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Thomas Wright. A history of caricature and grotesque in literature and art. — London: Virtue Brothers & Co., 1865.
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The self tormenter. Anonymous drawing, late 18th century.
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Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley / Vol 1 & 2. — München: Albert Langen, [1909, 1910].
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Scipio Africanus auf den Ruinen von Carthago. German anonyme, hand-coloured etching, c. 1815.
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Scènes de la vie privée et publique des animaux / par J.-J. Grandville : 2 volumes. – Paris: J. Hetzel et Paulin, (et J. Hetzel), 1842.
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Puck, vol. XXXVIII, №№ 982-1007. — NY: Keppler & Schwarzmann, 1896.
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Pierce Egan. Life in London / I. R. & G. Cruikshank (illustrators). — London: Sherwood, Neely, and Jones, 1821.
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Mœurs russes, a set of ten post cards with clandestine erotic watermark images, c. 1900.
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Losing my seat. [Anonyme] A. Sharpshooter, 1829.
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Les fleurs animées par J.-J. Grandville / introductions par Alphonse Karr, texte par Taxile Delord. — Paris: Gabriel de Gonet, [1847].
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Protected: Le Rire : journal humoristique hebdomadaire, 1899.
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Le Miroir de la Vérité ou le tigre écrassé. French anonyme, hand-coloured etching, 1815.
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La Correctionnelle: Petites causes célèbres, études de mœurs populaires au dix-neuvième siècle / par Gavarni. — Paris: Martinon, 1840.
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L’Éclipse, №№ 271-399. — Paris: s.n., 1874-76.
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Job. La Bataille de Louqsor. – Paris: L’Éclipse, 07-NOV-1869.
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Jérome Paturot à la recherche d’une position sociale par Louis Reybaud / Édition illustrée par J.-J. Grandville. — Paris: J.-J. Dubochet, Le Chevalier et Cie, 1846.
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Jean Berleux [i.e. Maurice Quentin-Bauchart]. La caricature politique en France pendant la guerre, le siège de Paris et la Commune (1870-1871). — Paris: Labitte, Ém. Paul et Cie, 1890.
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Gilbert Abbott à Beckett. The Comic History of Rome / illustrated by John Leech. — London: Bradbury and Evans, [1851].
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