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Hardcover volume, 35 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a slipcase, the outer case missing, pp.: [4] [1] 2-116 (plates with photographs of 202 items), [2] 119-154 [4]. Ninsei [仁清] and Kenzan [乾山] ceramics produced by Ninsei Nonomura [野々村仁清] (Japanese, c. 1640 – c. 1690) and Ogata Kenzan [尾形 乾山] (Japanese, 1663 – 1743), respectively. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher. -
Hardcover volume, 35.1 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 27.8 cm, pp.: [4] [1] 2-108 (plates with photographs of 217 items), [2] [111] 112-150 [3]. Imari ware [伊万里焼] (Imari-yaki) – ceramics produced in and around the area of Arita, in the former Hizen Province, northwestern Kyūshū. 日本の陶磁 – Japanese ceramics, series title. Old imari [古伊万里] (koimari) – book title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher. -
Hardcover volume, 35 x 26.8 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a slipcase, the outer case missing, pp.: [4] [1] 2-136 (plates with photographs of 211 items), [2] 139-166 [4]. Kutani ware [九谷焼] (Kutani-yaki); old kutani [古九谷] (kokutani) – ceramic objects produced in Kutani in the 17th century. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher. -
Description: Hardcover oblong volume 16 x 23.3 cm with black pictorial paper boards lettered in red and white to front cover and spine, in an ochre slipcase sprinkled brown and lettered in black to front and spine; grey endpapers, pp. [2] 3-130 [2], with a bookshop ticket to back pastedown “ISSHINDō”. Illustrated descriptions of 100 Japanese sword handguards (tsuba) with brass inlay. Title-page: 楽しい真鍮象嵌つば | 100 鐔 | 大谷定夫著 [Tanoshii Shinchū-Zōgan Tsuba | Hyakutan | Ōya Sadao cho] (Enjoying Brass Inlay Sword Guards | 100 Sword Guards | Author: Ōya Sadao) Colophon: Published December 15, 1999 Price: ¥3,800 (base price ¥3,619) Author: Ōya Sadao (大谷定夫) Producer: Ōtsuka Kōgeisha International Publisher: Ōtsuka Kōgeisha Co. Ltd. (大塚工藝社)Phone 103–0016 Tōkyō-to, Chūō-ku, Nihonbashi Koami-chō 1–5 Tel. 03–5642–3511 (Representative) Fax 03–5642–3618 Design: Takahashi Tōru (高橋享) Photography: Kitami Noboru (北見登) Kishioka Yasuhiro (岸岡保弘) ISBN4–900298–03–4 C0072 ¥3619E Subject: Ōnin tsuba; Heianjō tsuba; Suemon-zōgan; Ten-zōgan; Japanese sword handguards; Japanese sword fittings; Tosogu. -
Title-page: Heroes & Ghosts | Japanese prints | by | Kuniyoshi | 1797-1861 | [space] | Robert Schaap | introduction by | Amy Reigle Newland | essays by | Timothy T. Clark | Matthi Forrer | Inagaki Shin'ichi | {publisher’s device} | Hotei Publishing, Leiden | Society for Japanese Arts || Description: Square hardcover volume, 29.3 x 29 cm, bound in black cloth with blind vignette to front cover and blind lettering to spine, black pictorial endpapers, pictorial dust jacket; pp.: [1-4] 5-280, incl. 279 plates and 31 figures in the text; based on exhibit in Van Gogh Museum (Amsterdam) 30 Jan – 5 Apr 1998 and Philadelphia Museum of Art (Philadelphia) 24 Apr – 29 Jun 1998. -
NEWSoftcover, 270 x 210 mm, publisher’s flapped pictorial wrappers, in identical dust jacket, pp. [1-4] 5-189 [3], illustrated throughout with 192 collection items. ISBN 978-2-85923-092-0 Title-page (sanguine): — | SAMOURAÏS | GUERRIERS ET ESTHÈTES | — | CATALOGUE DE L'EXPOSITION | ORGANISÉE A LA BIBLIOTHÉQUE | NATIONALE ET UNIVERSITAIRE | STRASBOURG | 11 MARS – 13 JUILLET 2022 | SOUS LA DIRECTION | DE PATRICK LIEBERMANN, | EMMANUEL MARINE | ET DELPHINE MULARD | ASSISTÉS PAR AGATHE JACQUEMIN | bnu | STRASBOURG || Publisher: Bibliothèque Nationale et Universitaire (Strasbourg) In this collection: TSU-0437.2024
Contributors Collective:
Emmanuel Marine
Delphine Mulard
Patrick Liebermann
Agathe Jacquemin -
Japanese book: 24 leaves, 22 numbered plates, b/w photography reproduced photomechanically, with descriptions at the facing pages; in Japanese. Hardcover, 19 x 18.5 cm, green cloth stamped with title to front board and spine. Separate translation into English. -
Hardcover, 30 x 26 cm, publisher's pictorial boards, pp.: [1-5] 6-168, il.Published to accompany the recent successful exhibition at the Museu Picasso, Barcelona, this book sheds new light on Picasso's work - his connection with Japanese art. It is illustrated with images
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Hardcover volume from the series Masterworks of ukiyo-e, 26.5 x 19.1 cm, bound in unprimed canvas, red characters on black strip to front 春信, red and black lettering to spine, cream embossed endpapers, in a pictorial slipcase with series design (black lettering on silver spine); pp: [1-6]: h.t./frontis. (colour plate pasted in), t.p./imprint, contents/blank), 7-30 text, [2] faux-title, 33-96 (66 colour plates w/captions). Title-page (in frame): MASTERWORKS OF UKIYO-E | HARUNOBU | by Seiichirō Takahashi | English adaptation by John Bester | {publisher’s device} | KODANSHA INTERNATIONAL LTD. | Tokyo, Japan & Palo-Alto, Calif., U.S.A | {vertical, between rules 春信} || Series: Masterworks of ukiyo-e, № 6. Contributors: Seiichirō Takahashi [高橋誠一郎] (Japanese, 1884 – 1982) – author. Suzuki Harunobu [鈴木 春信] (Japanese, 1725 – 1770) – artist. John Bester (British, 1927 – 2010) – adaptation. -
Publisher's brown cloth stamped in gilt, in a slipcase, 19 x 14 cm; pp.: [11] 1-657 [1] 1-12 [6]; in Japanese. With full English translation published in 1982 on letter-size writing paper in a separate folder, 29.5 x 23 cm, pp. [2] i-iii, 1-197, 1-52, 1-3. "Kinkō Meikan is a collection of photographs of signatures that appear on the tsuba and other fittings of the Japanese sword". -
Book title: Kabuki fan-prints from Edo: Genroku to Enkyō periods (1688-1748) [江戸歌舞伎団扇絵] (Edo kabuki uchiwa-e: Genroku - Enkyō hen). Author: Shigeo Miyao [宮尾しげを] (Japanese, 1902 – 1982). Comments by: Sutezō Kimura [木村仙集] (Japanese, 20th century). Publisher: Inoue Shobō [井上書房] (Tokyo). Oblong volume bound in black washi paper with silver kabuki face design to front and silver lettering to spine and silver publisher’s name to back; three-colour title, folding frontispiece, second frontispiece, pp.: [6] foreword, contents, [2] f.t.p./blank, 3-134 [2], 43 full-page black & white illustrations, colophon slip pasted, bookstore label to back pastedown, in a pink slipcase with black lettering. Primitive fan prints from the Kaga collection, from 1691 to 1747. Edition: 1st edition, limited to 500 copies. -
Two volumes, each bound in red cloth with gilt lettering to spine, black endpapers, TEG, and matching red cloth slipcases with black lettering to front. Vol. 1: The Clarence Buckingham collection of Japanese prints: The Primitives / Catalogue by Helen C. Gunsaulus. — [Chicago]: Art Institute of Chicago, 1955. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”, 1-284 [285] colophon, limitation: 500 numbered copies, this is № 476. Title-page: THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | The Primitives | CATALOGUE BY HELEN C. GUNSAULUS | THE ART INSTITUTE OF CHICAGO || Vol. 2: The Clarence Buckingham collection of Japanese prints: Volume 2 / Catalogue by Margaret O. Gentles. — [Chicago]: Art Institute of Chicago, 1965. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”,1-307 [2] blank/ colophon, limitation: 1000 copies (unnumbered). Title-page: VOLUME II | THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | Harunobu, Koryūsai, Shigemasa, their followers and contemporaries | Catalogue by Margaret O. Gentles | THE ART INSTITUTE OF CHICAGO 1965 || Contributors: Clarence Buckingham (American, 1854 – 1913) Helen C. Gunsaulus (American, 1886 – 1954) Margaret O. Gentles (American, 1905 – 1969) -
Softcover, pictorial wrappers, pp.: 1-200, il.Foreword: A treasure trove of ukiyo-e prints / Kobayashi Tadashi The Grabhorn ukiyo-e collection at the Asian Art Museum / Melissa M. Rinne Edwin Grabhorn : passionate printer and print collector / Julia Meech Figures of humans and animals : some early Japanese color prints from the Grabhorn Collection / David Waterhouse. Edwin Grabhorn (1889—1968), co-founder of the Grabhorn Press, Northern California's premier letterpress printer, was a pioneer American collector of Japanese prints. The Grabhorn prints in the collection of the Asian Art Museum comprise the upper echelons of the original collection. The collection includes a superb selection of early monochrome and hand-colored ukiyo-e prints by Sugimura Jihei, Torii Kiyonobu, Okumura Masanobu and others, from the seminal decades of the woodblock print production in the late 1600s and early 1700s.
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NEWA large hardcover volume, 370 x 265 x 53 mm, bound in burgundy cloth with pasted-in b/w photograph and gilt lettering to front, gilt lettering to spine, in plastic dust jacket, in a slipcase, in a cardboard shipping box, pp. [2] 1-522 [2], 128 leaves total; limited edition of 1000 copies. Author: Nakamura Tessei [中村鐵青] Seller's description: Tsuba Shusei by Nakamura. 1963. Of a limited edition of 1,000. Clothbound with plastic jacket, slipcase, and cardboard storage box, 11 ½ x 14 ½”, 522 heavy stock pages in Japanese. This is a very impressive book. Thousands of tsuba, from Kamakura to late Edo and arranged by school. are illustrated (24 in colour photos and the rest in black & white) and described. If there is a tsuba bible this might be it; there can’t be a more comprehensive book on the subject. The storage box is shelf worn, the slipcase is just a bit toned; the book is in excellentt condition. Produced by Chuokoron-Shinsha, Inc. [株式会社中央公論新社] Publisher: 銀集成刊行会 Production details: 鐵集成 第617番 昭和38年2月10日発行 限定1,000部 定価 10,000円 オフセット単色印刷:マイク印刷 オフセット原色印刷:大日本印刷 著者中村鐵青 製作 中央公論事業出版 発行所 銀集成刊行会 活版印刷:精興社 製本:協和製本 本文用紙:三菱製紙 表紙:望月 -
Catalogue of the exhibition held in The Metropolitan Museum of Art in NY from October 21, 2003, to January 11, 2004. Pagination: [i-vi] vii-xviii, [2]3-390, ils. Binding: 29 x 24 cm, grey cloth, gilt lettering to spine, pictorial dust jacket. -
Description: exhibition catalogue, softcover terra-cotta paper with lettered black label to front and black lettering to spine, black endpapers; pp.: [1-6] 7-131 [132] plus colour frontispiece and 5 colour plates outside pagination, 190 entries with b/w in-text illustrations. Front cover (in the octagonal black label): UKIYO-E | PRINTS AND PAINTINGS | THE PRIMITIVE PERIOD | 1680–1745 | THE ART INSTITUTE OF CHICAGO || Title-page: THE ART INSTITUTE OF CHICAGO | UKIYO-E PRINTS AND PAINTINGS | THE PRIMITIVE PERIOD, 1680–1745 | An Exhibition in Memory of Margaret O. Gentles | November 6th–December 26th, 1971 | Catalogue by DONALD JENKINS || Foreword by Charles C. Cunningham, Tribute to Margaret O. Gentles by Jack V. Sewell. Contributors: Margaret O. Gentles (American, 1905 – 1969) Donald John Jenkins (American, b. 1931) Charles Crehore Cunningham (American, 1910 – 1979) Jack V. Sewell (American, 1923 – 2010) -
Hardcover volume, 35.3 x 27 cm, bound in grey cloth, blind stamped characters to front, brown characters to spine, in a glassine dust jacket, in a double slipcase, the outer case pictorial paper over cardboard, 36 x 28 cm, pp.: [4] [1] 2-88 (plates with photographs of 129 items), [2] 91-108 [3]. Seto ware [瀬戸焼] (Seto-yaki) – ceramics produced in and around the city of Seto in Aichi Prefecture. Yellow seto [黄瀬戸] (Kiseto) – a yellow glaze seto ware. Black seto [瀬戸黒] (Setoguro) – a black glaze seto ware. 日本の陶磁 – Japanese ceramics, series title. Contributors: Yasunari Kawabata [川端 康成] (Japanese, 1924 – 1972) – author. Tetsuzo Tanikawa [谷川 徹三] (Japanese, 1895 – 1989) – author. Seizo Hayashiya [林屋晴三] (Japanese, 1928 – 2017) – editor. Chūōkōron-sha [中央公論社] – publisher. -
Hardcover, 17.2 x 12.5 cm, brown cloth-backed pictorial paper boards, lettering to front and spine, pictorial endpapers, pp.: [1-4] 5-430 [2], total 432 pages; collated in-16mo: [1]-1216 138 1416, total 216 leaves. Print run: 65,000 copies. A real history-based fiction about doctor Nikolai Sudzilovsky [Nicholas Russel] (Belarusian, 1850 – 1930). Title-page (pictorial): АЛЕКСАНДРА | БОГДАНОВА | ЖИЗНЬ | ПОСЛЕ | СМЕРТИ | Роман || Imprint: Рецензент доктор филилогических наук Н. Г. Жулинский. Редактор В. А. Лигостов. Богданова А. И. Жизнь после смерти: Роман. — К.: Рад. письменник, 1990. — 431 с. ISBN 5-333-00201-0. Colophon: Литературно-художественное издание. БОГДАНОВА АЛЕКСАНДРА ИВАНОВНА | Жизнь после смерти. Роман. Киев, издательство «Радяньский пысьмэннык». Author: Богданова, Александра Ивановна (b. c. 1950).
