Portrait – Varshavsky Collection

Coin purse with a miniature painting of Emperor Napoleon III and Empress Eugénie de Montijo / France, 1852-71.

Coin purse, or porte-monnaie, made of patinated copper alloy, full-grain brown leather outside and purple inside, with a clutch and a hinge, and an oval miniature bust portrait on each side, painted in colour with gold and silver, by an anonymous artist after Franz Xaver Winterhalter, inscribed NAPOLÉON III and L'IMP^CE DES FRANÇAIS, respectively, under glass. Dimensions: 97 x 67 x 18 mm. Contributors: Napoleon III [Charles Louis Napoléon Bonaparte] (French, 1808 – 1873) – character/sitter. Eugénie de Montijo [María Eugenia Ignacia Agustina de Palafox y Kirkpatrick] (Spanish-French, 1826 – 1920) – character/sitter. Franz Xaver Winterhalter (German, 1805 – 1873) – artist.

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Русская женщина в гравюрах и литографиях: Выставка портретов. — [СПб.]: Кружок любителей русских изящных изданий, 1911.

Description: Softcover volume in publisher’s pictorial wrappers, with a b/w medallion portrait and lettering in a frame over geometrical pattern in blue to front; 23 x 16.3 cm, collated 8vo. Title-page: РУССКАЯ ЖЕНЩИНА | ВЪ | ГРАВЮРАХЪ И ЛИТОГРАФIЯХЪ | – | ВЫСТАВКА ПОРТРЕТОВЪ | – | КРУЖОКЪ ЛЮБИТЕЛЕЙ | РУССКИХЪ ИЗЯЩНЫХЪ ИЗДАНIЙ | 1911 || Collation: 1-4⁸, last blank, total 32 leaves plus 15 plates (collotype reproductions) with tissue guards, incl. frontispiece, and a few headpieces; catalogue with 180 entries. Pagination: [1-6] 7-63 [64] [2], total 64 pages, ils. Incl. article "Русская женщина в искусстве" барона Н. Н. Врангеля. Барон Николай Николаевич Врангель (Russian, 1880 – 1915)

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Utagawa Kunisada (Toyokuni III). Kabuki actor Ichikawa Danjūrō VII wipes his face in front of a makeup mirror, from the series ‘Six choice modern flowers’ / Fan print, 1833-4.

Artist: Utagawa Kunisada [歌川国貞] a.k.a. Utagawa Toyokuni III [三代歌川豊国] (Japanese, 1786 – 1865). Artists signature: Kunisada ga [国貞画] in a red double-gourd cartouche. Character: Kabuki actor Ichikawa Danjūrō VII [七代目市川團十郎]; other names: Ichikawa Ebizō V, Ichikawa Shinnosuke I (Japanese, 1791 – 1859). Series: Six choice modern flowers [當世六花撰] (Tosei rok’kasen). No publisher's seal, no date or censor's seal is present. Size: Fan print (aiban uchiwa-e); 232 x 289 mm. Provenance: Paul F. Walter. Izzard: "... six prints make up this set of fan prints, which compares contemporary artists with classic poets, in this case, Ichikawa Danjūrō VII with Ōtomo no Kuronushi [大友黒主] (Japanese, dates unknown)". Rok'kasen [六歌仙] – six poetry immortals. According to Izzard, identification of the portrayed person is made possible by mimasu-mon [三升] on the robe, scrolling peony on the back of the mirror, and cloth decorated with the characters Yauan, one of the actor's poetry names, and other signs and symbols, including the inscription of the acter's guild name Naritaya. The absence of the publisher’s emblem and censorship seals may indicate that this was a privately issued print, not for public use. Ref: (1) [LIB-2967.2022] Utagawa Kunisada (1786 – 1865): His world revisited / Catalogue № 17, Exhibition March 17-21, 2021. — NY: Sebastian Izzard, LLC., 2021; p. 130-1, fig. 42). (2) Lyon Collection. Mimasu-mon, or Mitsumasu, is the Ichikawa Danjūrō family crest – three wooden measures, nested square boxes.

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Félicien Rops. Mon bourgmestre & Le modèle; aquatint & etching, 1874.

Two images printed on one sheet of van Gelder wove paper. Owner's stamp 'LvM' on verso.

Dimensions: Paper: 46.7 x 31 cm; top Mon bourgmestre: 11 x 9 cm plate, 9 x 7.5 cm image; Bottom Le modèle: 13.5 x 8.5 cm plate, 10 x 7 cm image.

Catalogue raisonné: Arthur Hubschmid (1977): 341 & 342; Rouir 425:4 & 517:7.

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Félicien Rops. La vieille à l’aiguille; etching, 1876.

Etching on wove paper, depicting an old woman trying to thread a needle. Signed in plate: "Felicien Rops, 76 Septembre". Owner's stamp LvM on verso.

Dimensions: Paper: 51.9 x 35 cm; Plate: 27.5 x 21 cm; Image: 23.5 x 16 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 358; Graphics irreverent and erotic (1968): 54.

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Félicien Rops. L’oliverade – Monaco; etching, 1876.

"In the olive grove", etching on laid paper. Signed on the plate and inscribed "L'olivierade Monaco, 76" (sic.). Owner's stamp LvM on verso.

Dimensions: Paper: 44 x 30.5 cm; Plate: 40 x 27 cm; Image: 35 x 24.5 cm.

Catalogue raisonné: Arthur Hubschmid (1977): 323; Graphics irreverent and erotic (1968): 323.

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Félicien Rops. Anversoise ou servante; etching, n.d.

A woman from Antwerp or a servant, another title "Laitière anversoise"; 2nd state. Etching on wove paper. Owner's stamp LVM on verso.

Dimensions: Paper: 24.4 x 15.8 cm; Image: 12 x 7.5 cm

Catalogue raisonné: Arthur Hubschmid (1977): 343.

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Félicien Rops. La dalécarlienne; etching, 1874.

Etching on laid paper, monogrammed in the plate and inscribed "Au Lac Siljan, Août 1874". Owner's stamp LVM on verso.

Dimensions: Paper: 47 x 34 cm; Plate: 24 x 19 cm; Image: 21 x 14 cm.

Catalogue raisonné: Rouir 858:5; Arthur Hubschmid (1977): 320.

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Miniature portrait of Fortunée Courtois at the age of 22 months. Attributed to Lié Louis Périn-Salbreux, ca. 1802.

Round portrait of a little girl (22-month-old) with bright black eyes and red hair, draped in a semi-transparent shirt which leaves her chest and stomach bare, keeping a red apple in her right hand and two others lying in the fold of her clothes, standing against a dark natural background: bushes, leaves, an apple tree, blue skies, clouds, etc. Oil on metal; in an ormolu frame, in a wooden frame. Diameter without frames 8 cm, with frames – 12.6 cm. Sitter: Courtois, Fortunée-Florentine Elisabeth (French, August 23, 1800 г. – after 1878). Inscription (handwriting, nut ink): Fortunée, Florentine Elisabeth | Courtois a 22 mois. | née 5e fructidor an 8 || Attributed to Lié Louis Périn-Salbreux (French, 1753 – 1817). Fortunée-Florentine Elisabeth Courtois is a mother of Maurice Joly (French, 1829 – 1878). See also in this collection: blog, LIB-0460, blog, LIB-1038.2016, and Une Épave de l’Ancien Bateau by Tout-Paris. A Lost Article by Proust? The portrait was sold at Drouot (Paris) in 2020 with the following description: "École FRANÇAISE de la fin du XVIIIe siècle Fortunée Florentine Courtois enfant en chemise, en pied dans la nature, tenant trois pommes. Miniature sur ivoire, identifiée au revers : « Florentine Fortunée Elisabeth / Courtois à 22 mois / le 5e ( ?) Fructidor an VIII » [août 1800]; Diam. à vue : 7 cm; Cadre rond en bois tourné et noirci. Florentine Courtois, fille d’André et d’Elisabeth Corbara, épousa vers 1818 Lambert Philippe Joly, conseiller général du Jura, avocat ; leur fils Maurice Joly, avocat, fut ministre de la Justice du gouvernement provisoire en 1870 et grand maître du Grand Orient de France". Maurice Joly was a lawyer, but nothing else in his description given by Drouot is true. From this inscription, we learned that Fortunée-Florentine Elisabeth Courtois was born on August 23, 1800. We were unable to verify this from any other source. From Morice Joly autobiography (Maurice Joly, son passé, son programme par lui-même. — Paris, Lacroix, Verbœckoven et C^e, 1870) we know that she was born in Bastia and that her father, Laurent Courtois (in some sources André François Désiré Courtois, born c. 1771), was a treasurer of Corsican troops under Napoleon Bonapart. Her mother was Elisabeth Marie-Grâcieuse Corbara (born c. 1750).

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Isaac Bullart. Academie des sciences et des arts / 2 volumes. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.

Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A AMSTERDAM, | Se vendent chez les Heritiers de Daniel Elzevier, 1682. || Vol. 1: Pagination: 2 blank end-leaves, [2] – Two-volumes h.t. / blank ; [2] – 1^st vol. t.p. in black and red with vignette engraved by Pieter Clouwet (Flemish, 1629–1670) after Abraham van Diepenbeeck (Dutch, 1596 - 1675), book-label 'I. A. Aubert' pasted / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] – vignette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – Advis au lecteur; [1, 2] – noms politiques / blank (A₁), 3(A₂)-416, 2 blank end-leaves; laking 8 last pages 417-424 if compared to Paris 2 in 1 vol. edition LIB-2676.2021, and lacking 4 last pages if compared with another Amsterdam edition LIB-2239.2019. These last 4 pages contain portraits and eulogies of François Primatici and Jacques Barozzi de Vignole. Collation: 4to; [*]⁶, **⁸, A⁶ B-Fff⁴, lacking Ggg⁴, 118 plates (instead of 120) within a collation. Vol. 2: Pagination: 2 blank end-leaves, [2] – tome second h.t. / blank ; [2] – 2^nd vol. t.p. in black and red with vignette similar to vol. 1, with book-label 'I. A. Aubert' / blank; [4] – advertissement; [2] – f.t. Theologiens / blank; [2] – noms theologiens / blank 1-501 [3] – table eloges, 1 blank end-leaf. Collation: 4to; [*]⁴, **², A-Sss⁴, 159 plates within a collation. Binding: both volumes uniformly bound in full contemporary cream vellum with blind double fillet over boards, raised bands, compartments tooled in black, brown calf labels with gilt lettering to spine. Printed on laid paper, with tall "s", all margins sprinkled red; the size of each vol.: 32.2 x 20.5 x 4.7 cm. A full description of plates, as well as their images, presented in LIB-2676.2021.

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Isaac Bullart. Academie des sciences et des arts / 2 volumes in 1. — Paris: Louis Bilaine [i.e. Brussels: Foppens], 1682.

Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A PARIS, | Se vendent chez Loüis Bilane, Marchand Libraire à la ruë S. Jaques, | & au Palais, M. DC. LXXXII. || Pagination : [2] – h.t. / blank ; [2] – 1^st vol. t.p. in black and red with vignette engraved by Pet. Clouwet after Abr. Diepenbeke / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] – vignette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – noms politiques / blank (A₁ before f.t.), [2] – f.t. livre premiere, illustres politiques / blank, 3(A₂)-421, [422-424] – table eloges; [2] – f.t. tome second / blank, [2] – 2^nd vol. t.p. in black and red with vignette…, [4] – advertisement, [2] – livre premier f.t. / blank, [2] – noms theologiens / blank, 1-501, [3] – table eloges. Collation : vol.1: [*]⁶, **⁶, A⁶ B-Ggg⁴; vol. 2: *⁴, **², A-Sss⁴. (12 prelim. leaves, while in LIB-2239.2019 and in LIB-2675.2021 there is 14 prelim. leaves). Binding: contemporary full calf, size: 34 x 23 x 7.2 cm; crimson label with gilt lettering separated. Provenance: Bookplate of Sir Philip Crampton Smyly to the front pastedown; Stephen White Collection. The title is drawn by Abraham van Diepenbeeck (Dutch, 1596 - 1675) and engraved by Pieter Clouwet (Flemish, 1629–1670). The volume illustrated throughout with 279 portraits of important scientists, artists, thinkers, explorers, printers, and others of the period by a variety of artists. Tome 1: 120 plates of which 30 engraved by Esme de Boulonois (French, 1645 – 1681), 87 by Nicolas de Larmessin I (French, 1632 – 1694), and 3 unsigned. Portrait of Raphael engraved by Lamerssin after Titian; Portrait of Titian’ daughter Lavinia Vecellio (Italian, 1530 – 1575) engraved by Lamerssin after Titian, Portrait of Jacques Auguste de Thou engraved by de Boulonois after Daniel Dumonstier (French, 1574 – 1646). Tome 2: 159 plates of which 63 by Esme de Boulonois, 79 by Nicolas de Larmessin, 15 unsigned, 1 by Pieter Clouwet, and 1 by Wenceslaus Hollar (Bohemian, 1607 – 1677). Portraits of Knelme Digby, Juste Lipse, Nicolas Claude Fabri de Peiresc, Michel Mirevelt, Jacques Calot, Martin Richart, Pierre Paul Rubens, Venceslas Coberghe, Theodore Rombouts, Adrien Brouwer, Simon Vouet, Gerard Segers, Gaspar de Crayer, Antoine Van Dyck himself, and his wife Mary Ruthven – after Anthony Van Dyck. Young Man with a Skull engraved by Esme de Boulonois after Lucas van Leyden (Dutch, c. 1494 – 1533). Portrait of Louis Arioste engraved by Nicolas de Larmessin after Titian. Portrait of Balthasar de Castillon engraved by Nicolas de Larmessin after Raffaello Sanzio da Urbino (Italian, 1483 – 1520). Petrarch's Laura – by Larmessin after Palma Vecchio (Italian, c. 1480 – 1528). Vittoria Colonne – by Larmessin after Sebastiano del Piombo (Italian, c. 1485 – 1547). The portrait of Albert Durer is engraved by Esme de Boulonois after Tommaso Vincidor (Flemish, 1493 – 1536). Vol. 1, Book 1. Politicians

Portrait	№	Bullart name	Full name
	I	Gille Albornoz, Cardinal	Gil Carrillo de Albornoz [Egidio Carillo Albornozio] (Spanish, 1579 – 1649)
	II	Bessarion, Cardinal	Bessarion (Greek, 1403 – 1472)
	III	George d’Amboise, Cardinal	Georges d'Amboise (French, 1460 – 1510)
	IV	François Ximenes, Cardinal	Francisco Jiménez [ Ximenes ] de Cisneros (Spanish, 1436 – 1517)
	V	Guillaume de Croy	William [Guillaume] II de Croÿ, Lord of Chièvres (1458 – 1521)
	VI	Jean de Selve	Jean de Selve (Grench, 1475 – 1529)
	VII	Thomas Wolsey, Cardinal	Thomas Wolsey (British, 1473 – 1530)
	VIII	Thomas Morus	Sir Thomas More (British, 1478 – 1535)
	IX	Renaud Pole, Cardinal	Reginald Pole (British, 1500 – 1558)
	X	Michel de l’Hospital	Michel de l'Hôpital [l'Hospital] (French, 1507 – 1573)
	XI	Stanislas Hosius, Cardinal	Stanislaus Hosius [Stanisław Hozjusz] (Polish, 1504 – 1579)
	XII	Guy du Faur de Pybrac	Guy Du Faur, Seigneur de Pibrac [Pybrac; Guido Faurus] (French, 1529 – 1584)
	XIII	Antoine Perrenot, Cardinal	Antoine Perrenot de Granvelle (Bisontin, 1517 – 1586)
	XIV	Auger Busbeque	Ogier Ghiselin [Augier Ghislain] de Busbecq [ Augerius Gislenius Busbequius] (Flemish, 1522 – 1592)
	XV	Arnaud d’Ossat, Cardinal;	Arnaud d'Ossat (French, 1537 – 1604)
	XVI	Jean Zamoski	Jan Sariusz Zamoyski (Ioannes Zamoyski de Zamoscie] (Polish, 1542 – 1605)
	XVII	Jacques Auguste de Thou	Jacques Auguste de Thou [Thuanus (French, 1553 – 1617)
	XVIII	Jean de Barnevelt	Johan van Oldenbarnevelt (Dutch, 1547 – 1619)
	XIX	Armand Jean du Plessis, Cardinal	Cardinal Richelieu , Armand Jean du Plessis, (French, 1585 – 1642)
	XX	Jule Mazarin, Cardinal	Cardinal Jules Mazarin [Giulio Raimondo Mazzarino; Mazarini] (Itaian-French, 1602 – 1661)

Vol. 1, Book 2. Historians

Portrait	№	Bullart name	Full name
	I	Regino Abbé de Prumy	Réginon de Prüm (German, 842 – 915)
	II	Jean Froissard	Jean Froissart (French: c. 1337 – c. 1405)
	III	Enguerand de Monstrelet	Enguerrand de Monstrelet (French, c. 1400 – 1453)
	IV	Jean Baptiste Platina	Bartolomeo Sacchi [Baptista Platina] (Italian, 1421 – 1481)
	V	Olivier de la Marche	Olivier de la Marche (Burgundian, 1425 – 1502)
	VI	Robert Gaguin	Robert Gaguin [Robert Guaguin] (French, 1433/34 – 1501)
	VII	Philippe de Commines	Philippe de Commines [Philippus Cominaeus] (Burgundian, 1447 – 1511)
	VIII	Pandolphe Collenuce	Pandolfo Collenuccio (Italian, fl. 1584)
	IX	Jean Aventin	Johann Georg Turmair [Aventin; Johannes Aventinus] (Bavarian, 1477 – 1534)
	X	François Guicciardin	Francesco Guicciardini (Italian, 1483 – 1540)
	XI	Paul Jove	Paolo Giovio [Paulus Jovius] (Italian, 1483 – 1552)
	XII	Wolfgang Lazius	Wolfgang Laz (Austrian, 1514 – 1565)
	XIII	Onuphre Panuinius	Onofrio Panvinio [Onuphrius Panvinius] (Italian, 1529 – 1568)
	XIV	Hubert Goltzius	Hubert Goltz [Goltzius] (Dutch, 1526 – 1583)
	XV	Bertrand d’Argentré	Bertrand d'Argentré [Argentraeus] (Breton, 1519 – 1590)
	XVI	Jacques Amiot	Jacques Amyot (French, 1513 – 1593)
	XVII	Fulve Ursin	Fulvio Orsini (Italian, 1529 – 1600)
	XVIII	Pontus Heuterus	Pontus de Huyter (Flemish, 1535 – 1602)
	XIX	Florimond de Remond	Florimond de Raemond (French, 1540 – 1601)
	XX	Cæsar Baronius, Cardinal	Cesare Baronio (Italian, 1538 – 1607)
	XXI	Henry Catherine d’Avila	Enrico Caterino Davila (Italian, 1576 – 1631)
	XXII	Jean Papirius Masson;	Jean Papire Masson [Papirius] (French, 1544 – 1611)
	XXIII	Emanuel de Meteren	Emanuel van Meteren [Meteeren] (Flemish, 1535 – 1612)
	XXIV	Nicolas le Febure	Nicasius le Febure [Nicolas le Fèvre (French, 1615 – 1669)
	XXV	Jean Barclay	John Barclay (Scottish, 1582 – 1621)
	XXVI	Guillaume Camden	William Camden (English, 1551 – 1623)

Vol. 1, Book 3. Jurists

Portrait	№	Bullart name	Full name
	I	Alexandre de Tartagnis	Alexander de Tartagnis (Italian, c. 1424 – 1477)
	II	Jason Mainus	Jason of Mayno [Giasone de Mayno] (Italian, 1435 – 1519)
	III	Philippe Dece	Filippo Decio or Decius (Italian, 1454 – c. 1535)
	IV	André Alciat	Andrea Alciato [Alciati; Andreas Alciatus] (1492 – 1550)
	V	André Tiraqueau	André Tiraqueau [Andreas Tiraquellus] (French, 1488–1558)
	VI	Gabriel Mudée	Gabriel Mudaeus [Gabriël van der Muyden] (Flemish, c. 1500 – 1560)
	VII	Charles du Moulin	Charles Dumoulin (French, 1500–1566)
	VIII	François Bauduin	François Baudouin [Balduinus] (French, 1520 – 1573)
	IX	Viglius de Zuichem	Viglius Zuichemus ab Aytta [Wigle Aytta van Zwichem] (Dutch, 1507 – 1577)
	X	Tibere Decian	Tiberio Deciani [Decianus] (Itaian, 1509 – 1582)
	XI	Antoine Augustin	Antonio Agustín y Albanell (Spanish, 1516 – 1586)
	XII	Mathieu Wesenbec	Matthew Wesenbeck [Mattheus van Wesenbeek] (Belgian, 1531 – 1586)
	XIII	Pierre Peckius	Petrus Peckius the Elder [Pieter Peck; Pierre Peckius] (Netherlandish, 1529 – 1589)
	XIV	Jacques Cuias	Jacques Cujas [Cujacius] (French, 1522 – 1590)
	XV	Jean Wamese	Jan Wames [Johannes Wamesius] (Netherlandish, 1524 – 1590)
	XVI	Pierre Pithou	Pierre Pithou [Petrus Pithoeus] (French, 1539 – 1596)
	XVII	Boece Epo	Boetius Epo (Netherlandish, 1529 – 1599)
	XVIII	Antoine le Febvre	Antoine Favre [Lefebvre] (French, 1557 – 1624)

Vol. 1, Book 4. Writes and Linguists

Portrait	№	Bullart name	Full name
	I	Jean Bocace	Giovanni Boccaccio (Italian, 1313 – 1375)
	II	Emanuel Chrysoloras	Manuel [Emmanuel] Chrysoloras (Greek, c. 1355 – 1415)
	III	Jean Argyropilus	John Argyropoulos [Giovanni Argiropulo] (Greek, c. 1415 – 1487)
	IV	François Philelphe	Francesco Filelfo [Franciscus Philelphus] (Italian, 1398 – 1481)
	V	Theodore Gaza	Theodorus Gaza [Theodore Gazis; Thessalonicensis] (Greek, c. 1398 – c. 1475)
	VI	Rudolphe Agricola	Rodolphus Agricola [Rudolphus Agricola Phrisius] (Netherlandish, 1443/1444 – 1485)
	VII	Ange Politian	Agnolo [Angelo] Ambrogini [Poliziano; Politianus] (Italian, 1454 – 1494)
	VIII	Demetrius Chalcondyles	Demetrios Chalkokondyles [Demetrius Chalcocondyles; Demetricocondyles (Greek, 1423 – 1511)
	IX	Jean Lascaris	Janus Lascaris [Ianos Laskaris] (Greek, c. 1445 – 1535)
	X	Nicolas Clenard	Nicolas Cleynaerts [Clenardus; Clenard] (Flemish, 1495 – 1542)
	XI	Jean Pierius Valerianus	Pierio Valeriano Bolzani [Giovanni Pietro dalle Fosse] (Italian, 1477 – 1558)
	XII	Jeanne Gray de Suffolck	Lady Jane Grey [Lady Guildford Dudley] (English, c. 1537 – 1554)
	XIII	Pierre Nannius	Petrus Nannius [Pieter Nanninck] (Dutch, 1496 – 1557)
	XIV	Guillaume Postel	Guillaume Postel (French, 1510 – 1581)
	XV	François Raphelenge	Frans van Ravelingen [Franciscus Raphelengius] (Flemish, 1539 – 1597)
	XVI	Jean Passerat	Jean Passerat (French, 1534 – 1602)

Vol. 1, Book 5. Italian Artists

Portrait	№	Bullart name	Full name
	I	Jean Cimabue	Cimabue [Cenni di Pepi; Pepo] (Italian, c. 1240 – 1302)
	II	André Tafi	Andrea Tafi (Italian, 1213 – 1294)
	III	Arnoud di Lappo	Arnolfo di Cambio (Italian, c. 1240 – 1300/1310)
	IV	Giotto	Giotto di Bondone (Italian, c. 1267 – 1337)
	V	Simon Memmi	Simone Martini (Italian, c. 1284 – 1344)
	VI	Taddée Gaddi	Taddeo Gaddi (Italian, c. 1290 – 1366)
	VII	Donato	Donatello [Donato di Niccolò di Betto Bardi] (Italian, c. 1386 – 1466)
	VIII	André Organa	Orcagna [Andrea di Cione di Arcangelo] (Italian, c. 1308 – 1368)
	IX	Masaccio	Masaccio [Tommaso di Ser Giovanni di Simone] (Italian, 1401 – 1428)
	X	Philippe Bruneleschi	Filippo Brunelleschi [Pippo] (Italian, 1377 – 1446)
	XI	Antoine de Messine	Antonello da Messina [Antonello di Giovanni di Antonio] (Italian, c. 1430 – February 1479)
	XII	André Verrochio	Andrea del Verrocchio [Andrea di Michele di Francesco de' Cioni] (Italian, c. 1435 – 1488)
	XIII	Frere Philippe Lippi	Fra' Filippo Lippi (Italian, c. 1406 – 1469)
	XIV	Giorgion de Castel-Franco	Giorgione [Giorgio Barbarelli da Castelfranco] (Italian, 1473/78 – 1510)
	XV	Antoine de Correge	Correggio [Antonio Allegri da Correggio] (Italian, 1489 – 1534)
	XVI	Bramante d’Urbin	Donato Bramante [Donato di Pascuccio d'Antonio; Bramante Lazzari] (Italian, 1444 – 1514)
	XVII	Sandro Boticelli	Sandro Botticelli [Alessandro di Mariano di Vanni Filipepi] (Italian, c. 1445 – 1510)
	XVIII	André Mantegna	Andrea Mantegna (Italian, c. 1431 – 1506)
	XIX	Philippe Lippi	Filippino Lippi (Italian, 1457 – 1504)
	XX	Raphael Sanzio d’Urbin	Raphael [Raffaello Sanzio da Urbino] (Italian, 1483 – 1520)
	XXI	André del Sarto	Andrea del Sarto (Italian, 1486 – 1530)
	XXII	Leonard de Vinci	Leonardo da Vinci (Italian, 1452 – 1519)
	XXIII	Jean François Rustici	Giovan [Giovanni] Francesco Rustici (Italian, 1475 – 1554)
	XXIV	Balthazar Perusi	Baldassare Tommaso Peruzzi (Italian, 1481 – 1536)
	XXV	Propertia de Rossi	Properzia de' Rossi (Italian, c. 1490 – 1530)
	XXVI	François Mazzuoli	Parmigianino [Girolamo Francesco Maria Mazzola; Francesco Mazzola] (Italian, 1503 – 1540)
	XXVII	Le Rosso	Rosso Fiorentino [Il Rosso; Giovanni Battista de' Rossi] (Italian, 1494/5 – 1540)
	XXVIII	Jean Antoine Licinio de Pordenone	Pordenone [Giovanni Antonio Licinio; Giovanni Antonio de’ Sacchis (Italian, c. 1484 – 1539)
	XXIX	Polidore de Caravage	Polidoro da Caravaggio [Polidoro Caldara] (Italian, c. 1499 – 1543)
	XXX	Jule Romain	Giulio Romano [Giulio Pippi] (Italian, c. 1499 – 1546)
	XXXI	Perin del Vaga	Perino [Perin] del Vaga; Piero Bonaccorsi] (Italian, 1501 – 1547)
	XXXII	Dominique Beccafumi	Domenico di Pace Beccafumi (Italian, 1486 – 1551)
	XXXIII	Baccio Bandinel	Bartolommeo [Baccio Bandinelli; Bartolommeo Brandini] (Italian, 1493 – 1560)
	XXXIV	Jean d’Udine	Giovanni Nanni [Giovanni de' Ricamatori; Giovanni da Udine] (Italian, 1487 – 1564)
	XXXV	Michel-Ange Buonarotti	Michelangelo [Michelangelo di Lodovico Buonarroti Simoni] (Italian, 1475 – 1564)
	XXXVI	Daniel Ricciarelli	Daniele Ricciarelli [Daniele da Volterra] (Italian, c. 1509 – 1566)
	XXXVII	Titian Uccello	Titian [Tiziano Vecelli; Vecellio (Italian, c. 1488/90 – 1576)
	BN	Jeanne Ucello	Lavinia Vecellio, (Italian, 1530 - 1575). Daughter of Titian
	XXXVIII	François Primatici	Francesco Primaticcio (Italian, 1504 – 1570)
	XXXIX	Jacques Barozzi de Vignole	Vignola [Giacomo Barozzi da Vignola] (Italian, 1507 – 1573)

Vol. 2, Book 1. Theologians

Portrait	№	Bullart name	Full name
	I	Thomas à Kempis	Thomas à Kempis (German-Dutch, c. 1380 – 1471)
	II	Hierosme Savanarole	Girolamo Savonarola (Italian, 1452 – 1498)
	III	Jean Fischer, Cardinal	John Fisher (English, 1469 – 1535)
	IV	Louis Vives	Juan Luis Vives March [Ioannes Lodovicus Vives] (Spanish, 1493 – 1540)
	V	Albert Pighius	Albert Pighius [Pigghe] (Dutch, 1490 – 1542)
	VI	Ruart Tapper	Ruward Tapper van Enkhuizen (Dutch, 1487 – 1559)
	VII	Cornille Musso	Cornelis Musius (Dutch, 1500 – 1572)
	VIII	François Richardot	François Richardot [Franciscus] (French, 1507 – 1574)
	IX	François Sonnius	Franciscus Sonnius (Belgian, 1506 – 1576)
	X	Alphonce Salmeron	Alfonso [Alphonsus] Salmerón (Spanish, 1515 – 1585)
	XI	Martin Azpilcueta	Martín de Azpilcueta [Doctor Navarrus] (Spanish, 1491 – 1586)
	XII	Louys de Grenade	Luis [Louis] de Granada (Spanish, 1504 – 1588)
	XIII	Guillaume Alan, Cardinal	William Allen [Guilielmus Alanus] (English, 1532 – 1594)
	XIV	François Panigarole	Francesco Panigarola (Italian, 1548 – 1594)
	XV	Benoist Arias Montan	Benito Arias Montano [Benedictus Arias Montanus (Spanish, 1527 – 1598)
	XVI	Jacques Davy, Cardinal du Perron	Jacques Davy Duperron (French, 1556 – 1618)
	XVII	Robert Bellarmin, Cardincal	Robert Bellarmine [Roberto Francesco Romolo Bellarmino] (Italian, 1542 – 1621)
	XVIII	Leonard Lessius	Leonardus Lessius [Lenaert Leys] (Flemish, 1554 – 1623)

Vol. 2, Book 2. Philosophers, Mathematicians, Astronomers, and Physicians

Portrait	№	Bullart name	Full name
	I	Arnoud de Villeneuve	Arnaldus de Villa Nova [Arnaldus Villanovanus] (Spanish, c. 1240 – 1311)
	II	George de Trebisonde	George of Trebizond [Γεώργιος Τραπεζούντιος] (Greek, 1395 – 1486)
	III	Marsil Ficin	Marsilio Ficino [Marsilius Ficinus] (Italian, 1433 – 1499)
	IV	Jacques le Febure d’Estaples	Jacques Lefèvre d'Étaples [Jacobus Faber Stapulensis] (French, c. 1455 – c. 1536)
	V	Nicolas Copernic	Nicolaus Copernicus [Mikołaj Kopernik; Niclas Koppernigk, Nikolaus Kopernikus] (Prussian-Polish, 1473 – 1543)
	VI	Jerosme Fracastor	Girolamo Fracastoro [Hieronymus Fracastorius] (Italian, c. 1476/8 – 1553)
	VII	Gemma Frisius	Gemma Frisius [Jemme Reinerszoon] (Dutch, 1508 – 1555)
	VIII	Jule Cæsar de l’Escale	Julius Caesar Scaliger [Giulio Cesare della Scala] (Italian-French, 1484 – 1558)
	IX	Jean Fernel	Jean François Fernel[Ioannes Fernelius] (French, 1497 – 1558)
	X	André Vesal	Andreas Vesalius (Flemish, 1514 – 1564)
	XI	Jean Baptiste Gellio	Giovanni Battista Gelli [Giambattista Gelli] (Italian, 1498 – 1563)
	XII	Pierre André Mathiole	Pietro Andrea Gregorio Mattioli (Italian, 1501 – c. 1577)
	XIII	Alexaner Picolomini	Alessandro Piccolomini (Italian, 1508 – 1579)
	XIV	Jean Stadius	Johannes Stadius [Estadius; Jan Van Ostaeyen; Jean Stade) (Flemish, 1527 – 1579)
	XV	Rembert Dodonée	Rembert Dodoens [Rembert Van Joenckema; Rembertus Dodonaeus] (Flemish, 1517 – 1585)
	XVI	Ambroise Paré	Ambroise Paré (French, c. 1510 – 1590)
	XVII	Pierre Forest	Pieter van Foreest [Petrus Forestus] Dutch, 1521 – 1597)
	XVII	Ticho Brahe	Tycho Brahe [Tyge Ottesen Brahe] (Danish, 1546 – 1601)
	XIX	Ulisse Aldrovand	Ulisse Aldrovandi (Italian, 1522 – 1605)
	XX	Jerosme Mercurial	Girolamo Mercuriale [Geronimo Mercuriali; Hieronymus Mercurialis] (Italian, 1530 – 1606)
	XXI	Charles de l’Escluse	Charles de l'Écluse [L'Escluse; Carolus Clusius] Flemish, 1526 – 1609)
	XXII	Christophle Clavius	Christopher Clavius (German, 1538 – 1612)
	XXIII	Jean Baptiste de la Porte	Giambattista [Giovanni Battista] della Porta (Italian, 1535? – 1615)
	XXIV	Louis Septal	Ludovico Settala [Ludovicus Septalius] (Italian, 1552 – 1633)
	XXV	Thomas Campanella	Tommaso Campanella [Giovanni Domenico Campanella] (Italian, 1568 – 1639)
	XXVI	Julienne Morelle	Juliana Morell [Juliana Morella] (Spanish, 1594 – 1653)
	XXVII	Galilee Galilei	Galileo Galilei [Galileo di Vincenzo Bonaiuti de' Galilei] (Italian, 1564 – 1642)
	XXVIII	René Des Cartes	René Descartes [Renatus Cartesius] (French, 1596 – 1650)
	XXIX	Knelme Digby	Sir Kenelm Digby (English, 1603 – 1665)

Vol. 2, Book 3. Scientists

Portrait	№	Bullart name	Full name
	I	Albert le Grand	Albertus Magnus [Saint Albert the Great; Albert of Cologne] (German, c. 1200 – 1280)
	II	Raimond Lulle	Ramon Llull (Spanish, c. 1232 – c. 1315/16)
	III	Christophle de Longueil	Christophe de Longueil [Christophorus Longolius] (Brabantian, 1490 – 1522)
	IV	Erasme de Rotterdam	Desiderius Erasmus Roterodamus [Erasmus of Rotterdam] (Dutch, 1466 – 1536)
	V	Guillaume Budé	Guillaume Budé [Guilielmus Budaeus] (French, 1467 – 1540)
	VI	Pierre Bembe, Cardinal	Pietro Bembo [Petrus Bembus] (Italian, 1470 – 1547)
	VII	Beatus Rhenanus	Beatus Rhenanus [Beatus Bild] (German, 1485 – 1547)
	VIII	Cornille Sgryver	Cornelius Grapheus [Cornelis De Schrijver] (Dutch, 1482 – 1558)
	IX	Jean Gorop Becan	Johannes Goropius Becanus [Jan Gerartsen] (Dutch, 1519 – 1573)
	X	Adrien Junius	Hadrianus Junius [Adriaen de Jonghe] (Dutch, 1511 – 1575)
	XI	Jean Sambuc	Johannes Sambucus [János Zsámboky] (Hungarian, 1531 – 1584)
	XII	Pierre Victor	Piero [Pietro] Vettori [Petrus Victorius] (Italian, 1499 – 1585)
	XIII	Marc Antoine de Muret	Muretus [Marc Antoine Muret] (French, 1526 – 1585)
	XIV	Juste Lipse	Justus Lipsius [Joest Lips; Joost Lips] (Flemish, 1547 – 1606)
	XV	Joseph de L’Escale	Joseph Justus Scaliger (French, 1540 – 1609)
	XVI	Pierre de Bert	Petrus Bertius [Peter Bertius; Pieter de Bert] (Dutch, 1565 – 1629)
	XVII	Nicolas Claude Fabri de Peiresc	Nicolas-Claude Fabri de Peiresc (French, 1580 – 1637)
	XVIII	Hugue de Groot	Hugo Grotius [Hugo de Groot] (Dutch, 1583 – 1645)
	XIX	Daniel Heinsius	Daniel Heinsius [Heins] (Dutch, 1580 – 1655)
	XX	Erice Putean	Erycius Puteanus (Netherlandish, 1574 – 1646)
	XXI	Nicolas Caussin	Nicolas Caussin (French, 1583– 1651)
	XXII	Claude de Saumaise	Claude Saumaise [Claudius Salmasius] (French, 1588 – 1653)
	XXIII	Anne Marie Schurmans	Anna Maria van Schurman (Dutch, 1607 – 1678)
	XXIII	Anne Marie Schurmans	Anna Maria van Schurman (Dutch, 1607 – 1678)

Vol. 2, Book 4. Inventors and Explorers

Portrait	№	Bullart name	Full name
	I	Berthold Schuvarts	Berthold Schwarz [Schwartz] (German, Late 14th century)
	II	Jean Guttemberg	Johannes Gutenberg [Johannes Gensfleisch zur Laden zum Gutenberg (German, c. 1400 – 1468)
	III	Laurent Coster	Laurens Janszoon Coster [Laurens Jansz Koster] (Netherlandish, c. 1370 – c. 1440)
	IV	Christophle Plantin	Christophe Plantin [Christoffel Plantijn] (Dutch, c. 1520 – 1589)
	V	Paul Manuce	Paulus Manutius [Paolo Manuzio] (Italian, 1512 – 1574)
	VI	Balthasar Moret	Balthasar Moretus (Flemish, 1574 – 1641)
	VII	Christophle Colomb	Christopher Columbus [Cristobal Colon; (Cristoforo Colombo] (Italian, 1451 – 1506)
	VIII	Americ Vespuce	Amerigo Vespucci (Italian, 1451 – 1512)
	IX	Ferdinand Magellan	Ferdinand Magellan [Fernão de Magalhães; Fernando de Magallanes] (Portugese, 1480 – 1521)
	X	Hernand Cortez	Hernán Cortés de Monroy y Pizarro Altamirano (Spanish, 1485 – 1547)
	XI	François Drack	Sir Francis Drake (English, c. 1540 – 1596)
	XII	Thomas Candisch	Sir Thomas Cavendish (English, 1560 – 1592)
	XIII	Gerard Mercator	Gerardus Mercator (Flemish, 1512 – 1594)
	XIV	Jean Taisnier	Jean Taisner [Taisnier; Johannes Taisnerius] (Flemish, 1508 – 1562)
	XV	Abraham Ortelius	Abraham Ortelius [Ortels; Orthellius; Wortels] (Brabantian, 1527 – 1598)
	XVI	Nicolas Tartaglia	Niccolò Fontana Tartaglia (Italian, 1499/1500 – 1557)
	XVII	Orlande de Lassus	Orlande de Lassus [Roland de Lassus; Orlando di Lasso; Orlandus Lassus; Orlande de Lattre or Roland de Lattre] (Belgian, 1530/32 – 1594)
	XVIII	Philippe de Mons	Philippe de Monte [Philippus de Monte] (Flemish, 1521 – 1603)

Vol. 2, Book 5. Poets

Portrait	№	Bullart name	Full name
	I	Dante d’Aligere	Dante Alighieri (Italian, c. 1265 – 1321)
	II	François Petrarque	Francesco Petrarca [Petrarch] (Italian, 1304 – 1374)
	III	Laure de Sado	Laura de Noves [Petrarch's Laura; Madame de Sade] (Italian, 1310 – 1348)
	IV	Michel Marulle	Michael Tarchaniota Marullus [Michele Marullo Tarcaniota] (Greek, c. 1458 – 1500)
	V	Balthasar de Castillon	Baldassare Castiglione (Italian, 1478 – 1529)
	VI	Marc Musure	Marcus Musurus [Markos Mousouros; Marco Musuro (Greek-Italian, c. 1470 – 1517)
	VII	Pierre Aretin	Pietro Aretino (Italian, 1492 – 1556)
	VIII	Jacques Sannazar	Jacopo Sannazaro (Italian, 1458 – 1530)
	IX	Louis Arioste	Ludovico Ariosto (Italian, 1474 – 1533)
	X	Jean Second	Johannes Secundus[Janus Secundus] (Dutch, 1511 – 1536)
	XI	Victoire Colonne	Vittoria Colonna (Italian, 1492 – 1547)
	XII	Corneille Musius	Cornelis Musius (Dutch, 1500 – 1572)
	XIII	Pierre de Ronsard	Pierre de Ronsard French, 1524 – 1585)
	XIV	Guillaume de Saluste du Bartas	Guillaume de Salluste Du Bartas (French, 1544 – 1590)
	XV	Torquato Tasso	Torquato Tasso (Italian, 1544 – 1595)
	XVI	Jean Dorat	Jean Daurat [Joan Dorat; Auratus] (French, 1508 – 1588)
	XVII	Philippe Desportes	Philippe Desportes [Desports] (French, 1546 – 1606)
	XVIII	Janus Douza	Janus Dousa, Lord of Noordwyck [Jan van der Does] (Dutch, 1545 – 1604)
	XIX	Scevole de Sainte Marthe	Scévole de Sainte-Marthe (French, 1536 – 1623)
	XX	François de Malherbe	François de Malherbe (French, 1555 – 1628)

Vol. 2, Book 6. Netherlandish painters

Portrait	№	Bullart name	Full name
	I-1	Hubert van Eyck	Hubert van Eyck (Flemish, c. 1385/90 – 1426)
	I-2	Jean van Eyck	Jan van Eyck (Flemish, c. 1390 – 1441)
	II	Theodore de Harlem	Bernard van Orley [Barend; Barent van Orley; Bernaert van Orley; Barend van Brussel] (Dutch-Flemish, 1487/1491 – 1541)
	III	Albert Durer	Albrecht Dürer (German, 1471 – 1528)
	IV	Roger vander Weyde	Rogier van der Weyden [Rogero Buxellensus] (Flemish, c. 1400 – 1464)
	V	Quentin Matsys	Quentin Matsys [Quinten Matsijs] (Flemish, 1466 – 1530)
	VI	Jerosme du Bois	Hieronymus Bosch [Jheronimus van Aken] (Dutch, c. 1450 – 1516)
	VII	Lucas de Leyde	Lucas van Leyden (Dutch, 1494 – 1533)
	BN-1	Lucas de Leyde	Young Man with a Skull
	VIII	Joachim Patinier	Joachim Patinir [Patenier; Ioachimo Dionatensi] (Flemish, c. 1480 –1524),
	IX	Henry de Bles	Herri met de Bles [Henri Blès, Herri de Dinant; Henrico Blesio Bovinati] (Flemish, c. 1490 – after 1566),
	X	Bernard de Bruxelles	Dirk Bouts [Dieric Bouts; Thierry Van Haarlem] (Flemish, c. 1415 – 1475)
	XI	Jean de Maubeuge	Jan Gossaert [Jan Mabuse] (Flemish, c. 1478 – 1532)
	XII	Pierre Coeck	Pieter Coecke van Aelst [Pieter Coecke van Aelst the Elder (Flemish, 1502 – 1550)
	XIII	Jean Holbein	Hans Holbein the Younger [Ioannes Holbenius] (German, c. 1497 – 1543)
	XIV	Henry Aldegraef	Heinrich Aldegrever (German, 1501/2 – 1555/61)
	XV	Jean Mayo	Jan Cornelisz Vermeyen [Jan Mayo; Ioanni Maio; Barbalonga] (Flemish, c. 1504 – 1559)
	XVI	Lucas Gassel	Lucas Gassel [Lucas van Gassel] (Flemish, c. 1480 – Brussels, 1568/69)
	XVII	Jean Schoorel	Jan van Scorel [Johannes Schoreel] (Dutch, 1495 – 1562)
	XVIII	Antoine Moro	Sir Anthonis Mor [Anthonis Mor van Dashorst; Antonio Moro] (Dutch, c. 1517 — 1577)
	XIX	Lambert Lombard	Lambert Lombard (Flemish, c. 1505 – 1566)
	XX	Pierre Breugel	Pieter Bruegel [Brueghel; Breughel] the Elder (Flemish, 1525/30 – 1569)
	XXI	Guillaume Cayo	Willem Adriaensz Key (Flemish, 1516 – 1568)
	XXII	François Floris	Frans Floris [Frans Floris the Elder; Frans Floris de Vriendt] (Flemish, 1519 – 1570)
	XXIII	Martin Hemskerke	Maerten van Heemskerck [Marten Jacobsz Heemskerk van Veen] (Dutch, 1498 – 1574)
	XXIV	Antoine de Monfort Bloclant	Anthonie Blocklandt van Montfoort [Anthonie van Blocklandt; Anthonie van Montfoort] (Dutch, 1533/34 – 1583)
	XXV	Michel Coxie	Michiel Coxie the Elder [Michiel Coxcie the Elder; Michiel van Coxcie; Coxius (Flemish, 1499 – 1592)
	XXVI	Arnoud Mytens	Aert Mijtens (Flemish, c. 1541 – 1602)
	XXVII	Henry Goltzius	Hendrick Goltzius, or Hendrik, (German-Dutch, 1558 – 1617)
	XXVIII	Martin de Vos	Maerten de Vos [Maerten de Vos the Elder; Marten de Vos] (Flemish, 1532 – 1603)
	XXIX	Paul Bril	Paul Bril (Flemish, 1554 – 1626)
	XXX	Michel Mirevelt	Michiel Janszoon van Mierevelt [Michiel Jansz.; Miereveld; Miereveldt] (Dutch, 1566 – 1641)
	XXXI	Bartholomé Spranger	Bartholomeus Spranger [Bartholomaeus Spranger] (Flemish, 1546 – 1611
	XXXII	Henry Cornille Vroom	Hendrik Cornelisz Vroom (Dutch, c. 1562 – 1640)
	XXXIII	Abraham Blommart	Abraham Bloemaert (Dutch, 1566 – 1651)
	XXXIV	Octave Venius	Otto van Veen [Otto Venius; Octavius Vaenius] (Flemish, 1556 – 1629)
	XXXV	Jacques Calot	Jacques Callot (French, c. 1592 – 1635)
	XXXVI	Martin Richart	Marten Ryckaert [Maerten Ryckaert] (Flemish, 1587, Antwerp – 1631)
	XXXVII	Pierre Paul Rubens	Peter Paul Rubens (Dutch, 1577 – 1640)
	XXXVIII	Antoine Van Dyck	Anthony van Dyck (Dutch, 1599 – 1641)
	BN-2	Mary Ruthven	Mary Ruthven, Lady van Dyck (Scottish-Dutch, c.1622 – 1645)
	XXXIX	Venceslas Coberghe	Wenceslas Cobergher [Wenzel Coebergher] (Flemish, 1560 – 1634)
	XL	Jacques Francquart	Jacob Franquart (Flemish, 1582/83 – 1651)
	XLI	Theodore Rombouts	Theodoor Rombouts (Flemish, 1597 – 1637)
	XLII	Adrien Brouwer	Adriaen Brouwer (Flemish, c. 1605 – 1638)
	XLIII	Simon Vouet	Simon Vouet (French, 1590 – 1649)
	XLIV	Gerard Segers	Gerard Seghers (Flemish, 1591 – 1651)
	XLV	Gaspar de Crayer	Gaspar de Crayer [Jasper de Crayer] (Flemish, 1584 – 1669)
	XLVI	Thomas Willeborts	Thomas Willeboirts Bosschaert (Dutch, 1613 – 1654)
	XLVII	Daniel Segers	Daniël Seghers [Daniel Seghers] (Flemish, 1590 – 1661)

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Details

Cornelis De Bie. Het Gulden Cabinet. — Antwerp: Jan Meyssens, 1661.
Engraved title page:
- In an oval cartouche at the centre, flanked by female personifications of Painting and Poetry, surmounted by an eagle, Mars and Envy chained by Cupid below: HET GULDEN CABINET | VANDE EDEL VRY SCHILDER, CONST | INHOUDENDE | DEN LOF VANDE VERMARSTE | SCHILDERS, | ARCHITECTE, BELDTHOWERS | ENDE PLAETSNYDERS | VAN DESE EEVW | DOOR | CORN: DE BIE NOTS. | TOT | LIER | 1661. ||
- In lower margin below the image frame: t’Antwerpen gedruckt by Ian Meyssens Constvercooper op de Eyermert inden goude Rexdalder | Abrah. a Diepenbeck delin. — Cornelis Meyssens sculpsit. || Handwritten inscription below: Frederik Verachter
Letterpress title: HET GULDEN CABINET | VANDE EDEL VRY | SCHILDER – CONST | ontsloten door den lanck ghevvenschten | Vrede tusschen de tvee mach- | tighe Croonen van SPAIGNIEN | EN | VRANCRYCK, | Waer-inne begrepen is den ontstersse- | lijcken loss vande vermaerste | Constminnende Geesten | ENDE | SCHILDERS | Van dese Eeuvv, hier inne meest near het | leven as-gebeldt , verciert met veel ver- | makelijcke Rijmen ende Spreucken. | DOOR | Cornelis de Bie Notaris binnen Lyer. || Pagination: 2 binder’s blank leaves, engraved t.p.,[1, 2] letterpress t.p., 3-585 [586] – approbatie, [2] – colophon / blank, 1 binder’s blank leaf. Collation: Engr. t.p., A-Aaaa⁴ Bbbb², plates within a collation.
Cornelis de Bie. Het Gulden Cabinet. — Antwerp: [J. van Montfort for] Jan Meyssens, 1661 [colophon: 1662]. First edition, quarto, with engraved title, added portrait of De Bie dated 1708 mounted and inserted*, illustrated with 97 full-page engravings of artists, and an engraving of a personification of the city of Rome repeated five times; bound in full contemporary Dutch parchment over boards, tooled in blind, titled on spine; ex libris Frederik Verachter (Dutch, 1797 – 1870), archivist of the Antwerp city library, with pages of notes in his hand, signature to title, and inserted leaf with extra biographical information about one of the 280 artists of the Low Countries profiled and illustrated in this volume; contents good; ex libris Gustave Van Havre (Dutch, 1817 – 1892), with his armorial bookplate inside the front board, 24 x 19.5 x 4.5 cm.
Catalogue raisonné: J. F. Van Someren (1888) pp. 200-202. * CORNELIUS DE BIE. ÆT. 81. 1708. | Dat Ick op D'aard Niet Anders Ben | Als Stof En Assen Ick Beken: | En Alle Mijnen Arrebeijd | Noch Van Veel Minder Weerdigheijt. || J. C. de Cock delin: — H. F. diamaer Sculpsit Antv: Ref.: Royal Collection Trust. Backer, Jacob de (Flemish, c. 1555 – c. 1585) (artist) Balen, Jan van (Flemish, 1611 – 1654) (artist) Bally, David (Dutch, 1584 – 1657) (artist) Beck, David [Beek] (Dutch, 1621 – 1656) (artist) Bie, Cornelis de (Flemish, 1627 – 1711) (author) Bloemaert, Abraham (Dutch, 1565 – 1658) (artist) Borcht I, Hendrik van der, the Elder (Flemish, 1583 – 1651) (artist) Borcht II, Hendrik van der, the Younger (German 1614 – 1676) (artist) Bouttats, Frederik, the Elder (Flemish, 1590 – 1661) (attributed to) (engraver) Bramer, Leonard [Leendert] (Dutch, 1596 – 1674) (artist) Bronckhorst, Jan Gerritsz van (Dutch, 1603-1661) (artist) Bylert, Jan van (Dutch, 1603 – 1671) (artist) Caukercken, Cornelis van (Flemish, 1626 – 1680) (engraver) Collin, Richard (Luxembourgish, 1627 – 1698) (engraver) Coques, Gonzales (Flemish, 1614 – 1684) (artist) Cossiers, Joannes (Flemish, 1600 – 1671) (artist) Danckerts de Rij, Peter (Dutch, 1605-1660) (artist) Dipenbeeck, Abraham van (Dutch, 1596 – 1675) (artist) Does, Antony van der (Flemish, 1609 –1680) (engraver) Dyck, Anthony van (Flemish, 1599 – 1641) (artist) François, Pierre (fl. 1643) (artist) Hecke, Jan van den, the Elder (Flemish, 1620 – 1684) (engraver) Heil, Daniel van (Flemish, 1604 – 1664) (artist) Heil, Jan Baptiste van (Flemish, 1609 – 1685) (artist) Heil, Leo van (Flemish, 1605 – c. 1664) (artist) Helt Stockade, Nicolaes van (Dutch, 1614 – 1669) (artist) Hollar, Wenceslaus [Hollar, Václav; Wenzel] ( Bohemian, 1607 – 1677) (artist) Hondius I, Hendrick [de Hondt] (Flemish-Dutch, 1573 – 1650) (artist) Janssens, Cornelis van Ceulen [Johnson, Cornelius] (Flemish-Dutch, 1593-1664) (artist) Jode I, Pieter de, the Elder (1570 – 1634) (engraver) Jordaens, Jacob (Flemish, 1593 – 1678) (artist) Lint, Peter van (Flemish, 1609 – 1690) (artist) Meyssens, Cornelis (Flemish, 1639 – fl.1673) (engraver) Meyssens, Joannes [Johannes, Jan, Jean] (Flemish, 1612 – 1670) Mola, Pier Francesco (Italian, 1612 – 1666) (artist) Monte, Deodat del [Mont, Deodat van der; Delmont, Deodatus] (Flemish, 1582 – 1644) (artist) Montfort, Jan van (fl. c. 1595 – 1644) (printer) Padoanino, Francisco (Italian, 1660) (artist) Poelenburgh, Cornelis van [Poelenburch] (Dutch, 1594 – 1667) (artist) Pontius, Paulus (Flemish, 1603 – 1658) (engraver) Quellinus, Erasmus, the Younger (Flemish, 1607 – 1678) (artist) Reni, Guido (Italian, 1575 – 1642) (artist) Sadeler II, Egidius (Flemish, c.1570 – 1629) (artist) Saftleven, Herman, the Younger (Dutch, 1609 – 1685) (artist) Seghers, Gerard (Flemish, 1591 - 1651) (artist) Snyers, Hendrik (Flemish, 1611 – 1644) (engraver) Soutman, Pieter Claesz (Dutch, 1593/1601 – 1657) (artist) Steen, Franciscus van der (Flemish, 1625 – 1672) (engraver) Teniers, David, the Younger (Flemish, 1610 – 1690) (artist) Venne, Adriaen van de [Adriaen Pietersz] (Dutch, 1589 – 1662) (artist) Voet, Alexander, the Elder (Flemish, 16-8/1613 – 1689) (engraver) Vorsterman, Lucas, the Elder (Flemish, 1595-1675) (engraver) Waumans, Conraed (Flemish, 1619 – 1675) (engraver) Willaerts, Adam (Dutch, 1577 – 1664) (artist)
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В. Я. Адарюков. Добавления и исправления к подробному словарю русских гравированных портретов Д. А. Ровинского, СПб., 1889 г. — СПб.: Старые годы, 1911.

Title: В. Я. АДАРЮКОВЪ. | ДОБАВЛЕНIЯ И ИСПРАВЛЕНIЯ КЪ ПОДРОБНОМУ СЛОВАРЮ | РУССКИХЪ | ГРАВИРОВАННЫХЪ ПОРТРЕТОВЪ Д. А. РОВИНСКАГО | СПБ. 1889 г. | ИЗДАНИЕ ЖУРНАЛА «СТАРЫЕ ГОДЫ» | 1911. Pagination: [1-4] – incl. orig. wrappers with engraved vignette, 5-89 [90 blank], illustr. Size: 27 x 18.7 cm. Binding: Hardcover; owner's half brown buckram over cloth, original wrappers bound in. Printed on laid paper. Edition: 1st edition, limited: №91 of 150. Inscription to t.p.: Крамарев, 27.5.39. Errata inserts on p. 29 and 77

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Icones principum virorum… [68 engraved portraits after Anthony Van Dyck]. — Antwerp: c. 1660–1680.

A book of sixty-eight copperplate engravings (burin and etching) by various artists after Anthony van Dyck, and one engraving by Lucas Vorsterman I, printed in black on laid paper, bound in full calf with a blind-stamped double-fillet ruling to the boards, spine with raised bands, gilt floral lozenges in compartments, gilt lettering "RECUE DE FIGUR", all margins sprinkled red, marbled end-papers. Engravers: Adriaen Lommelin (French engraver, 1637 – c. 1673) : 12 plates: №№ 3, 17, 18, 20, 21, 24, 25, 26, 28, 30, 35, and 48. Anthony van Dyck (Flemish, 1599 – 1641) : partially engraved himself 1 plate: № 53. Antoine Couchet (Flemish, 1630 – 1678) : 1 plate № 30. Conrad Waumans [Woumans] (Flemish engraver, 1619 – after 1675) : 6 plates: №№ 5, 32, 36, 57, 64, and 66. Cornelis Galle the Younger (Flemish engraver, 1615 – 1678) : 5 plates: №№ 2, 7, 10, 29, and 33. Hendrick Snyers (Flemish engraver, 1611 – 1644) : 1 plate: № 9. Jacob Neefs, or Neeffs (Flemish engraver, 1610 – after 1660): 4 plates: №№ 1, 16, 45, and 67. Johannes [Jan] Meyssens (Flemish engraver and publisher, 1612 – 1670) : engraved 6 plates: №№ 4, 22, 31, 51, 61, and 62. Lucas Vorsterman the Elder (Flemish engraver, 1595 – 1675) : engraved 7 plates: №№ 11, 15, 55, 58, 59, 65, and 69. Michael Natalis, or Noël (Flemish engraver, 1610 – 1668) : 1 plate: № 34 Paulus Pontius (Flemish engraver, 1603 – 1658) : 2 plates: №№ 37 and 52. Peeter Clouwet (Flemish engraver, 1629 – 1670) : 3 plates: №№ 13, 27, and 49. Peeter van Lisebetten (Flemish engraver, 1630 – 1678) : 1 plate: № 56. Pieter de Bailliu (Flemish engraver, 1613 – after 1660) : 4 plates: №№ 8, 14, 44, and 54. Pieter de Jode II (Flemish, 1606 – 1670/74) : 7 plates: №№ 12, 19, 23, 46, 47, 50, and 60. Richard Gaywood (British, fl. 1644 – 1668) : 1 plate: № 63. Robert van Voerst (Dutch, 1597 – 1636) : 1 plate: № 6. Schelte Adamsz. Bolswert (Flemish, c. 1586 – 1659) : 2 plates: №№ 18 and 68. Wenceslaus Hollar (Bohemian, 1607 – 1677) : 6 plates: №№ 38, 39, 40, 41, 42, and 43. Publishers: 36 prints were printed/published by Johannes [Jan] Meyssens (Flemish, 1612 – 1670) : (2), (4), (5), (7), (8), (9), (10), (12), (14), (22), (29), (31), (32), (33), (34), (36), (37), (39), (40), (41), (42), (43), (44), (45), (46), (51), (53), (54), (56), (57), (60), (61), (62), (64), (66), (67). Gillis Hendricx (fl. 1640 – 1677) published 11 prints, including the title page: (1), (13), (18), (26), (30), (47), (48), (50), (59), (65), (68). N. Burgund. Cons. Brab : (20); John Overton (British, 1639/40 – 1713) : (63); Hendrik van der Borcht II (Dutch, 1614 – c. 1690) : (38); Peter Stent (British, fl. c. 1637 – 1665) : (63). Description of plates:

	1. Engraved title page by Jacob Neeffs in 1646. On the slab supporting the bust, left: “ANT. VAN DYCK”, right: “Ant. van Dyck fecit aqua forti”. On the face of pedestal: “PRINCIPVM \| VIRORVM DOCTORVM, \| PICTORVM CHALCOGRAPHORVM, \| STATVARIORVM NEC NON AMATORVM \| PICTORIÆ ARTIS NVMERO CENTVM \| AB \| ANTONIO VAN DYCK, \| PICTORE AD VIVVM EXPRESSÆ \| EIVSQ: SVMPTIBVS ÆRI INCISÆ.” In cartouche: “ANTVERPIÆ \| Gillis Hendricx excudit \| Anno 1645” (corrected by hand “1646”). At lower left margin: “Iac. Neeffs Sculpsit.” The print with cut off margins pasted to the bound-in leaf. Size of the print: 24.3 x 15.8 cm.
	2. Ferdinand III, Holy Roman Emperor and King of Hungary and Bohemia (1608 – 1657); engraved by Cornelis Galle the Younger (Flemish, 1615–1678) in 1649. Inscription: “FERDINANDUS III. DEI GRAT. IMPERATOR ROM.SEMP.AUGUST. \| GERM. HUNG. BOH. REX: ARCHIDICUX AU ST. DUX BURGUND. ETC.”. Below: “Ant. van Dÿc pinxit” <–> “Corn. Galle Iunior sculp∫it.”<–> “…excudit Antuerpiæ A.o 1649”. Second state with Meyssens’ name burnished.
	3. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Adriaen Lommelin (French, 1637 – c. 1673). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: “Ant. van Dÿc pinxit” <–> “Adr. Lommelin sculpsit”.
	4. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Johannes [Jan] Meyssens (Flemish, 1612 – 1670). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: Antonius Van Dÿck eques pinxit” <–> “...excudit”. Meyssens’ name burnished. [See similar print №61 with Ioannes Meysens name present].
	5. Frederick Henry, Prince of Orange, Count of Nassau (Dutch, 1584 – 1647); engraved by Conrad Waumans [Woumans] (Flemish, 1619 – after 1675). Inscription: “FREDERICVS HENRICVS, D.G. PRINCEPS ARAVSIONENSIVM, COMES \| NASSAVIÆ, ETC. \| MARCHIO VERÆ ET FLISSINGÆ, BARO BREDÆ GRAVÆ, \| DIESTÆ ETC.” Below: “Antonius van Dÿck pinxit” <–> “Conraet Waumans sculpsit” <–> “…excudit”. Meyssens’ name burnished. [Similar to №57, but with Ioannes Meyssens name in place].
	6. Count Ernst von Mansfield (German, 1580 – 1626); engraved by Robert van Voerst (Dutch, 1597 – 1636). Inscription: “ERNESTO PRINCIPI ET COMITI MANSFELDIÆ, MARCHIONI \| CASTELLI-NOVI ET BUTIGLIRIÆ, BARONI AB HELDRUNGEN, GENERALI ETC.” Below “Ant. Van Dÿck pinxit” <–> “Robertus van Voerst Sculpsit”.
	7. Engelbert Taye, Baron of Wemmel (Flemish, ? – 1638); engraved by Cornelis Galle the Younger. “DOMINVS ENGELBERTVS TAIE EQVES, BARO WEMMELIVS ETC.A \| DEPVTATVS ORDINARIVS INTER NOBILES STATVS BRABANTIÆ.”. Below: “Antonius van Dyck pinxit”, “Cornelius Galle iunior ∫culpsit” <–> “…excudit Antuerpiæ.”. Second state, with “Ioannes Meyssens” erased.
	8. Antoine de Bourbon, comte de Moret (French, 1607 – 1632); engraved by Pieter de Bailliu (Flemish, 1613 – after 1660). Inscription: “ATHONIVS BOVRBONIVS, COMES MORETANVS, ET ABBAS S.TI STEPHANI \| CAENTINI, FILIVS NATVRALIS, HENRICI MAGNI ET JACQVELINÆ BVEILANÆ \| COMITISSÆ MORETANÆ,”. Below: “Antonius van dyck pinxit.” <–> “Petrus de Ballu sculpsit.” <–>“… excudit Antverpiæ.”. Second state with “Ioannes Meyssens” erased. Antoine de Bourbon was the illegitimate son of Henri IV, Roi de France and Jacqueline de Bueil, Comtesse de Moret.
	9. Prince Rupert of the Rhine (German, Bohemian, 1619 –1682); engraved by Hendrick Snyers (Flemish, 1611 – 1644). Inscription: “ILLVSTRISSIMVS PRINCEPS ROBBERTVS, COMES PALATINVS RHENI, EQVES \| ORDINIS S.TI GEORGII. HIPPARCHVS SVÆ MAI.TIS MAGNÆ BRITANNIÆ. ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Henricus Snyers sculpsit” <–> “...excudit Antuerpiæ.”. Second state with “Ioannes Meyssens” erased.
	10. Gottfried-Heinrich, Count of Pappenheim; engraved by Cornelis Galle the Younger. Inscription: “GODEFRIDVS-HENRICVS COMES DE PAPENHEIM CONSILIARIVS AVLICVS \| SVÆ CES. MAIES. EIVSQ³ EXERCITVVM MARESCHALLVS GENERALIS.” Lettered with production details below: “Ant. van Dyck pinxit” <–> “C. Galle ∫chulpsit.” <–> “…excudit”. Second state with “Ioan. Meyßens” erased.
	11. Thomas Howard, 14th Earl of Arundel (British, 1585 – 1646); engraved by Lucas Vorsterman the Elder (1595–1675). Inscription: “Illustri∫∫imus Dñs. D.Thomas Howardvs, Comes Arundeliæ et Surreiæ, Primus Angliæ Comes, Dominus \| Howardi, Maltrauers, Mowbray, Segraue, Breus, Clun et O∫estriæ, Comes Mare∫callus Angliæ, Nobilißimi \| Pericelidis ∫iue Garterij ordinis Eques, et Serenißimo Regi Carolo, Magnæ Britaniæ, Franciæ et Hiberniæ \| Regi ab intimis Consilijs, Liberalium artium Mæcenas, et promotor omnion virtutum Actione et Laude.”. Below: “Ut donum hoc, mantenque probes qua consecro, Amori \| Sufficit hocci tuo: Hic Magnvs ARONDELIVS”, “C.O.Q.D.A. VAN DYCK D. Vor∫termani.”, “Cum priuile.”. Third state with ‘Opera Vorstermanni’ burnished and two lines of Latin added below the four lines of the title.
	12. Jan van Montfort [Jean de Montfort] (Flemish, 1567 – 1648); engraved by Pieter de Jode II (Flemish, 1606 – 1670/74). Inscription: “D. IOANNES DE MONTFORT SERENISSIMORVM ARCHIDVCVM ET PRINCIPVM BELGII \| ALBERTI ET ELISABETHÆ AVLARVM PRIMARIVS CONSTITVTOR ET EXORNATOR, NEC \| NON REGIS CATHOLICI MONETARVM CITRA MONTES CONSILIARIVS, ET MAGISTER. \| GENERALIS, NOBILIVMQ3 DOMINARVM PALATII SERENIS.MÆ ELISABETHÆ INVIOLATVS CVSTOS.” Below: “Antonius van Dyck pinxit.” <–> “Petrus de Iode sculpsit.” <–> “…excudit Antuerpiæ”. Second state with “Ioannes Meyssens” erased.
	13. Henry Rich, 1st Earl of Holland (British, 1590 – 1649), engraved by Pieter Clouwet (Flemish, 1629 – 1670). Inscription: “HENRICVS RICHE COMES HOLLANDIÆ BARO DE KENSINGTON NOBILISSIMI \| ORDINIS GARTERII EQVES CAROLI. LOREGIS MAGNÆ BRITANIÆ A CONSILIIS. ETC.”. Below: “Ant. van Dÿck pinxit.” \| “Pet. Clouwet sculpsit” <–> “Gillis Hendricx \| excudit”. Third state with the title added and production details re-engraved.
	14. Honoré d’Urfé, marquis de Valromey, comte de Châteauneuf (French, 1568 – 1625); engraved by Pieter de Bailliu (Flemish, 1613 – 1660). Inscription: “ILLVS.MVS DOMNIVS HONORIVS VRFEIVS NOBILIS ORD.RIVS CVBICVLI REGII, DVX 50. ARMATORVM \| HOMINVM A SVO MANDATO, COMES NOVI CASTELLI, BARO ARCIS MORANDANÆ ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Pet. de Bailliue sculpsit.” <–> “… excudit”. Second lettered state with title and production details, with “Ioannes Meyssens” erased. [There is another copy in this binding, №54, where Ioannes Meysens' name is in place].
	15. Johannes [John VIII], Count of Nassau-Siegen (German, 1583 – 1638); engraved by Lucas Vorsterman I (Flemish, 1595 – 1675). Inscription: in the oval around the portrait “EXCELLENTISSIMVS DOMINVS: D. IOANNES, COMES NASSAOVIÆ, CATTNELLIBOCI: VIANDEN, DIETZ, &C. EQVES AVREI VELLERIS. S. MA: CÆS, MARESCHALIVS, CATH. REG. IN BELGIO. EQVITVM GENERALIS. &C”, in lower margin: “ILLVSTRISSIMÆ PRINCIPI ERNESTINÆ DE LIGNE EIVSDEM D. COMITIS VXORI DD.”, and “AVan Dÿck pinxit.” <–> “Cu Priuleg”. Fourth state with Vorsterman’s address burnished. [For the third state with “Lucas Vorsterman exc” present see № 55].
	16. Joost de Hertoghe (Flemish, ? –1638); engraved by Jacobus Neefs. Inscription: "Me∫∫ire IOSSE DE HERTOGE chevalier ∫.r de franoÿ, hon∫walle etc: con∫eillier du conseil \| de brabant, amba∫∫adeur de la part de ∫a Ma.te catholique co.e ducq de bourgoigne \| et des pais bas, a la diete de rati∫bone de l'an 1636." In Lower margine: "Ant: van Dÿck pinxit.", <–>"Jacobus Neefs ∫culp.". Second, lettered state with the title and production details added.
	17. Philippe Le Roy (Flemish, 1596 – 1679). No inscription. The printmaker is unidentified but is possibly Adriaen Lommelin. The print is a copy of the print by Vorsterman and Pontius.
	18. Schelte Adamsz. Bolswert (Flemish, c. 1586 – 1659); engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “SCELTE A BOLSWART \| CALCOGRAPHVS ANTVERPIÆ”. In lower margin: “Ant. van Dÿc inuentor \| Adr. Lommelin sculpsit” <–> “Gillis Hendricx excudit”. Third state with an entirely different head, title and production details added.
	19. Willem Marquis (Flemish, 1604 – 1640); engraved by Pieter de Jode II. Inscription: “GVILIELMVS MARCQUIS ANTVERP. MED. DOCT. ÆT. 36.A.O 1640.” In lower margin: “Ant. van Dyck Pinxit” <–> “Petr. de Iode sculp.”. Second, lettered state with Borreken’s name burnished and replaced by Van Dyck’s.
	20. Frederik de Marselaer (Flemish, 1584 – 1670); engraved by Adriaen Lommelin. Inscription: “D. FREDERICVS DE MARSELAER, EQVES AVRATVS, TOPARCHA DE PARCK, ELEWYT \| HARSEAVX, HOYCKE, BORNAGE, LIBERIQUE DOMINII DE OPDORP, CONSVL BRVXELLÆ.” Three lines of verse below: “Quantum occulta viris vis nominis ominis addat \| Ceu fatale aliuid; placidum Mars E Lare, scitum, \| Legatusue orbi manifestat, pacis alumnus.”. In lower margin: “Ant. van Dÿck pinxit \| Adrian Lommelin sculpsit” <–> “N. Burgund. Cons. Brab:”. Third state with the roll of paper rounded.
	21. Jan Baptist de Wael I (Flemish, 1558 – 1633); engraved by Adriaen Lommelin. Inscription: “IOANNES DE WAEL.”. In lower margin: “Ant. van Dyck pinxit.”<–> and “Adrian Lommelin sculpsit.”. Second, lettered state with the title and production details. British Museum № 1872,1012.4168.
	22. François van der Ee (Flemish, ? – 1645); engraved and published by Johannes Meyssens. Inscription: “D . FRANCISCVS VANDER EE \| Dñs de Meys, Pretor Ciuitatis Bruxellensis”. In lower margin: “Anton van Dyck pinxit”, and “fecit et excud.”. Fourth, lettered state, finished with the burin, with second line added to the title, with address “Ioannes Meyssens” almost completely burnished.
	23. Quintijn Simons (Flemish, 1592 – after 1634); engraved by Pieter de Jode II. Inscription: “QVINTINVS SIMONIS. \| BRVXELLENSIS PICTOR HISTORIARVM.”. In lower margin: “Ant. van Dijck pinxit.” <–> “Pet. de Iode sculp.”. Third state with second line of title added.
	24. Adriaan Stevens (Flemish, 1561 – 1640); engraved by Adriaen Lommelin. Inscription: "INTEGERRIMVS VIR ADRIANVS STEVENS / S.P.Q. ANTVERP. AB ELEMOSYNIS.". In lower margin:"Ant van Dÿc pinxit." <–> "A. Lommelin sculp.". British Museum # R,1b.20.
	25. Jan van Malderus (Flemish, 1563 – 1633); engraved by Adriaen Lommelin. Inscription: “PERLL.ris et REVEREN.mus DOMINVS. D. IOANNES MALDERVS”. In lower margin: “Ant Van Dÿck pinxit” <–> “Adrianus Lommelin sculpsit”.
	26. Zeger van Hontsum (Flemish, ? – -1643). Engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “Zegerus van Hontsum S.T.L. cathedralis \| pænitentiarius et Canonicus Ecclesiæ Antuerpiensis”. In lower margin: “Ant. van Dÿc pinxit” <–> “Adr. Lommelin sculp.” <–> “G. Hendricx excudit”.
	27. Carolus Scribani (Flemish, 1561 – 1629); engraved by Pieter Clouwet. Inscription: “R. P. CAROLVS SCRIBANIVS Bruxellensis, é Societate IESV; in qua Antuerpiæ et I Bruxellæ Rector, ac Flandro-Belgicæ Provincialis, per multos annos fuit. Pietate, \| doctrina, consilio, rebus bono publico gestis, libris editis clarus. Obijt Antverpiæ \| 24. Iun. anno 1629. ætatis 69.”. In lower margin: “Antonius van Dÿck pinxit.” <–> “Petrus Cloüet Sculpsit.”. Second, lettered state with the title and production details.
	28. Jan Baptist van Bisthoven (Flemish, 1602 – 1655); engraved by Adriaen Lommelin. Inscription: “R.P. IOANNES BAPTISTA DE BISTHOVEN Antverpiensis e societate IESV \| Collegÿ Alostani Rector, nec non in missione fidei catholicæ propagandæ apud exteros \| præpositus obÿt A.o 1655”. In lower margin: “Ant:van Dÿck pinxit”, and “A. Lommelin sculp”. Second, lettered state with the title and production details.
	29. Maria of Austria (Spanish, 1606 – 1646); engraved by Cornelis Galle the Younger, published by Johannes Meyssens. Inscription: “MARIA AUSTRIACA FERD. III. UXOR. I. DEI G. IMP. ROM. SEMP. AUG. \| GERM. HUNG. BOH. REG. ARCHIDUCISSA AUTR. DUCISSA BURGUN. ETC”. In lower margin: “Ant. van Dyck pinxit.” <–> “Corn. Galle Iunior sculpsit.” <–> “...excudit Antuerpiæ A.o 1649”. Third, lettered state with Meyssens’ name burnished badly.
	30. Henriette Marie de Bourbon, Queen of Charles I (French, 1609 – 1669); engraved by Antoine Couchet and Adriaen Lommelin, published by Gillis Hendricx. Inscription: “Serenißima Potenti∫simâq Henrica Maria Dei gratia \| Magne Britaniæ, Franciæ, Hibern. Regina”. In lower margin: “Ant. van Dyck pinxit” <–> “Ioseph Couchet sculp” <–> “Gillis Hendricx exc.”. State with “Lommelin sculp.” right after “Ant. van Dyck pinxit” burnished, but still legible.
	31. Henriette Marie de Bourbon, engraved and published by Ioannes Meyssens. Inscription: “HENRICA MARIA DEI GRATIA MAGNÆ BRITANIÆ FRANCIAÆ HIBERN. REGINA.”. In lower margin: “fecit et excud.” <–> “Anton van Dyck Pinxit”. Third state, finished with a burin; with Meyssens’ name burnished. [Similar to print №62 which has "Ioan. Mey∫ens" signature present].
	32. Amalia van Solms, Princess of Orange (German, 1602 – 1675), engraved by Conraad Waumans and published by Johannes Meyssens. Inscription: “EMELIÆ DE SOLMS, D. G. PRINCPES ARAVSIONENSIVM, COMITISSA NASSAUVIÆ, ETC. \| MARCHIONISSA VERÆ ET FLISSINGÆ, BARONISSA BREDÆ, GRAVÆ, DIESTÆ ETC.”. In lower margin: “Antonius van Dijck pinxit.” <–> “Conraet Waumans sculpsit.” <–> “… excudit”. First, lettered state with the title and production details, with Meyssens’ name burnished. [Similar to №66, which has Ioannes Meysens name present].
	33. Henriette de Lorraine, Princess of Phalsbourg (or Pfalzburg) (French, 1605 – 1660); engraved by Cornelis Galle the Younger, published by Ioannes Meyssens. Inscription: “HENRICA LOTHARINGIÆ, PRINCIPISSA PHALSEBVRGÆ, ET RIXHEIMÆ, COMITISSA \| BOVLAYÆ, BARONISSA ASPIRIMONTIS, DOMINA NOVI-CASTELLI, PRENY \| HOMBVRGI, S.TI ANOLDI, AVANTGARDÆ, SAMPIGNI, FRANC-ALTORFFI ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Cornelius Galle iunior sculpsit.” <–> “… excudit.”. First state with the title and production details, with Ioannes Meyssens’ name burnished. British Museum # R,1a.248.
	34. Ernestine Yolande de Ligne, Countess of Nassau-Siegen (Flemish, 1594 – 1668); engraved by Michiel Natalis, published by Jan Meyssens. Inscription: “ERNESTINA PRINCEPS LIGNEANA ET S.TI IMPERII, COMES NASSAVI. ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Michael Natalis sculpsit.” <–> “…excudit Antuerpiæ.”. Second state with the initials of Ioannes Meyssens erased.
	35. Marie de Barbançon, Princess of Arenberg (1602 – 1675); engraved by Adriaen Lommelin. Inscription: “MARIA DEI GRATIÂ PRINCEPS COMES ARENBERGIÆ \| PRINCEPS BARBASONIA ETC.A”. In lower margin: “Ant. van Dÿck pinxit. \| Adrian. Lommelin sculpsit.”. Second, lettered state with title and production details and adjustments made in the face. British Museum # 1876,1014.181
	36. Marie-Claire de Croy, Duchess of Havré (Flemish, 1605 – 1664); engraved by Conraad Waumans, published by Ioannes Meyssens. Inscription: “MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQ3 PRINCEPS STE. IMPERII, \| SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC.”. In lower margin: “Antonius van Dyck pinxit.” <–> “Coenraerdus Waumans sculpsit.” <–> “…excudit.”. Third state with Ioannes Meyssens’ name burnished. British Museum # 1891,1015.21. [Similar to №64, which has Ioannes Meysens’ name present].
	37. Marie de Barbançon, Princess of Arenberg (1602 – 1675); engraved by Paulus Pontius, published by Ioannes Meyssens. Inscription: “MARIA DEI GRATIÂ PRINCEPS COMES ARENBERGIÆ, \| PRINCEPS BARBASONIA ETC.A”. In lower margin: “Antonius van Dyck pinxit. \| Paulus Pontius sculp. Anno 1645.” <–> “… excudit Antuerpiæ”. Second state with a thick borderline, title and production details added, Ioannes Meyssens’s name burnished.
	38. Karl I Ludwig, Elector Palatine (German, 1617 – 1680); engraved by Wenceslaus Hollar (Bohemian, 1607 – 1677). Inscription: “CAROLVS LVDOVICVS D:G: COMES PALATINVS AD RHENVM, S:ri R.ni IM:rii \| Princeps, Archidapifer & Elector, Dux Bauariæ, …Nobilissimi Ordinis Garterij Eques etc.”. Below: “Ant: van Dyck pinxit” <–> “WHollar fecit,” <–> “1646”. First, lettered state with the title and production details, without “H: van de Borcht excu:”. British Museum # 1867,1012.598. Hendrik van der Borcht II (Dutch, 1614 – c. 1690)
	39. Richard Weston, 1st Earl of Portland (British, 1577 – 1635); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “PERILLUSTRIS DOMINVS HIERONYMVS WESTONIVS, COMES PORTLANDIÆ, \| HEYLANDÆq3, etc’,”. Below: “Antonius van Dyck pinxit”<–> “W: Hollar fecit, aqua forte. 1645”. Ioannes Meyssens’s name completely burnished.
	40. Thomas Howard, 14th Earl of Arundel (British, 1585 – 1646); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: "ILLVSTRIS:us & EXCELLENT:mus D:nus. DOMINVS THOMAS HOWARD, COMES ARXNDELIÆ & SVRRIÆ \| primus Comes & summus Marescallus Angliæ, etc nobilisimi ordiuis Garterÿ Eques, Serenis∫imi po: \| tentis∫imq3 Principis Caroli: Magnæ Britanniæ & Hiberniæ Regis, Fidei defen∫oris, etc. in Anglia, Sco \| tia et Hibernia a Secretioribus Consilijs, et eju∫dem Regis Ao1639. Contra \| Scotos Supremus & Generalis Militiæ Dux,”. In lower margin: “Ant: van Dyck Eques pinxit” <–> “WHollar fecit 1646”. Second state with Ioannes Meyssens’s name completely burnished.
	41. Lucas de Wael (Flemish, 1591 – 1661) and Cornelis de Wael (Flemish, 1592 – 1667); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “LVCAS ET CORNELIVS DE WAEL ANTV: FFr. GERMANI IOis QUI PICTORIAM AR \| TEM HÆREDITARIO IVRE CONSECVTI HIC RVRALIVM, ILLE OMNIGENVM PRÆCIPVEQVE / CONFLICTVVM REPRÆSENTATOR.”. In lower margin: “Ant. van Dyck Eques pinxit.” <–> “W: Hollar fecit, 1646.” <–> “I: Meysens exc”. First, lettered state with the title and production details.
	42. Mary (Elisabetha ) Villiers, Duchess of Lennox and Richmond (British, 1622 – 1685); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “ILLUSTRISS: ma D:ma DOMI.na ELISABETHA VILLIERS DVCESSA DE LENOX ET RICH \| MOND. etc: FILIA GEORGIJ VILLIERS DVCIS ET COMITIS BVCKINGHAMIÆ.”. In lower margin: “Ant: van dyck pinxit” <–> “W:Hollar fecit” <–> “… Antverpiæ.”. Ioannes Meyssens’ name completely burnished. First state with the title and production details.
	43. Frances (Maria) Stuart, Countess of Portland (British, 1617 – 1694); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “ILLVSTRIS: DOMINA DNA: MARIA STVART COMITISSA \| PORTLANDIÆ NEYLANDIÆ, etc.”. Below: “Ant: Van Dycke pinxit,” <–> “W: Hollar fecit, A:o 1650,”, “...excud: Antuerpiæ,”. Second state with Meyssens’ name burnished. British Museum # 1853,0112.1761
	44. Lucy Percy, Countess of Carlisle (British, 1599 – 1660); engraved by Pieter de Bailliu, published by Ioannes Meyssens. Inscription: “LVCIA PERCYE, COMES CARLYLENSIS, MARCGRAVIA \| DONCASTRENSIS BARONISSA HAYÆ IN SALCÏA, ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Petrus de Baillue sculpsit.” <–> “...excudit Antuerpia.”. Third, lettered state with Joannes Meyssens’ name burnished.
	45. Marie-Marguerite de Berlaymont ( ? – 1654); engraved by Jacobus Neeffs, published by Ioannes Meyssens. Inscription: “D.DNA. MARIA MARGARETA DE BARLEMONT COMITISSA HEGMONDANA.” In lower margin: “Ant. van Dyck pinxit.” <–> “Iacobus Nefs sculpsit.”<–> “...exc.”. Fourth state with Ioannes Meyssens’ name erased. British Museum # 1876,1014.206. [Similar to №67, which has Ioannes Meysens name present].
	46. Béatrix Constance de Cussance, Princess of Cantecroix (French, 1614 – 1663); engraved by Pieter de Jode II, published by Ioannes Meyssens. Inscription: “BEATRIX COSANTIA PRINCEPS CANTECROYANA ETC.A”. In lower margin: “Antonius van Dyck pinxit” <–>“Petrus de Iode sculpsit.” <–> “… excudit Antuerpiæ.”. Second, lettered state with Meyssens’ name burnished.
	47. Johanna de Blois; engraved by Pieter de Jode II, published by Gillis Hendricx. Inscription: “D. IOHANNA DE BLOIS”. In the lower margin: “Ant. van Dÿck pinxit \| Petr. de Iode sculpsit” <–> “Gillis Hendricx \| excudit.”. British Museum # 1876,1014.189.
	48. Katherine Howard, Countess of Newburgh, Lady d’Aubigny (British, ? – 1650); engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “EXCELLmæ ILL.mæq3 DOMINÆ CATHARINÆ HOWARD, EXCELLmi DUCIS LIVOXIÆ \| HÆREDIS CONIUGIS DELECTISSIMÆ, VERA EFFIGIES.” In lower margin: “A. van Dÿck pinxit.” <–> “G. Hendricx excudit” <–> “A. Lommelin scup.”. British Museum # P,3.326
	49. Anna Wake (Flemish, 1606 – 1680); engraved by Pieter Clouwet. Inscription: “D. ANNA WAKE.”. In lower margin: “Ant. van Dÿck pinxit.” <–> “Petrus Clouwet sculpsit”.
	50. Pieter de Jode II (Flemish, 1606-1670/74); engraved by Pieter de Jode II. Inscription: “PETRVS DE IODE IVNIOR / CHALCOGRAPHVS ANTVERPIÆ.”. In lower margin: “Ant. van Dyck pinxit.”<–> “Petrus de Iode sculpsit.”. Third state (before the initials G.H. (of Gillis Hendricx) added. The print with cut off margins pasted to the bound-in leaf.
	51. Mary Ruthven, Lady van Dyck (Scottish, c. 1622 – 1645); engraved and published by Ioannes Meyssens. Inscription: “MARIA RVTEN VXOR D. ANTONI VAN DYCK EQVES”. In lower margin: “Anton.van Dyck pinxit” <–> “Ioan. Meysens fecit et excud.”. First, lettered state with the title and production details. Tired plate. British Museum # 1863,0725.747. Van Dyck's wife.
	52. Sir Balthazar Gerbier (British, Flemish, 1592 – 1663); engraved by Paulus Pontius. Inscription: “D. Balthazar Gerberius Eques Auratus primus post renouationem. \| Foederis cum Hispaniarum Rege anno 1630. A Potentissimo \| et Serenissimo Carolo Magnæ Britanniæ Franciæ et Hiberniæ. Rege, Bruxellas Prolegatus. A:o 1631”. Below “Anton van Dyck pinxit”<–> “Paul Pontius schupcit.”. Top left corner: “Ætatis suæ 42 \| A.o 1634”. The paper in Gerbier’s hand is lettered “viuat \| memoria \| Buckinga: \| mii”.
	53. Paul de Vos (Flemish, 1596 – 1678); printed by Ioannes Meyssens, face and collar engraved by Anthony van Dyck, the body engraved by Ioannes Meyssens. Second, lettered state. Inscription: PAVLVS DE VOS PICTOR”. In lower margin: “Anton. van Dyck pinxit fecit.”, and “Ioan. Meysens excudit.”. British Museum # R,1b.95. [Look s very much alike №68, but with a one-line inscription and engraved by Meyssens instead of Bolswert].
	54. Honoré d’Urfé, marquis de Valromey, comte de Châteauneuf (French, 1568 – 1625); engraved by Pieter de Bailliu (Flemish, 1613 – 1660). Inscription: “ILLVS.MVS DOMNIVS HONORIVS VRFEIVS NOBILIS ORD.RIVS CVBICVLI REGII, DVX 50. ARMATORVM \| HOMINVM A SVO MANDATO, COMES NOVI CASTELLI, BARO ARCIS MORANDANÆ ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Pet. de Bailliue sculpsit.” <–> “Ioanes Meysens excudit.”. Second lettered state with title and production details. [Similar to №14, but with Ioanes Meysens name in place].
	55. Johannes [John VIII], Count of Nassau-Siegen (German, 1583 – 1638); engraved by Lucas Vorsterman I (Flemish, 1595 – 1675). Inscription: in the oval around the portrait “EXCELLENTISSIMVS DOMINVS: D. IOANNES, COMES NASSAOVIÆ, CATTNELLIBOCI: VIANDEN, DIETZ, &C. EQVES AVREI VELLERIS. S. MA: CÆS, MARESCHALIVS, CATH. REG. IN BELGIO. EQVITVM GENERALIS. &C”, in lower margin: “ILLVSTRISSIMÆ PRINCIPI ERNESTINÆ DE LIGNE EIVSDEM D. COMITIS VXORI DD.”. Below: “AVan Dÿck pinxit.” <–> “Cū Priuleg” <–> “Lucas Vorsterman exc”. Third state. [For the fourth state with Lucas “Vorsterman exc” burnished see № 15].
	56. James Hamilton, 1st Duke of Hamilton (British, 1606 – 1649); engraved by Peeter van Lisebetten (Flemish,(1630 – 1678), published by Ioannes Meysens. Inscription: “IACOBVS HAMILTONIVS, MARCHIO AB HAMILTON, COMES \| CAMBRICENSIS ET ARANENSIS, BARO EVENIVS ET ABER: \| BROCHIVS MAGISTRO EQVITVM SVÆ MAIESTATIS \| MAGNE BRITTANIÆ, ET EQUES ORDINIS GARTERY.”.In lower margin: “Ant. van Dÿck pinxit” <–> “Pet. van Lisebetius sculp.”<–> “Ioannes Meÿssens excudit.”. Second state with title and signatures. British Museum # P,2.208.
	57. Frederick Henry, Prince of Orange, Count of Nassau (Dutch, 1584 – 1647); engraved by Conrad Waumans [Woumans] (Flemish, 1619 – after 1675). Inscription: “FREDERICVS HENRICVS, D.G. PRINCEPS ARAVSIONENSIVM, COMES \| NASSAVIÆ, ETC. \| MARCHIO VERÆ ET FLISSINGÆ, BARO BREDÆ GRAVÆ, \| DIESTÆ ETC.”. Below: “Antonius van Dÿck pinxit” <–> “Conraet Waumans sculpsit” <–> “Ioannes Meyssens excudit.” First, lettered state with title and production details. [Similar to №5, but this one with Ioannes Meyssens name present].
	58. Francisco de Moncada, Count d’Osuna (Spanish, 1568 – 1635); engraved by Lucas Vorsterman I. Inscription: “EXCELL.MVS D. FRANCISCVS DE MONCADA MARCHIO AYTONÆ, COMES OSSONÆ VICE– \| COMES CABRERÆ ET BAAS, MAGNVS SENESCALCVS REGNI ARRAGONIÆ, PHILIPPO IV. \| HISPANIAR.INDIARVMQ3 REGI A CONSILIIS STATVS, EIVSDEMQ3 LEGATVS EXTRAORDIN,ET \| SVPREMVS MILITIÆ TERRA MARIQ3 IN BELGIO PRÆFECTVS". Above within portrait frame, to the right: “D.A.van Dÿck pinxit. \| LVorsterman sculpsit.”.
	59. Wolfgang Wilhelm, Count of Pfalz-Neuburg and Duke of Jülich (German, 1578 – 1653); engraved by Lucas Vorsterman I. Inscription: "SERENISSIMVS PRINCEPS WOLFGANGVS WILHELMVS, D.G. COMES PALATINVS RHENI, \| DVX BAVARIÆ, IVLIACÆ, ET MONTIVM :COMES VELDENTII, SPONHEMII \| MARCHIÆ, RAVENSBVRGI ET MOERSII, DOMINVS IN RAVENSTEIN. ETC." In lower margin: "D. A. van Dÿck Eques Pinxit." <–> "Cū. Priuileg:" <–> "LVorsterman sculp.". Fifth state with initials of Gillis Hendricx burnished. British Museum # 1863,0509.825.
	60. Ferdinand, Cardinal Infante of Spain and Archduke of Austria (Spanish, 1609 – 1641); engraved by Pieter de Jode II, published by Ioannes Meyssens. Inscription: “SERENISSIMVS PRINCEPS FERDINANDVS AVSTRIACVS S.R.E CARDINALIS \| BELGARVM BORGVNDIORVMQ3 GVBERNATOR ETC.A”. In lower margin: “Antonius van Dÿck pinxit” <–> “Pet. de Iode fecit” <–> “Ioannes Meysens excudit”. Third, lettered state with title and production details. British Museum # R,1a.28.
	61. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Johannes [Jan] Meyssens (Flemish, 1612 – 1670). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: “Antonius Van Dÿck eques pinxit” <–> “Ioan. Meysens excudit”. [Similar to №4, but with Ioannes Meysens name present].
	62. Henriette Marie de Bourbon, engraved and published by Ioannes Meyssens. Inscription: “HENRICA MARIA DEI GRATIA MAGNÆ BRITANIÆ FRANCIAÆ HIBERN. REGINA.” Lettered with production details in lower margin: “Ioan. Meysens fecit et excud.” <–> “Anton van Dyck Pinxit”. Third state, finished with a burin. [Similar to print №31, but this one with Ioan. Mey∫ens signature present].
	63. Mary Ruthven, Lady van Dyck (Scottish, c. 1622 – 1645); copy in reverse by Richard Gaywood after Bolswert (see also №51 by Meyssens) published by Peter Stent. Inscription: “Maria Ruten nata in Anglia vxor Antonÿ van Dyck Pictoris”. Below: “Ant: van Dyck pinx:”, “P Stent excud”, “R: Gaywood fecit”. Below centre: “Sould by John Ouerton at the white horse without New gate”. John Overton, publisher (British, 1639/40 – 1713); Richard Gaywood (British, fl. c. 1644 – 1677). Peter Stent (British, fl. c. 1637 – 1665). See BM # P,3.351.
	64. Marie-Claire de Croy, Duchess of Havré (Flemish, 1605 – 1664); engraved by Conraad Waumans, published by Ioannes Meyssens. Inscription: “MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQ3 PRINCEPS STE. IMPERII, \| SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC”. In lower margin: “Antonius van Dyck pinxit.” <–> “Coenraerdus Waumans sculpsit.” <–> “Ioannes Meysens excudit.”. Second state. British Museum # R,1a.188. [Similar to №36, but this one with Ioannes Meysens name present].
	65. Isabel Clara Eugenia, ruler of the Spanish Netherlands (Spanish, 1566 – 1633); engraved by Lucas Vorsterman I. “SERENISSIMA D. ISABELLA. CLARA. EVGENIA. HISPANIARVM INFANS ETC. \| SER.MI ALBERTI. ARCHID. AVSTRIÆ, DVCIS BVRGVNDIÆ, BELGARVM PRINCIPIS, ETC. \| VIDVA, MATER CASTRORVM.” In lower margin: “D. A.van Dÿck Eques pinxit.” <–> “Cū Priuileg.” <–> “LVorsterman sculp.”. Fourth state with initials of Gillis Hendricx burnished. British Museum # 1863,0509.820.
	66. Amalia van Solms, Princess of Orange (German, 1602 – 1675), engraved by Conraad Waumans and published by Johannes Meyssens. Inscription: “EMELIÆ DE SOLMS, D. G. PRINCPES ARAVSIONENSIVM, COMITISSA NASSAUVIÆ, ETC. \| MARCHIONISSA VERÆ ET FLISSINGÆ, BARONISSA BREDÆ, GRAVÆ, DIESTÆ ETC.” In lower margin: “Antonius van Dijck pinxit.”, “Conraet Waumans sculpsit.” and “Ioannes Meysens excudit.”. First, lettered state with the title and production details lettered. [Similar to №32, but this one with Ioannes Meysens name present].
	67. Marie-Marguerite de Berlaymont ( ? – 1654); engraved by Jacobus Neeffs, published by Ioannes Meyssens. Inscription: “D.DNA. MARIA MARGARETA DE BARLEMONT COMITISSA HEGMONDANA.” In lower margin: “Ant. van Dyck pinxit.” <–> “Iacobus Nefs sculpsit.” <–> “Ioes Meyssens exc.”. Fourth state. [Similar to №45, but this one with Ioannes Meysens name present].
	68. Paul de Vos (Flemich, 1596-1678); engraved and etched by Anthony van Dyck and by Schelte Adamsz. Bolswert, published by Gillis Hendricx. Eighth state with the initials of Gillis Hendricx burnished. Inscription: PAVLVS DE VOS PICTOR \| VENATIONVM ANTVERPIÆ.”. “Ant. van Dyck pinxit et \| fecit aqua forti.” <–> “S. à Bol∫wert \| sculpsit. ”. [Look s very much alike №53, but with a two-line inscription and engraved by Bolswert instead of Meyssens, etc.].
	69. Paul-Bernard de Fontaines (French, 1566 – 1643) delineated and engraved by Lucas Vorsterman I (Flemish, 1595 – 1675) in 1615–75. Inscription: “Excellentissimus Dns. Paulus Bernardus Comes de Fontaine. liber Toparcha supremae terrae de fougerolle etc: Armeme tarij Catho. Matis. per Belgium Gnalis Praefectus: Vrbis Brugensis et Territorij fraconatus Magnus Praetor. Supremus nuper armpru Prouinciam flandriae Moderator etc: D.D.L Vorsterman sculptor. delin”. Cut without margins and pasted to inbound leaf. See: MET: Accession Number: 51.501.1332

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Engraved portrait of Erasmus of Rotterdam in an octagonal frame, 1757.

The portrait of Erasmus of Rotterdam (1466 – 1536), half-length, head to the right, body facing right, looking away, in a trompe-l'oeil octagonal frame. Inscriptions: Top right: Tom IV, pag. 686. Center of the image: DIDIER ERASME / Ne a Rotterdam en 1467, mort a Basle en 1536. Bottom of the plate: Holbein pinxit | Flipart Sculp. From the book Histoire générale des Provinces-Unies by Bénigne Dujardin (French, 1689 – 1771?) and Gottfried Sellius (real name Gottfried Sell) (1704? – 1767), published in 1757 in Paris by P. G. Simon. Volume 4, facing p. 686. Size: Sheet: 25 x 17.5 cm; Plate: 19.5 x 13.5 cm; Image: 18 x 12 cm. References: (1) Van Someren v.2, p.249, №1688; (2) https://archive.org/details/histoiregnra04duja/page/n714/mode/2up. Inscription above the plate: nut ink, hand, "231".

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Isaac Bullart. Academie des sciences et des arts / 1st vol. of two. — Amsterdam: Elzevier [i.e. Brussels: Foppens], 1682.

Title: ACADEMIE | DES | SCIENCES | ET DES | ARTS, | Contenant les Vies & les Eloges Historiques des | Hommes Illustres, | Qui ont excellé en ces Professions depuis environ quatre Siécles | parmy diverses Nations de l’Europe : |Avec leurs Pourtraits tirez sur des Originaux au Naturel, & plusieurs Inscriptions | funebres, exactement recueïlies de leurs Tombeaux | Par Isaac Bullart , Chevalier de l’Ordre de Saint Michel. | TOME PREMIER | {allegorical vignette, signed Abr. A Diepenbeke delineavit – Pet. Clouwet sculp.} | Imprimé par les soins de l’Autheur. | A AMSTERDAM, | Se vendent chez les Heritiers de Daniel Elzevier, 1682. || Pagination : [2] – h.t. / blank ; [2] – 1^st vol. t.p. in black and red with vignette engraved by Pet. Clouwet after Abr. Diepenbeke / blank; [7] – dedication to Jacques Theodore de Brias {Jacques-Théodore de Bryas (Dutch, 1630 – 1694)}, [9] – preface, [2] – table demonstrative / stanza by Guilielmus Riverius, [2] vinette “Tardius sed grandius” with an elephant in ornamental frame / text; [2] – Advis au lecteur; [1, 2] – f.t. livre premiere, illustres politiques / blank; [2] – noms politiques / blank (A₁, after f.t.), 3(A₂)-421, [422-424] – table eloges. Collation: [*]⁶, **⁸, A⁶ B-Ggg⁴. (14 prelim. leaves, as in LIB-2675.2021; the LIB-2676.2021 copy has 12) Binding: 34.5 x 22 x 4.3 cm.34.5 x 22 x 4.3 cm, hardbound; full calf, raised bands. The title is drawn by Abraham van Diepenbeeck (Dutch, 1596 - 1675) and engraved by Peeter Clouwet (Flemish, 1629–1670). The first volume of a two-volume set contains 119 copperplate burin-engraved portraits of selected politicians, historians, jurists, writers, and Italian artists. 26 portraits engraved by Esme de Boulonois (French,1645 – 1681), 3 unsigned, and the rest engraved by Nicolas de Larmessin I (French, 1632 – 1694), signed de Larmessin or de Larmeßin or DL. Portrait of Rafael engraved by Lamerssin after Titian; Portrait of Lavinia Vecellio, (Italian, 1530 – 1575), Titian' daughter, engraved by Lamerssin after Titian, Portrait of Jacques Auguste de Thou engraved by de Boulonois after Daniel Dumonstier. Politicians: Antoine Perrenot, Cardinal de Granvelle; Arnaud d'Ossat, Cardinal; Auger Busbeque; Bessarion, Cardinal; François Ximenes, Cardinal; George d'Amboise, Cardinal; Gille Albornoz, Cardinal; Guillaume de Croy; Guy du Faur de Pybrac; Jacques Auguste de Thou; Jean de Selve; Jean Zamoski; Jean de Barnevelt; Jean Armand du Plessis, Cardinal de Richelieu; Jule Mazarin, Cardinal; Michel de l'Hospital; Renaud Pole, Cardinal; Stanislas Hosius, Cardinal; Thomas Morus; Thomas Wolsey, Cardinal. Historians: Bertrand d'Argentré; Cæsar Baronius, Cardinal; Emanuel de Meteren; Enguerand de Monstrelet; Florimond de Remond; François Guicciardin; Fulve Ursin; Guillaume Camden; Henry Catherine d'Avila; Hubert Goltzius; Jacques Amiot; Jean Aventin; Jean Baptiste Platina; Jean Barclay; Jean Froissard; Jean Papirius Masson; Nicolas le Febure; Olivier de la Marche; Onuphre Panuinius; Pandolphe Collenuce; Paul Jove; Philippe de Commines; Pontus Heuterus; Regino Abbé de Prumy; Robert Gaguin; Wolfgang Lazius. Jurists: Alexandre de Tartagnis; André Alciat; André Tiraqueau; Antoine Augustin; Antoine le Febvre; Boece Epo; Charles du Moulin; François Bauduin; Gabriel Mudée; Jacques Cuias; Jason Mainus; Jean Wamese; Mathieu Wesenbec; Philippe Dece; Pierre Peckius; Pierre Pithou; Tibere Decian; Viglius de Zuichem. Writers/Linguists: Ange Politian; Demetrius Chalcondyles; Emanuel Chrysoloras; François Philelphe; François Raphelenge; Guillaume Postel; Jean Argyropilus; Jean Bocace; Jean Lascaris; Jean Passerat; Jean Pierius Valerianus; Jeanne Gray; Nicolas Clenard; Pierre Nannius; Rudolphe Agricola; Theodore Gaza. Italian painters, architects, and sculptors: André Mantegna; André Organa; André del Sarto; André Tafi; André Verrochio; Antoine de Correge; Antoine de Messine; Arnoud di Lappo; Baccio Bandinel; Balthazar Perusi; Bramante d'Urbin; Daniel Ricciarelli; Dominique Beccafumi; Donato; François Mazzuoli; François Primatici; Frere Philippe Lippi; Giorgion; Giotto; Jacques Barozzi de Vignole; Jean Antoine Licinio de Pordenone; Jean Cimabue; Jean d'Udine; Jean François Rustici; Jule Romain; Le Rosso; Leonard de Vinci; Masaccio; Michel-Ange Buonarotti; Perin del Vaga; Philippe Bruneleschi; Philippe Lippi; Polidore de Caravage; Propertia de Rossi; Raphael Sanzio d'Urbin; Sandro Boticelli; Simon Memmi; Taddée Gaddi; Titian Uccello.

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Portrait of Maria Savina, Russian actress. Lithograph by Osip Braz, 1900.

Portrait of Russian actress Maria Gavrilovna Savina, a lithograph on tan paper, by artist Osip Braz, 1900.
Maria Gavrilovna Savina (Мария Гавриловна Савина), a renowned Russian stage actress, born as Maria Podramentsova (Подраменцова) on April 11, 1854 in Kamianets-Podilskyi (Ukraine, Russian Empire) and died on September 21, 1915, in Saint Petersburg. Osip Emmanuilovich Braz (Осип Эммануилович Браз; 16 January 1873 in Odessa - 6 November 1936 near Paris) was a Russian painter of Jewish descent. Imprisoned by the Soviets in 1924 (the Solovki special prison-camp), released in 1926 and emigrated to Germany in 1928. Married to Lola Landshoff. http://russia-ic.com/people/culture_art/b/805/ "All his family members suffered from severe tuberculosis. After losing his wife Lola Lantsgof and both sons, he spent the last year of his life alone. Osip Braz passed away on November 6, 1936, and was laid down to rest at the Bagneux Cemetery in Paris." Buried at Bagneux, Hauts-de-Seine, Île-de-France, France.

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Seated portrait of count Semyon Romanovich Vorontsov, Ambassador.

Seated portrait of Russian diplomat Count Semyon Romanovich Vorontsov (Семён Романович Воронцо́в; 26 June 1744 – 9 July 1832). Engraved by August Weger (Born: 1823 in Nürnberg; died: 1892 in Leipzig) from the portrait painted by Richard Evans (1784–1871). Circa 1825-50. Semyon Romanovich Vorontsov, the son of Count Roman Illarionovich and Marfa Ivanovna Surmina, was born on June 15, 1744; Active Privy Councillor; Ambassador to Venice and London from 1784, for over 20 years. Died in London on June 26, 1832.

Inscription: Графъ Семенъ Романовичь Воронцовъ. Родился въ Москвѣ Iюня 15-го/26 1744, Скончался въ Лондонѣ Iюня 9-го/21 1822. | Le Comte Simon Woronzow. né à Moscou le 26 Juin 1744, Mort à Londres le 21 Juin 1832. | Richd. Evans, Peintre. - Gravé par A. Weger, Leipzig. Vorontsov family coat of arms in the middle.
Dimensions: 23 x 15 cm. Ref.: Подробный словарь русских гравированных портретов Д. А. Ровинского, том. 1, 534-540.

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	1. Engraved title page by Jacob Neeffs in 1646. On the slab supporting the bust, left: “ANT. VAN DYCK”, right: “Ant. van Dyck fecit aqua forti”. On the face of pedestal: “PRINCIPVM \| VIRORVM DOCTORVM, \| PICTORVM CHALCOGRAPHORVM, \| STATVARIORVM NEC NON AMATORVM \| PICTORIÆ ARTIS NVMERO CENTVM \| AB \| ANTONIO VAN DYCK, \| PICTORE AD VIVVM EXPRESSÆ \| EIVSQ: SVMPTIBVS ÆRI INCISÆ.” In cartouche: “ANTVERPIÆ \| Gillis Hendricx excudit \| Anno 1645” (corrected by hand “1646”). At lower left margin: “Iac. Neeffs Sculpsit.” The print with cut off margins pasted to the bound-in leaf. Size of the print: 24.3 x 15.8 cm.
	2. Ferdinand III, Holy Roman Emperor and King of Hungary and Bohemia (1608 – 1657); engraved by Cornelis Galle the Younger (Flemish, 1615–1678) in 1649. Inscription: “FERDINANDUS III. DEI GRAT. IMPERATOR ROM.SEMP.AUGUST. \| GERM. HUNG. BOH. REX: ARCHIDICUX AU ST. DUX BURGUND. ETC.”. Below: “Ant. van Dÿc pinxit” <–> “Corn. Galle Iunior sculp∫it.”<–> “…excudit Antuerpiæ A.o 1649”. Second state with Meyssens’ name burnished.
	3. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Adriaen Lommelin (French, 1637 – c. 1673). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: “Ant. van Dÿc pinxit” <–> “Adr. Lommelin sculpsit”.
	4. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Johannes [Jan] Meyssens (Flemish, 1612 – 1670). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: Antonius Van Dÿck eques pinxit” <–> “...excudit”. Meyssens’ name burnished. [See similar print №61 with Ioannes Meysens name present].
	5. Frederick Henry, Prince of Orange, Count of Nassau (Dutch, 1584 – 1647); engraved by Conrad Waumans [Woumans] (Flemish, 1619 – after 1675). Inscription: “FREDERICVS HENRICVS, D.G. PRINCEPS ARAVSIONENSIVM, COMES \| NASSAVIÆ, ETC. \| MARCHIO VERÆ ET FLISSINGÆ, BARO BREDÆ GRAVÆ, \| DIESTÆ ETC.” Below: “Antonius van Dÿck pinxit” <–> “Conraet Waumans sculpsit” <–> “…excudit”. Meyssens’ name burnished. [Similar to №57, but with Ioannes Meyssens name in place].
	6. Count Ernst von Mansfield (German, 1580 – 1626); engraved by Robert van Voerst (Dutch, 1597 – 1636). Inscription: “ERNESTO PRINCIPI ET COMITI MANSFELDIÆ, MARCHIONI \| CASTELLI-NOVI ET BUTIGLIRIÆ, BARONI AB HELDRUNGEN, GENERALI ETC.” Below “Ant. Van Dÿck pinxit” <–> “Robertus van Voerst Sculpsit”.
	7. Engelbert Taye, Baron of Wemmel (Flemish, ? – 1638); engraved by Cornelis Galle the Younger. “DOMINVS ENGELBERTVS TAIE EQVES, BARO WEMMELIVS ETC.A \| DEPVTATVS ORDINARIVS INTER NOBILES STATVS BRABANTIÆ.”. Below: “Antonius van Dyck pinxit”, “Cornelius Galle iunior ∫culpsit” <–> “…excudit Antuerpiæ.”. Second state, with “Ioannes Meyssens” erased.
	8. Antoine de Bourbon, comte de Moret (French, 1607 – 1632); engraved by Pieter de Bailliu (Flemish, 1613 – after 1660). Inscription: “ATHONIVS BOVRBONIVS, COMES MORETANVS, ET ABBAS S.TI STEPHANI \| CAENTINI, FILIVS NATVRALIS, HENRICI MAGNI ET JACQVELINÆ BVEILANÆ \| COMITISSÆ MORETANÆ,”. Below: “Antonius van dyck pinxit.” <–> “Petrus de Ballu sculpsit.” <–>“… excudit Antverpiæ.”. Second state with “Ioannes Meyssens” erased. Antoine de Bourbon was the illegitimate son of Henri IV, Roi de France and Jacqueline de Bueil, Comtesse de Moret.
	9. Prince Rupert of the Rhine (German, Bohemian, 1619 –1682); engraved by Hendrick Snyers (Flemish, 1611 – 1644). Inscription: “ILLVSTRISSIMVS PRINCEPS ROBBERTVS, COMES PALATINVS RHENI, EQVES \| ORDINIS S.TI GEORGII. HIPPARCHVS SVÆ MAI.TIS MAGNÆ BRITANNIÆ. ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Henricus Snyers sculpsit” <–> “...excudit Antuerpiæ.”. Second state with “Ioannes Meyssens” erased.
	10. Gottfried-Heinrich, Count of Pappenheim; engraved by Cornelis Galle the Younger. Inscription: “GODEFRIDVS-HENRICVS COMES DE PAPENHEIM CONSILIARIVS AVLICVS \| SVÆ CES. MAIES. EIVSQ³ EXERCITVVM MARESCHALLVS GENERALIS.” Lettered with production details below: “Ant. van Dyck pinxit” <–> “C. Galle ∫chulpsit.” <–> “…excudit”. Second state with “Ioan. Meyßens” erased.
	11. Thomas Howard, 14th Earl of Arundel (British, 1585 – 1646); engraved by Lucas Vorsterman the Elder (1595–1675). Inscription: “Illustri∫∫imus Dñs. D.Thomas Howardvs, Comes Arundeliæ et Surreiæ, Primus Angliæ Comes, Dominus \| Howardi, Maltrauers, Mowbray, Segraue, Breus, Clun et O∫estriæ, Comes Mare∫callus Angliæ, Nobilißimi \| Pericelidis ∫iue Garterij ordinis Eques, et Serenißimo Regi Carolo, Magnæ Britaniæ, Franciæ et Hiberniæ \| Regi ab intimis Consilijs, Liberalium artium Mæcenas, et promotor omnion virtutum Actione et Laude.”. Below: “Ut donum hoc, mantenque probes qua consecro, Amori \| Sufficit hocci tuo: Hic Magnvs ARONDELIVS”, “C.O.Q.D.A. VAN DYCK D. Vor∫termani.”, “Cum priuile.”. Third state with ‘Opera Vorstermanni’ burnished and two lines of Latin added below the four lines of the title.
	12. Jan van Montfort [Jean de Montfort] (Flemish, 1567 – 1648); engraved by Pieter de Jode II (Flemish, 1606 – 1670/74). Inscription: “D. IOANNES DE MONTFORT SERENISSIMORVM ARCHIDVCVM ET PRINCIPVM BELGII \| ALBERTI ET ELISABETHÆ AVLARVM PRIMARIVS CONSTITVTOR ET EXORNATOR, NEC \| NON REGIS CATHOLICI MONETARVM CITRA MONTES CONSILIARIVS, ET MAGISTER. \| GENERALIS, NOBILIVMQ3 DOMINARVM PALATII SERENIS.MÆ ELISABETHÆ INVIOLATVS CVSTOS.” Below: “Antonius van Dyck pinxit.” <–> “Petrus de Iode sculpsit.” <–> “…excudit Antuerpiæ”. Second state with “Ioannes Meyssens” erased.
	13. Henry Rich, 1st Earl of Holland (British, 1590 – 1649), engraved by Pieter Clouwet (Flemish, 1629 – 1670). Inscription: “HENRICVS RICHE COMES HOLLANDIÆ BARO DE KENSINGTON NOBILISSIMI \| ORDINIS GARTERII EQVES CAROLI. LOREGIS MAGNÆ BRITANIÆ A CONSILIIS. ETC.”. Below: “Ant. van Dÿck pinxit.” \| “Pet. Clouwet sculpsit” <–> “Gillis Hendricx \| excudit”. Third state with the title added and production details re-engraved.
	14. Honoré d’Urfé, marquis de Valromey, comte de Châteauneuf (French, 1568 – 1625); engraved by Pieter de Bailliu (Flemish, 1613 – 1660). Inscription: “ILLVS.MVS DOMNIVS HONORIVS VRFEIVS NOBILIS ORD.RIVS CVBICVLI REGII, DVX 50. ARMATORVM \| HOMINVM A SVO MANDATO, COMES NOVI CASTELLI, BARO ARCIS MORANDANÆ ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Pet. de Bailliue sculpsit.” <–> “… excudit”. Second lettered state with title and production details, with “Ioannes Meyssens” erased. [There is another copy in this binding, №54, where Ioannes Meysens' name is in place].
	15. Johannes [John VIII], Count of Nassau-Siegen (German, 1583 – 1638); engraved by Lucas Vorsterman I (Flemish, 1595 – 1675). Inscription: in the oval around the portrait “EXCELLENTISSIMVS DOMINVS: D. IOANNES, COMES NASSAOVIÆ, CATTNELLIBOCI: VIANDEN, DIETZ, &C. EQVES AVREI VELLERIS. S. MA: CÆS, MARESCHALIVS, CATH. REG. IN BELGIO. EQVITVM GENERALIS. &C”, in lower margin: “ILLVSTRISSIMÆ PRINCIPI ERNESTINÆ DE LIGNE EIVSDEM D. COMITIS VXORI DD.”, and “AVan Dÿck pinxit.” <–> “Cu Priuleg”. Fourth state with Vorsterman’s address burnished. [For the third state with “Lucas Vorsterman exc” present see № 55].
	16. Joost de Hertoghe (Flemish, ? –1638); engraved by Jacobus Neefs. Inscription: "Me∫∫ire IOSSE DE HERTOGE chevalier ∫.r de franoÿ, hon∫walle etc: con∫eillier du conseil \| de brabant, amba∫∫adeur de la part de ∫a Ma.te catholique co.e ducq de bourgoigne \| et des pais bas, a la diete de rati∫bone de l'an 1636." In Lower margine: "Ant: van Dÿck pinxit.", <–>"Jacobus Neefs ∫culp.". Second, lettered state with the title and production details added.
	17. Philippe Le Roy (Flemish, 1596 – 1679). No inscription. The printmaker is unidentified but is possibly Adriaen Lommelin. The print is a copy of the print by Vorsterman and Pontius.
	18. Schelte Adamsz. Bolswert (Flemish, c. 1586 – 1659); engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “SCELTE A BOLSWART \| CALCOGRAPHVS ANTVERPIÆ”. In lower margin: “Ant. van Dÿc inuentor \| Adr. Lommelin sculpsit” <–> “Gillis Hendricx excudit”. Third state with an entirely different head, title and production details added.
	19. Willem Marquis (Flemish, 1604 – 1640); engraved by Pieter de Jode II. Inscription: “GVILIELMVS MARCQUIS ANTVERP. MED. DOCT. ÆT. 36.A.O 1640.” In lower margin: “Ant. van Dyck Pinxit” <–> “Petr. de Iode sculp.”. Second, lettered state with Borreken’s name burnished and replaced by Van Dyck’s.
	20. Frederik de Marselaer (Flemish, 1584 – 1670); engraved by Adriaen Lommelin. Inscription: “D. FREDERICVS DE MARSELAER, EQVES AVRATVS, TOPARCHA DE PARCK, ELEWYT \| HARSEAVX, HOYCKE, BORNAGE, LIBERIQUE DOMINII DE OPDORP, CONSVL BRVXELLÆ.” Three lines of verse below: “Quantum occulta viris vis nominis ominis addat \| Ceu fatale aliuid; placidum Mars E Lare, scitum, \| Legatusue orbi manifestat, pacis alumnus.”. In lower margin: “Ant. van Dÿck pinxit \| Adrian Lommelin sculpsit” <–> “N. Burgund. Cons. Brab:”. Third state with the roll of paper rounded.
	21. Jan Baptist de Wael I (Flemish, 1558 – 1633); engraved by Adriaen Lommelin. Inscription: “IOANNES DE WAEL.”. In lower margin: “Ant. van Dyck pinxit.”<–> and “Adrian Lommelin sculpsit.”. Second, lettered state with the title and production details. British Museum № 1872,1012.4168.
	22. François van der Ee (Flemish, ? – 1645); engraved and published by Johannes Meyssens. Inscription: “D . FRANCISCVS VANDER EE \| Dñs de Meys, Pretor Ciuitatis Bruxellensis”. In lower margin: “Anton van Dyck pinxit”, and “fecit et excud.”. Fourth, lettered state, finished with the burin, with second line added to the title, with address “Ioannes Meyssens” almost completely burnished.
	23. Quintijn Simons (Flemish, 1592 – after 1634); engraved by Pieter de Jode II. Inscription: “QVINTINVS SIMONIS. \| BRVXELLENSIS PICTOR HISTORIARVM.”. In lower margin: “Ant. van Dijck pinxit.” <–> “Pet. de Iode sculp.”. Third state with second line of title added.
	24. Adriaan Stevens (Flemish, 1561 – 1640); engraved by Adriaen Lommelin. Inscription: "INTEGERRIMVS VIR ADRIANVS STEVENS / S.P.Q. ANTVERP. AB ELEMOSYNIS.". In lower margin:"Ant van Dÿc pinxit." <–> "A. Lommelin sculp.". British Museum # R,1b.20.
	25. Jan van Malderus (Flemish, 1563 – 1633); engraved by Adriaen Lommelin. Inscription: “PERLL.ris et REVEREN.mus DOMINVS. D. IOANNES MALDERVS”. In lower margin: “Ant Van Dÿck pinxit” <–> “Adrianus Lommelin sculpsit”.
	26. Zeger van Hontsum (Flemish, ? – -1643). Engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “Zegerus van Hontsum S.T.L. cathedralis \| pænitentiarius et Canonicus Ecclesiæ Antuerpiensis”. In lower margin: “Ant. van Dÿc pinxit” <–> “Adr. Lommelin sculp.” <–> “G. Hendricx excudit”.
	27. Carolus Scribani (Flemish, 1561 – 1629); engraved by Pieter Clouwet. Inscription: “R. P. CAROLVS SCRIBANIVS Bruxellensis, é Societate IESV; in qua Antuerpiæ et I Bruxellæ Rector, ac Flandro-Belgicæ Provincialis, per multos annos fuit. Pietate, \| doctrina, consilio, rebus bono publico gestis, libris editis clarus. Obijt Antverpiæ \| 24. Iun. anno 1629. ætatis 69.”. In lower margin: “Antonius van Dÿck pinxit.” <–> “Petrus Cloüet Sculpsit.”. Second, lettered state with the title and production details.
	28. Jan Baptist van Bisthoven (Flemish, 1602 – 1655); engraved by Adriaen Lommelin. Inscription: “R.P. IOANNES BAPTISTA DE BISTHOVEN Antverpiensis e societate IESV \| Collegÿ Alostani Rector, nec non in missione fidei catholicæ propagandæ apud exteros \| præpositus obÿt A.o 1655”. In lower margin: “Ant:van Dÿck pinxit”, and “A. Lommelin sculp”. Second, lettered state with the title and production details.
	29. Maria of Austria (Spanish, 1606 – 1646); engraved by Cornelis Galle the Younger, published by Johannes Meyssens. Inscription: “MARIA AUSTRIACA FERD. III. UXOR. I. DEI G. IMP. ROM. SEMP. AUG. \| GERM. HUNG. BOH. REG. ARCHIDUCISSA AUTR. DUCISSA BURGUN. ETC”. In lower margin: “Ant. van Dyck pinxit.” <–> “Corn. Galle Iunior sculpsit.” <–> “...excudit Antuerpiæ A.o 1649”. Third, lettered state with Meyssens’ name burnished badly.
	30. Henriette Marie de Bourbon, Queen of Charles I (French, 1609 – 1669); engraved by Antoine Couchet and Adriaen Lommelin, published by Gillis Hendricx. Inscription: “Serenißima Potenti∫simâq Henrica Maria Dei gratia \| Magne Britaniæ, Franciæ, Hibern. Regina”. In lower margin: “Ant. van Dyck pinxit” <–> “Ioseph Couchet sculp” <–> “Gillis Hendricx exc.”. State with “Lommelin sculp.” right after “Ant. van Dyck pinxit” burnished, but still legible.
	31. Henriette Marie de Bourbon, engraved and published by Ioannes Meyssens. Inscription: “HENRICA MARIA DEI GRATIA MAGNÆ BRITANIÆ FRANCIAÆ HIBERN. REGINA.”. In lower margin: “fecit et excud.” <–> “Anton van Dyck Pinxit”. Third state, finished with a burin; with Meyssens’ name burnished. [Similar to print №62 which has "Ioan. Mey∫ens" signature present].
	32. Amalia van Solms, Princess of Orange (German, 1602 – 1675), engraved by Conraad Waumans and published by Johannes Meyssens. Inscription: “EMELIÆ DE SOLMS, D. G. PRINCPES ARAVSIONENSIVM, COMITISSA NASSAUVIÆ, ETC. \| MARCHIONISSA VERÆ ET FLISSINGÆ, BARONISSA BREDÆ, GRAVÆ, DIESTÆ ETC.”. In lower margin: “Antonius van Dijck pinxit.” <–> “Conraet Waumans sculpsit.” <–> “… excudit”. First, lettered state with the title and production details, with Meyssens’ name burnished. [Similar to №66, which has Ioannes Meysens name present].
	33. Henriette de Lorraine, Princess of Phalsbourg (or Pfalzburg) (French, 1605 – 1660); engraved by Cornelis Galle the Younger, published by Ioannes Meyssens. Inscription: “HENRICA LOTHARINGIÆ, PRINCIPISSA PHALSEBVRGÆ, ET RIXHEIMÆ, COMITISSA \| BOVLAYÆ, BARONISSA ASPIRIMONTIS, DOMINA NOVI-CASTELLI, PRENY \| HOMBVRGI, S.TI ANOLDI, AVANTGARDÆ, SAMPIGNI, FRANC-ALTORFFI ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Cornelius Galle iunior sculpsit.” <–> “… excudit.”. First state with the title and production details, with Ioannes Meyssens’ name burnished. British Museum # R,1a.248.
	34. Ernestine Yolande de Ligne, Countess of Nassau-Siegen (Flemish, 1594 – 1668); engraved by Michiel Natalis, published by Jan Meyssens. Inscription: “ERNESTINA PRINCEPS LIGNEANA ET S.TI IMPERII, COMES NASSAVI. ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Michael Natalis sculpsit.” <–> “…excudit Antuerpiæ.”. Second state with the initials of Ioannes Meyssens erased.
	35. Marie de Barbançon, Princess of Arenberg (1602 – 1675); engraved by Adriaen Lommelin. Inscription: “MARIA DEI GRATIÂ PRINCEPS COMES ARENBERGIÆ \| PRINCEPS BARBASONIA ETC.A”. In lower margin: “Ant. van Dÿck pinxit. \| Adrian. Lommelin sculpsit.”. Second, lettered state with title and production details and adjustments made in the face. British Museum # 1876,1014.181
	36. Marie-Claire de Croy, Duchess of Havré (Flemish, 1605 – 1664); engraved by Conraad Waumans, published by Ioannes Meyssens. Inscription: “MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQ3 PRINCEPS STE. IMPERII, \| SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC.”. In lower margin: “Antonius van Dyck pinxit.” <–> “Coenraerdus Waumans sculpsit.” <–> “…excudit.”. Third state with Ioannes Meyssens’ name burnished. British Museum # 1891,1015.21. [Similar to №64, which has Ioannes Meysens’ name present].
	37. Marie de Barbançon, Princess of Arenberg (1602 – 1675); engraved by Paulus Pontius, published by Ioannes Meyssens. Inscription: “MARIA DEI GRATIÂ PRINCEPS COMES ARENBERGIÆ, \| PRINCEPS BARBASONIA ETC.A”. In lower margin: “Antonius van Dyck pinxit. \| Paulus Pontius sculp. Anno 1645.” <–> “… excudit Antuerpiæ”. Second state with a thick borderline, title and production details added, Ioannes Meyssens’s name burnished.
	38. Karl I Ludwig, Elector Palatine (German, 1617 – 1680); engraved by Wenceslaus Hollar (Bohemian, 1607 – 1677). Inscription: “CAROLVS LVDOVICVS D:G: COMES PALATINVS AD RHENVM, S:ri R.ni IM:rii \| Princeps, Archidapifer & Elector, Dux Bauariæ, …Nobilissimi Ordinis Garterij Eques etc.”. Below: “Ant: van Dyck pinxit” <–> “WHollar fecit,” <–> “1646”. First, lettered state with the title and production details, without “H: van de Borcht excu:”. British Museum # 1867,1012.598. Hendrik van der Borcht II (Dutch, 1614 – c. 1690)
	39. Richard Weston, 1st Earl of Portland (British, 1577 – 1635); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “PERILLUSTRIS DOMINVS HIERONYMVS WESTONIVS, COMES PORTLANDIÆ, \| HEYLANDÆq3, etc’,”. Below: “Antonius van Dyck pinxit”<–> “W: Hollar fecit, aqua forte. 1645”. Ioannes Meyssens’s name completely burnished.
	40. Thomas Howard, 14th Earl of Arundel (British, 1585 – 1646); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: "ILLVSTRIS:us & EXCELLENT:mus D:nus. DOMINVS THOMAS HOWARD, COMES ARXNDELIÆ & SVRRIÆ \| primus Comes & summus Marescallus Angliæ, etc nobilisimi ordiuis Garterÿ Eques, Serenis∫imi po: \| tentis∫imq3 Principis Caroli: Magnæ Britanniæ & Hiberniæ Regis, Fidei defen∫oris, etc. in Anglia, Sco \| tia et Hibernia a Secretioribus Consilijs, et eju∫dem Regis Ao1639. Contra \| Scotos Supremus & Generalis Militiæ Dux,”. In lower margin: “Ant: van Dyck Eques pinxit” <–> “WHollar fecit 1646”. Second state with Ioannes Meyssens’s name completely burnished.
	41. Lucas de Wael (Flemish, 1591 – 1661) and Cornelis de Wael (Flemish, 1592 – 1667); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “LVCAS ET CORNELIVS DE WAEL ANTV: FFr. GERMANI IOis QUI PICTORIAM AR \| TEM HÆREDITARIO IVRE CONSECVTI HIC RVRALIVM, ILLE OMNIGENVM PRÆCIPVEQVE / CONFLICTVVM REPRÆSENTATOR.”. In lower margin: “Ant. van Dyck Eques pinxit.” <–> “W: Hollar fecit, 1646.” <–> “I: Meysens exc”. First, lettered state with the title and production details.
	42. Mary (Elisabetha ) Villiers, Duchess of Lennox and Richmond (British, 1622 – 1685); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “ILLUSTRISS: ma D:ma DOMI.na ELISABETHA VILLIERS DVCESSA DE LENOX ET RICH \| MOND. etc: FILIA GEORGIJ VILLIERS DVCIS ET COMITIS BVCKINGHAMIÆ.”. In lower margin: “Ant: van dyck pinxit” <–> “W:Hollar fecit” <–> “… Antverpiæ.”. Ioannes Meyssens’ name completely burnished. First state with the title and production details.
	43. Frances (Maria) Stuart, Countess of Portland (British, 1617 – 1694); engraved by Wenceslaus Hollar, published by Ioannes Meyssens. Inscription: “ILLVSTRIS: DOMINA DNA: MARIA STVART COMITISSA \| PORTLANDIÆ NEYLANDIÆ, etc.”. Below: “Ant: Van Dycke pinxit,” <–> “W: Hollar fecit, A:o 1650,”, “...excud: Antuerpiæ,”. Second state with Meyssens’ name burnished. British Museum # 1853,0112.1761
	44. Lucy Percy, Countess of Carlisle (British, 1599 – 1660); engraved by Pieter de Bailliu, published by Ioannes Meyssens. Inscription: “LVCIA PERCYE, COMES CARLYLENSIS, MARCGRAVIA \| DONCASTRENSIS BARONISSA HAYÆ IN SALCÏA, ETC.A”. In lower margin: “Antonius van Dyck pinxit.” <–> “Petrus de Baillue sculpsit.” <–> “...excudit Antuerpia.”. Third, lettered state with Joannes Meyssens’ name burnished.
	45. Marie-Marguerite de Berlaymont ( ? – 1654); engraved by Jacobus Neeffs, published by Ioannes Meyssens. Inscription: “D.DNA. MARIA MARGARETA DE BARLEMONT COMITISSA HEGMONDANA.” In lower margin: “Ant. van Dyck pinxit.” <–> “Iacobus Nefs sculpsit.”<–> “...exc.”. Fourth state with Ioannes Meyssens’ name erased. British Museum # 1876,1014.206. [Similar to №67, which has Ioannes Meysens name present].
	46. Béatrix Constance de Cussance, Princess of Cantecroix (French, 1614 – 1663); engraved by Pieter de Jode II, published by Ioannes Meyssens. Inscription: “BEATRIX COSANTIA PRINCEPS CANTECROYANA ETC.A”. In lower margin: “Antonius van Dyck pinxit” <–>“Petrus de Iode sculpsit.” <–> “… excudit Antuerpiæ.”. Second, lettered state with Meyssens’ name burnished.
	47. Johanna de Blois; engraved by Pieter de Jode II, published by Gillis Hendricx. Inscription: “D. IOHANNA DE BLOIS”. In the lower margin: “Ant. van Dÿck pinxit \| Petr. de Iode sculpsit” <–> “Gillis Hendricx \| excudit.”. British Museum # 1876,1014.189.
	48. Katherine Howard, Countess of Newburgh, Lady d’Aubigny (British, ? – 1650); engraved by Adriaen Lommelin, published by Gillis Hendricx. Inscription: “EXCELLmæ ILL.mæq3 DOMINÆ CATHARINÆ HOWARD, EXCELLmi DUCIS LIVOXIÆ \| HÆREDIS CONIUGIS DELECTISSIMÆ, VERA EFFIGIES.” In lower margin: “A. van Dÿck pinxit.” <–> “G. Hendricx excudit” <–> “A. Lommelin scup.”. British Museum # P,3.326
	49. Anna Wake (Flemish, 1606 – 1680); engraved by Pieter Clouwet. Inscription: “D. ANNA WAKE.”. In lower margin: “Ant. van Dÿck pinxit.” <–> “Petrus Clouwet sculpsit”.
	50. Pieter de Jode II (Flemish, 1606-1670/74); engraved by Pieter de Jode II. Inscription: “PETRVS DE IODE IVNIOR / CHALCOGRAPHVS ANTVERPIÆ.”. In lower margin: “Ant. van Dyck pinxit.”<–> “Petrus de Iode sculpsit.”. Third state (before the initials G.H. (of Gillis Hendricx) added. The print with cut off margins pasted to the bound-in leaf.
	51. Mary Ruthven, Lady van Dyck (Scottish, c. 1622 – 1645); engraved and published by Ioannes Meyssens. Inscription: “MARIA RVTEN VXOR D. ANTONI VAN DYCK EQVES”. In lower margin: “Anton.van Dyck pinxit” <–> “Ioan. Meysens fecit et excud.”. First, lettered state with the title and production details. Tired plate. British Museum # 1863,0725.747. Van Dyck's wife.
	52. Sir Balthazar Gerbier (British, Flemish, 1592 – 1663); engraved by Paulus Pontius. Inscription: “D. Balthazar Gerberius Eques Auratus primus post renouationem. \| Foederis cum Hispaniarum Rege anno 1630. A Potentissimo \| et Serenissimo Carolo Magnæ Britanniæ Franciæ et Hiberniæ. Rege, Bruxellas Prolegatus. A:o 1631”. Below “Anton van Dyck pinxit”<–> “Paul Pontius schupcit.”. Top left corner: “Ætatis suæ 42 \| A.o 1634”. The paper in Gerbier’s hand is lettered “viuat \| memoria \| Buckinga: \| mii”.
	53. Paul de Vos (Flemish, 1596 – 1678); printed by Ioannes Meyssens, face and collar engraved by Anthony van Dyck, the body engraved by Ioannes Meyssens. Second, lettered state. Inscription: PAVLVS DE VOS PICTOR”. In lower margin: “Anton. van Dyck pinxit fecit.”, and “Ioan. Meysens excudit.”. British Museum # R,1b.95. [Look s very much alike №68, but with a one-line inscription and engraved by Meyssens instead of Bolswert].
	54. Honoré d’Urfé, marquis de Valromey, comte de Châteauneuf (French, 1568 – 1625); engraved by Pieter de Bailliu (Flemish, 1613 – 1660). Inscription: “ILLVS.MVS DOMNIVS HONORIVS VRFEIVS NOBILIS ORD.RIVS CVBICVLI REGII, DVX 50. ARMATORVM \| HOMINVM A SVO MANDATO, COMES NOVI CASTELLI, BARO ARCIS MORANDANÆ ETC.A”. Below: “Antonius van Dyck pinxit” <–> “Pet. de Bailliue sculpsit.” <–> “Ioanes Meysens excudit.”. Second lettered state with title and production details. [Similar to №14, but with Ioanes Meysens name in place].
	55. Johannes [John VIII], Count of Nassau-Siegen (German, 1583 – 1638); engraved by Lucas Vorsterman I (Flemish, 1595 – 1675). Inscription: in the oval around the portrait “EXCELLENTISSIMVS DOMINVS: D. IOANNES, COMES NASSAOVIÆ, CATTNELLIBOCI: VIANDEN, DIETZ, &C. EQVES AVREI VELLERIS. S. MA: CÆS, MARESCHALIVS, CATH. REG. IN BELGIO. EQVITVM GENERALIS. &C”, in lower margin: “ILLVSTRISSIMÆ PRINCIPI ERNESTINÆ DE LIGNE EIVSDEM D. COMITIS VXORI DD.”. Below: “AVan Dÿck pinxit.” <–> “Cū Priuleg” <–> “Lucas Vorsterman exc”. Third state. [For the fourth state with Lucas “Vorsterman exc” burnished see № 15].
	56. James Hamilton, 1st Duke of Hamilton (British, 1606 – 1649); engraved by Peeter van Lisebetten (Flemish,(1630 – 1678), published by Ioannes Meysens. Inscription: “IACOBVS HAMILTONIVS, MARCHIO AB HAMILTON, COMES \| CAMBRICENSIS ET ARANENSIS, BARO EVENIVS ET ABER: \| BROCHIVS MAGISTRO EQVITVM SVÆ MAIESTATIS \| MAGNE BRITTANIÆ, ET EQUES ORDINIS GARTERY.”.In lower margin: “Ant. van Dÿck pinxit” <–> “Pet. van Lisebetius sculp.”<–> “Ioannes Meÿssens excudit.”. Second state with title and signatures. British Museum # P,2.208.
	57. Frederick Henry, Prince of Orange, Count of Nassau (Dutch, 1584 – 1647); engraved by Conrad Waumans [Woumans] (Flemish, 1619 – after 1675). Inscription: “FREDERICVS HENRICVS, D.G. PRINCEPS ARAVSIONENSIVM, COMES \| NASSAVIÆ, ETC. \| MARCHIO VERÆ ET FLISSINGÆ, BARO BREDÆ GRAVÆ, \| DIESTÆ ETC.”. Below: “Antonius van Dÿck pinxit” <–> “Conraet Waumans sculpsit” <–> “Ioannes Meyssens excudit.” First, lettered state with title and production details. [Similar to №5, but this one with Ioannes Meyssens name present].
	58. Francisco de Moncada, Count d’Osuna (Spanish, 1568 – 1635); engraved by Lucas Vorsterman I. Inscription: “EXCELL.MVS D. FRANCISCVS DE MONCADA MARCHIO AYTONÆ, COMES OSSONÆ VICE– \| COMES CABRERÆ ET BAAS, MAGNVS SENESCALCVS REGNI ARRAGONIÆ, PHILIPPO IV. \| HISPANIAR.INDIARVMQ3 REGI A CONSILIIS STATVS, EIVSDEMQ3 LEGATVS EXTRAORDIN,ET \| SVPREMVS MILITIÆ TERRA MARIQ3 IN BELGIO PRÆFECTVS". Above within portrait frame, to the right: “D.A.van Dÿck pinxit. \| LVorsterman sculpsit.”.
	59. Wolfgang Wilhelm, Count of Pfalz-Neuburg and Duke of Jülich (German, 1578 – 1653); engraved by Lucas Vorsterman I. Inscription: "SERENISSIMVS PRINCEPS WOLFGANGVS WILHELMVS, D.G. COMES PALATINVS RHENI, \| DVX BAVARIÆ, IVLIACÆ, ET MONTIVM :COMES VELDENTII, SPONHEMII \| MARCHIÆ, RAVENSBVRGI ET MOERSII, DOMINVS IN RAVENSTEIN. ETC." In lower margin: "D. A. van Dÿck Eques Pinxit." <–> "Cū. Priuileg:" <–> "LVorsterman sculp.". Fifth state with initials of Gillis Hendricx burnished. British Museum # 1863,0509.825.
	60. Ferdinand, Cardinal Infante of Spain and Archduke of Austria (Spanish, 1609 – 1641); engraved by Pieter de Jode II, published by Ioannes Meyssens. Inscription: “SERENISSIMVS PRINCEPS FERDINANDVS AVSTRIACVS S.R.E CARDINALIS \| BELGARVM BORGVNDIORVMQ3 GVBERNATOR ETC.A”. In lower margin: “Antonius van Dÿck pinxit” <–> “Pet. de Iode fecit” <–> “Ioannes Meysens excudit”. Third, lettered state with title and production details. British Museum # R,1a.28.
	61. Charles I, King of England, Scotland, and Ireland (British, 1600 – 1649); engraved by Johannes [Jan] Meyssens (Flemish, 1612 – 1670). Inscription: “CAROLVS DEI GRATIA MAGNÆ BRITANNIÆ, FRANCIÆ ET HIBERNIÆ REX”. Below: “Antonius Van Dÿck eques pinxit” <–> “Ioan. Meysens excudit”. [Similar to №4, but with Ioannes Meysens name present].
	62. Henriette Marie de Bourbon, engraved and published by Ioannes Meyssens. Inscription: “HENRICA MARIA DEI GRATIA MAGNÆ BRITANIÆ FRANCIAÆ HIBERN. REGINA.” Lettered with production details in lower margin: “Ioan. Meysens fecit et excud.” <–> “Anton van Dyck Pinxit”. Third state, finished with a burin. [Similar to print №31, but this one with Ioan. Mey∫ens signature present].
	63. Mary Ruthven, Lady van Dyck (Scottish, c. 1622 – 1645); copy in reverse by Richard Gaywood after Bolswert (see also №51 by Meyssens) published by Peter Stent. Inscription: “Maria Ruten nata in Anglia vxor Antonÿ van Dyck Pictoris”. Below: “Ant: van Dyck pinx:”, “P Stent excud”, “R: Gaywood fecit”. Below centre: “Sould by John Ouerton at the white horse without New gate”. John Overton, publisher (British, 1639/40 – 1713); Richard Gaywood (British, fl. c. 1644 – 1677). Peter Stent (British, fl. c. 1637 – 1665). See BM # P,3.351.
	64. Marie-Claire de Croy, Duchess of Havré (Flemish, 1605 – 1664); engraved by Conraad Waumans, published by Ioannes Meyssens. Inscription: “MARIA CLARA DE CROIIO, DVX HAVREANA CROYANAQ3 PRINCEPS STE. IMPERII, \| SOVVERANEA ET BARONISSA FENESTRANGIÆ ET COSTÆ COMES FONTENOIIA ETC”. In lower margin: “Antonius van Dyck pinxit.” <–> “Coenraerdus Waumans sculpsit.” <–> “Ioannes Meysens excudit.”. Second state. British Museum # R,1a.188. [Similar to №36, but this one with Ioannes Meysens name present].
	65. Isabel Clara Eugenia, ruler of the Spanish Netherlands (Spanish, 1566 – 1633); engraved by Lucas Vorsterman I. “SERENISSIMA D. ISABELLA. CLARA. EVGENIA. HISPANIARVM INFANS ETC. \| SER.MI ALBERTI. ARCHID. AVSTRIÆ, DVCIS BVRGVNDIÆ, BELGARVM PRINCIPIS, ETC. \| VIDVA, MATER CASTRORVM.” In lower margin: “D. A.van Dÿck Eques pinxit.” <–> “Cū Priuileg.” <–> “LVorsterman sculp.”. Fourth state with initials of Gillis Hendricx burnished. British Museum # 1863,0509.820.
	66. Amalia van Solms, Princess of Orange (German, 1602 – 1675), engraved by Conraad Waumans and published by Johannes Meyssens. Inscription: “EMELIÆ DE SOLMS, D. G. PRINCPES ARAVSIONENSIVM, COMITISSA NASSAUVIÆ, ETC. \| MARCHIONISSA VERÆ ET FLISSINGÆ, BARONISSA BREDÆ, GRAVÆ, DIESTÆ ETC.” In lower margin: “Antonius van Dijck pinxit.”, “Conraet Waumans sculpsit.” and “Ioannes Meysens excudit.”. First, lettered state with the title and production details lettered. [Similar to №32, but this one with Ioannes Meysens name present].
	67. Marie-Marguerite de Berlaymont ( ? – 1654); engraved by Jacobus Neeffs, published by Ioannes Meyssens. Inscription: “D.DNA. MARIA MARGARETA DE BARLEMONT COMITISSA HEGMONDANA.” In lower margin: “Ant. van Dyck pinxit.” <–> “Iacobus Nefs sculpsit.” <–> “Ioes Meyssens exc.”. Fourth state. [Similar to №45, but this one with Ioannes Meysens name present].
	68. Paul de Vos (Flemich, 1596-1678); engraved and etched by Anthony van Dyck and by Schelte Adamsz. Bolswert, published by Gillis Hendricx. Eighth state with the initials of Gillis Hendricx burnished. Inscription: PAVLVS DE VOS PICTOR \| VENATIONVM ANTVERPIÆ.”. “Ant. van Dyck pinxit et \| fecit aqua forti.” <–> “S. à Bol∫wert \| sculpsit. ”. [Look s very much alike №53, but with a two-line inscription and engraved by Bolswert instead of Meyssens, etc.].
	69. Paul-Bernard de Fontaines (French, 1566 – 1643) delineated and engraved by Lucas Vorsterman I (Flemish, 1595 – 1675) in 1615–75. Inscription: “Excellentissimus Dns. Paulus Bernardus Comes de Fontaine. liber Toparcha supremae terrae de fougerolle etc: Armeme tarij Catho. Matis. per Belgium Gnalis Praefectus: Vrbis Brugensis et Territorij fraconatus Magnus Praetor. Supremus nuper armpru Prouinciam flandriae Moderator etc: D.D.L Vorsterman sculptor. delin”. Cut without margins and pasted to inbound leaf. See: MET: Accession Number: 51.501.1332