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Home/Collection/Japan
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  • Andreas Marks. Kunisada's Tōkaidō. Riddles in Japanese Woodblock Prints. Hotei Publishing, 2013.

    Andreas Marks. Kunisada’s Tōkaidō: Riddles in Japanese Woodblock Prints. — Leiden: Hotei Publishing, 2013.

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  • Hokusai: One hundred Views of Mt. Fuji / Introduction and commentaries on the plates by Henry D. Smith II. — NY: George Braziller, Inc., 2001.

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  • Turning Point: Oribe and the Arts of Sixteenth-Century Japan / Edited by Miyeko Murase. — NY: The Metropolitan Museum of Art; New Haven (CT), London: Yale University Press, 2003.

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  • Senichiro Masumoto, Kenichi Kokubo. Kinkō Meikan. — Tokyo: Token Shunju-sha, 1974; with English translation by John Yumoto & Alan Harvie: Listing of non-ferro fitting makers. — San Mateo, CA: John M. Yumoto, 1982.

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  • Illustrated Catalogues of Tokyo National Museum: Ukiyo-e Prints, vol. 1, 2, and 3. — Tokyo: Tokyo National Museum, 1960-63.

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  • Sasano Masayuki. Kagamishi Tsuba: Sword guards by mirror makers (in Japanese). — 1980.

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  • The Secret History of the Lord of Musashi and Arrowroot: Two Novellas by Junichirō Tanizaki translated by Anthony H. Chambers. Alfred A. Knopf, New York, 1982. First edition. Translation of: Bushō Kō hiwa and Yoshino-kuzu.

    Junichirō Tanizaki. The Secret History of the Lord of Musashi and Arrowroot / Two novellas translated by Anthony H. Chambers. — NY: Alfred A. Knopf, 1982.

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  • James Self, Nobuko Hirose. Japanese art signatures / A handbook and practical guide. — Warren, CT: Floating World Editions, 2011.

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  • David B. Waterhouse. Harunobu and his age: The development of colour printing in Japan. — London: British Museum, 1964.

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  • Ellis Tinios. Japanese prints: Ukiyo-e in Edo, 1700 – 1900. — Burlington, VT : Lund Humphries, 2010.

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  • Secret images: Picasso and the Japanese erotic print — NY: Thames & Hudson, 2010.

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  • Matthew Welch, Yuiko Kimura-Tilford. Worldly pleasures, earthly delights: Japanese prints from the Minneapolis Institute of Arts. — Minneapolis: Minneapolis Institute of Arts, 2011.

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  • The printer’s eye: Ukiyo-e from the Grabhorn Collection / Laura W. Allen, Melissa M. Rinne (editors). — SF: Asian Art Museum, 2013

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  • Harunobu / text by Lubor Hájek, reproductions by W. and B.Forman. — London: Spring books, [1950-9?]

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  • [Okakura Kakuzō]. The ideals of the East with special reference to the art of Japan. — London: John Murray, 1903.

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  • George A. Audsley, James L. Bowes. Keramic art of Japan. — London: Henry Sotheran & Co., 1881.

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  • Geisha: Beyond the painted smile / Edited by the Peabody Essex Museum. — [New York]: George Braziller; Salem, MA: Peabody Essex Museum, ©2004.

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  • Kabuki plays on stage (3 volumes of 4) / Edited by James R. Brandon and Samuel L. Leiter. — Honolulu: University of Hawai’i Press, 2002.

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  • Japanese and Korean paintings and works of art / Catalogue 6, Exhibition March 19-24, 2002. — NY: Sebastian Izzard LLC, 2002.

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  • Japanese paintings and works of art, Korean ceramics / Catalogue 2, Exhibition September 14-18, 1999. — NY: Sebastian Izzard LLC, 2002.

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  • Japanese paintings and works of art, Korean ceramics / Catalogue 4, Exhibition September 19-22, 2000. — NY: Sebastian Izzard LLC, 2002.

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  • Julia Hutt, Hélène Alexander. Ōgi: A history of the Japanese fan. — London: Dauphin, ©1992.

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  • David Waterhouse. The Harunobu decade: a catalogue of woodcuts by Suzuki Harunobu and his followers in the Museum of Fine Arts, Boston (2 volumes) / Revised & corrected 1990 & 2009-13. — Leiden: Hotei Publishing, ©2013.

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  • Otani [Ōya] Sadao. Enjoying brass inlay tsuba: 100 Tsuba. — Tokyo: Ōtsuka Kōgeisha Co. Ltd., 1999.

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  • B. W. Robinson. Kuniyoshi: the warrior-prints. — Oxford: Phaidon, 1982.

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  • Robert Schaap. Heroes & ghosts: Japanese prints by Kuniyoshi, 1797-1861 / Introduction by Amy Reigle Newland; essays by Timothy T. Clark, Matthi Forrer, Inagaki Shin’ichi. — Leiden: Hotei Publishing, 1998.

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  • Andreas Marks. Japanese woodblock prints: Artists, publishers and masterworks, 1680 – 1900 / Foreword by Stephen Addiss. — Tuttle Publishing, 2010©.

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  • The Clarence Buckingham collection of Japanese prints: Vol. 1 & 2. — [Chicago]: Art Institute of Chicago, 1955 & 1965.

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  • Shigeo Miyao. Edo kabuki uchiwa-e / With notes by Sutezō Kimura. — Tokyo: Inoue Shobō, 1962.

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  • Ukiyo-e prints and paintings: The primitive period, 1680–1745 / An exhibition in memory of Margaret O. Gentles; catalogue by Donald Jenkins. — Chicago: Art Institute Of Chicago, 1971.

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  • Charlotte M. Salwey. Fans of Japan. — London: Kegan Paul, Trench, Trübner & Co., 1894.

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  • М. В. Успенский. Нэцкэ / Рецензент В. И. Сисаури — Л.: Искусство, 1986.

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  • Bruce A. Coats. Chikanobu: Modernity and Nostalgia in Japanese Prints. — Leiden: Hotei Publishing, 2006.

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  • А. И. Богданова. Жизнь после смерти / Роман. — Київ: Радянський письменник, 1990.

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  • Louis V. Ledoux. A descriptive catalogue of an exhibition of Japanese figure prints from Moronobu to Toyokuni. — NY: The Grolier Club, 1924.

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  • Jūzō Suzuki, Isaburō Oka. The decadents / Translated by John Bester (Masterworks of ukiyo-e, №8). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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  • Markus Sesko. Handbook of sword fittings related terms. — Norderstedt: Books on Demand GmbH, 2011.

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  • Muneshige Narazaki. Hokusai: Sketches and paintings [漫画肉筆画] (Manga nikuhitsuga) / English adaptation by John Bester (Masterworks of ukiyo-e, №7). — Tokyo; Palo-Alto, CA: Kodansha International, ©1969.

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  • Muneshige Narazaki. Early paintings [初期 浮世絵] (Shoki Ukiyo-e) / English adaptation by Charles A. Pomeroy (Masterworks of ukiyo-e, №1). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Jūzō Suzuki. Sharaku [写楽] / Translation by John Bester (Masterworks of ukiyo-e, №2). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Harold G. Henderson, Louis V. Ledoux. The surviving works of Sharaku. — NY: E. Weyne, Society for Japanese Studies, 1939.

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  • Seiichirō Takahashi. Harunobu [春信] / English adaptation by John Bester (Masterworks of ukiyo-e, №6). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Muneshige Narazaki. Hiroshige: Famous views [広重] / English adaptation by Richard L. Gage (Masterworks of ukiyo-e, №5). — Tokyo; Palo-Alto, CA: Kodansha International, 1970.

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  • Muneshige Narazaki. Studies in Nature: Hokusai-Hiroshige [花鳥風月]/ Translated by John Bester (Masterworks of ukiyo-e, №11). — Tokyo; Palo-Alto, CA: Kodansha International, ©1970.

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  • Muneshige Narazaki, Sadao Kikuchi. Utamaro [歌麿] / Translation by John Bester (Masterworks of ukiyo-e, №4). — Tokyo; Palo-Alto, CA: Kodansha International, ©1968.

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  • Nabeshima (Japanese ceramics 10) [鍋島 日本の陶磁 (10) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Kakiemon (Japanese ceramics 9) [柿右衛門 日本の陶磁 (9) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Yellow seto; Black seto (Japanese ceramics 3) [黄瀬戸 瀬戸黒 日本の陶磁 (3) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Old kutani (Japanese ceramics 11) [古九谷 日本の陶磁 (11) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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  • Old imari (Japanese ceramics 8) [古伊万里 日本の陶磁 (8) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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  • Ninsei; Kenzan (Japanese ceramics 12) [仁清 乾山 日本の陶磁 (12) 中央公論社]. — Tokyo: Chūōkōron-sha, 1974.

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  • Kyō ware (Japanese ceramics 13) [京焼 日本の陶磁 (13) 中央公論社]. — Tokyo: Chūōkōron-sha, 1975.

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  • NEW

    Samouraïs, guerriers et esthètes / Catalogue de l’exposition. — Strasbourg: BNU, 2022.

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  • NEW

    Tsuba Collection (Tsuba shūsei, 鐔集成) by Nakamura Tessei (中村鐵青), 1963 (Japanese).

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