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NEWSoftcover, 155 x 118 mm, publisher’s wrappers, lettering and vignette to front, lettering to spine; collated 8vo: 1-148 (i.e. 112 leaves), pp.: [1-4] 7-218 [6 advert], frontispiece. Inscription to t.p. Г(Т?). Тараманян. Woodcuts to front wrapper and frontispiece after Vladimir Favorsky. Front wrapper: ПРОСПЕР | МЕРИМЕ | СОБРАНИЕ СОЧИНЕНИЙ | КОЛОМБА | {vignette} | — | ACADEMIA || Title-page: ПРОСПЕР МЕРИМЕ | КОЛОМБА | Colomba | РОМАН | Перевод | В. М. Гаршина | — | «ACADEMIA» | ЛЕНИНГРАД | 1927 || Contra-title: СОБРАНИЕ СОЧИНЕНИЙ | ПРОСПЕР МЕРИМЕ | ПЕРЕВОД С ФРАНЦУЗСКОГО | ПОД ОБЩЕЙ РЕДАКЦИЕЙ | М. КУЗЬМИНА, М. ЛОЗИНСКОГО | И А. А. СМИРНОВА | V | — | «ACADEMIA» | ЛЕНИНГРАД | 1927 || Imprint: Обложка и иллюстрации в тексте — оригинальная | гравюра на дереве В. А. Фаворского | Ленинградский Гублит № 44048. Тираж 5.100 экз. | — | 2-я типография Транспечати НКПС Ленинград, ул. Правды, 15. || Print run: 5100 copies. Catalogue raisonné: Крылов-Кичатова (2004): №249, p. 190. Original title: Colomba first appeared in the Revue des Deux Mondes on 1 July 1840. Magen et Comon published it as a single volume in 1841. Contributors: Mérimée, Prosper [Мериме, Проспер] (French, 1803 – 1870) – author Кузмин, Михаил Алексеевич [Kuzmin, Mikhail] (Russian, 1872 – 1936) – editor Лозинский, Михаил Леонидович [Lozinsky, Mikhail] (Russian, 1886 – 1955) – editor Смирнов, Александр Александрович (Russian, 1883 – 1962) – editor Гаршин, Всеволод Михайлович [Garshin, Vsevolod] (Russian, 1855 – 1888) – translator Фаворский, Владимир Андреевич [Favorsky, Vladimir] (Russian, 1886 – 1964) – artist -
NEWHardcover, 220 x 180 mm, green buckram with gilt lettering on an embossed scroll to front cover and faded gilt lettering to spine (serial design), collated 8vo: 1-208 2110 228 (i.e. 178 leaves), pp. [1-4] 5-354 [2], errata slip laid in before back ffl. Title-page (red and black): ШОДЕРЛО де ЛАКЛО | ~ | ОПАСНЫЕ | СВЯЗИ | ~ | ПЕРЕВОД С ФРАНЦУЗСКОГО, | СТАТЬЯ И ПРИМЕЧАНИЯ | Н. Я. РЫКОВОЙ | ~ | ИЗДАТЕЛЬСТВО «НАУКА» | МОСКВА • ЛЕНИНГРАД | 1965 || Opposite t.p. (red and black): CHODERLOS de LACLOS | ~ | LES LIAISONS | DANGEREUSES | OU | LETTRES RECUEILLIES | DANS UNE SOCIÉTÉ | ET PUBLIÉES POUR L’INSTRUCTION | DE QUELQUES AUTRES | ~ || Series: АН СССР, Литературные памятники. Contributors: Choderlos de Laclos, Pierre Ambroise François (French, 1741 – 1803) – author. Рыкова, Надежда Януарьевна (Russian, 1901 – 1996) – translator Молок, Александр Иванович (Russian, 1898 – 1977) : Дворянство во Франции накануне буржуазной революции XVII века (pp. 317-335). -
NEWHardcover, 175 x 128 mm, embossed black vignette and lettering to front, lettering to spine, collated 8vo: 1-118 126, i.e. 94 leaves, incl. additional pictorial t.p., pp. [1-7] 8-183 [5], plus frontispiece woodcut after V. Favorsky, errata slip laid in. Title-page (red and black): ПРОСПЕР МЕРИМЕ | КАРМЕН | ПЕРЕВОД | М. ЛОЗИНСКОГО | ACADEMIA | Москва — Ленинград || Title-opposite: PROSPER MÉRIMÉE | ACADEMIA | 1936 || (missing title!) Imprint: Иллюстрации — гравюры на дереве В. Л. Фаворского; по его же рисункам переплет. Original title: Carmen, 1st edition at Revue des deux Mondes in 1845; 1st edition in book form Michel Lévy Frères in 1846. Print run: 10,300 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 837, p. 280. Contributors: Mérimée, Prosper [Мериме, Проспер] (French, 1803 – 1870) – author Лозинский, Михаил Леонидович [Lozinsky, Mikhail] (Russian, 1886 – 1955) – translator Фаворский, Владимир Андреевич [Favorsky, Vladimir] (Russian, 1886 – 1964) – artist -
NEWHardcover, 175 x 128 mm, red cloth with gilt arabesque, lettered label and arabesque to spine, collated 8vo: 1-198, i.e. 152 leaves, incl. seven illustrations., pp. [1-9] 10-302 [2], plus frontispiece author’s portrait (reproduction), guard tissue; grey and black dust jacket with lettering in arabesque framework. Title-page (blue and black): СИРАНО ДЕ БЕРЖЕРАК | ИНОЙ СВЕТ | ИЛИ | ГОСУДАРСТВА | И ИМПЕРИИ | ЛУНЫ | РЕДАКЦИЯ | И ВСТУПИТЕЛЬНАЯ СТАТЬЯ | В. И. НЕВСКОГО | {fleuron} | ACADEMIA | МОСКВА – ЛЕНИНГРАД | — | M. CM. XXXI. || Half-title (blue and black): СОКРОВИЩА | МИРОВОЙ | ЛИТЕРАТУРЫ | ~ | СИРАНО ДЕ БЕРЖЕРАК | ИНОЙ СВЕТ | ИЛИ | ГОСУДАРСТВА | И ИМПЕРИИ | ЛУНЫ | ~ || Title verso (imprint): Saviniens de Cyrano de Bergerac's (sic) L'autre Monde on les Etats et les Empires de la Lune (1669). Орнаментация книги худ. И. Ф. Редберга. Иллюстрации из старинных изданий. Catalogue raisonné: Крылов-Кичатова (2004): № 467, p. 220. Original title: Histoire comique des États et Empires de la Lune. Print run: 5000 copies. Another translation by Гунст, Евгений Анатольевич (Russian, 1901 – 1983) was published in 1971 at Библиотека всемирной литературы, серия первая, том 34: LIB-0903.2015 under title "Иной свет, или государства и империи Луны". Contributors: Cyrano de Bergerac, Savinien de (French, 1619 – 1655) – author. Невский, Владимир Иванович [Кривобоков; Кривобок, Феодосий Иванович] (Russian, 1876 – 1937) – author/preface, editor of translation. Оксман, Юлиан Григорьевич (Russian-Jewish, 1894 – 1970) – author/preface. Рерберг, Иван Фёдорович (Russian, 1892 – 1957) – artist. -
NEWHardcover, 245 x 180 mm, olive cloth with an embossed vignette in centre and fleurons in corners to front, lettering to spine, cream dust jacket with lettering and vignettes; collated 8vo: 1-268 +1 278 χ3, i.e. 220 leaves, pp.: [1-6] 7-434 [6] plus frontispiece portrait and five engravings (all collotype reproductions) extraneous to collation, all in the second section «Безумный день, или женитьба Фигаро». Five original illustrations after Jacques Philippe Joseph de Saint-Quentin were executed by Louis Michel Halbou, Jean-Baptiste Liénard, and Charles-Louis Lingée, printed by Société littéraire typographique de Kehl, and published by Nicolas Ruault in 1785 (Cohen 125). The frontispiece portrait of Beaumarchais is a collotype reproduction from an etching by Augustin de Saint-Aubin after Charles-Nicolas Cochin, executed in 1773; it was not included in the Kehl edition but taken from Mémoires de M. Caron de Beaumarchais published in 1774. Title-page (red and black): БОМАРШЕ | ТРИЛОГИЯ | ПЕРЕВОД В. Д. МОРИЦА | ПРЕДИСЛОВИЕ А. ДЖИВЕЛЕГОВА | ПРИМЕЧАНИЯ Д. Е. МИХАЛЬЧИ | И Л. М. ГАЛИЦКОГО | ACADEMIA | 1934 || Opposite t.p. (red and black): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | Под общей редакцией | А. М. Эфроса | БОМАРШЕ | (1732 – 1799) | ACADEMIA | МОСКВА – ЛЕНИНГРАД || T.p. verso (imprint): BEAUMARCHAIS | I. LE BARBIER DE SEVILLE, II. LE MARIAGE DE FIGARO, | III. LA MERE COUPABLE | Суперобложка и переплет по рисункам | Д. И. Митрохина || Catalogue raisonné: Крылов-Кичатова (2004): № 612, p. 243. Original titles: Le Barbier de Séville, ou la Précaution inutile; La Folle journée, ou le Mariage de Figaro; L'Autre Tartuffe, ou la Mère coupable. Print run: 5,300 copies. Contents: Севильский цирюльник, или тщетная предосторожность Безумный день, или женитьба Фигаро Преступная мать, или новый Тартюф Contributors: [Бомарше, Пьер] Beaumarchais, Pierre (French, 1732 – 1799) – author (Pierre Augustin Caron de Beaumarchais) Мориц, Владимир Эмильевич (Russian, 1890 – 1972) (In this publication, he named В. Д. Мориц by mistake; the correct spelling is В. Э. Мориц) – translator Дживелегов, Алексей Карпович (Russian-Armenian, 1875 – 1952) – preface Михальчи, Дмитрий Евгеньевич (Russian,1900 – 1973) – commentary Галицкий, Лев Николаевич (In this publication, he named Л. М. Галицкий by mistake; the correct spelling is Л. Н. Галицкий; dates unknown) – commentary Эфрос, Абрам Маркович (Russian-Jewish, 1888 – 1954) – editor/series Митрохин, Дмитрий Исидорович (Russian, 1883 – 1973) – artist -
NEWHardcover, 253 x 190 mm, pink cloth, gilt monogram inside gilt-ruled borders, fleurons in corners, pictorial endpapers, collated 8vo: 1-118, i.e. 88 leaves, pp.: [1-7] 8-171 [5], plus 20 lithographic plates by Vladimir Konashevich, incl. frontispiece, extraneous to collations; pictorial dust jacket. Engraved title in red and black: Аббат | Прево | — | Манон | Леско | — | С РИСУНКАМИ | Вл. Конашевича | ПЕРЕВОД | М. А. Петровского | ПРЕДИСЛОВИЕ | А. К. Виноградова | Academia | Москва-Ленинград | 1932 || Engraved half-title in red and black: СОКРОВИЩА | МИРОВОЙ | ЛИТЕРАТУРЫ | Аббат | Прево | — | Манон | Леско | ▤ | Academia | Москва-Ленинград | 1932 || Title verso (imprint, red and black) : Antoine François | Prévost d'Exiles | MANON | LESCAUT | Lithographies | de V. Konachevitch || Printer : Типография им. Ивана Федорова (Л). Print run: 5,250 copies. Catalogue raisonné: Крылов-Кичатова (2004): № 505, p. 226. Contributors: Прево, Антуан Франсуа [Аббат Прево] Antoine François Prévost [l’abbé Prévost] (French, 1697 – 1763) Петровский, Михаил Александрович (Russian, 1887 – 1937) – translator Виноградов, Анатолий Корнелиевич (Russian, 1888 – 1946) – preface Конашевич, Владимир Михайлович [Konashevich, Vladimir] (Russian, 1888 – 1963) – artist Рерберг, Иван Фёдорович (Russian, 1892 – 1957) – artist/binding -
NEWSoftcover, 328 x 250 mm, green French flapped wrappers, lettered; 22 leaves plus 2 in wrappers, unpaginated, incl. frontispiece (etching), headpiece (lithography), 4 in-text illustrations (1 lithography + 3 etchings), and 5 plates (3 dry points + 1 etching = 1 lithography) by Albert Marquet. Limited edition of 200 copies on Arches Vellum, watermarked, of which this is copy № 144; published by Manuel Bruker on May 16, 1948; lithographs printed by André Clot. Title-page (olive and black): ÉLOGE | DE | ALBERT MARQUET | PAR | LÉON WERTH | ORNÉ | DE GRAVURES ORIGINALES | {publisher’s device} | MANUEL BRUKER ÉDITEUR || Colophon: J'AI ACHEVÉ D'IMPRIMER | CET OUVRAGE LE JOUR DE | LA PENTECOTE 1948 A 200 | EXEMPLAIRES SUR VÉLIN | D'ARCHES A LA FORME NU | MÉROTES DE 1 A 200. ON | A JOINT AUX 20 PREMIERS | EXEMPLAIRES UNE SUITE | SUR PAPIER JAPON ANCIEN | ET UNE SUITE DES PLAN | CHES NON UTILISEES. LES | LITHOGRAPHIES ONT ÉTÉ | TIRÉES PAR ANDRÉ CLOT. The day of Pentecost in 1948 was Sunday, May 16. Contributors: Werth, Léon (French, 1878 – 1955) – author Marquet, Albert (French, 1875 – 1947) – artist Bruker, Manuel [Mendel] (Jewish-Hungarian-French, 1891 – 1979) – publisher Clot, André (French, 1909 – 2002) – printer -
NEWBook: Hardcover, 187 x 125 mm, modern binding ‘à la Bradel’ by Boichot in full orange morocco with gilt lettering to spine, in a morocco-bordered slipcase with gilt floral arabesque design, similar endpapers; original wrappers preserved; collated in 18mo, pp: [4] 1-441 [3]. Bookplate of Jean-Pierre Dutel to ffl. Fifteen illustrations 181 x 115 mm tipped in after pp. 46, 72, 88, 118, 202, 234, 236, 244, 290, 300, 354, 360, 378, 382, and 390. Front wrapper (red and black): J.-K. HUYSMANS | ~~ | Là-Bas | {publisher’s device} | PARIS | TRESSE & STOCK, ÉDITEURS | 8, 9, 10, Galerie du Théâtre-Français | — | 1891 || Title-page: same as wrapper, in black. Limitation: Il a été tiré de cet ouvrage dix exemplaires sur papier de Hollande et dix exemplaires sur papier du Japon, numérotés à la presse. This copy is not from the limited edition and printed on a regular paper. Printer: Darantiere (Dijon) Illustrations: According to Luc Binet [LIB-3301.2024], “In 2016, the Turin bookseller Roberto Cena put up for sale two full-leather bound albums, one containing watercolours illustrating Huysmans' famous novel, the other the preparatory drawings. The first volume contained 16 plates (sheet 25 x 16.5 cm, drawing 15 x 9.5 cm), i.e. 15 drawings in ink and pencil and one pencil drawing. Each plate is numbered at the top right, in pencil or ink, and captioned in the lower margin. Volume II contained 15 watercolours (sheet 25 x 16 cm, image 15 x 9.5 cm). This is probably a commission from a bibliophile since the chosen format is perfectly compatible with the original edition of Huysmans' text (19 x 13 cm)”.
Catalogue raisonné: Luc Binet 2017: X-12, p. 908.
Contributors:
Huysmans, Joris-Karl (French, 1848 – 1907) – author.
Maële, Martin van (French, 1863 – 1926) – artist.
Darantiere, Maurice (French, 1882 – 1962) – printer. -
NEWSoftcover, 170 x 120 mm, in white publisher’s wrappers, vignette to front by A.-M. Carmant, red and black lettering to both covers, red lettering to spine, pp.: [1-3 4-109 [3]. ISBN 2-911314-02-6. Title-page: Maurice Joly | Le Plébiscite | Épilogue | du Dialogue aux Enfers | entre Machiavel et Montesquieu | précédé de | César | paris-zanzibar || Front cover (red and black): maurice joly | le plébiscite | épilogue du dialogue aux enfers | entre machiavel et montesquieu | {vignette par A.-M. Carmant | paris-zanzibar || Contents: Préface : F. Leclercq. Maurice Joly, un suicidé de la démocratie César Épilogue au Dialogue aux Enfers entre Machiavel et Montesquieu. Premier dialogue. L' arsenal de Machiavel II. L'appel au peuple III. Le plébiscite IV. La noyade parlementaire V. Le oui et le non VI. Comment Montesquieu votera-t-il VIIe et dernier dialogue. Non Annexe La Cloche, dimanche 19 juin 1870 Maurice Joly, son passé, son programme par lui-même (extrait) -
NEWHardcover convolute 186 x 120 mm of two volumes of the French periodical La Revue hebdomadaire, bound in quarter red faux-chagrin over marbled boards, vol. 11, pp. [3-5] 6-506 [2], vol. 12 pp. [3-5] 6-634, plus Le supplément illustré №№ 45-53, 3 leaves of b/w photo reproductions each. Ref.: http://catalogue.bnf.fr/ark:/12148/cb34350607j Author: Lambelin, Roger (French, 1857 – 1929) -
NEWFrench weekly periodical, full set for the year 1893 (53 issues), 4 leaves (8 pages) each issue, bound in green half sheepskin over green shagreen, ruled with blind dentelle, raised bands, gilt floral diamonds and gilt lettering in compartments, marbled endpapers, blank flyleaves; size 405 x 280 mm. Illustrated mainly by Théophile Alexandre Steinlen (French, 1859 – 1923), Paul Balluriau [Jean-Baptiste Balluriau] (French, 1860 – 1917) and Albert Guillaume (French, 1873 – 1942). -
NEWFrench weekly periodical, full set for the year 1896 (52 issues), 4 leaves (8 pages) each issue, bound in green half sheepskin over green shagreen, ruled with blind dentelle, raised bands, gilt floral diamonds and gilt lettering in compartments, marbled endpapers, blank flyleaves; size 405 x 280 mm. Illustrated mainly by Théophile Alexandre Steinlen (French, 1859 – 1923), Paul Balluriau [Jean-Baptiste Balluriau] (French, 1860 – 1917) and Albert Guillaume (French, 1873 – 1942).
