Title-page: VICTORIA AND ALBERT MUSEUM | KUNIYOSHI | BY B. W. ROBINSON | SPACE | LONDON: HER MAJESTY'S STATIONERY OFFICE | 1961 || Description: hardcover, 25.3 x 19 cm, bound in red cloth with embossed vignette to front cover and gilt lettering over the black label to spine, pictorial endpapers, pictorial olive/cyan dust jacket; pp. [i-vi] vii-xv [xvi blank] 1-71 [72 blank] plus frontispiece in colour and 50 leaves of plates (98 pages of b/w ils.) between pp. 64 and 65. Contributor: Robinson, Basil William (British, 1912 – 2005).

Softcover auction catalogue, 267 x 209 mm, pictorial wrappers with white lettering to cover, black and white lettering to spine; pp. [2] 3-171 [1]; auction held at Christie’s New York on Monday, 24 November 1997, featuring lots 1-297, with properties from Sir Valentine Abdy and various owners; includes descriptions and images of Japanese prints, paintings, and screens. Sheet with realized prices laid in. Title-page: JAPANESE PRINTS, PAINTINGS AND SCREENS | Properties of | SIR VALENTINE ABDY | VARIOUS OWNERS | Auction | Monday, 24 November 1997 at 10.00 a.m. (Lots 1-297) | 502 Park Avenue at 59th Street | New York, New York 10022 | Sale Code | In sending written bids or making inquiries, this sale should be referred to as #8782 | Viewing | […] | Christie’s | 502 Park Avenue at 59th Street | New York, New York 10022 | Telephone: (212) 546 1000 | Internet: http://www.christies.com | (30) Registered at the above address No. 1128160 | {CHRISTIE’S device} || Sixty Fan Prints in this catalogue. 39. TOYOKUNI: aiban uchiwa-e (22.9 × 26.6 cm.); Nakanocho yozakura no zu "Picture of cherry blossoms by night in Nakanocho", a courtesan and two kamuro strolling under cherry trees, signed Toyokuni ga, the censor’s seal corresponding to 1817, published by Ibaya Senzaburo—good impression, very good color, slightly soiled, upper right corner torn and restored. — Estimate: $2,000-3,000. 40. TOYOKUNI: aiban uchiwa-e (22.8 × 29.8 cm.); a bust portrait of a beauty holding the edge of a hand-towel flung over her shoulders, signed Toyokuni ga, censor’s seal corresponding to 1822—very good impression, good color, slightly soiled and rubbed along edges, a minor stain by the edge. — Estimate: $3,000-4,000. 79. KUNISADA: aiban uchiwa-e (23.2 × 30.1 cm.); a bust portrait of a woman dyeing her teeth black against a light-blue background sprinkled with mica, the facial lines printed in deep red, signed Kunisada ga—fine impression and color, slightly soiled along edges, binding holes on right restored, a few minute holes on right. — Estimate: $3,000-4,000. 80. KUNISADA: aiban uchiwa-e (23.8 × 30.1 cm.); a bust portrait of a beauty in a flower-patterned purple robe exposing the left shoulder against a light-blue background sprinkled with mica, the facial lines printed in deep red, signed Kunisada ga, square kiwame censor’s seal and published by Ibaya Senzaburo—fine impression and color, slightly soiled and stained along edges, a few minor stains on right. — Estimate: $3,000-4,000. 82. KUNISADA: aiban uchiwa-e (22.8 × 26.3 cm.); a woman in a kimono patterned with blue seals against a background of purple and black checks and green stenciled “deerskin” patterned with horses and grasses, signed Kunisada ga, the censor’s seal corresponding to 1826, published by Ibaya Senzaburo—fine impression and color, slight stain along right edge, binding holes on right, a minute worm hole in the lower margin. — Estimate: $3,000-4,000. 83. KUNISADA: aiban uchiwa-e (22.9 × 27.1 cm.); a woman wiping her neck before an iris-patterned background, signed Kunisada ga, censor’s seal corresponding to 1826, published by Ibaya Senzaburo—very good impression and color, corners slightly soiled, minor damage and binding holes on right edge, a minute worm hole on the lower margin. — Estimate: $2,500-3,500. 84. KUNISADA: aiban uchiwa-e (22.7 × 29.9 cm.); a woman holding a bamboo basket against a background of tie-dyed fabric patterned with hagi (bush clover), from the series Mutamagao “Six jewel faces”, the pattern on the background alluding to the Jewel River in Noji (Hagi no Tamagawa) in Ōmi province, suggested by the title, signed Kunisada ga—fine impression and color, binding holes on right. — Estimate: $3,000-4,000. 85. KUNISADA: aiban uchiwa-e (22.7 × 29.8 cm.); Prince Mitsugi against a background of tie-dyed fabric patterns holding a spray of yamabuki, from the series Mutamagao “Six jewel faces”, the flower alluding to the Jewel River in Ide (Yamabuki no Tamagawa) in Yamashiro province, signed Kunisada ga—fine impression and color, slightly stained along side edges, binding holes on right. — Estimate: $3,000-4,000. 86. KUNISADA: aiban uchiwa-e (22.8 × 30 cm.); a woman against a background of tie-dyed fabric patterns holding a sake cup and a paper toy figure of a monk, from the series Mutamagao “Six jewel faces”, the monk alluding to the Jewel River in Kōya (Koya no Tamagawa) in Kii province, signed Kunisada ga—fine impression and color, binding holes on both sides, slightly soiled along the lower edge. — Estimate: $3,000-4,000. 87. KUNISADA: aiban uchiwa-e (22.7 × 30 cm.); a woman washing clothes in a basin against a background of tie-dyed fabric patterns, from the series Mutamagao “Six jewel faces”, alluding to the Jewel River in Chōfu (Chōfu no Tamagawa) in Musashi province, signed Kunisada ga—fine impression and color, binding holes on both sides, a few minute worm holes near edges. — Estimate: $2,000-3,000. 88. KUNISADA: aiban uchiwa-e (22.7 × 30.2 cm.); a courtesan against a background of tie-dyed fabric patterns looking at a book illustration of a woman pounding cloth, from the series Mutamagao “Six jewel faces”, the book illustration alluding to the Jewel River in Mishima (Toi no Tamagawa) in Settsu province, signed Kunisada ga—fine impression and color, slightly soiled along left edge, binding holes on right, a few minor worm holes on left. — Estimate: $2,500-3,500. 89. KUNISADA: aiban uchiwa-e (22.7 × 29.8 cm.); a beauty against a background of tie-dyed fabric patterns holding a pipe looking at toy birds hanging from bamboo, from the series Mutamagao “Six jewel faces”, the bird decorations alluding to the Jewel River in Noda (Chidori no Tamagawa) in Rikuzen province, signed Kunisada ga—fine impression and color, binding holes on both sides, slightly stained along lower edge, a few minute worm holes. — Estimate: $2,500-3,500. 97. KUNISADA: aiban uchiwa-e (21.9 × 29.2 cm.); Fune kara agari “Disembarking from the boat”, signed Toyokuni ga and published by Ibaya Senzaburo—fine impression and color, binding holes and minor damage on right. — Estimate: $2,500-3,500. 98. KUNISADA: aiban uchiwa-e (22.8 × 29.34 cm.); Shinkei atsurae zome “Modern form of custom-dyeing”, illustrating a beauty before a background of textile patterns fishing clams from a bowl with a stem of flower, signed Kocho Toyokuni ga and published by Ibaya Senzaburo—fine impression, color, and condition. — Estimate: $3,000-4,000. 103. KUNISADA AND HIROSHIGE: aiban uchiwa-e (22.1 × 29.5 cm. ea. approx.); a complete set of seven prints from the series Sohitsu nanato meguri “Twin-brush journey to the seven hot springs [of Hakone]”, comprising Kiga, Tonosawa, Yumoto, Miyanoshtia, Dogashima, Ashinoyu and Sokokura, each of a beauty or a male figure before a landscape of a separate hot spring, signed Toyokuni ga and Hiroshige hitsu and published by Ibaya Senzaburo, censor’s seal corresponding to 1854, second month—fine impressions and color, slightly soiled along bottom edges, some with fold line and minute worm hole along the left edge with restoration on reverse. This landscape series appears to be unrecorded. — Estimate: $15,000-20,000. 110. KUNIYOSHI: aiban uchiwa-e (22 × 29.9 cm.); Suika no suisho “Watermelon, water”, a beauty extracting seeds from a slice of watermelon, from the series Gogyo no uchi “The five natural elements”, signed Ichiyusai Kuniyoshi ga and published by Surugaya Sakujiro—very good impression and color, binding holes on right, slightly soiled and stained along edges, some minute worm holes, upper left corner torn. — Estimate: $1,500-2,000. 111. KUNIYOSHI: aiban uchiwa-e (22 × 29.9 cm.); Chochin no kasho “Lantern, fire”, a beauty lighting a lantern, from the series Gogyo no uchi “The five natural elements”, signed Chooro Kuniyoshi ga and published by Surugaya Sakujiro—very good impression and color, slightly soiled and stained along edges, binding holes on left, minor worm holes on upper corners, upper right corner torn. — Estimate: $1,000-1,500. 112. KUNIYOSHI: aiban uchiwa-e (21.9 × 29.1 cm.); Zato no seiran “Fine weather for a blind man” from the series Otsu hakkei “Eight views of Otsu-e”, illustrated by a beauty and a dog, the small cartouche depicting a blind man attacked by a dog, signed Ichiyusai Kuniyoshi ga, published by Tsujya Yasubei—fine impression and color, binding holes partly torn on right, a minute worm hole on upper right margin. Two other images from the same set are illustrated in Narazaki Muneshige, Victoria and Albert Museum II, Ukiyo-e masterpieces in European collections (Tokyo: Kodansha, 1989), pls. 34 and 35. — Estimate: $2,000-3,000. 113. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4 cm.); a woman standing by a lantern and holding an umbrella under cherry petals falling against the night sky, from the series Ukiyo hakkai “Eight nocturnal trysts”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburo—fine impression and color, paper slightly toned and stained, minor damage on left edge, a pin hole on upper left margin. — Estimate: $2,500-3,500. 115. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4 cm.); a woman putting her hand on a palanquin in the lantern-light, from the series Ukiyo hakkai “Eight nocturnal trysts”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburo—fine impression and color, a minute hole in the upper right margin, otherwise very good condition. — Estimate: $3,000-4,000. 116. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.6 cm.); a woman beside a bath tub, from the series Ukiyo hakkai “Eight nocturnal trysts”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburo—very good impression and color, a minute hole in upper right margin, a minor tear in the lower margin on right edge, otherwise good condition. — Estimate: $2,000-3,000. 117. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.5cm.); a woman in the evening on a boat enjoying green soybeans, from the series Ukiyo hakkei “Eight nocturnal trysts,” signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburō—Fine impression and color, minute hole on upper right margin, a few minute ink smudges. Another image from the same set of the Niwaka festival in the Yoshiwara, is illustrated in Narazaki Muneshige, Ukiyo-e Masterpieces in European Collections (Tokyo: Kodansha, 1989), pl. 36, and in R. A. Crighton, The Floating World, Japanese Popular Prints 1700-1900 (London: Her Majesty’s Stationery Office, 1973), no. 11. — Estimate: $2,500–3,500. 118. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); an ochazuke (rice with tea) shop waitress carrying a tray and teapots, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—very good impression and color, a worm hole on upper edge, otherwise very good condition. — Estimate: $3,000–4,000. 119. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.6cm.); a beauty in a mirror with a sprinkled mica background arranging her hair, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—fine impression and color, binding holes on left, two minute holes in the upper right margin. Other images from the same set, of a mother and baby, and a woman trimming her hairline, are illustrated in Suzuki Jūzō, Kuniyoshi (Tokyo: Heibonsha, 1992), pls. 280 and 281; and Suzuki Jūzō, Kunisada/Kuniyoshi/Eisen, Ukiyo-e Taikei, vol. 10, (Tokyo: Shueisha, 1974), pl. 44; A beauty applying powder is in Utagawa Kuniyoshi ten (Utagawa Kuniyoshi exhibition) (Tokyo: Riccar Art Museum, 1978), no. 172. — Estimate: $3,000–4,000. 120. KUNIYOSHI: aiban uchiwa-e (22.9 × 29.5cm.); a beauty smoking reflected in a mirror, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—very good impression and color, a minor worm hole in the lower left margin. See lots 119 and 121 for other images in the set. — Estimate: $4,000–6,000. 121. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.2cm.); a beauty reflected in a mirror with a sprinkled mica background frightening a cat with her reflection, signed Chooro Kuniyoshi ga and published by Ibaya Senzaburō—fine impression and color, very slight glue stain along top and left edge, minute pin holes on upper right margin. Another impression of this print was sold in these Rooms, June 27, 1985, lot 106. See lots 119 and 120 for other images in the set. — Estimate: $6,000–8,000. 122. KUNIYOSHI: aiban uchiwa-e (23.7 × 30.7cm. ea. approx.); two prints from the series Dogai kesho no tawamure “Brushes with make-up off the beaten path,” one titled Omori illustrating animated cosmetic utensils strolling on the seashore at Omori; and the other watching fireworks on a river bank, titled Hanabi “Fireworks”, signed Chooro Kuniyoshi giga and the other signed Ichiyusai Kuniyoshi giga, published by Kogaya Katsugorō—very good impression, slightly faded, trimmed and laid down, the first with a few minute worm holes on top. — Estimate: $2,000–3,000. 126. KUNIYOSHI: aiban uchiwa-e (22.4 × 28.5cm.); illustrating figures on a blue ground forming spinning tops, signed Ichiyusai Kuniyoshi giga and published by Ibaya Senzaburō—very good impression and color, extensive wood grain, trimmed into the shape of the fan. — Estimate: $2,000–3,000. 127. KUNIYOSHI: aiban uchiwa-e (22.7 × 30.5cm.); Tōsei musume katagi “The spirit of modern young women”, a beauty repapering shōji while a child peeks through the frame, signed Chooro Kunisada ga and published by Ebiyu Rinnosuke—very good impression and color, slightly soiled and rubbed along bottom and left edge, minute worm holes in upper left margin, a minute stain in the center. — Estimate: $1,500–2,000. 128. KUNIYOSHI: aiban uchiwa-e (21.9 × 29cm.); a beauty standing by a stone lantern in a moonlit garden, subtitled Tsuki “Moon”, from the series Setsugekka no uchi “Snow, moon and flowers”, signed Ichiyusai Kuniyoshi ga—fine impression, very good color, damaged binding holes on left edge, some minor worm holes on edges. — Estimate: $2,000–3,000 129. KUNIYOSHI: aiban uchiwa-e (21.9 × 30.1cm.); Kaze “Wind”, a beauty on a boat enjoying the evening cool on the river, from the series Kachōgetsu “Flowers, birds, wind and moon”, signed Ichiyusai Kuniyoshi ga and published by Sanoya Kihei—very good impression and color, some minor stains, binding holes on left, a minute worm hole on upper right margin. — Estimate: $2,000–3,000. 130. KUNIYOSHI: aiban uchiwa-e (23.3 × 29.6cm.); a beauty dedicating a hand towel at a washing trough in a shrine, signed Ichiyusai Kuniyoshi ga—fine impression and color, slightly soiled and rubbed along edges, vertical center fold. — Estimate: $2,000–3,000 131. KUNIYOSHI: aiban uchiwa-e (22.6 × 29.3cm.); Sumidagawa “Sumida River”, a beauty under a cherry tree by the river bank putting her hand on a figure of Daruma, representing cherry blossoms, from the series Rokkakusen “Six flower rivers”, signed Ichiyusai Kuniyoshi ga and published by Iseya Sōemon—very good impression and color, slightly stained along edges, slightly soiled, binding holes on right, corners trimmed, a minute worm hole in the upper right margin. Other images from the same set: Ayasegawa, with hydrangea, in Suzuki Jūzō, Kuniyoshi (Tokyo: Heibonsha, 1992), pl. 288; and Okawa, with morning glory, in Tokyo kokuritsu hakubutsukan zuhan mokuroku, Ukiyo-e hanga hen (Illustrated catalogue of the Tokyo National Museum, Ukiyo-e prints), vol. 3, (Tokyo: Tokyo bijutsu, 1974), no. 3063. — Estimate: $1,000–1,500. 132. KUNIYOSHI: aiban uchiwa-e (21.9 × 28.9cm.); a beauty with a partially unrolled letter before a portrait of Sōjōbō, king of the tengu, in a decorated frame, entitled Imayō gakumen awase “Collection of modern framed pictures”, signed Ichiyusai Kuniyoshi ga—very good impression and color, very slightly stained on the bottom, binding holes on right, a minor worm hole in upper right margin. — Estimate: $3,000–4,000. 133. KUNIYOSHI: aiban uchiwa-e (21.9 × 28.9cm.); a beauty holding a fan and burning a taper beside a portrait of Soga no Jūrō in a decorated frame, entitled Imayō gakumen awase “Collection of modern framed pictures”, signed Ichiyusai Kuniyoshi ga—very good impression and color, binding holes on both sides, a minor worm hole in the upper right margin. Estimate: $2,500–3,500. 134. KUNIYOSHI: aiban uchiwa-e (22.9 × 29.3cm.); a woman biting the edge of her kerchief before a backdrop of a cart and clematis vines, entitled Mitate Konkai “Parody of Konkai” (the alternate title for the kyōgen farce, Tsuri gitsune), signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburō—fine impression and color, two minute worm holes on upper left margin, otherwise very good condition. Another impression of this print was sold in these Rooms, November 2, 1996, lot 612. Estimate: $3,000–4,000. 135. KUNIYOSHI: aiban uchiwa-e (23.7 × 30.1cm.); Aishō kagami “Mirror of compatibility”, a beauty against a stylized wave-and-fish-patterned background reading a letter, below a round mirror cartouche enclosing a bust portrait of Shirai Gonpachi, signed Ichiyusai Kuniyoshi ga and published by Ibaya Kyūbei—fine impression and color, minor glue stain along upper edge, few minute worm holes in margins. Estimate: $3,000–4,000. 136. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); a beauty with an umbrella beside a playbill, entitled Imayō sugata “Modern style”, signed Chooro Kuniyoshi ga and published by Iseya Sōemon—fine impression and color, a minute worm hole on left edge, a minute hole on left, binding holes on right. Estimate: $2,000–3,000. 137. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.2cm.); a woman on a bridge under an umbrella throwing paper votive slips printed with Buddhist figures into the wind, signed Chooro Kuniyoshi ga—very good impression, color and condition. Estimate: $2,000–3,000. 138. KUNIYOSHI: aiban uchiwa-e (22.5 × 28.9cm.); Koshikibu, from the series Reppuden “Legends of heroic women”, signed Ichiyusai Kuniyoshi ga and published by Ibaya Senzaburō—very good impression and color, binding holes on left, minute worm holes on top in the center. Estimate: $2,500–3,500. 139. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.6cm.); Kitsune “Fox”, from the series Mitsuboshi no uchi, a beauty wiping her hands with a towel at a washing trough at an Inari shrine, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1852, second month, published by Kojimaya Jūbei—very good impression and color, binding holes on left, very slight stain along edges and in lower margin, otherwise good condition. Estimate: $3,000–4,000. 140. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.6cm.); Karudo “Hunter”, from the series Mitsuboshi no uchi, illustrating a beauty in a thick overcoat holding a piece of wood, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1852, second month—very good impression and color, binding holes on right, otherwise good condition. Estimate: $3,000–4,000. 141. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.5cm.); Atsurae zome konomi no irodori “Favorite colors for custom-dying” and subtitled Fuji nezumi “Mount Fuji gray”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month, published by Iseya Sōemon—fine impression and color, binding holes on left edge, otherwise good condition. Two other images from the same set, entitled Edo murasaki “Edo purple” and Ai miru cha “Tea-hut brown”, are illustrated in Uragami Toshirō, Ukiyo-e Utagawa-ha san kyōsho ten - Kunisada Kuniyoshi Hiroshige no sekai (Exhibition of three masters of the Utagawa school - the world of Kunisada, Kuniyoshi and Hiroshige -) (Hagi: TYS, 1991), pls. 74, 75, 109; and Tokyo kokuritsu hakubutsukan zuhan mokuroku, Ukiyo-e hanga hen (Illustrated catalogue of Tokyo National Museum, Ukiyo-e prints), vol. 3, (Tokyo: Tokyo bijutsu, 1974), no. 3053. Estimate: $2,500–3,500. 142. KUNIYOSHI: aiban uchiwa-e (22.8 × 29cm.); Natsu no yugure “A summer evening”, a beauty on a veranda with overhanging branches of a flowering tree, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month, published by Enshūya Matabei—very good impression and color, slightly soiled along bottom edge, minor stains on the bottom. Two other images from the same set, featuring hydrangea and peony, were sold in these Rooms, April 26, 1995, lots 247A and 248. Estimate: $2,500–3,500. 143. KUNIYOSHI: aiban uchiwa-e (20.8 × 29.9cm.); a woman on a terrace reading a libretto, from the series Enkyoku zōui “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression and color, binding holes on left, paper thinned in upper left margin, otherwise good condition. Estimate: $3,000–4,000. 144. KUNIYOSHI: aiban uchiwa-e (20.7 × 29.3cm.); a woman by a koto reading a libretto, from the series Enkyoku zoroi “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression and color, very slight stain along side edges, otherwise good condition. Estimate: $2,500–3,500. 145. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); a woman on a terrace dancing with a fan, from the series Enkyoku zoroi “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression, color and condition. Estimate: $2,500–3,500. 146. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.4cm.); a woman reading a libretto and a cat dozing on her back, from the series Enkyoku zoroi “Collection of charming music”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month—very good impression and color, slightly stained along side edges, binding holes on left edge. Estimate: $3,000–4,000. 147. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.5cm.); a beauty on a terrace overlooking the flowering plum and bushes of a garden in snow carrying snow on a tray, the snow image from the series Bijin gekka setsu “Beauties, moon, flower and snow”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1853, second month, published by Kojimaya Jūbei—very good impression and color, slightly stained along edges, minute tear on upper left margin, otherwise good condition. Estimate: $3,000–4,000. 148. KUNIYOSHI: aiban uchiwa-e (23.2 × 30cm.); Ryo “Cool”, a woman dipping her wrists in the river over the edge of a boat, from the series Imayō rokkasen “Six modern choices for summer”, signed Ichiyusai Kuniyoshi ga, the censor’s seal corresponding to 1853, second month, published by Izumiya—fine impression and color, left edge very slightly soiled, minute worm holes on lower margins, otherwise good condition. Estimate: $2,500–3,500. 149. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.5cm.); Mizuhan “Water guard”, a woman standing by a tank of goldfish, from the series Imayō rokkasen “Six modern choices for summer”, signed Ichiyusai Kuniyoshi ga, the censor’s seal corresponding to 1853, second month, published by Izumiya—very good impression and color, very slight stain along side edges, otherwise good condition. Another image from the same set, titled Hirune “Afternoon nap”, is illustrated in Suzuki Jūzō, Kuniyoshi (Tokyo: Heibonsha, 1992), p. 289, and in Nakau Ei, Edo onna ukiyo-e meisaku ten (Exhibition of masterpieces of ukiyo-e of Edo women), (Osaka: D square, 1993), no. 66. Estimate: $2,000–3,000. 150. KUNIYOSHI: aiban uchiwa-e (22.8 × 29.7cm.); Doyo mairi “Midsummer visit”, a woman carrying a tea cask beside a patterned screen, from the series Imayō rokkasen “Six modern choices for summer”, signed Ichiyusai Kuniyoshi ga, the censor’s seal corresponding to 1853, second month, published by Izumiya—fine impression and color, binding holes on left edge, a minute worm hole in right margin, otherwise very good condition. Estimate: $3,000–4,000. 151. KUNIYOSHI: aiban uchiwa-e (22.7 × 29.5cm.); Sensōji no yuki “Snow at Sensōji temple”, from the series Mutsu geshiki “Six views”, signed Ichiyusai Kuniyoshi ga, censor’s seal corresponding to 1854, second month, published by Iseya Sōemon—fine impression and color, slight stain along both side edges, otherwise good condition. Estimate: $3,000–4,000. 152. KUNIYOSHI: aiban uchiwa-e (22.7 × 30.1cm.); two geisha in identical costume on a terrace dancing with folding fans, signed Kuniyoshi ga, censor’s seal corresponding to 1854, fourth month, published by Ibaya Senzaburō—fine impression and color, slightly stained along side edges, binding holes on right. Estimate: $1,500–2,000. 153. KUNIYOSHI: aiban uchiwa-e (17.3 × 27.6cm. ea. approx.); a group of four prints comprising: a woman at a goldfish seller’s booth, signed Chooro Kuniyoshi ga; Sakura no seirei ryakuden “Abbreviated biographies of charming women”, signed Chooro Kuniyoshi ga and published by Tsujiyama Yasubei; and Hajimetsuki and Shunju from the series Gosekku no uchi “The five seasonal festivals”, signed Ichiyusai Kuniyoshi ga and Chooro Kuniyoshi ga, published by Kojimaya Jūbei—very good impressions and color, binding holes, the third and fourth with minor worm holes on top, the third with some minor stains. Estimate: $1,500–2,000. 167. HIROSHIGE: aiban uchiwa-e (22.5 × 29cm. ea. approx.); three figures with their facial features composed by the Chinese characters for zen (good) and aku (evil), entitled Zen aku hana no ayatsuri “Puppets manipulated by good and evil”, signed Hiroshige gihitsu and published by Ibaya Senzaburō; and Kyo Arashiyama, Togetsukyō “Togetsu bridge, Arashiyama, Kyoto” from the series Santo fūkei “Views of three cities”, signed Hiroshige ga, censor’s seal corresponding to 1854, fifth month—good impressions, the first slightly faded and toned, the second slightly soiled, rib marks with slight glue stains, some minute worm holes restored, pasted on paper on edges, both trimmed into the shapes of the fans. Estimate: $4,000–6,000. 168. HIROSHIGE: aiban uchiwa-e (21.8 × 29.5cm.); illustrating a riverbank and boats, signed Oju (by order) Hiroshige sha—good impression and color, slightly soiled, vertical centerfold line restored, restoration on corners and at the bottom near the center. Estimate: $3,000–4,000. 182. KUNIMARU: aiban uchiwa-e (22.5 × 29.3cm.); a bust portrait of a beauty with a pipe looking at a mirror stand against a purple and black-check background holding a pipe, signed Kunimaru ga and published by Ibaya Senzaburō—good impression, very good color, slightly soiled, rubbed and stained along edges, binding holes on right, a few minor worm holes. Estimate: $2,000–3,000. 183. KUNIHIDE: aiban uchiwa-e (22.7 × 29.5cm.); a beauty with a shamisen before a background of iris, entitled Meisho Kihōji Horikiri hanashobu “Famous place, Iris at Kihō Temple in Horikiri”, signed Kunihide ga, censor’s seal corresponding to 1853, second month, published by Masugin—very good impression and color, very slight stain along edges, binding holes on left edge. Estimate: $2,000–3,000. 184. KUNIYOSHI, KUNICHIKA AND YOSHITSUYA; three uchiwa-e of umbrellas, one of blue ground with Yoshikuni seal of Kuniyoshi, another with inscription Tokiwazu uta and crest, and another of the reverse of the second, the second and third published by Ibaya Kyūbei; a diptych of a theatrical scene, actor Ichikawa Danjūrō IX in the Shibaraku role within a mimasu crest border, signed (by order) Toyohara Kunichika hitsu, dated Meiji 11 (1878) and published by Tanaka Shōzō; and a sumizuri-e of a theatrical scene, including the name of the stage-carpenter and property man, signed Ichieisai Yoshitsuya ga—very good impressions and color, slightly soiled, slight stain along upper edges and minor worm holes near edges, the second, very good color, slightly creased on upper left corner on the left panel, the third, slightly toned, soiled, creased and rubbed, some restorations. Estimate: $2,000–3,000.

Two softcover volumes, 295 × 210 mm each, uniformly bound in wrappers with black and grey lettering and a vignette to the front, lettering to the spine, and vignette to the back; both housed in a black cloth slipcase with gilt lettering in a gilt octagonal frame. Vol. 1: Pale yellow wrappers, vignette in colour, lettering, two green flyleaves in the front and back, pp.: [1] 2–167 [1]; contains a detailed study of Hiroshige’s travel prints, including the Tōkaidō and Kisokaidō series. Title-page: PRINTS | BY UTAGAWA HIROSHIGE | IN THE JAMES A. MICHENER | COLLECTION | VOLUME 1 | Essay by Kobayashi Tadashi | Catalogue by Howard A. Link | {publisher’s device} Honolulu Academy of Arts 1991 || Vol. 2: Cream wrappers, vignette in black and white, lettering, pp.: [1] 2–64; provides additional analysis, notes, and a selected bibliography. Title-page: PRINTS | BY UTAGAWA HIROSHIGE | IN THE JAMES A. MICHENER | COLLECTION | VOLUME 2 | Essays and Catalogue Commentaries | by Howard A. Link | {vignette portrait} | {publisher’s device} Honolulu Academy of Arts 1991 || Contributors: Utagawa Hiroshige (Japanese, 1797–1858) – artist. James A. Michener (American, 1907–1997) – collector. Kobayashi Tadashi (Japanese, born 1941) – essayist. Howard A. Link (American, dates unknown) – catalogue compiler. Honolulu Academy of Arts (now Honolulu Museum of Art) – publisher.

Title-page: Heroes & Ghosts | Japanese prints | by | Kuniyoshi | 1797-1861 | [space] | Robert Schaap | introduction by | Amy Reigle Newland | essays by | Timothy T. Clark | Matthi Forrer | Inagaki Shin'ichi | {publisher’s device} | Hotei Publishing, Leiden | Society for Japanese Arts || Description: Square hardcover volume, 29.3 x 29 cm, bound in black cloth with blind vignette to front cover and blind lettering to spine, black pictorial endpapers, pictorial dust jacket; pp.: [1-4] 5-280, incl. 279 plates and 31 figures in the text; based on exhibit in Van Gogh Museum (Amsterdam) 30 Jan – 5 Apr 1998 and Philadelphia Museum of Art (Philadelphia) 24 Apr – 29 Jun 1998.

Two volumes, each bound in red cloth with gilt lettering to spine, black endpapers, TEG, and matching red cloth slipcases with black lettering to front. Vol. 1: The Clarence Buckingham collection of Japanese prints: The Primitives / Catalogue by Helen C. Gunsaulus. — [Chicago]: Art Institute of Chicago, 1955. Pagination: 1^st leaf blank, 2^nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”, 1-284 [285] colophon, limitation: 500 numbered copies, this is № 476. Title-page: THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | The Primitives | CATALOGUE BY HELEN C. GUNSAULUS | THE ART INSTITUTE OF CHICAGO || Vol. 2: The Clarence Buckingham collection of Japanese prints: Volume 2 / Catalogue by Margaret O. Gentles. — [Chicago]: Art Institute of Chicago, 1965. Pagination: 1^st leaf blank, 2^nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”,1-307 [2] blank/ colophon, limitation: 1000 copies (unnumbered). Title-page: VOLUME II | THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | Harunobu, Koryūsai, Shigemasa, their followers and contemporaries | Catalogue by Margaret O. Gentles | THE ART INSTITUTE OF CHICAGO 1965 || Contributors: Clarence Buckingham (American, 1854 – 1913) Helen C. Gunsaulus (American, 1886 – 1954) Margaret O. Gentles (American, 1905 – 1969)