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[Félix Ragon]. Hiérologies ou discours historiques et dogmatiques sur les superfétations apportées à la révélation du Christ …. — Paris: Bureau central, Temple des Chrétiens Primitifs, 1834.
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[Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.
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[Théodore Labourieu]. Mémoires de Monsieur Claude: chef de la police de sûreté sous le second Empire / 2 vol. — Paris: Jules Rouff et Cie, [c. 1900].
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[Vincent Lombard de Langres]. Des sociétés secrètes en Allemagne, et en d’autres contrées; de la secte des Illuminés du Tribunal secret, de l’assassinat de Kotzebue, etc. — Paris: Librairie de Gide, fils, 1819.
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[Voltaire]. La pucelle d’Orléans : poeme, divisé en vingt-un chants, avec les notes de M. de Morza. — A Londres, [1775].
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[Voltaire]. La Pucelle d’Orléans, Poëme héroï-comique en dix-huit chants. — Genève: [Cazin], 1788.
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[Voltaire]. La Pucelle d’Orléans, poëme, divisé en vingt chants, avec des notes. — [Geneva]: s.n., 1762.
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[William Alexander.] Costume of the Russian Empire. — London: John Stockdale, 1811.
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A catalogue of an exhibition of the Philip Hofer Bequest in the department of printing and graphic arts. — Cambridge, MA: Harvard College Library, 1988.
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Adolphe Granier de Cassagnac, Paul de Cassagnac. Histoire populaire illustrée de l’empereur Napoléon III / 2 vol. in one. — Paris: E. Lachaud et Cie, [1874].
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Affaire Pierre Bonaparte ou le meurtre d’Auteuil. — Paris: A. Chevalier, 1870.
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Alexandre Bradier. Les Bienfaits de L’Empire. — Paris: Comité politique plébiscitaire, [1870].
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Alois Senefelder. A complete course of lithography: Containing clear and explicit instructions in all the different branches and manners of that art. — London: Rudolph Ackermann, 1819.
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Andre Billy. Paris vieux et neuf: La rive droite, La rive gauche / Dessins de Charles Huard (2 vol.). — Paris: Eugène Rey, 1909.
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Andreas Marks. Kunisada’s Tōkaidō: Riddles in Japanese Woodblock Prints. — Leiden: Hotei Publishing, 2013.
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Anna Jackson. Japanese Textiles in the Victoria & Albert Museum. – London: V&A Publications, 2000.
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Anthony Sutcliffe. The autumn of central Paris: The defeat of town planning, 1850-1970 (Studies in urban history I). — London: Edward Arnold, 1970.
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Antoinette Faÿ-Hallé, Christine Lahaussois. Le grand livre de la faïence française. — Fribourg (Suisse): Office du livre, ©1986.
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Arthur M. Hind. A history of engraving & etching from the 15th century to the year 1914. — Boston: Houghton Mifflin Co., 1923.
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Auguste Lepage. Les dîners artistiques et littéraires de Paris / 2e édition; (Bibliothèque des deux mondes). — Paris: Frinzine, Klein et Cie., 1884.
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Auguste Vitu. Les réunions publiques à Paris 1868 – 1869. — Paris: E. Dentu, 1869.
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Augustin Barruel. Memoirs illustrating the history of Jacobinism / Translated by Robert Clifford (4 volumes). — London: T. Burton, 1798.
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Ben B. Fischer. Okhrana: The Paris operations of the Russian imperial police. — CIA: Center for the study of intelligence, 1997 (2010 reprint).
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C. Варшавский, Б. Рест. Подвиг Эрмитажа, 1941-1944 / Альбом. — Ленинград: Издательство «Аврора», 1987.
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Charles Feld. Pilotell: Dessinateur et Communard; Avant, pendant et après la Commune: croquis & caricatures à l’eau-forte par Pilotell. — Paris: Livre-Club Diderot, 1970.
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Charles Virmaître. La Commune à Paris, 1871. — Paris: A. Lacroix, Verboeckhoven, 1871.
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Charles Virmaître. Paris oublié. — Paris: E. Dentu, 1886.
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Charles Virmaitre. Paris qui s’efface. — Paris: Albert Savine, 1887.
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Charles Virmaître. Paris-Canard. – Paris: Albert Savine, 1888.
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Charles Virmaître. Paris-police. — Paris: E. Dentu, 1886.
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Charles Virmaître. Trottoirs et lupanars; (Paris Documentaire). — Paris: A. Charles, 1897.
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Charlotte M. Salwey. Fans of Japan. — London: Kegan Paul, Trench, Trübner & Co., 1894.
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Christian Deflandre. La belle époque des cartes postales coquines. — Paris: Horay, 2009.
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Christine Guth. Art of Edo Japan: The Artist and the City 1615-1868 (Perspectives). — NY: Harry N. Abrams, Inc., 1996.
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Convolute: (1) Firmin Maillard. Les publications de la rue pendant le Siège et la Commune. — Paris : Auguste Aubry, 1874; (2) La Commune de Paris: 18 mars – 28 mai 1871 / exposition d’art et d’histoire, 17 mars – 26 mai 1935. — Ville de Saint-Denis: Musée Municipal, [1935]; (3) J. Lemonnyer. Les journaux de Paris pendant la commune / revue bibliographique complete de la presse parisienne du 19 mars au 27 mai. — Paris : J. Lemonnyer, [1871].
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Convolute: Pélagie la sainte. — Paris, 1832-1889.
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Costumes et Modes d’autrefois. Horace Vernet. Incroyables et Merveilleuses. — Paris: Éditions Rombaldi, 1955.
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De la séduction: Cartes postales de la belle épooue et des années folles / préface Marie-Hélène Lafon, direction Marie-Paule Caire-Jabinet. — Saint-Pourçain-sur-Sioule: Bleu autour, 2016.
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Dürers Kupferstiche und Holzschnitte. Ein kritisches Verzeichnis von R. v. Retberg. — München: Theodor Ackermann, 1871.
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E. Cresson. Cent jours de siège à la préfecture de police: 2 novembre 1870 – 11 février 1871. — Paris: Plon-Nourrit et Cie., 1901.
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E. Neurdenburg, B. Rackham. Old Dutch pottery and tiles. — London: Benn Brothers Ltd., 1923.
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Eckhart G. Franz. Revolution, Krieg und Streik, Weltausstellung und Volksfest : der Illustrator und Karikaturist Leo von Elliot (1816–1890). — Darmstadt : Hessische Historische Kommission, 2000.
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Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.
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Eric D. Butler. The International Jew : The Truth About “The Protocols of Zion”. [— Adelaide: R. M. Osborne Limited, 1939].
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Ernest Alfred Vizetelly. My days of adventure: The fall of France, 1870-71. — London: Chatto & Windus, 1914.
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Ernest Gegout, Charles Malato. Prison Fin de Siècle: Souvenirs de Pélagie / Illustrations de Steinlen. — Paris: G. Charpentier & E. Fasquelle, 1891.
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Eugène Briffault. Paris à table / Illustré par Bertall. — Paris: Hetzel, 1846.
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Francois Le Goff. The Life of Louis Adolphe Thiers / translated from the unpublished manuscript by Theodore Stanton. — NY: G. P. Putnam’s Sons, 1879.
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Fritz Kempe. Nicola Perscheid, Arthur Benda, Madame d’Ora / Katalog bearbeitet von Odette M. Appel-Heyne (Dokumente der Photographie 1). — Hamburg: Museum für Kunst und Gewerbe, 1980.
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Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.
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George A. Audsley, James L. Bowes. Keramic art of Japan. — London: Henry Sotheran & Co., 1881.
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Gilbert Abbott à Beckett. The comic history of England / illustrated by John Leech. — London: The Punch Office, 1847-1848.
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Gilbert Abbott à Beckett. The Comic History of Rome / illustrated by John Leech. — London: Bradbury and Evans, [1851].
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Gustave Macé. La police parisienne: Le vilain monde; Les dépeceurs de cadavres; Gibier de Saint-Lazare. — Paris: Librairie illustrée, [1889].
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![Les Bienfaits de L'Empire par Alexandre Bradier. — 8e édition. — Comité politique plébiscitarire. — Paris: Belleville, [1870].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1002.2016-a-500x500.jpeg)
![Auguste Vitu. Les réunions publiques à Paris 1868-1869. — Paris: E. Dentu, 1869. — pp.: [1-5] 6-151 [1].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2432.2020-a-500x500.jpeg)
![Memoirs, Illustrating the History of Jacobinism, written in French by the Abbé Barruel, And Translated into English by the Hon. Robert Clifford, F. R. S. & A. S. / 2nd edition, revised and corrected. Printed for the Translator. — T. Burton. London, 1798. — Vol. 1-4. Vol. 1: Part I. The Antichristian Conspiracy: pp. (xvi) 401; Vol. 2: Part II. The Antimonarchical Conspiracy: pp.479; Vol. 3: Part III. The Antisocial Conspiracy: pp. (xviii) 414; Vol. 4: Part IV. Antisocial Conspiracy; Historical Part: pp. (xviii) 601 [50].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2195.2019-scaled-500x500.jpeg)
![Charles Virmaitre. Paris qui s'efface. — Paris: Albert Savine, 1887. — 2me édition. — pp.: [2 blanks] [2 hf-t, advert.] [t.p., blank] [2 dedicat., blank] [1, 2 - chap.1 cont., blank] [2-3] 4-314 [2 blanks].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2453.2020-a-1-scaled-500x500.jpeg)
![Charles Virmaître. Paris-Canard. – Paris: Albert Savine, 1888. – pp.: ffl [2 blanks] [2 orig. yellow cover, verso blank] [2 - ht, advert.] [2 - t.p., blank] 1-319 [320 blank] [2 back orig. cover, recto blank]. [Autograph].](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2535.2020-c-500x500.jpeg)
![Charles Virmaitre. Paris-police. — Paris: E. Dentu, 1886. — pp.: [2 wrapper], [2 half-title], 2 title] 1-359 [1 blank], back wrapper.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-1130.2016-d-scaled-500x500.jpeg)
![Ernest Gegout, Charles Malato. Prison Fin de Siècle: Souvenirs de Pélagie / par E. Gegout et Ch. Malato. — Paris: G. Charpentier & E. Fasquelle, 1891. — pp.: [ - blank, tiré] [2 - ht, frontis.] [2 - t. p. blank] [2 - préface] [1] 2-352 [2 blanks], wrappers, ills by Steinlen.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-2452.2020-a-1-scaled-500x500.jpeg)
