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Home/Collection/Fine art
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  • The amorous drawings of the Marquis von Bayros. / Preface by Wilhelm M. Busch, biography of Von Bayros by Johann Pilz, two essays by Von Bayros; with 292 illustrations by Marquis Franz von Bayros. 2 vol. in 1. — Cythera Press, New York, 1968. — 240 p.

    The amorous drawings of the Marquis von Bayros / Part I and II. — NY: Cythera Press, 1968.

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  • Zichy. / Introduced and selected by Katalin Gellér. — Bubapest: Corvina, 2007. — 44 pp + 66 illustr.

    Zichy / Introduced and selected by Katalin Gellér. — Budapest: Corvina, 2007.

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  • The amorous drawings of the Marquis von Bayros. Part 1. — North Hollywood: Brandon House (Copyright 1968 by the Cythera Press) and part 2. — New York: Cythera Press. — Preface by Wilhelm M. Busch. Biography by Johann Pilz. — 238 pp.

    The amorous drawings of the Marquis von Bayros / Part I and II. — North Hollywood: Brandon house, [1968?]

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  • Phyllis Dearborn Massar. Presenting Stefano della Bella. — NY: The Metropolitan Museum of Art, [1971].

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  • Bayros Zeichnungen. — Gala Verlag, Hamburg fur Fourier Verlag GmbH, Wiesbaden, 1987. — pp. 207. — 233 illustrations, essay by Wilhelm M. Busch. [Franz von Bayros Drawings].

    Bayros Zeichnungen / Vorwort von Wilhelm M. Busch. — Hamburg: Gala Verlag, Wiesbaden: Fourier Verlag, 1987.

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  • The erotic drawings of Mihály Zichy : Forty drawings. — New York: Grove Press Inc., 1969. — [2 intro.] + [40 ill.]

    The erotic drawings of Mihály Zichy: Forty drawings. — New York: Grove Press Inc., 1969.

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  • Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.

    Erato: Graphiken von Mihály Zichy. — Budapest: Corvina Kiadó, 1989.

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  • Michael von Zichy. Liebe: Vierzig Zeichnungen. Leipzig: Privatdruck, 1911.

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  • Le Marquis de Sade. Les 120 journées de Sodome. Anonymous pen and ink drawings after André Collot, c. 1935.

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  • Stunden der Erbauung / Pencil drawings by Mitja Leytho, c. 1940.

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  • Freundinnen / drawings by Mitja Leytho, c. 1930.

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    Otto Schoff. Kindergarten: 6 Radierungen. — Berlin: Gurlitt, 1923

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