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Vol. 1: Front wrapper and title page (in red and black): CONTES | ET | NOUVELLES | DE | LA FONTAINE | ILLUSTRATIONS | EN COULEURS | DE | BRUNELLESCHI | {vignette} | PREMIER ET DEUXIÈME LIVRE | GIBERT JEUNE | LIBRAIRIE D'AMATEURS | 61, BOULEVARD SAINT-MICHEL, 61 | PARIS || Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [6] – advert., [2] – d.t.p., 1-164 [165-6], [4] – table, [2] – imprint / blank, [2] – blanks; total 188 pages (94 leaves) with 35 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Vol. 2: Front wrapper and title page similar to Vol. 1 but TROISIÈME, QUATRIÈME ET CINQUIÈME LIVRE under the vignette. Pagination: [2] – blanks, [2] – h.t. / limit., [2] – t.p. / blank, [2] – d.t.p., 1-233 [234], [4] – table, [2] – colophon / blank, [2] – blanks; total 250 pages (125 leaves) with 42 in-text black illustrations, plus 16 colour plates extraneous to collation, incl. frontispiece. Edition: Limited edition of 3,000 copies, this copy is № 1 (stamped in black in vol. 1). Printed on the 10th of June, 1938 by J. Dumoulin (H. Barthélemy – director, Louis Malexis – mise en page); stencil-colouring (au pochoir) by E. Charpentier under direction of the artist. Binding: Two volumes 26.3 x 20.3 cm, uniformly bound in publisher’s pictorial flapped wrappers with vignettes and lettering to front wrapper and spine and publisher’s device to back wrapper. Description of the stensil (au pochoir) technique. -
Vol. 1: Front wrapper (green and black): Pascal Pia | les | Livres | de l'Enfer | du XVIeme siècle à nos jours | TOME I | C. Coulet et A. Faure || Title page: Pascal Pia | les | Livres (historiated initial «L») | de l'Enfer | Bibliographie critique des ouvrages | érotiques dans leurs différentes | éditions du XVIe siècle à nos jours. | Tome I | A à L | C. Coulet et A. Faure | 5 rue Drouot | Paris 9e | 1978 || Pagination: [1-6] 7-413 [414]. Vol. 2: Front wrapper similar to Vol. 1 but “TOME II”; title similar to Vol. 1 but “Tome II | M à Z”. Pagination: [6] 415-837 [838] [2] – colophon / blank. Entries in the main sections are not numbered, each page has two columns of text and the columns are numbered 1-778 in vol. 1 and 779-1440 in vol. 2; p. 751– 792 – l'enfer BNF (numbered list); pp. 793-837 – index of authors, artists, editors, publishers, etc. Edition: 1st; limited to 900 copies, first 100 numbered 1-100 and printed on Ingres paper, next 800 numbered 1-800 and printed on Centaure Ivoire paper. This copy is № 34 (stamped in black) from the first hundred. Binding: 25 x 16.5 cm, both volumes printed on laid watermarked paper “Ingres”, untrimmed, uncut, uniformly bound in publisher’s wrappers lettered on front and spine. Contributors: Pascal Pia [Pierre Durand] (French, 1903 – 1979) – author/compiler. Imprimerie centrale de l'Ouest (Roche-sur-Yon) – printer. -
Exhibition held December 4, 2007, to March 2, 2008, at the Bibliothèque Nationale de France. Title: L'enfer de la Bibliothèque | ÉROS AU SECRET | Sous la direction | de Marie-Françoise Quignard | et Raymond-Josué Seckel | [spase] | {BnF | Bibliothèque nationale de France || Description: 23 x 16 cm, publisher’s lettered wrappers and pictorial dust jacket, [1-17] 18-460 [4], ils.; 257 entries, 8 pp. bibliography, 10 pp. index. -
Title-page (red and black): RESTIF DE LA BRETONNE | LES | FAIBLESSES | D'UNE | JOLIE FEMME | ILLUSTRATIONS EN COULEURS | DE | RAOUL SERRES | {VIGNETTE} | EDMOND VAIREL, ÉDITEUR | PARIS || Description: 25.8 x 17 cm, French flapped wrappers lettered in red and black “LES | FAIBLESSES | D'UNE | JOLIE FEMME” in a 26 x 18 cm tan cloth double slipcase, [1-14] 15-175 [176] [8], collated in-8vo, with 25 colour in-text woodcut vignettes and two tailpieces at the end of each chapter, by Gérard Angiolini after watercolours by Raoul Serres. Published: April 18, 1951, in Paris. Edition: 1st thus, limited edition of 1,025 copies, of which this is № 904 of a common print run on Vélin de Rives paper (numbered 101-1,000). Contributors: Nicolas Restif de la Bretonne [Nicolas-Edme Rétif] (French, 1734 – 1806) – author. Raoul Serres [Schem] (French, 1881 – 1971) – artist. Gérard Angiolini (French, fl. 1946 – 1957) – engraver. Imprimerie Coulouma (Argenteuil), Robert Coulouma (French, 1887-1976) – printer. Edmond Vairel (French, 18… – 19...) – publisher, colourist. -
Title-page: DORAT | LES BAISERS | PRÉCÉDÉS | DU MOIS DE MAI | POÈME | COMPOSITIONS ORIGINALES | DE | BRUNELLESCHI | EDDIS | 1947 || Description: 23.3 x 19 cm, French slapped wrappers, sunned and heavy foxed, without a slipcase; [1-6] (h.t. with owner’s inscription / limitation with № 18, t.p., d.t.p.), 7-137 [138] [6] (colophon) plus 23 stencil-coloured (au pochoir) photogravure plates after Umberto Brunelleschi, his head- and tailpieces (total 60 designs). Printed by Gaston Maillet & Cie in Saint-Ouen on April 15, 1947. Photogravure by Deberni and Peignot under direction of R. Perrot. Limitation: 3,000 copies numbered 1 to 3,000 of which 500 copies on Vélin de Luxe (1–500) enriched with two suites of plates, one in colour and one toned, before letters; 2,500 on Vélin de Fabrication Spéciale of which copies numbered 500–1,000 enriched with one suite before letters, and 2,000 copies numbered 1,001–3,000. Besides, there are 200 additional copies numbered with Roman numbers reserved for foreign bibliophiles. This particular copy bears number 18, however, I don’t think it is printed on Vélin de Luxe, whatever it is, and does not have an extra suite of plates. Owner’s inscription pasted to h.t.: A Denise ce livre audacieux | mais qui par son art sait | tout faire pardonner — | Jane Darboy. Provenance: Jane Darboy (French, fl. 1932 – 1948) – a French writer. -
Title-page: CHANSONS | DE | SALLES DE GARDE | {vignette} || Description: 27.5 x 18.5 cm, in pictorial French flapped wrapper and in a green cloth folder, vertically lettered to spine “CHANSONS” in black letters, a flute benith. Pagination: [1-3] 4-140 [4] plus 52 plates extraneous to collation (Dutel provides for 142 pp.) Illustrations: plates, headbands, vignettes to front wrapper, title-page and limitation page, as well as the vignette at the end, reproduced after drawings by Morvan (according to J.-P. Dutel) and hand-coloured with crayons (the question remains, is it Hervé Morvan, French, 1917 – 1980?) Limitation: 950 copies of which 25 marked A to Z; 25 copies consist of an additional suite and one original drawing (№ 1-25); 25 copies have an original drawing (№ 26-50), and 875 copies numbered 51 to 950. This copy is № 697. Catalogue raisonné: Dutel (1920-1970): № 1186. -
Title: Chansons | de Salles de Garde | {vignette} | Internat { À l’Enseigne des Trois Orfèvres } Quartier Latin || Collation: 21 leaves folded in half (84 pages), unpaginated, unbound, plus 40 plates (two-tone lithography) for 40 songs, in a flapped paper folder, in a green cardstock folder (slipcase without top and bottom?) with gilt diaper ornament. Text, music score, and drawings printed in brick red. Size: 28 x 22.5 cm. Edition: limited to 700 copies of which 100 (№ 1-100) on Vélin Arches, 650 (№ 101-650) on Vélin Spécial, and 50 without numbering marked “Exemplaire d’interne” on Vélin Supérieur. This copy is № 27. Catalogue raisonné: Dutel 1920 – 1970: 1192. -
Description: French flapped wrappers, 27 x 20.5 cm, 134 gatherings, plus two leaves (blank, h.t. / limitation) at the beginning (54 leaves total), the first and the last two leaves blank, two pages in each of 12 gatherings (24 total) are hand-painted photogravures after etchings by an anonymous artist, attributed to Santippa, pseudonym of Georges or Gaston Hoffmann, or, possibly, of André Collot; the gatherings are unbound, pp. [1-10] 11-99 [100] [8] (108 pages total). Title-page: ÉPICES | REFLEXIONS | sur quelques à-côtés de l'amour | destinées à des personnes | expérimentées | ILLUSTREES | DE | VINGT-QUATRE PLANCHES | HORS-TEXTE | COLORIÉES A LA MAIN | {vignette} | ÉDITÉ | POUR UN GROUPE DE BIBLIOPHILES || Edition: limited to 500 copies numbered from 1 to 480 + 20 hand-numbered with Roman numbers. This is copy № 273. Enrichment: one original sketch (for Coucou… ou l’erreur de porte), one etching before letters and the same after letters and coloured (Le petit coin tranquille.. 19/20), and a full suite of 24 original etchings in sepia on cream paper, 20 of them on Arches and 4 on BFK Rives) printed for the first 17 copies of the 1950 edition (55 copies were printed then). In addition: one graphite pencil sketch which is not part of the suite. Catalogue raisonné: Dutel 1920 – 1970: № 1490 (for 1950), № 1491 (for 1955).
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Title-page: LA | CORRECTIONNELLE | PETITES CAUSES CÉLÈBRES | ÉTUDES DE MŒURS POPULAIRES | Au Dix-Neuvième Siècle | ACCOMPAGNÉES DE CENT DESSINS | PAR GAVARNI | {woodcut vignette} | PARIS | Chez Martinon, rue du Coq-Saint-Honoré, 4 | 1840 || Collation: 2o, π3 (t.p. (wrapper?), h.t., t.p.), 1-1012; 205 leaves total, of them 100 plates, lithographs by Gavarni. Pagination: [6] [1] 2-403 [404], 410 pages total, incl. ils. (BnF calls for 426 pages total). Note: plate № 8 is numbered 9, plate № 9 numbered 8; p. 266 numbered 264, p. 268 numbered 266, p. 362 numbered 374, p. 364 numbered 376 (as called for by Carteret). Binding: “Romantique” publisher's quarter calf with gilt lettering and design elements over red paper boards, marbled endpapers. Complete 100 issues of the 4-page “La Correctionnelle” with a woodcut vignette after Gavarni on the 1st page of each issue, published between December 1839 and December 1840, and collected under one cover in 1840 by Martinon. Catalogue raisonné: Carteret (Le trésor, 1927): pp. 177-8; Brivois (1883): p.112. Both authors marked the edition as «rare in good condition". Gavarni [Sulpice Guillaume Chevalier] (French, 1804 – 1866) – artist. Amedée Gratiot et Cie. – printer, text. Coulon et Cie.– printer, lithographs. Coulon, Barthélémy Henry (French, fl. 1839 – ?) -
Three volumes, 8vo, 20.5 x 13.5 cm each, uniformly bound in crimson morocco, ruled in triple-fillet gilt, flat spine, triple-fillet gilt-ruled compartments with gilt elements in compartments, two black labels lettered in gilt, marbled endpapers, all edges gilt, multiple woodcut tailpieces. Armorial bookplate of Henricus Liber Baro de Gudenus to front pastedowns in all volumes: “HENRICVS LIBER BARO | DE GVDENVS | 1891 | Jauner”. Title-page: ROMANS | ET | CONTES | DE | M. DE VOLTAIRE | {chain rule} | TOME PREMIER (SECOND; TROISIEME). | {chain rule} | {publisher’s device with motto: “nuper sub modio nunc super”} | A BOUILLON, | AUX DEPENS DE LA SOCIETE TYPOGRAPHIQUE. | {floral rule} | M. DCC. LXXVIII. || Vol. 1: Collation: π2 (h.t., t.p.) a1 (table), A-T8, (Aiv unsigned), total 155 leaves plus 16 leaves of plates, incl. frontispiece, and two blanks – first and last, extraneous to collation. Frontispiece by Cathelin after de La Tour, unsigned t.p. vignette (device), 5 unsigned headpieces, and 15 plates after Monnet by Chatelin, Dambrun (5) Deny (6), Thiébault (2), and Vidal. Pagination: [i-v] vi [1-3] 4-304, total 310 pages, ils. Vol. 2: Collation: π2 (h.t., t.p.) a2 (table), A-V8, total 164 leaves plus 20 leaves of plates, incl. frontispiece, extraneous to collation, no blanks. Frontispiece by Dambrun after Monnet, unsigned t.p. vignette (device), 3 headpieces by Deny after Monnet, 2 unsigned headpieces, 19 plates: after Martiny by Deny; after Monnet by Baquoy, Dambrun (3), Deny (9), and Vidal (4); and after Moreau by Deny. Pagination: [i-v] vi-viii [1-3] 4-320, total 328 pages, ils. Vol.3: π2 (h.t., t.p.) a1 (table), A-O8 P6 a-f8 g1 h2 ('avis au relieur'), total 172 leaves plus 21 leaves of plates, incl. frontispiece, extraneous to collation, no blanks. Frontispiece by Dambrun after Monnet, unsigned t.p. vignette (device), indistinctly signed headpiece to “Jenni” after Monnet (probably Thiébault), 2 unsigned headpieces, 20 plates: after Marillier by Deny (4), Lorieux (2), Patas, and Vidal. Pagination: [i-v] vi [1-3] 4-236, [1-2] 3-102, total 328 pages, ils. Provenance: Heinrich von Gudenus [Heinrich Johann Baptist Ghislain von Gudenus] (Austrian, 1839 – 1915); ref.: Bibliotheca Ecclesiae Metropolitanae Strigoniensis. Catalogue raisonné: Ray (French): № 35, pp. 71-2; Cohen - de Ricci: 1038-9; Lewine: 562-3. Contributors: François Marie Arouet de Voltaire (French, 1694 – 1778) – author. Artists: Clément Pierre Marillier (French, 1740 – 1808) Maurice Quentin de La Tour (French, 1704 – 1788) Charles Monnet [Monet] (French, 1732 – 1819) Pietro Antonio Martini (Italian, 1738 – 1797) Jean-Michel Moreau [Moreau le Jeune] (French, 1741 – 1814) Engravers: Jean Charles Baquoy (French, 1721–1777) Louis-Jacques Cathelin (French, 1738 – 1804) John Baptist Chatelain (British, 1710 – 1758) Jean Dambrun (French, 1741 – 1808/14) Jeanne Deny (French, 1749 – c. 1815) Martial Deny (French, b. 1745) F. B. Lorieux (French, fl. 1786 – 1810) Charles Emmanuel Patas (French, 1744 – 1802) Elisabeth Thiébault (French, 18th century) Gérard Vidal (French, 1742 – 1801) -
Description: Quarter red buckram over paper boards with fleur-de-lis diaper, 25.9 x 17.2 cm, gilt lettering to spine, in a cardboard slipcase, bookplate to front pastedown “EX LIBRIS | William Farrell Smith || Title-page: FRANÇOIS MARIE AROUET DE VOLTAIRE | Candide | OR | OPTIMISM | — | Translated from the French by Richard Aldington | With an Introduction by Paul Morand | and twenty illustrations in colour | by Sylvain Sauvage | — | LONDON 1939 | The Nonesuch Press || Pagination: [i-vi] (h.t., frontis., t.p.) vii-xix [xx] [1-2] 3-147 [148], ils. within colation, total 168 pages. Colophon: "This edition of Candide has been composed in Monotype Cochin at the Fanfare Press London to the design of Francis Meynell. It was printed by the Imprimerie Prolat Frères at Mâcon in France on paper especially made at the Rives mills, and the illustrations by Sylvain Sauvage were reproduced by G. Duval and the Imprimerie Beaufumé in Paris". Illustrations: 10 full-page plates and 10 in-text stencil-coloured collotype reproductions by Georges Duval after drawings by Sylvain Sauvage. Contributors: François-Marie Arouet [Voltaire] (French, 1694 – 1778) – author. Richard Aldington (British, 1892 – 1962) – translator. Paul Morand (French, 1888 – 1976) – author (introduction). Sylvain Sauvage [Félix Roy] (French, 1888 – 1948) – artist. Fanfare Press (London) – printer. Francis Meynell (British, 1891 – 1975) – book designer. Imprimerie Protat Frères (Mâcon) – printer. Imprimerie Beaufumé (Paris) – printer (ils.) Georges Duval (active mid-20th century) – printer (ils.) Nonesuch Press – publisher. Provenance: William Farrell Smith (American, 1932 – 2009) -
Description: 24.4 x 15.9 cm, softcover in-8vo, light-green publisher's wrappers, lettered in black to both covers and and spine; bookplate pasted to verso of the front wrapper: “LE GÉNIE DE LA GRAVURE | CONSOLE LE GÉNIE DU DESSIN | {vignette} | BIBLIOTHÈQUE DE CLAUDETTE HOULD || Title-page: ÉCOLE PRATIQUE DES HAUTES ÉTUDES — IVe SECTION | Sciences historiques et philologiques | — | VI | HISTOIRE ET CIVILISATION DU LIVRE | 18 | CHRISTIAN MICHEL | CHARLES-NICOLAS COCHIN | ET LE LIVRE ILLUSTRÉ | AU XVIIIe SIÈCLE | Avec un catalogue raisonné des | livres illustrés par Cochin | 1735-1790 | Ouvrage publié avec le concours du Centre national | de la Recherche scientifique | {device} | GENÈVE | LIBRAIRIE DROZ | 11, rue Massot | 1987 ||; front wrapper also has in the bottom: Librairie CHAMPION, 7 quai Malaquais – Paris || Collation: 8vo; [1]-258, 26 leaves of plates (fig. 1-169) extraneous to collation, 26+[27]14 288; plates: unpaginated photo reproduction of Cochin’s 169 drawings and engravings; quire 27 unsigned, together with quire 26 makes 14 leaves. Pagination: [i-vii] viii-x, [1] 2-431 [423 colophon] [2 blank], 26 leaves of plates. Provenance: Claudette Hould, Montréal, Quebec, Canada, spécialiste d’histoire de l’art français. Ref.: British Museum. Publisher: Droz Charles-Nicolas Cochin (French, 1715 – 1790) See Cochin's illustrated books in this collection: LIB-2941.2021, LIB-2766.2021; LIB-2640.2021; LIB-2529.2020. -
Description: Six softcover volumes, collated in-4to, 14.3 x 10 cm in publisher’s lettered wrappers; printed on laid paper; series "Les petits mémoires de Paris" illustrated with 23 out of 24 etchings by Henri Boutet: (I) Les coulisses de l’amour; (II) Rues et Intérieurs; (III) Le carnet d’un suiveur; (IV) Le petits métiers; (V) Les nuits de Paris; (VI) Toutes les bohêmes. Vol. I: Cream cover, lettered black and red in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | I | Les Coulisses de l’Amour | {vignette brown Notre-Dame de Paris} | A PARIS | CHEZ DORBON l’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCVIII» in the bottom. Edition not stated. [1-8] ( 7 marked 1) 9-125 [3] contents, colophon; h.t. uncut from 1st blank, three original etchings instead of four (one missing?), incl. frontispiece. Colophon: IMPRIMÉ PAR SOINS | DE LA | SOCIÉTÉ TYPOGRAPHIQUE | DE | CHATEAUDUN || Back wrapper blank. Vol. II: Mint-green cover, lettered black and red in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | II | Rues et Intérieurs | {vignette brown Notre-Dame de Paris} | A PARIS | CHEZ DORBON l’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. Edition not stated. [1-6] 7-125 [2] contents, colophon (same as in Vol. I); h.t. uncut from 1st blank, four original etchings, incl. frontispiece. Back wrapper blank. Vol. III: Cream cover, lettered blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | III | Le Carnet d’un Suiveur | 4e Edition | {vignette smoking gentleman in a top hat} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. 4th edition. [1-6] 7-124 [4] contents, colophon (uncut); h.t. uncut from 1st blank, four original etchings, incl. frontispiece. Colophon: Imprimé par soins de | l’Imprimerie de Paris | Têtes de chapitre, lettrines et culs de lampe de | M. Paul Guignebault | Eaux-fortes tirées sous la direction de | M. Henri Boutet || Back wrapper with a frame and a ribbon at center, in blue. Vol. IV: Tan cover, lettered red and black in a black frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | IV | Le Petits Métiers | {vignette worker with a ladder} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCCCIX» in the bottom. Edition not stated. [1-6] 7-119 [120 colophon, uncut] [8 advert., uncut]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a black frame and a red ribbon at center. Vol. V: Olive-green cover, lettered red and blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | V | Les nuits de Paris | Deuxième Édition | {vignette woman on a street} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCDIX» in the bottom. 2nd edition. [1-8] 9-118 [2 colophon, uncut] [8 advert., uncut]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a blue frame and a red ribbon at center. Vol. VI: Cream cover, lettered red and blue in a blue frame: LA MÉSSAGÈRE | LES | PETITS MÉMOIRES | DE | PARIS | CONTENANT | Quatre Eaux-Fortes originales | PAR | Henri BOUTET | VI | Toutes les bohêmes | Cinquième Édition | {vignette windmill} | A PARIS | CHEZ DORBON L’AINÉ, LIBRAIRE | 53 ter, Quai des Grands-Augustins || Title-page: similar, in black, with «MDCDIX» in the bottom and “Deuxième Édition”. 5th or 2nd edition. [1-7] 8-120 [2 colophon] [4 advert.] [2 blank]; four original etchings, incl. frontispiece. Colophon: IMPRIMERIE DE PARIS | 22, RUE DES VOLONTAIRES PROLONGÉE | – PARIS - XVe – || Back wrapper with a blue frame and a red ribbon at center. Contributors: Henri Boutet [La Mésangère] (French, 1851 – 1919) – author, artist, etcher. François Louis Dorbon [Dorbon Aîné] (French, 1878 – 1956) – publisher. -
Description: Limited softcover edition in grey publisher’s wrappers 27 x 21 cm, lettered in a frame “MICHEL VOKAER | BIBLIOGRAPHIE | de | Marcel VERTÈS | PREFACE DE CLAUDE ROGER-MARX | Avec quatre dessins inédits de Vertès | — | EMILE RELECOM | BRUXELLES ||, lettered spine, pp. [1-4 h.t., t.p.] 5-34 [35, 36 blanks] [37 limitation] [38 blank] [39 colophon] [40 blank]; 40 pages total plus 4 photomechanical reproductions of Vertès’ unpublished drawings on glossy paper, extraneous to collation. Catalogue of 82 entries. Received uncut. Title-page: similar to front wrapper, plus «1967» in the bottom under BRUXELLES. Limitation: 7 copies (A-G) on Japon chamois + 2 suites of plates, 25 copies (1-25) on Hollande Van Gelder + 1 suite of plates, 450 copies (26-475) on offset Arduenna, and 40 copies not hor sale (I-XL) on different papers. The total print run is 522 copies, of which this is № 206. Ref: leslibraires.fr Contributors: Michel Vokaer (Belgian, 20th century) – author. Claude Roger-Marx (Jewish-French, 1888 – 1977) – author. Marcel Vertès [Marcell Vértes] (Jewish-Hungarian-French, 1895 – 1961) – artist. Xavier Gustave Emile Relecom (Belgian, 1900 – 1977) – publisher. -
Description: one volume 20 x 12.8 cm, collated 8vo, in grey wrappers (original?), printed on laid paper, with tall “s”, two vignettes by Benoît-Louis Prévost to A1 and A3, 320 entries, where entry 320 Portraits et médaillons, consists of 121 entries itself. Title-page: CATALOGUE | DE L'ŒUVRE | DE CH. NIC. COCHIN FILS, | Ecuyer, Chevalier de l’Ordre du Roy, | Censeur Royal, Garde des Desseins du | Cabinet de Sa Majesté, Secrétaire & | Historiographe de l'Académie Royale | de peinture & de sculpture. | Par Charles-Antoine Jombert. | {vignette by Benoît-Louis Prévost} | A PARIS ; | De l’Imprimerie de Prault. | — | M. DCC. LXX. || Collation: A-I8, K1 (approbation), χ 8 (blanks), two in-text vignettes, total 81 leaves. Pagination: [1-5] 6-144 [145] [17 blanks], ils.; total 162 pages. Ref: Gallica-BnF. Contributors: Charles-Antoine Jombert (French, 1712 – 1784) – author. Charles Nicolas Cochin (French, 1715 – 1790) Benoît-Louis Prévost (French, 1735/47 – 1804) Laurent-François Prault (French, 1712 – 1780) -
Description: One volume in grey-blue French flapped wrapper, 24 x 16.7 cm, collated 8vo, with black and red lettering to front cover, printed on watermarked thick wove paper Alfax Navarre, margins untrimmed, some pages uncut, illustrated with 12 aquatint plates signed Le Loup. Front wrapper and title (red and black): RESTIF DE LA BRETONNE | L'ANTI-JUSTINE | OU | LES DÉLICES DE L' AMOUR | Nouvelle édition entièrement revue et corrigée, | établie pour la première fois sur le texte original de 1798. | PRÉCÉDÉE D'UNE NOTICE BIBLIOGRAPHIQUE | par HELPEY | bibliographe poitevin | {device} | ILE SAINT-LOUIS | DE L’IMPRIMERIE DE Monsieur Nicolas. Limitation: Printed 350 copies, numbered 1-350, on alfax paper; this copy is № 256. Collation: 1-158 166, incl. the 1st and last leaves within the wrappers, total 126 leaves plus 12 plates extraneous to collation. Pagination: [4 blank] [1-4] 5-243 [244 blank] [4 blank], total 252 pages, ils. Catalogue raisonné: Dutel (1920-1970) № 1025, p. 45. Ref.: Danson Erotica Collection at Trinity College, Oxford – KK.6.33. Contributors: Nicolas Edmé Restif de la Bretonne (French, 1734 – 1806) – author. Louis Perceau [Helpey] (French, 1883 – 1942) – author. Maurice Henri Hector Duflou (French, 1885 – 1951) – publisher. The artist – Le Loup – unidentified. -
Description: Owner’s quarter calf over marbled boards, 14.5 x 10.5 x 4.5 cm, spine with raised bands, gilt-lettered brown label “H. ROCHEFORT | LA LANTERNE | 1868 | LÉON NOËL”, marbled endpapers; first 11 issues of Henri Rochefort’s journal bound together with original front and back red pictorial wrappers. Front wrapper (first two issues white of red, subsequent issues black on orange background, the text is similar): La | Lanterne | par | {vignette of the lantern} Henri Rochefort | Prix: 40 centes | Bureaux : | 3 rue Rossini & rue Coq Héron, 5 | PARIS || Back wrapper (first two issues white of red, subsequent issues black on orange background, the text is similar): La Lanterne | PARTAIT TOUS LES SAMEDIS | (52 fois par an). | — | Prix d’Abonnement | Un An 20 fr | Six Mois 10 fr | Trois Mois 5 fr | — | Les Mandats doivent être adresses | A Mr. Dumont ADMINISTRATEUR | ❦ | Imprimerie Central des Chemins de Fer A. Chaix & Cie | 20, rue Bergère, à Paris_4608 _ 8 || Collation/pagination: 3 blanks, № 1: fw [1] 2-56 [8] bw; № 2: fw, [57] 58-115 [116] [2] bw; № 3: fw [117] 178 bw; № 4: fw [179] 180-238 [4] bw; № 5: fw [239] 240-298 [4] bw; № 6: fw [299] 300-361 [362] bw; № 7: fw [363] 364-423 [424] [2] bw; № 8: fw [425] 426-483 [484] [4] bw; № 9: fw [1] 2-58 [6] bw; № 10: fw [1] 2-58 [6] bw; № 11: fw [1] 2-59 [60] [4] bw; 3blanks. Contributors: Victor Henri Rochefort, Marquis de Rochefort-Luçay (French, 1831 – 1913) – editor. Alban Chaix (French, 1860 – 1930); Napoléon Chaix (French, 1807 – 1865) – publishers. Dubuisson et Cie (Paris) – printer. -
[Choderlos de Laclos.] Les Liaisons dangereuses, lettres recueillies dans une société, et publiées pour l’instruction de quelques autres; par M. C*** de L*** / Ornées de 6 gravures d'après Devéria. — Londres: s.n., 1820. Description: two volumes, collated 12mo, 17.1 x 10.6 cm each, modern binding – recently bound in quarter brown calf with gilt lettering, fillets and black fleurons to spine over green marbled boards; bookplate to front pastedown in each volume: “Ex-Libris | F.-M. Caye”. Printed on laid paper, each volume is illustrated with a frontispiece and two plates engraved by various engravers after Achille Devéria under the direction of Ambroise Tardieu. Title-page: LES LIAISONS | DANGEREUSES, | LETTRES RECUEILLIES | DANS UNE SOCIÉTÉ, | ET PUBLIÉES POUR L’INSTRUCTION DE QUELQUES AUTRES. | PAR M. C*** DE L***. | {3 lines of citation from J.-J. Rousseau} | TOME PREMIER (TOME SECOND) | — | A LONDRES. | ~ | M.D.CCC.XX. || Collation: Vol. 1: π8 1-1412 156, total 182 leaves plus 3 engraved plates: frontispiece and opposite to pp. 37 and 338. Pagination: [1-5] 6-16, [1] 2-348, total 364 pages. Vol. 2: π2 16 2-1512 162, total 178 leaves plus 3 engraved plates: frontispiece and opposite to pp. 25 and 316. Pagination: [4] [1] 2-352, total 356 pages. Provenance: Caye, F.-M. Pierre Ambroise François Choderlos de Laclos (French, 1741 – 1803) – author. Achille Jacques-Jean-Marie Devéria (French, 1800 – 1857) – artist. Engravers: Ambroise Tardieu (French, 1788 – 1841) Jean Baptiste Touzé (French, fl. 1810 – 1830) Jean Jacques Frilley (French, 1797 – after 1850) Achille Lefèvre (French, 1798 – 1864) Jean Louis Toussaint Caron (French, 1790 – 1832)
