd). Most probably the sukashi elements here are the family crests (mon). Unsigned. Ōnin school. Muromachi period; 15th or 16th century. Height: 82.1 mm; Width: 80.9 mm; Thickness at seppa-dai: 2.4 mm NBTHK # 2003827: Tokubetsu Hozon Tosogu Kanteisho (特別保存刀装具鑑定書) - "Extraordinarily Worthy of Preservation". -
Iron tsuba of half round and half lobed (chrysanthemoid) form decorated with plants and family crests (mon) in cast brass inlay (suemon-zōgan), and scattered brass dots inlay (ten-zōgan); brass wire inlay outlining the rim, seppa-dai, and hitsu-ana (scalloped wire) on both sides. Surface treated with hummer punch marks. The chrysanthemoid half of the plate chiseled with thin shallow grooves, outlining the petals. Copper sekigane. On the face the inlay represents: mandarin orange (tachibana), half karahana, encircled bellflower, and four encircled three-stipe family crest (mitsubiki-mon of Sakuma and Abe clans, and some others). On the reverse the design is similar but two of the mitsubiki-mon symbols replaced with two comb-shaped Genji-mon ideographs. Ōnin school. The end of mid-Muromachi period, beginning of the 16th century. Size: 74.3 x 72.7 x 2.4 mm. -
Iron tsuba of the round form (丸型, maru–gata), decorated with brass flat inlay (平象嵌, hira-zōgan) of bellflowers, leaves, and vines on both sides, inlaid brass is carved in low relief; wide rim (dote-mimi) also inlaid; the plate is pierced with hitsu-ana (probably original); nakago-ana plugged with copper sekigane. Dimensions: Height: 84.1 mm; Width: 82.0 mm; Thickness (centre): 2.8 mm; mimi is 11.8 mm wide and 4.7 mm thick. Produced at the end of the 16th century, in the Momoyama period (1674–1703).
