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![Война мышей и лягушек. Батрахомиомахия / Пер. с древнегреческого, вводн. стат. и коммент. М.С.Альтмана. Иллюстр. А. И. Порет, переплет и обложка по ее же рисункам. С суперобложкой. — М.-Л.: Academia, 1936. — XV, [I], 21, [2] стр. (Античная литература под общей ред. Д. А. Горбова и В. О. Нилендера.](https://varshavskycollection.com/wp-content/uploads/2021/02/LIB-0985.2016-a-scaled-500x500.jpeg)
Description: white paper hardcover, lettered to front, 25.8 x 18 cm, in pictorial dust jacket; pagination: [i-vi] vii-xv [xvi] [2] 3-21 [3], errata slip bound in; one folding plate bound in after p.8. Title-page: ВОЙНА | МЫШЕЙ И ЛЯГУШЕК | (БАТРАХОМИОМАХИЯ) | Перевод с древнегреческого, | вводная статья | и комментарии | М. С. АЛЬТМАНА | ACADEMIA | 1936 || Opposite title: АНТИЧНАЯ ЛИТЕРАТУРА | под общей редакцией | Д. А. ГОРБОВА И В. О. НИЛЕНДЕРА | БАТРАХОМИОМАХИЯ | ACADEMIA | Москва – Ленинград || Title verso: ΒΑΤΡΑΧΟΜΥΟΜΑΧΊΑ | Иллюстрация А. И. Порет | Переплет и суперобложка | по ее же рисункам || Print run: 10,300 copies. Catalogue raisonné: Крылов-Кичатова № 798, p. 274. Contributors: Альтман, Моисей Семёнович (Russian-Jewish, 1896—1986) – translator, author Порет, Алиса Ивановна (Russian, 1902 – 1984) – artist. -
Poem by Ariwara no Narihira Ason: (Actor Ichikawa Danjûrô VIII as) Seigen, from the series Comparisons for Thirty-six Selected Poems (Mitate sanjûrokkasen no uchi)「見立三十六歌撰之内 有原業平朝臣 清玄」 八代目市川団十郎. Poem: Yo no naka ni/ taete sakura no/ nakariseba/ haru no kokoro wa/ nodokekaramashi. Kabuki actor: Ichikawa Danjūrō VIII [八代目 市川 團十郎] (Japanese, 1823 – 1854); other names: Ichikawa Ebizô VI, Ichikawa Shinnosuke II. Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Block cutter: Yokokawa Horitake [横川彫武] a.k.a. Yokokawa Takejiro [横川竹二郎] (Japanese, fl. 1860s). Publisher: Iseya Kanekichi [伊勢屋兼吉] (Japanese, fl. 1840s – c. 1875) Year: 1852 (Kaei 5), 10th month. Size: Vertical ōban; 36.5 × 25.4 cm. Signed: Toyokuni ga, in toshidama cartouche [豊国画(年玉枠] Censors' seals: Fuku, (Muramatsu), Rat 10. Ref: MFA Accession № 11.36779.43. -
Artist: Utagawa Kunisada [歌川 国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Publisher: Matsumura Tatsuemon [松村辰右衛門] (Japanese, fl. c. 1793 – 1832). Year: c. 1820–22 (Bunsei era). Signed: 五渡亭国貞画 – Gototei Kunisada ga. Censor's seal: kiwame 改印：極
SVJP-0179-6.2014
The Hour of the Dragon, Fifth Hour of Day (Tatsu no koku, Hi no itsutsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 辰ノ刻 日ノ五つ時」 MFA impression: 11.15315. 
SVJP-0179-1.2014
The Hour of the Rabbit, Sixth Hour of Day (U no koku, Ake muttsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 卯ノ刻 明六つ時」. MFA impression: 11.15317 
SVJP-0179-2.2014
The Hour of the Monkey, Seventh Hour of Day (Saru no koku, Hi no nanatsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今様時計十二時 申ノ刻 日ノ七つ時」 MFA impression: 11.39692 
SVJP-0179-8.2014
The Hour of the Horse, Ninth Hour of Day (Uma no koku, Hi kokonotsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 午ノ刻 日九つ時」. MFA impression: 11.15314 
SVJP-0179-4.2014
The Hour of the Boar, Fourth Hour of Night (I no koku, Yoru yottsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 亥ノ刻 夜四つ時」. MFA impression: 11.15552 
SVJP-0179-3.2014
The Hour of the Tiger, Seventh Hour of Night (Tora no koku, Yoru nanatsu), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 寅ノ刻 夜七つ」. MFA impression: 11.15313 Ref.: Izzard. Kunisada’s world [LIB-2970.2022]. 
SVJP-0179-5.2014
The Hour of the Ox, Eight Hour of Night (Ushi no koku, Yoru no yattsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 丑ノ刻 夜ノ八つ時」. MFA impression: 11.26906 
SVJP-0179-7.2014
The Hour of the Rat, Ninth Hour of Night (Ne no koku, Yoru kokonotsu toki), from the series Twelve Hours of a Modern Clock (Imayo tokei jūniji) 「今世時計十二時 子ノ刻 夜九つ時」. MFA impression: 11.15312 -
Title-page: JOHANN WOLFGANG GOETHE | DAS TAGEBUCH | Mit handkolorierten Zeichnungen von Max Schwimmer || Description: Oblong cardboard binding 24.5 x 17.5 cm, with sanguine vignette to front cover, 28 unpaginated leaves, 24 hand-coloured etchings on verso of each leaf with text on recto, numbered edition, this is № 549, signed by the artist (pencil). Contributors: Max Schwimmer (German, 1895 – 1960) – atrist. Johann Wolfgang von Goethe (German, 1749 – 1832) – author. -
Description: bound in light yellow cloth with red and orange geometrical design to front cover and black lettering to spine, in pictorial DJ “An dem kleinen Himmel | meiner Liebe | {colour vignette} | Heiter-amouröse Dichtung | Mit 24 farbigen Zeichnungen von | Max Schwimmer”; pp.: [1-6] 7-95 [96], total 48 leaves, with 22 offset colour full-page illustrations, DJ and title-page vignettes by Max Schwimmer; plates with pagination. Anthology of German love poetry from Caspar Stieler (1632 – 1707) to Wolfgang Tilgner (1932 – 2011). Title-page: An dem kleinen Himmel | meiner Liebe | Heiter-amouröse Dichtung | Mit 24 farbigen Zeichnungen | von Max Schwimmer | {vignette} | Verlag der Nation | Berlin || Contributors: Bruno Brandl (German, fl. c. 1969 – 1991)– editor. Max Schwimmer (German, 1895 – 1960) – artist. VEB Druckhaus “Maxim Gorki” (Altenburg) – printer. Verlag der Nation (Berlin) – publisher. -
Description: In-8vo volume, 19.4 x 14 cm, bound in red cloth with gilt lettering to front cover and spine, in a pictorial dust jacket with a photo portrait of the author by Kay Bell to the rear, DJ and in-text illustrations by Maurice Sendak; pp. [i-x] xi-xvii [xviii] [2] 3-190, total 208 pages. Dust Jacket front: You Can't | Get There | From Here | {vignette} | OGDEN NASH || Title-page: OGDEN NASH | You Can't Get There | From Here | {vignettes} | DRAWINGS BY MAURICE SENDAK | Boston • LITTLE, BROWN AND COMPANY • Toronto || Edition: 1957, 8th printing; (1st edition in 1953) Contributors: Ogden Nash (American, 1902 – 1971) – author. Maurice Sendak (Jewish-American, 1928 – 2012) – artist. Kay Bell Reynal (American, 1905 – 1977) – photographer. -
Title-page: IDYLLES | DE BION | ET | DE MOSCHUS, | TRADUITES EN FRANÇAIS | Par J. B. Gail, Professeur de littéra- | ture grecque au collège de France. | Ouvrage orné de Figures dessinées par le Barbier. | DE L’IMPRIMERIE DE DIDOT JEUNE. | A PARIS, | Chez Gail, au Collège de France, place | Cambrai. | L’AN TROISIEME. || Small volume in-12mo, 14.7 x 10 cm, bound in tree calf with gilt ornamental border, flat spine with gilt lozenges in compartments, lacking upper label and half of the lower label, gilt dentelle inside, marbled endpapers, all edges gilt. Collation: 1st and last leaves blank, [1]-96, total 54 leaves and 9 engraved plates, incl. frontispiece. Pagination: [1-5] 6-106 [2] (notice), total 108 pages, ils. Illustrations: (1) Frontispiece bust portrait of Jean-Baptiste Gail in two states, one proof before letters signed Le Barbier del., — C. S. Gaucher inc. a. ƒ., the other in finished state lettered « J. B. Gail | Professeur de littérature grecque | au collège de France » signed Le Barbier del. — C. S. Gaucher incid. (2) Le tombeau d’Adonis in two states, the first unsigned, the second signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγραφε — Γαυχερ εχαλχενε, with tissue guard. (3) Enlèvement d’Europe in two states, the first signed Baquoy fecit., the second Le Barbier inv. — Delignon Sculp. (4) Amour du fleuve Alphée pour la fontaine Aréthuse in two states, the first unsigned, the second signed Le Barbier inv. — Dambrun. (5) Daphnis et Naïs only in final state signed by Le Barbier and Gaucher in Greek Λε Βαρβιερ εγρφε — Γαυχερ εχαλχενε. (sic.) Catalogue raisonné: Cohen-DeRicci 151-2, attributes to 1895, in-18, Daphnis et Naïs without the proof state; Lewine 64, "very scarce, particularly that of the portrait, a fancy price". Contributors: Bion [Βίων] (fl. late 2nd century BCE, Phlossa near Smyrna) – author. Moschus [Μόσχος] (fl. mid 2nd century BCE, Syracuse) – author. Jean-Baptiste Gail (French, 1755 – 1829) – translator. Jean-Jacques-François Le Barbier (French, 1738 – 1826) – artist. Charles-Étienne Gaucher (French, 1740 – 1804) – engraver. Jean-Louis Delignon (French, 1755 – 1820) – engraver. Jean Dambrun (1741 – 1808/14) – engraver. Pierre François Didot, Le Jeune (French, 1732 – 1795) – publisher. -
Description: Softcover, 28.5 x 19.5 cm, printed on laid paper watermarked “VAN GELDER ZONEN”, publisher’s original flapped cream wrappers, bookplate of J.-P. Dutel to first blank leaf, 17 leaves within the wrappers, unpaginated, plus three anonymous gouache plates, frontispiece watercolour to h.t. verso, watercolour vignette and ribbons to t.p., attributed by J.-P. Dutel to Jean Laprade (not found). Front wrapper (no vignette): VERS LIBRES | par | RAYMOND RADIGUET | Champigny | Au Panier Fleuri || Half-title: VERS LIBRES (no vignette) Half-title verso: watercolour vignette, lettered in script at the bottom: “Au ciel des Plages | Virginie….” Title-page (red and black): {ribbon} | VERS LIBRES | par | RAYMOND RADIGUET | {vignette} | Champigny | Au Panier Fleuri | {ribbon} || Edition: Limited edition of 125 copies, of which this is copy № 125. The first edition illustrated by Rojan (Feodor Rojankovsky) [LIB-2830.2021] did not state the paper maker, however, the paper is watermarked Arches. This copy is unique, lacking Rojan’s illustrations and enriched with watercolours and gouaches by anonymous artists. Later edition (1937) in this collection: LIB-2827.2021. Contributors: Raymond Radiguet (French, 1903 – 1923) – author. Description by the seller: RADIGUET Raymond. VERS LIBRES. Champigny. Au Panier Fleuri. [Paris, ca 1935]. In-8 broché. Première édition illustrée de 28 superbes compositions en couleurs par Feodor Rojankovsky dit Rojan. Tirage : 125 ex. sur vélin d’Arches. UN DES 125 EXEMPLAIRES SUR VÉLIN D’ARCHES. Exemplaire unique orné de 2 aquarelles originales dans le texte, non signées mais de Jean Laprade et enrichi de 3 gouaches anonymes hors-texte.1935 Rojan 1935 Anonym 
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Small volume 17 x 11.5 cm, bound in tan cloth with brown lettering to front cover and spine, gilt fillets to spine, in wood-engraved pictorial dust jacket; pp.: [1-4] 5-254 [2], total 256 pages; collated in-16mo: [1]-816, total 128 leaves; wood-engraved portrait frontispiece within collation. Print run: 35,000 copies. Title-page (red and black): Райнер Мария Рильке | ЛИРИКА | Перевод с немецкого | Т. Сильман | {publisher’s device} | Издательство «Художественная литература» | Москва • 1956 • Ленинград || Contributors: Rainer Maria Rilke (German, 1875 – 1926) Тамара Исааковна Сильман (Russian-Jewish, 1909 – 1974) Владимир Григорьевич Адмони (Russian-Jewish, 1909 – 1993) -
Collection of poems. Hardcover volume, 20.7 x 13.3 cm, bound in green buckram, gilt double-fillet border, gilt frame, gilt lettering to front, gilt stars, fillets and lettering to spine, blind lettering to back, matching endpapers, pp.: [1-4] 5-637 [638] [2], total 640 pages, collated in-16mo, [1]-1116, 8 leaves of plates, 13-2116. Title-page: ПОЭТЫ | ГРУППЫ «ОБЭРИУ» | С.-ПЕТЕРБУРГСКОЕ ОТДЕЛЕНИЕ • 1994 || Opposite to t.p.: БИБЛИОТЕКА ПОЭТА | ОСНОВАНА МАКСИМОМ ГОРЬКИМ В 1931 ГОДУ | БОЛЬШАЯ СЕРИЯ | ИЗДАНИЕ | ТРЕТЬЕ | СОВЕТСКИЙ ПИСАТЕЛЬ || Print run: 3,000 copies. Contributors: Михаил Борисович Мейлах (Russian-Jewish, b. 1944) Татьяна Львовна Никольская (Russian, b. 1945) Александр Николаевич Олейников (Russian, 1936 – 2013) Владимир Ибрагимович Эрль [Владимир Иванович Горбунов] (Russian, 1947 – 2020) ОБЭРИУ (Объединение Реального Искусства) Даниил Иванович Хармс [Ювачёв] (Russian, 1905 – 1942) Александр Иванович Введенский (Russian, 1904 – 1941) Николай Алексеевич Заболоцкий (Russian, 1903 – 1958) Игорь Владимирович Бахтерев (Russian, 1908 – 1996) Николай Макарович Олейников (Russian, 1898 – 1937) Константин Константинович Вагинов [Вагенгейм] (Russian, 1899 – 1934) -
Two 8vo volumes bound in one, 19 x 12.5 cm, in full mottled sheepskin with gilt-bordered boards, gilt decorated flat spine with gilt-lettered red and black calf labels, rebacked, marbled endpapers and edges, printed on wove paper, plates on thicker laid paper. Title-page: FABLES | MISES EN VERS | PAR J. DE LA FONTAINE. | TOME PREMIER (SECOND). | {medallion portrait} (printer’s device “PC”) | A PARIS, | CHEZ ANT. AUG. RENOUARD. | M. DCC. XCV. || Collation: Vol. 1: π2 (h.t./imprint, t.p. medallion portrait/blank), [1]-38 (Notice sur la vie…), 1-58 64 (Vie de la Fontaine, Épitre, Préface, Vie d’Ésope), [7]-148 156 χ3 (table); pagination [4] [i] ii-xlviii, [1] 2-234. Total 143 leaves (286 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 112), E. De Ghendt (pp. 122 and 181), Jean Louis Delignon (p. 140), Delvaux (p. 197), and Ph. Trière (p. 219). Title medallion portrait of La Fontaine (G Rigault pinx. – C S Gaucher inc.) by Gaucher after Rigaud. Vol. 2: π2 1-158 164; pagination [4] [1] 2-247 [248 blank]. Total 126 leaves (252 pages) plus 6 plates after Moreau le Jeune by Devilliers fratres (p. 19), Villerey (pp. 37, 80, and 146), Bosq (p. 121), and Ph. Trière (p. 199). The book published in 1795 (An 3) supplemented with plates produced in 1811 and 1812 for Œuvres complèttes (sic) de Jean de la Fontaine published by Lefèvre in 1814. The reason for choosing this particular edition for someone's library shortly after 1814 was probably the absence of censorship in 1795. Catalogue raisonné: (1) Lewine [LIB-2538.2020] on p. 276 (Paris, chez Renouard, 1795, 2 vols., 8vo., medal portrait on first title, and 12 plates after Moreau by Delvaux, Bosq, Ghendt, Trière, and Villerey). (2) M.-J.-F. Mahérault. L' oeuvre de Moreau le Jeune : catalogue raisonné et descriptif avec notes iconographiques et bibliographiques. — Paris: A. Labitte, 1880. Contributors: Jean de La Fontaine (French, 1621–1695) – author. Jean-Michel Moreau le Jeune (French, 1741–1814) – artist. Hyacinthe Rigaud (French, 1659 – 1743) – artist. Antoine-Augustin Renouard (French, 1765 – 1853) – publisher. Pierre Causse (French, 1761 – 1834) – printer. Engravers: Charles Étienne Gaucher (French, 1741 – 1804) Etienne De Villiers [Devilliers, Devilliers fratres] (French, 1784 – after 1844) Emmanuel Jean Nepomucène de Ghendt (Flemish, worked in France, 1738 – 1815) Jean-Louis Delignon (French, 1755 – 1820) Rémi Henri Joseph Delvaux (French, 1748 – 1823) Philippe Trière (French, 1756 – c. 1815) Auguste Villerey (French, 1801 – 1846) Jean Bosq (French, fl. c. 1801 – 1844) -
Quarter calf over marbled boards, 16 x 9 cm, spine with raised bands, gilt in compartments, gilt-lettered label, all margins red, two title-pages (one for each vol.), illustrated with engraved frontispiece by Antonio Baratti after Antonio Balestra; engraved portrait of John Milton by Antonio Baratti, 12 plates, one for each book, after “Piazzetta, Zucchi, Balestra, Tiepolo, and other Venetian artists”, unsigned; plate II signed ‘Antonio Barati scul.’ Title page: IL PARADISO | PERDUTO | POEMA INGLESE | DI GIOVANNI MILTON | TRADOTTO DAL SIG. | PAOLO ROLLI | Con le Annotazioni | DI G. ADDISON | E alcune Osservazioni critiche. | TOMO PRIMO (SECUNDO). | {publisher’s device} | IN PARIGI , MDCCLVIII. | — | A spese di Bartolommeo Occhi. | LIBRAJO VENETO. || Collation: *-**12 ***8 (dedication, vita), A-R12 (vol. 1) A-K12 L9 (vol.2); total 365 leaves plus 14 engraved plates, incl. frontispiece and portrait. Pagination: [i, ii] iii-lxiv 1-407 [408 blank], [2] 3-258; total 730 pages. Catalogue raisonné: Wickenheiser Collection 688 [LIB-2795.2021]. Though it states 228 pp., which does not seem right. “Scarce. Not in Coleridge”. Contributors: Milton, John (British, 1608 – 1674) – author. Joseph Addison (British, 1672 – 1719) – author / criticism Paolo Antonio Rolli (Italian, 1687 – 1765) – author / transaltion Bartolomeo Occhi (Italian, 1730 – 1781) – publisher. Antonio Baratti (Italian, 1724 – 1787) – engraver Antonio Balestra (Italian, 1666 – 1740) – artist. Giovanni Battista Piazzetta (Italian,1682/83 – 1754) – artist. Antonio Zucchi (Italian, 1726 – 1795) – artist. Giovanni Battista Tiepolo (Italian, 1696 – 1770) – artist. -
Hardcover, 21.5 x 15 cm, green buckram with gilt border and gilt lettering to front board and spine, blind decorated in art nouveau style, T.E.G. Pagination: [26] 1-294, [4] 1-323 [324], [4] 1-255 [256] [4]; total 912 pages and photo portrait frontispiece. Title-page: THREE VOLUMES IN ONE | LEAVES OF GRASS| WALT WHITMAN | ISSUED UNDER THE | EDITORIAL SUPERVISION OF HIS | LITERARY EXECUTORS, RICHARD MAURICE | BUCKE, THOMAS B. HARNED, AND | HORACE L. TRAUBEL | {device} | D. APPLETON AND COMPANY | New York […] London || For the Russian translation, see LIB-3103.2022 Уолт Уитмен. Листья травы / Пер. с англ. Вступ. статьи К. Чуковского и М. Медельсона. — М.: Государственное издательство художественной литературы, 1955. Contributors: Walter [Walt] Whitman (American, 1819 – 1892) Richard Maurice Bucke (Canadian, 1837 – 1902) Thomas Biggs Harned (American, 1851 – 1921) Horace Logo Traubel (American, 1858 – 1919) -
Hardcover volume, 22.8 x 15.5 cm, bound in green buckram with blind stamped designs and gilt lettering to front cover and spine, blind lettering to back, pp.: [2] 3-354 [2], photo portrait frontispiece; collated in 8vo: 1-218 2210, 178 leaves (356 pp.) Title-page (green and black): УОЛТ УИТМЕН | ЛИСТЬЯ ТРАВЫ | {vignette} | ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО | ХУДОЖЕСТВЕННОЙ ЛИТЕРАТУРЫ | МОСКВА 1955 || Original: Walt Whitman. Leaves of Grass see LIB-3111.2022. Contributors: Walter [Walt] Whitman (American, 1819 – 1892) – author/poetry. Korney Chukovsky [Корней Иванович Чуковский, Николай Корнейчуков] (Russian, 1882 – 1969) – translator, author/foreword. Морис Осипович Мендельсон (Jewish-Russian, 1904 – 1982) – author/foreword. Translators: Николай Васильевич Банников (Russian, 1918 – 1996) Михаил Александрович Зенкевич (Russian, 1886 – 1973) Иван Александрович Кашкин (Russian, 1899 – 1963) Анатолий Васильевич Старостин (Russian, 1919 – 1980) Дмитрий Александрович Горбов (Russian, 1894 – 1967) Мария Фёдоровна Лорие (Russian, 1904 – 1992) Вильгельм Вениаминович Левик (Jewish-Russian, 1906 – 1982) -
Hardcover, 19.8 x 14 cm, tan paper over cardboard with black and red lettering and design elements to front, black lettering to back and spine, pp.: fep, [1-8] (publ. device/blank, t.p./imprint, foreword, f.t./blank), [9] intro, 10-279 [280] contents, fep; blue crayon to fep recto Ф. Аншуков, ink mark to t.p. К. Collated 8vo: 1-178, 184, total 140 leaves. Title-page: АНДРЕЙ БЕЛЫЙ | РИТМ | КАК ДИАЛЕКТИКА | И | «МЕДНЫЙ ВСАДНИК» | ИССЛЕДОВАНИЕ | ИЗДАТЕЛЬСТВО | «ФЕДЕРАЦИЯ» | МОСКВА – 1929 || Contributors: Андрей Белый [Andrei Bely, Борис Николаевич Бугаев] (Russian, 1880 – 1934) – author. -
NEWHardcover, 20.7 x 13.5 cm; original blue buckram, embossed gilt lettering on front cover and spine, geometrical elements to the front, pictorial endpapers. Collated 16mo: 1816, i.e. 288 leaves plus double-frontispiece and 8 leaves of plates at p. 224, pp.: [2] 3-542 [2]. Title-page: ВЛАДИМИР | НАБОКОВ | КРУГ | {publisher’s device} | Ленинград | «Художественная литература» | Ленинградское | отделение | 1990 || ISBN 5-280-00953-9 Contributors: Владимир Владимирович Набоков [Vladimir Nabokov] (Russian-American, 1899 – 1977) – author Андрей Георгиевич Битов [Andrei Bitov] (Russian, 1937 –2018) – preface Никита Ильич Толстой [Nikita Tolstoï] (Russian, 1923 – 1996) – compilation, comments Геннадиев, Андрей Борисович (Russian, b. 1947) – artist -
NEWHardcover, stapled, dark olive cloth, 200 x 140 mm, black lettering to spine, portrait of the author pasted to front cover, collated 8vo: 1-348 352, i.e. 274 leaves, pp. [1-7] 8-547 [1], plus errata leaf before back ffl and 12 plates incl. frontispiece, extraneous to collation; Black dust jacket with olive lettering and vignette to front and olive lettering to spine, black lettering to flaps, barbarically restored. Title-page (green and black): ВОЛЬТЕР | ОРЛЕАНСКАЯ | ДЕВСТВЕННИЦА | ПОЭМА | В ДВАДЦАТИ ОДНОЙ ПЕСНЕ | Перевод под редакцией | М. Лозинского | Вступительная статья | С. Мокульского | Комментарии | Л. Н. Галицкого | и Д. Е. Михальчи | ACADEMIA | 1935 || Contra-title (green and black): ФРАНЦУЗСКАЯ ЛИТЕРАТУРА | Под общей редакцией А. М. Эфроса | ВОЛЬТЕР | (1694—1778) | ACADEMIA | Москва – Ленинград || Imprint: VOLTAIRE | LA PUCELLE D’ORLEANS | Иллюстрации, заставки, | концовки, переплет и супер- | обложка М. К. Соколова || Print run 5300 copies. Catalogue raisonné: Крылов-Кичатова (2004): №707, p. 259. Contributors: Arouet, François-Marie [Voltaire] (French, 1694 – 1778)– author. Михаил Леонидович Лозинский [Mikhail Lozinsky] (Russian, 1886 – 1955) – translator. Стефан Стефанович Мокульский (Russian, 1896 – 1960) – preface Лев Николаевич Галицкий – commentary Дмитрий Евгеньевич Михальчи (Russian, 1900 – 1973) – commentary Михаил Ксенофонтович Соколов [Mikhail Sokolov] (Russian, 1885 – 1947) – artist Абрам Маркович Эфрос (Russian-Jewish, 1888 – 1954) – series editor -
NEWHardcover, black cloth, 175 x 135 mm, red lettering to spine, red Phrygian cap and white weapons and tools to front cover, collated 8vo: 1-508 516, i.e. 406 leaves, pp. [1-7] 8-808 [4] incl. errata and illustrations, plus photo frontispiece; cream dust jacket with a vignette, red and black lettering to front and spine, black lettering to flaps. Title-page (red and black): ПЕСНИ | ПЕРВОЙ | ФРАНЦУЗСКОЙ | РЕВОЛЮЦИИ | {vignette} | ПОДБОР ТЕКСТОВ, | ВСТУПИТЕЛЬНАЯ СТАТЬЯ И КОММЕНТАРИИ | А•ОЛЬШЕВСКОГО | • РЕДАКЦИЯ | М•ЗЕНКЕВИЧА И АБРАМА ЭФРОСА | ВВЕДЕНИЕ | Ц. ФРИДЛЯНДА | ACADEMIA | 1934 || Contra-title (red and black): ФРАНЦУЗСКАЯ | ЛИТЕРАТУРА | ПОД ОБЩЕЙ РЕДАКЦИЕЙ | А•М•ЭФРОСА | ПЕСНИ | ПЕРВОЙ ФРАНЦУЗСКОЙ | РЕВОЛЮЦИИ | {vignette} | / 1789-1799 / | МОСКВА – ЛЕНИНГРАД | ACADEMIA | 1934 || Imprint: Суперобложка, переплет, | титул, шмуц-титула, | заставки и концовки | М. В. Маторина || Print run 5300 copies. Printer: Красный пролетарий (Moscow) Catalogue raisonné: Крылов-Кичатова (2004): №661, p. 251-2. Contributors: Ольшевский [Овсянников], Александр Александрович [Russian, 1878 – 1951) – compiler Зенкевич, Михаил Александрович (Russian, 1886 – 1973) – editor Эфрос, Абрам Маркович (Russian-Jewish, 1888 – 1954) – editor Фридланд [Фридлянд], Цви (Russian-Israeli, 1898 – 1967) – preface Маторин, Михаил Владимирович (Russian, 1901 – 1976) – artist
