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Softcover, in pictorial wrappers, 28 x 21.8 cm, 64 entries, with colour illustrations, some folding. Catalogue # 17 of the sales exhibition on March 17-21, 2021 in NY; pagination: [1-3] 4-182 [2], ils. Contributor: Sebastian Izzard Select illustrations (references in this collection): SVJP-0222.2016: A view of the dressing room of a Theater in Dōtonbori, Ōsaka. SVJP-0105.2014: Ichikawa Danjūrō VIII as the ghost of Seigen. SVJP-0360.2022: Ichikawa Danjūrō VII. SVJP-0361.2022: Beauty playing the shamisen beneath a mosquito net. SVJP-0359.2022: Young woman checks her makeup in a mirror. SVJP-0197.2015: Three Pleasures of Present-day Osaka (Tôsei Naniwa no sankô); left; centre, right.
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Title-page: Heroes & Ghosts | Japanese prints | by | Kuniyoshi | 1797-1861 | [space] | Robert Schaap | introduction by | Amy Reigle Newland | essays by | Timothy T. Clark | Matthi Forrer | Inagaki Shin'ichi | {publisher’s device} | Hotei Publishing, Leiden | Society for Japanese Arts || Description: Square hardcover volume, 29.3 x 29 cm, bound in black cloth with blind vignette to front cover and blind lettering to spine, black pictorial endpapers, pictorial dust jacket; pp.: [1-4] 5-280, incl. 279 plates and 31 figures in the text; based on exhibit in Van Gogh Museum (Amsterdam) 30 Jan – 5 Apr 1998 and Philadelphia Museum of Art (Philadelphia) 24 Apr – 29 Jun 1998.
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Softcover, in pictorial wrappers, 28 x 21.8 cm, 60 entries, with colour illustrations, some folding. Catalogue # 19 of the sales exhibition on March 18-26, 2022 in NY; pagination: [1-3] 4-149 [3], ils., some folding. Contributor: Sebastian Izzard
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A set of sixteen pen and ink wash drawings on wove paper by an anonymous artist after lithographs by André Collot, who illustrated the 1935 edition of Les 120 journées de Sodome, ou l’école du libertinage, by the Marquis de Sade, based on the original autograph manuscript by Maurice Heine. The set is housed in a rough texture paper folder with an ink manuscript to the front: LE MARQUIS DE SADE. | Les 120 journées | DE SODOME || Size: 340 x 250 mm (folder); 335 x 252 (sheet); approx. 160 x 110 (image). Contributors: Donatien Alphonse François, Marquis de Sade (French, 1740 – 1814) – author. Maurice Heine (French, 1884 – 1940) – publisher of the original Les 120 journées. André Collot (French, 1897-1976) – artist of the original illustrations for the 1935 edition. This set was produced by an anonymous artist from the bohemian Montmartre, Montparnasse, or the School of Fine Arts, close to the booksellers', by demand of an excentric bibliophile, at about the same time. Collot's illustrations can be found at www.honesterotica.com.
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Title: ZICHI | A bevezető tanulmányt írta | és a képeket válogatta | GELLÉR KATALIN | Introduced and selected by | KATALIN GELLÉR | CORVINA || Pagination: [1-4] 5-44 + 34 leaves of illustrations, (66 plates). Exterior: 32.5 x 28 cm, hardcover, original dark green cloth with silver lettering to spine, pictorial DJ. Text in Hungarian and English. Artist: Mihály Zichy [Michael von Zichy] (Hungarian, 1827 – 1906).
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Softcover, pictorial wrappers, square 21 x 21 cm, 40 leaves, unpaginated, with illustrations in colour, 80 entries, with price list laid in; limited edition of 700 copies. Contributor: Israel Goldman In this collection:
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Glossy softcover, publisher’s pictorial wrappers, 30 x 23 cm, pp.: [i-v] vi-xi [xii blank], [2] 3-199 [200 blank], ils.; total 106 leaves. Title-page: Vertical from bottom to top along the outer margin in grey: KUNISADA'S WORLD; horizontally: KUNISADA'S WORLD | SEBASTIAN IZZARD | with essays by | J. THOMAS RIMER | JOHN T. CARPENTER | JAPAN SOCIETY, INC., in collaboration with the | UKIYO-E SOCIETY OF AMERICA || Published in conjunction with an exhibition held at the Japan Society Gallery, New York, September 30 - November 14, 1993. Contents: (1) Kunisada: in and out of his times; Kabuki at the time of Kunisada / J. Thomas Rimer. (2) Popular fiction in the age of Kunisada; Kunisada and the art of comic poetry / John T. Carpenter. (3) Kunisada the artist / Sebastian Izzard. Contributors: Sebastian Izzard J. Thomas Rimer (American, b. 1933) John T. Carpenter (American) Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865) Select illustrations (references in this collection):
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Hardcover, 31 x 24 cm, red paper with black and white lettering to front cover and spine, pictorial endpapers, pictorial dust jacket; pp.: [1-8] 9-336, profusely illustrated in colour. Title-page (black and red): Japanese | woodblock prints | ARTISTS, PUBLISHERS AND MASTERWORKS | 1680 – 1900 | Andreas Marks {|} Foreword by Stephen Addiss | TUTTLE PUBLISHING | Tokyo • Rutland, Vermont • Singapore ||
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Softcover, in pictorial flapped wrappers, 28 x 21.8 cm, 26 entries, with colour illustrations, some folding. Catalogue # 7 of the sales exhibition on March 25 - April 1, 2003 in NY; pagination: [1-3] 4-90 [2], ils., some folding. Contributor: Sebastian Izzard
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Flapped folder of thick embossed paper 353 x 263 mm, with a vignette and manuscript to front: Stunden der Erbauung | 7 | ergötz liebe Bilder aus | dem Leben frommer Brü | der und Schwestern | • | M. Leÿtho. ||, six graphite pencil drawings, each glued to a paper sheet with guard tissue; mat size 339 x 253 mm mat; drawing size 220 x 165 mm. Translation of the title: Hours of Edification / 7 delightful pictures from the lives of pious brothers and sisters. Information about the artist at www.honesterotica.com: "Mitja Leytho, almost certainly a pseudonym, is yet another mediocre yet fascinating amateur artist from the Germany of the 1920s about whom we know absolutely nothing beyond the four portfolios which bear the ‘Leytho’ signature".
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Title: The amorous drawings | {vignette} | of the | Marquis von Bayros | Part I | BRANDON HOUSE | NORTH HOLLYWOOD || Title page verso: A BRANDON HOUSE BOOK | PUBLISHED BY ARRANGEMENT WITH | CYTHERA PRESS | COPYRIGHT 1968 BY CYTHERA PRESS | ALL RIGHTS RESERVED. | MANUFACTURED IN THE UNITED STATES OF AMERICA || Pagination: [1-3] 4-238 [2], 292 illustrations within pagination. Content: Preface by Wilhelm M. Busch, biography of Von Bayros by Johann Pilz, two essays by Von Bayros; 292 illustrations by Marquis Franz von Bayros; Part I and II in one volume. Exterior: 28 x 22 cm, publisher's green wrappers with yellow lettering and fac-simile drawing of von Bayros to cover, lettering to spine. A re-print softcover edition of the original Cythera Press 1st edition, see: LIB-2246.2019
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Softcover, pictorial wrappers, square 21 x 21 cm, 42 leaves, unpaginated, with illustrations in colour, 83 entries, with price list laid in; limited edition of 700 copies. Contributor: Israel Goldman In this collection:
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Softcover, publisher’s pictorial wrappers, 29.7 x 24.6 cm, pp.: [1-3] 4-174 [2 blank], ils.; total 88 leaves. Title-page: Kunisada | imaging | drama and beauty | Robert Schaap | with an introduction by Sebastian Izzard | and contributions by Paul Griffith and Henk. J. Herwig | {publisher’s device} Hotei Publishing || Contents: Preface / Robert Schaap & Chris Uhlenbeck; Lenders to the exhibition & catalogue: notes to readers; Utagawa Kunisada, the artist and his times / Sebastian Izzard; Catalogue / Robert Schaap with Paul Griffith, Henk J. Herwig & Sebastian Izzard. Subjects: Utagawa, Kunisada, — 1786-1864 — Catalogs; Color prints, Japanese — Edo period, 1600-1868 — Catalogs; Ukiyo-e — Catalogs. Contributors: Sebastian Izzard Paul Griffith Henk. J. Herwig Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865) Select illustrations (references in this collection):
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Two volumes, each bound in red cloth with gilt lettering to spine, black endpapers, TEG, and matching red cloth slipcases with black lettering to front. Vol. 1: The Clarence Buckingham collection of Japanese prints: The Primitives / Catalogue by Helen C. Gunsaulus. — [Chicago]: Art Institute of Chicago, 1955. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”, 1-284 [285] colophon, limitation: 500 numbered copies, this is № 476. Title-page: THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | The Primitives | CATALOGUE BY HELEN C. GUNSAULUS | THE ART INSTITUTE OF CHICAGO || Vol. 2: The Clarence Buckingham collection of Japanese prints: Volume 2 / Catalogue by Margaret O. Gentles. — [Chicago]: Art Institute of Chicago, 1965. Pagination: 1st leaf blank, 2nd leaf half-title, verso blank, [i, ii] – t.p. in red and black, copyright to verso, iii-vi, [vii] faux-title “The catalogue”,1-307 [2] blank/ colophon, limitation: 1000 copies (unnumbered). Title-page: VOLUME II | THE CLARENCE BUCKINGHAM | COLLECTION OF | JAPANESE PRINTS | Harunobu, Koryūsai, Shigemasa, their followers and contemporaries | Catalogue by Margaret O. Gentles | THE ART INSTITUTE OF CHICAGO 1965 || Contributors: Clarence Buckingham (American, 1854 – 1913) Helen C. Gunsaulus (American, 1886 – 1954) Margaret O. Gentles (American, 1905 – 1969)
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Softcover, in pictorial flapped wrappers, 28 x 21.8 cm, 16 entries, with colour illustrations. Catalogue # 8 of the sales exhibition on March 23-30 2004 in NY; pagination: [1-3] 4-50 [2], ils., some folding. Contributor: Sebastian Izzard
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Hardcover volume, 28.7 x 24.7 cm, pictorial paper boards, pictorial endpapers, pp. :[1-6] 7-224, 207 colour ils. Published on the occasion of an exhibition at the Morgan Library & Museum, 10 March to 4 June 2023. Title-page: SUBLIME IDEAS | — | DRAWINGS BY | GIOVANNI BATTISTA | PIRANESI | John Marciari | THE MORGAN LIBRARY & MUSEUM, NEW YORK | in association with | PAUL HOLBERTON PUBLISHING || Contributors: John Marciari (American, b. 1971) – author. Giovanni Battista [Giambattista] Piranesi (Italian, 1720 – 1778) – artist.
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Title (black and orange): Presenting | Stefano della Bella | Seventeenths – century Printmaker | {Stefano's fac-simile} | by Phyllis Dearborn Massar | The Metropolitan Museum of Art | Distributed by New York Graphic Society || Pagination: [1-6] 7-141 [3], pp. 7-10 – introduction, 1-133 – plates with annotations, 134-140 – notes. Binding: Hardcover, brown cloth with gilt lettering to spine and a small print in orange frame pasted to front cover, pictorial DJ.
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Softcover, pictorial wrappers, square 21 x 21 cm, 40 leaves, unpaginated, with illustrations in colour, 76 entries, with price list laid in; limited edition of 700 copies. Contributor: Israel Goldman In this collection: