//Catalogue raisonné
  • NEW
    Hardcover, 231 x 165 mm, half brown cloth over cardboard, lettering in a frame to front, similar to t.p., pp.: [4] [1] 2-151 [152], collated 4to: π2 1-194, i.e. 78 leaves. Entries are in alphabetic order by name. Title-page (and front cover): Bibliotheca Germanorum | erotica. | Verzeichniss der gesammten | deutschen erotischen Literatur | mit Einschluss der Uebersetzungen. | Nachschlagebuch für Literaturhistoriker, | Antiquare und Bibliothekare. | Nach den zuverlässigsten Quellen | bearbeitet von | H. Nay. | — •— | Leipzig, 1875. || [Bibliotheca Germanorum erotica. List of all German erotic literature, including translations. Reference book for literary historians, antiquarians and librarians. Based on the most reliable sources edited by H. Nay]. Imprint: Druck von E. Rupfer in Stuttgart. Ref: Worldcat. Author: Hugo Hayn [Nay, H.] (German, 1843 – 1923)
  • NEW
    Hardcover, 306 x 283 mm, pictorial cardboard, white lettering to front and spine, pictorial dust jacket, pictorial endpapers, pp.: [1-14] 15-224, illustrated in colour throughout. The 1st edition in 2000, published by The Pepin Press in Amsterdam. Title-page (white on black): Erotic Art of the Early Nineteenth Century | Romantique | {publisher’s device} | Bearsville, New York || ISBN 1-59020-000-4. Contents: Daydreams of the Juste Milieu: On the Historico-cultural Milieu of Erotic Lithographs The New Order of Love: Charles Fourier, the Unwavering Dreamer of Liberated Passions Achille Devéria and His School The Trader and the Policeman: Catalogues of Nineteenth Century Erotic Art The Blue Sofa On the Beginning and End of our Sexuality Soloists Duets Trios Quartets The Noble Orgy
  • Hardcover volume, 292 x 185 x 65 mm, pictorial cream paper over cardboard, black and burgundy lettering to spine and covers; pagination: [4] h.t./imprint, t.p./photo, caption; i-vi, 7-921 [3] colophon; limitation/blank, total 464 leaves. A heavy volume of over 3 kg. Front cover: Martin Van Maele | ou le diable se cache dans détails | Catalogue raisonné | établi par | LUC BINET | Preface de Jacques Duprilot | {vignette} | HumuS || Title-page (red and black): MARTIN VAN MAELE | (1863-1926) | ou le diable se cache dans détails | Catalogue raisonné | établi et commenté par | LUC BINET | Introduction de Jacques Duprilot | {publisher’s device} | ÉDITIONS HUMUS || Edition limited to 333 copies. Maele, Martin van [Martin, Maurice François Alfred] (French, 1863 – 1926)  
  • Catalogue raisonné of Pascin's erotic drawings. Softcover, 21 x 15 cm, burgundy gloss pictorial paperback with lettering and vignettes, pp.: [1-3] 4-102 [2], illustrated throughout. Limited edition of 1,000 copies. Title-page: Pascin érotique | {round vignette} | éditions Astarté - Paris || Contributors: Alexandre Dupouy (French) Pascin, Jules [Pincas, Julius Mordecai] (French-Jewish, 1885 – 1930)
  • Three volumes, 33 x 26.5 x 7 cm each, uniformly bound in 2/3 vellum over marbled boards, outlined with gilt fillet, brown label with gilt lettering to flat spine with double fillet faux-bands, marbled endpapers, top edge gilt, other untrimmed, publisher’s wrappers preserved, incl. spine; collotype plates with captioned glassine guards; armorial bookplate of Comte Alain de Suzannet to front pastedown in each volume. Two volumes of Première partie, wanting, contain La vie artistique : texte and La vie artistique : planches. Title-page (red and black): JACQUES CALLOT | PAR | J. LIEURE | Introduction de F. Courboin | Conservateur du Cabinet des Estampes à la Bibliothèque Nationale | — | DEUXIÈME PARTIE | CATALOGUE DE L’ŒUVRE GRAVÉ | TOME I (II, III) | — | PARIS | ÉDITIONS DE LA GAZETTE DES BEAUX-ARTS | 106, Boulevard Saint-Germain (6e) | 1924 (1927, 1927) || Vol. 1 (1924): [4] [1] 2-122 [2], wrappers, plates 1-299; printed on September 15, 1924, by André Lesot (Nemours) and D. Jacomet et Cie (Paris). Vol. 2 (1927): [4] [1] 2-106 [2], wrappers, plates 300-652. Vol. 3 (1927): [4] [1] 2-128 [4], wrappers, plates 653-1428; printed on September 5, 1926, by Imprimerie moderne des Beaux-Arts (Bois-Colombes) and D. Jacomet et Cie (Paris). Contributors: Jules Lieure (French, 1866 – 1948) – author. Jacques Callot (French, c. 1592 – 1635) – artist. Gazette des Beaux-Arts (f. 1859) – publisher. François Courboin (French, 1865 – 1926) – author. D. Jacomet et Cie (Paris) – printer. Daniel Jacomet (French, 1894 – 1966) – printer. André Lesot (French, 1874-1951) – printer. Imprimerie moderne des Beaux-Arts (Bois-Colombes) Comte Alain de Suzannet (French, 1882 – 1950) – provenance.
  • Three hardcover volumes, in-12mo, 16.2 x 10.6 cm each, uniformly bound in quarter brown cloth over marbled boards, all margins marbled, gilt lettering to spine; plus an oblong volume of similar binding, 24.5 x 39.5 cm, with 88 engraved plates by Riepenhausen after Hogarth (83 pp, unnumbered). Catalogue raisonné of William Hogarth's engravings, published by Carl Armbruster in Vienna and Dieterichsche Buchhandlung in Göttingen. A detailed explanation of Hogarth's prints divided in 14 parts. Vol. 1.
    1. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Erste Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [i-v] vi-xxxvi, [1-3] 4-136, plus engraved t.p.
    2. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Zweite Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [i-iii] iv-viii [2] 11-207 [1 blank], plus engraved t.p.
    3. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Dritte Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [i-iii] iv-vi [3] 10-215 [1 blank], plus engraved t.p.
    4. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Vierte Lieferung. Wien, 1818. Bey Chr. Kaulfuß und C. Armbruster. Gedruckt bey Anton Strauß. [1-5] 6-180 [1 blank], plus engraved t.p.
    Vol. 2.
    1. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Fünste Lieferung. Wien, bey Carl Armbruster 1819. Gedruckt bey Anton Strauß. [1-3] 4-144, plus engraved t.p.
    2. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Sechste Lieferung. Mit zufåßen nach den schriften der englischen Erflårer. Wien, bey Carl Armbruster 1819. Gedruckt bey Anton Strauß. [i-iii] iv-x [2] 13-100, plus engraved t.p.
    3. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Siebente und achte Lieferung. Mit zufåßen nach den Schriften der englischen Erflårer. Wien, bey Carl Armbruster 1820. Gedruckt bey Anton Strauß. [1-8] 9-191, plus engraved t.p.
    4. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten Copien derselben von Carl Rahl. Neunte und zehnte Lieferung. Mit zufåßen nach den Schriften der englischen Erflårer. Wien, bey Carl Armbruster 1823. Gedruckt bey Anton Strauß. [1-7] 8-168, plus engraved t.p.
    Vol. 3.
    1. C. G. Lichtenberg’s Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen. Eilfte Lieferung mit zufåßen nach den schriften der englischen Erflårer. Göttingen in der Dieterichsche Buchhandlung 1809. [1-3] 4-81 [82 blank].
    2. C. G. Lichtenberg’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen fortgefeßt vom Berausgeber der fechsten Lieferung mit Benußung der englischen Erflårer. Zwölfte Lieferung. Göttingen in der Dieterichsche Buchhandlung 1816. [i-iii] iv [1-3] 4-76.
    3. J. P. Lyser’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen. Dreizehnte Lieferung Göttingen in der Dieterichsche Buchhandlung 1833. [i-v] vi-xii, [1-3] 4-117 [118].
    4. Dr. le Petit’s Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollständigen Copien derselben von E. Riepenhausen, Berausgeber Karl Gutzkow. Vierzehnte Lieferung. Göttingen in der Dieterichsche Buchhandlung 1835. [i-iii] iv-xvi, [1-3] 4-132.
    Vol. 4.: 88 plates on 83 unnumbered leaves. Contributors: George Christoph Lichtenberg (German, 1743 – 1799) Johann Peter Lyser (German, 1804 – 1870) Karl Ferdinand Gutzkow (German, 1811 – 1878) Ernst Ludwig Riepenhausen (German, 1762 – 1840) Christoph Friedrich von Pommer [Dr. le Petit] (German, 1787 – 1841) Carl Rahl [Karl Rahl] (Austrian, 1812 – 1865) Carl Armbruster (Austrian, fl. c.1830) Dieterichsche Buchhandlung (Göttingen) Johann Christian Dieterich (German, 1722 – 1800) Anton Strauß (Austrian, 1775 – 1827) William Hogarth (British, 1697 – 1764)
  • Hardcover volume, 28.6 x 22.4 cm, tan cloth over brown cloth boards, black lettering to spine, blind-stamped lettering in frame to front, in a black pictorial dust jacket, price unclipped; pp.: [1-ix] x-xi [xii blank], [1-4] 5-36 [4], 64 pages with 109 b/w plates, 12 pages with chronology, bibliography, credits; total 128 pp. Title-page: EDWARD HOPPER (in frame)| THE COMPLETE PRINTS | GAIL LEVIN | W • W • NORTON & COMPANY • NEW YORK • LONDON | IN ASSOCIATION WITH THE | WHITNEY MUSEUM OF AMERICAN ART || Contributors: Gail Levin (American, b. 1948) – author. Edward Hopper (American, 1882 – 1967) – artist. W. W. Norton & Company (f. 1923) – publisher. Whitney Museum of American Art (NY) – publisher.
  • Hardcover volume 28.5 x 22.2 cm, bound in grey cloth with gilt lettering to front and spine, olive endpapers, pictorial dust jacket [Washington square vista] with text and portrait of the authors to flaps, pp.: [i-viii] ix-xxi [xxii], [2] 3-208 [2], total 117 leaves, 205 photomechanical illustrations, limitation to last page: 1200 copies regular edition, 100 copies deluxe edition. Title-page: Armin Landeck | The Catalogue Raisonné of His Prints | Second Edition, Revised and Enlarged | June Kysilko Kraeft and Norman Kraeft | Southern Illinois University Press / Carbondale and Edwardsville || Contributors: Armin Landeck (American, 1905 – 1984) June Kysilko Kraeft Norman Kraeft
  • Hardcover, 31 x 24 cm, blue cloth over cardboard, orange lettering to spine, pictorial front cover, embossed back cover, pp.: [1-6] 7-271 [1], approx. 700 colour illustrations. Monograph and catalogue raisonné. ISBN: 978-3-85415-570-6. Title-page (orange): CORNELIA CABUK | {O. R. Schatz as vignette} | MONOGRAFIE | und | WERK= | VERZEICHNIS | mit Textbeiträgen von | STELLA ROLLIG | DIETER KRAFT | CORNELIA CABUK | Belvedere Werkverzeichnisse, Band 7 | Stella Rollig, Christian Huemer (Hg.) || Contributors: Otto Rudolf Schatz (Austrian, 1900 – 1961) Österreichische Galerie Belvedere Cornelia Cabuk Dieter Kraft Stella Rollig Ritter Verlag (Vienna)
  • Hardcover volume, 35 x 26 cm, bound in pictorial paper boards with a lettered label to front cover, black lettering to spine, pictorial dust jacket, pictorial endpapers, pp.: [1-5] 6-787 [788], 1028 colour ils., trilingual edition (English, German, French). Title-page (red and black): LUIGI FICACCI | ISTITUTO NAZIONALE PER LA GRAFICA, ROME | Giovanni Battista | PIRANESI | Catalogue of the Complete Etchings | Gesamtkatalog der Radierungen | Catalogue raisonné des eaux-fortes | TASCHEN || Contributors: Luigi Ficacci (Italian, b. 1954) – author. Giovanni Battista [Giambattista] Piranesi (Italian, 1720 – 1778) – artist.
  • Hardcover volume, 28.7 x 24.7 cm, pictorial paper boards, pictorial endpapers, pp. :[1-6] 7-224, 207 colour ils. Published on the occasion of an exhibition at the Morgan Library & Museum, 10 March to 4 June 2023. Title-page: SUBLIME IDEAS | — | DRAWINGS BY | GIOVANNI BATTISTA | PIRANESI | John Marciari | THE MORGAN LIBRARY & MUSEUM, NEW YORK | in association with | PAUL HOLBERTON PUBLISHING || Contributors: John Marciari (American, b. 1971) – author. Giovanni Battista [Giambattista] Piranesi (Italian, 1720 – 1778) – artist.
  • Paperback brochure, 17.5 x 12.8 cm, in publisher’s wrappers, blue and brown lettering in an architectural frame to front, publisher’s device and price in blue to back; errata slip laid in; pp.: [1-6] 7-76 [4]; collated 8vo: 1-58, total 40 leaves. Title-page (red and black): ИЗДАТЕЛЬСТВО | “ACADEMIA” | КАТАЛОГ ИЗДАНИЙ | 1929—1933 | С ПРИЛОЖЕНИЕМ ПЛАНА | ИЗДАНИЙ НА ТРЕХЛЕТИЕ | 1933—1935 | МОСКВА—ЛЕНИНГРАД | 1932 || Print run: 10,000 copies.
  • Title: Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints [東京国立博物館図版目録 | 浮世絵版画編] (Tōkyō Kokuritsu Hakubutsukan zuhan mokuroku | Ukiyoe hanga hen); Publisher: Tokyo National Museum [東京国立博物館] (Tōkyō Kokuritsu Hakubutsukan). Three volumes, 26.3 x 18.7 cm, uniformly bound in black cloth with white characters to front cover and spine. Title-page: ILLUSTRATED CATALOGUES OF | TOKYO NATIONAL MUSEUM | UKIYO-E PRINTS | <1 (2, 3) > | 東京国立博物館図版目録 | 浮世絵版画編 | < 上 (中, 下) > || Volume 1 [上]:  unpaginated 1 t.p., 2 colour plates, 1 contents, 70 (1-1354) – b/w plates, 1 + 48 paginated leaves (1-95 [96]) – text. Volume 2 [中]: unpaginated 1 t.p., 2 colour plates, 1 contents, 67 (1355-2493) – b/w plates + 33 paginated leaves (1-65 [66]) – text. Volume 3 [下]: unpaginated 1 t.p., 2 colour plates, 1 contents, 83 (2494-3926) – b/w plates + 35 paginated leaves (1-69 [70]) – text. Black and white photomechanical reproduction of almost four thousand woodblock prints with titles by the artist and in chronological order.
  • Binding: Hardcover, 25.5 x 17.8 x 4.7 cm, collated 4to, ¾ brown crushed morocco, bordered with gilt double fillet, raised bands, gilt fleurons in compartments, gelt lettering, marbled endpapers, top margin gilt; text printed on laid paper; frontis. on wove paper. Title-page: L'OEUVRE | DE | MOREAU LE JEUNE | — | CATALOGUE RAISONNÉ ET DESCRIPTIF | AVEC NOTES ICONOGRAPHIQUES ET BIBLIOGRAPHIQUES | PAR | M.- J.- F. MAHÉRAULT | ANCIEN CONSEILLER D’ÉTAT | ORNÉ D’UN PORTRAIT DE L’AUTEUR PAR LE RAT | ET PRÉCÉDÉ D’UNE NOTICE BIOGRAPHIQUE | PAR | Émile de Najac | {publisher’s device} | PARIS | ADOLPHE LABITTE | LIBRAIRE DE LA BIBLIOTHÈQUE NATIONALE | 4, RUE DE LILLE, 4 | – | 1880 || Collation: ffl, π2 (h.t., t.p.), a4 b2 1-674 682, 4ffl; total 278 leaves within flyleaves plus engraved frontispiece portrait of M.-J.-F. Mahérault by Paul Edme Le Rat w/tissue guard. Pagination: [4] [i] ii-xi [xii blank], [1] 2-538 (with page 538 erroneously numbered 568) [2 colophon/blank]; total 556 pages, ils. Contributors: Jean Michel Moreau [Moreau le Jeune] (French, 1741 – 1814) – artist, character. Marie Joseph François Mahérault (French, (1795 – 1879) – author, text. Comte Émile de Najac (French, 1828 – 1889) – author, biography. Paul-Edme Le Rat (French, 1849 – 1892) – artist, engraver. Adolphe Labitte (French, 1832 – 1882) – publisher. Georges Chamerot (French, 1845 – 1922) – printer.
  • One volume in-4o, 26.5 x 21 x 4 cm, bound by Durvand (signed) in tan quarter morocco over marbled boards, spine with raised bands and gilt lettering, top margin gilt, marbled endpapers, publisher’s wrappers preserved; enriched with 39 original prints after Félicien Rops. Collation: 2 blanks, π5 (original front wrapper ‘Canicule’/blank, 2 blanks, h.t./justification, t.p/blank), 1-294 301 (paginated 1-233 [234]) χ1 (advert.) plus frontispiece (photographic seated portrait of Félicien Rops, collotype, artist unknown) and 39 leaves of bound-in original prints by various printers on different papers, with tissue guards; back wrapper and original spine, 2 blanks; loosely inset a marriage invitation for Dr Robert Fasquelle and Mlle Suzanne Luneau with a partial list of prints, incl. page numbers. Title-page (red and black): Études sur quelques Artistes originaux | — | FÉLICIEN ROPS | par | CAMILLE LEMONNIER | {fleuron} | PARIS | H. FLOURY, ÉDITEUR1, Boulevard des Capucines, 1 | – | 1908 || Limitation: 125 copies with two original plates «Canicule» and «Seule» numbered 1-125, of which 100 copies on Japon à la forme, 25 copies on papier de Chine; plus 50 copies on papier vélin with one coloured plate «Canicule», numbered 126-175, printed by Edmond Deman in Brussels. Our copy is on dense wove paper (vélin), without a number. Photographs here represent the original prints only. Camille Lemonnier (Belgian, 1844 – 1913) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Henri Floury (French, 1862 –1961) – publisher. Edmond Deman (Belgian, 1857–1918) – printer. Lucien Durvand (French, 1852 – 1924) – bookbinder.
  • One volume in-4o, 26.5 x 21 x 4.4 cm, bound by Durvand (signed) in yellow ¾ morocco over marbled boards outlined in gilt, spine with raised bands, gilt lettering, vignettes after Félicien Rops in compartments, top margin gilt, marbled endpapers, publisher’s wrappers preserved; enriched with 57 original prints after Félicien Rops and an etched portrait of Félicien Rops by Robert Kastor. Collation: 3 blanks, π4 (orig. front wrapper ‘En souscription…./Etudes sur…’, La tentation…/Érastène Ramiro..., h.t./justification, t.p/blank), 1-274 (paginated 1-215 [216]) χ2 plus 58 leaves of bound-in original prints by various printers on different papers, some on India paper pasted on vergé, with tissue guards, and 1 leave of manuscript ‘Table de gravures dans le texte’; back wrapper with ‘Table des gravures ajoutées’ manuscript to recto, original spine, 2 blanks. Title-page (red and black): Études sur quelques Artistes originaux | — | FÉLICIEN ROPS | par | ÉRASTÈNE RAMIRO | {fleuron} | PARIS | (left): G. PELLET | 51, Rue Le Peletier, 51 | (right): H. FLOURY | 1, Boulevard des Capucines, 1 | 1905 || Limitation: 125 copies, of which 100 copies on Japon à la forme and 25 copies 0n papier de Chine. Photographs here represent the original prints only. Contributors: Eugène Rodrigues-Henriques [Eugène Rodrigues, Erastène Ramiro] (French, 1853 –1928) – author. Félicien Rops (Belgian, 1833 – 1898) – artist. Robert Kastor (French, 1872 – 1935) – artist. Imprimerie Charles Hérissey (Évreux) – printer Gustave Pellet (French, 1859 – 1919) – publisher. Henri Floury (French, 1862 –1961) – publisher. Lucien Durvand (French, 1852 – 1924) – bookbinder.
  • Hardcover, 25.2 x 17 cm, quarter burgundy shagreen with raised bands and gilt lettering to spine over turkish marbled boards and endpapers, publisher’s wrappers preserved. Title-page: JEAN BERLEUX | LA | CARICATURE POLITIQUE | EN FRANCE | PENDANT LA GUERRE, LE SIÈGE DE PARIS | ET LA COMMUNE | (1870–1871) | {vignette} | PARIS | LABITTE, ÉM. PAUL ET Cie | LIBRAIRES DE LA BIBLIOTHÈQUE NATIONALE | 4, RUE DE LILLE, 4 | – | 1890 || Collation: 4to; π8 1-274 282, plates within collation; total 118 leaves. Pagination: [i-ix] x-xvi, [1] 2-217 (printed 317) [3], total 236 pages, profusely illustrated, incl. in-text and full-page b/w ils, all within pagination. Condition: Good, scattering foxing, pencil marks. Contributors: Maurice Quentin-Bauchart [pseud. Jean Berleux] (French, 1857 – 1910) – author. Georges Chamerot (French, 1845 – 1922) – printer, president of the 'Chambre syndicale des imprimeurs typographes', married to Claudie Viardot (French, 1852 – 1914) in 1874 – printer. Labitte, Ém. Paul et Cie (Paris) – publisher, Adolphe Labitte (French, 1832 – 1882); Émile Paul (French, 1847 – ?). Another copy in poor condition: LIB-1653.2016, and another, a modern reprint: LIB-0814.2015.
  • Two volumes, each bound in red cloth with gilt lettering to spine, black endpapers, TEG, and matching red cloth slipcases with black lettering to front. Vol. 1: The Clarence Buckingham collection of Japanese prints: The Primitives / Catalogue by Helen C. Gunsaulus. — [Chicago]: Art Institute of Chicago, 1955. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”, 1-284 [285] colophon, limitation: 500 numbered copies, this is № 476. Title-page: THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | The Primitives | CATALOGUE BY HELEN C. GUNSAULUS | THE ART INSTITUTE OF CHICAGO || Vol. 2: The Clarence Buckingham collection of Japanese prints: Volume 2 / Catalogue by Margaret O. Gentles. — [Chicago]: Art Institute of Chicago, 1965. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”,1-307 [2] blank/ colophon, limitation: 1000 copies (unnumbered). Title-page: VOLUME II | THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | Harunobu, Koryūsai, Shigemasa, their followers and contemporaries | Catalogue by Margaret O. Gentles | THE ART INSTITUTE OF CHICAGO 1965 || Contributors: Clarence Buckingham (American, 1854 – 1913) Helen C. Gunsaulus (American, 1886 – 1954) Margaret O. Gentles (American, 1905 – 1969)