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Losing my seat. [Anonyme] A. Sharpshooter, 1829.
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Jérome Paturot à la recherche d’une position sociale par Louis Reybaud / Édition illustrée par J.-J. Grandville. — Paris: J.-J. Dubochet, Le Chevalier et Cie, 1846.
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Pierce Egan. Life in London / I. R. & G. Cruikshank (illustrators). — London: Sherwood, Neely, and Jones, 1821.
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Das Kaiserlein Napoleon, und seine Rauberhorten. L. Schlemmer, hand-coloured etching, c. 1815.
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Arsène Alexandre. L’Art du Rire et de la Caricature. — Paris: Librairies-imprimeries réunies, [1892].
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David Carey. Life in Paris / George Cruikshank (illustrator). — London: John Fairburn, 1822.
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The self tormenter. Anonymous drawing, late 18th century.
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A series of 7 french political caricatures / Anonymous, c. 1874.
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Eckhart G. Franz. Revolution, Krieg und Streik, Weltausstellung und Volksfest : der Illustrator und Karikaturist Leo von Elliot (1816–1890). — Darmstadt : Hessische Historische Kommission, 2000.
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A table d’hote or French ordinary in Paris. Thomas Rowlandson, 1810.
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Thomas Wright. A history of caricature and grotesque in literature and art. — London: Virtue Brothers & Co., 1865.
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Gilbert Abbott à Beckett. The comic history of England / illustrated by John Leech. — London: The Punch Office, 1847-1848.
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COG.- or not ashamed of being in town in November! – INCOG or supposed to be in the country in August! George Cruikshank after M. Egerton, 1826.
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Skizzenbuch: Hundert Federzeichnungen von Heinrich Kley / Vol 1 & 2. — München: Albert Langen, [1909, 1910].
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Mœurs russes, a set of ten post cards with clandestine erotic watermark images, c. 1900.
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